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  1. Early German Romanticism
    Its Founders and Heinrich von Kleist
    Author: Silz, Walter
    Published: [1929]
    Publisher:  Harvard University Press, Cambridge, Mass.

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  2. Metamorphosis
    The Mind in Exile
    Author: Skulsky, Harold
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674424982; 9780674424975
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    Subjects: Imagination / History; Romanticism / Great Britain; Romanticism / Germany; Empiricism / History; Enlightenment / History; Imagination / Histoire; Siècle des lumières / Histoire; Romantisme / Grande-Bretagne; Romantisme / Allemagne; Empirisme / Histoire; Geschichte; Philosophie; Enlightenment; Creation (Literary, artistic, etc.); Création littéraire; Empiricism; Imagination; Romanticism; Creativiteit; Verbeelding; Verbeeldingskracht; Verlichting (cultuurgeschiedenis); Romantiek; Deutsch; Englisch; Literatur; Romantik; Theorie; Metamorphose <Motiv>; Literatur
    Scope: 1 Online-Ressource (244p.