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Displaying results 1 to 12 of 12.

  1. Shakespeare, rhetoric and cognition
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Bielefeld
    WE795 L988
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    Ruhr-Universität Bochum, Universitätsbibliothek
    JIB8274
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    Universitäts- und Landesbibliothek Düsseldorf
    ango86660.l988
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107007475; 110700747X
    Other subjects: Shakespeare, William, 1564-1616--Criticism and interpretation.; Rhetoric.; Soliloquy.
    Scope: VIII, 267 S.
  2. To be or not to be
    Published: c2007.
    Publisher:  Continuum,, London :

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Series: Shakespeare now
    Subjects: Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616.): Hamlet
    Scope: ix, 108 p.
    Notes:

    Includes index.

  3. Stages and playgoers
    from guild plays to Shakespeare /
    Author: Hill, Janet,
    Published: c2002.
    Publisher:  McGill-Queen's University Press,, Montreal ;

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Subjects: English drama; Mysteries and miracle-plays, English; English drama; Theater audiences; Theater audiences; Theater audiences; Drama; Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616)
    Scope: 241 p.
    Notes:

    Includes bibliographical references (p. [221]-234) and index.

  4. Shakespeare and the history of soliloquies
    Published: c2003.
    Publisher:  Fairleigh Dickinson University Press,, Madison, N.J. :

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Subjects: Soliloquy.; Speech in literature.; English drama
    Other subjects: Shakespeare, William, (1564-1616)
    Scope: 470 p.
    Notes:

    Includes bibliographical references (p. 435-465) and index.

    The representation of thought and the representation of speech -- From antiquity to the middle of the sixteenth century -- The late sixteenth century and early seventeenth century -- Shakespeare's soliloquies : the representation of speech -- Shakespeare's soliloquies : audience address and self-address -- "To be, or not to be" -- From the late seventeenth century to the twentieth century -- Shakespeare's soliloquies transformed -- "The celebrated soliloquy".

  5. The Shakespearean inside :
    a study of the complete soliloquies and solo asides /
    Published: 2017.
    Publisher:  Edinburgh University Press,, Edinburgh :

    'The Shakespearean Inside' is a study of all soliloquies and solo asides (dubbed 'insides' for short) in Shakespeare's complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    'The Shakespearean Inside' is a study of all soliloquies and solo asides (dubbed 'insides' for short) in Shakespeare's complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalise dependably about Shakespeare's authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices.

     

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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9781474418997 (ebook) :
    Subjects: Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616)
    Scope: 1 online resource :, illustrations (black and white)
    Notes:

    Previously issued in print: 2016.

    Includes bibliographical references and index.

  6. To be or not to be
    Published: c2007.
    Publisher:  Continuum,, London :

    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture. Hamlet's speech asks us to ask some of the most serious questions there are regarding knowledge and existence. In it, Shakespeare also expands the limits of the English language. Douglas Bruster therefore reads Hamlet's famous speech in "slow motion" to highlight its material, philosophical and cultural meaning and its resonance for generations of actors, playgoers and readers."--Bloomsbury Publishing.

     

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    Source: Staatsbibliothek zu Berlin
    Media type: Ebook
    Format: Online
    ISBN: 9781472555533 (online)
    Series: Shakespeare now!
    Subjects: Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616.): Hamlet
    Scope: 1 online resource (ix, 108 p.)
    Notes:

    Includes index.

    Includes bibliographical references (p. [105]-106) index.

    Also issued in print.

  7. Shakespeare and the soliloquy in early modern English drama /
    Contributor: Cousins, A. D., (editor.); Derrin, Daniel, (editor.)
    Published: 2018.
    Publisher:  Cambridge University Press,, Cambridge :

    Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Cousins, A. D., (editor.); Derrin, Daniel, (editor.)
    Media type: Ebook
    Format: Online
    ISBN: 1-316-78042-2; 1-316-77911-4; 1-316-78203-4
    Subjects: Soliloquy.; Speech in literature.; English drama; English drama; English language; Drama
    Other subjects: Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616)
    Scope: 1 online resource (x, 278 pages) :, digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Aug 2018).

    Includes bibliographical references and index.

    Machine generated contents note: Introduction A.D. Cousins and Daniel Derrin; 1. Roman soliloquy Joseph A. Smith; 2. Tudor transformations Raphael Falco; 3. Doubtful battle: Marlowe's soliloquies Liam Semler; 4. Shakespeare and the female voice in soliloquy Catherine Bates; 5. Contemplative idiots in soliloquy: rhetorical parody, laughable deformity and the audience Daniel Derrin; 6. Giving voice to history in Shakespeare David Bevington; 7. Hamlet and of truth: humanism and the disingenuous soliloquy A. D. Cousins; 8. Choosing between shame and guilt: Macbeth, Othello, Hamlet and King Lear Patrick Gray; 9. 'Too hot, too hot': the rhetorical poetics of soliloquies in Shakespeare's late plays Kate Aughterson; 10. Ben Jonson's Roman soliloquies James Loxley; 11. Ben Jonson's comic selves Brian Woolland; 12. 'In such a whisp'ring and withdrawing hour': speaking solus in Middleton's The Revenger's Tragedy and the Lady's Tragedy Andrew Hiscock; 13. John Ford's soliloquies: solitude interrupted Huw Griffiths; 14. Davenant's Macbeth: soliloquy, counter-revolution, and restoration Dani Napton and A. D. Cousins; 15. What were soliloquies in plays by Shakespeare and other late Renaissance dramatists? An empirical approach James Hirsh; Select Bibliography; Index.

  8. The Lives of Literature :
    Reading, Teaching, Knowing /
    Published: [2022]; ©2021
    Publisher:  Princeton University Press,, Princeton, NJ :

    Mixing passion and humor, a personal work of literary criticism that demonstrates how the greatest books illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Mixing passion and humor, a personal work of literary criticism that demonstrates how the greatest books illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

     

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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691232324
    Other identifier:
    Subjects: Best books.; Characters and characteristics in literature.; Literature; Self in literature.; LITERARY CRITICISM / General.
    Other subjects: A Book Of.; Alliteration.; Antihero.; Author.; Blood sugar.; Career.; Cause and Effect (Numbers).; Chutzpah.; Classroom.; Close-up.; Coercion.; Colonialism.; Comparative literature.; Correction (novel).; Creative writing.; Credential.; Death poem.; Electric power system.; Emily Dickinson.; En route (novel).; English literature.; Epistemology.; Essay.; Ethos.; Everyday life.; Fiction.; French literature.; Genre.; Geographer.; Grant writing.; Grunt Work.; Guideline.; Heathcliff (Wuthering Heights).; Hotel.; Human Desire.; Humanities.; Ideology.; Imagery.; Intersectionality.; James Merrill.; Jocasta.; John Barth.; Journalism.; Juncture.; Lecture.; Liberal education.; Literary criticism.; Literature.; Louis Althusser.; Madame Bovary.; Misery (novel).; Molloy (novel).; Narrative.; Newspaper.; Newsprint.; Novelist.; Only Words (book).; Pedagogy.; Pen name.; Philosopher.; Picaresque novel.; Playwright.; Poet.; Poetry.; Prose poetry.; Prose.; Rant (novel).; Realia (education).; Recitation.; Respondent.; S. (Dorst novel).; Samuel Beckett.; Saving.; Seminar.; Slavery.; Soliloquy.; Sonnet.; Sophocles.; Spelling.; Standardized test.; Storytelling.; Subtraction.; Sympathy.; Text display.; The Actual (novel).; The Chronicle of Higher Education.; The Newspaper.; The Suspicion (Animorphs).; Thesis.; Treatise.; Urban studies.; Utterance.; Vetting.; William Faulkner.; Wisdom literature.; Wound.; Writer's block.; Writer.; Writing center.; Writing.
    Scope: 1 online resource (352 p.) :, 3 b/w illus.
  9. The Fourth Dimension /
    Published: [2016]; ©1993
    Publisher:  Princeton University Press,, Princeton, NJ :

    In the dramatic monologues that make up The Fourth Dimension--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of... more

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    In the dramatic monologues that make up The Fourth Dimension--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of Greece, past and present. The volume also contains a group of modern narratives, including the famous, and much-anthologized, "Moonlight Sonata." Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety. From "Philoctetes" All the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hallwhere glasses and voices sparkled, and the veilof an unseen dancer rippled silentlylike a diaphanous, whirling wallbetween life and death. This throbbingour childhood nights, lightening the shadows of shieldsetched on white walls by slow moonlight.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bardsley, Beverly, (contributor.); Green, Peter, (contributor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400884407
    Other identifier:
    Series: Princeton Modern Greek Studies ; ; 10
    Subjects: Greek poetry, Modern.; POETRY / European / General.
    Other subjects: Aegisthus.; Aeschylus.; Anachronism.; Annoyance.; Asthma.; Atreus.; Bay leaf.; Bed bug.; Blindman.; Bloody Bones.; Brauron.; Bryaxis.; Calchas.; Castor and Pollux.; Cemetery.; Chandelier.; Chthonian (Cthulhu Mythos).; Clothing.; Clytemnestra.; Cold cream.; Conflagration.; Corset.; Cover Her Face.; Cowardice.; Cyane.; Dionysus.; Drawing room.; Earring.; East Room.; Eleusinian Mysteries.; Erinyes.; Eros.; Euripides.; Fireplace.; Forehead.; Furniture.; Garret.; God Knows (novel).; Graziella.; Greasy hair.; Greek mythology.; Haemon.; Handkerchief.; Hanging.; Heart failure.; Humiliation.; Hurrying.; Hyperbole.; Keening.; Laughter.; Lion Gate.; Mansion.; Mead.; Meanness.; Metempsychosis.; Military parade.; Mothball.; Mourning.; My Bed.; Mycenae.; Napkin.; Neurosis.; Odor.; Odyssey.; Oil lamp.; Pallor.; Poetry.; Porcelain.; Priam.; Pricking.; Putto.; Pylades.; Roast chicken.; Sacred bull.; Seven Against Thebes.; Shirt.; Slavery.; Snoring.; Soliloquy.; Sophocles.; Stairs.; Symplegades.; Tablecloth.; Tattoo.; Tecmessa.; The First Man.; The Other Hand.; Theoclymenus.; Theseus.; Threshing floor.; Tray.; Trireme.; Trojan War.; Twelve Olympians.; Two Old Men.; Urine.; Venus Anadyomene.; Vinegar.; Wooden horse (device).; Wrinkle.
    Scope: 1 online resource (348 p.)
  10. Stages and playgoers :
    from guild plays to Shakespeare /
    Author: Hill, Janet,
    Published: c2002.
    Publisher:  McGill-Queen's University Press,, Montreal ;

    The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in... more

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    The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-282-85969-2; 9786612859694; 0-7735-6970-7
    Other identifier:
    hdl: 2027/heb33529
    Edition: 1st ed.
    Subjects: English drama; Mysteries and miracle-plays, English; English drama; Theater audiences; Theater audiences; Theater audiences; Drama; Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616)
    Scope: 1 online resource (254 p.)
    Notes:

    Bibliographic Level Mode of Issuance: Monograph

    Includes bibliographical references (p. [221]-234) and index.

  11. To be or not to be /
    Published: 2007.
    Publisher:  Continuum,, London :

    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture. Hamlet's speech asks us to ask some of the most serious questions there are regarding knowledge and existence. In it, Shakespeare also expands the limits of the English language. Douglas Bruster therefore reads Hamlet's famous speech in "slow motion" to highlight its material, philosophical and cultural meaning and its resonance for generations of actors, playgoers and readers."--Bloomsbury Publishing.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-4725-5553-8; 1-283-12250-2; 9786613122506; 1-4411-2500-0
    Other identifier:
    Edition: 1st ed.
    Series: Shakespeare now!
    Subjects: Soliloquy.
    Other subjects: Shakespeare, William, (1564-1616.): Hamlet
    Scope: 1 online resource (125 p.)
    Notes:

    Includes index.

    Includes bibliographical references (pages [105]-106) index.

    Also issued in printing.

    Cover; Half-title; Title; Copyright; Contents; General Editors' Preface; 1 In the Shakespeare Museum; 2 What are the Questions?; 3 There's the Rub; 4 How Does it Mean? (The Speech as Poem); 5 The Name of Action (The Speech in Context); 6 Not One Speech but Three, or There's the Point'; 7 Consummation (Some Conclusions); 8 Acknowledgments and Further Reading; Index

  12. Achilles' Choice :
    Examples of Modern Tragedy /
    Published: [2015]; ©2015
    Publisher:  Princeton University Press,, Princeton, NJ :

    Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic... more

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    Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic tradition-among them, Kleist, Goethe, Melville, Yeats, and Faulkner-and suggests that the tradition of tragedy does continue in genres other than drama, that is, in the novel and even in lyric poetry.The notion of tragedy's migration from one genre to others indicates, however, rather sweeping modifications in the theory of tragedy. Achilles' Choice proposes a structural model for tragic criticism that synthesizes the almost scientific theories predominant since World War II with the irrationalist theories they replaced.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-691-64484-5; 1-4008-7002-X
    Other identifier:
    Edition: 1st ed.
    Series: Princeton Essays in Literature ; ; 1414
    Subjects: Drama; Tragedy; Tragedy.
    Other subjects: Absalom.; Act of Violence.; Aeschylus.; Afterword.; Ahab.; Analogy.; Anecdote.; Anthropomorphism.; Antinomy.; Antithesis.; Apollonian and Dionysian.; Arthur Schopenhauer.; Boredom.; Brute fact.; Clytemnestra.; Counterculture.; Criticism.; D. H. Lawrence.; Deal with the Devil.; Dialectic.; Dialectician.; Dichotomy.; Die Welt.; Dionysian Mysteries.; Dithyramb.; Dudley Fitts.; Electra complex.; Emblem.; Epic poetry.; Equivalents.; F. L. Lucas.; Fairy.; Falsity.; Faust.; Fiction.; Francis Fergusson.; Genre.; George Steiner.; Good and evil.; Greek chorus.; Greek mythology.; Greek tragedy.; Hamartia.; Hedonism.; Humour.; Hymn to Proserpine.; Hypocrisy.; Ideology.; Individuation.; Irony.; Irresistible force paradox.; Jacques Derrida.; Literature.; Long Day's Journey into Night.; Lurch (The Addams Family).; Lyric poetry.; Michael Robartes and the Dancer.; Moby-Dick.; Monomania.; Mourning Becomes Electra.; Name-dropping.; Nihilism.; Novella.; On the Eve.; On the Mountain.; Only Words (book).; Oreste.; Outrageous Fortune (TV series).; Paradox.; Parody.; Pessimism.; Philosopher.; Philosophy of Friedrich Nietzsche.; Philosophy.; Picaresque novel.; Playwright.; Poetry.; Prose.; Pylades.; Rainer Maria Rilke.; Romanticism.; Rosencrantz and Guildenstern.; Slavery.; Soliloquy.; Sophistication.; Stanza.; Symptom.; The Birth of Tragedy.; The Case of Wagner.; The Countess Cathleen.; The Giver.; The Other Hand.; Theodore Dreiser.; Tragedy.; Tragic hero.; Uncle Vanya.; W. B. Yeats.; Walter Kaufmann (philosopher).; William Shakespeare.; Writing.
    Scope: 1 online resource (193 pages).
    Notes:

    Includes index.

    Bibliography: p. 173-174.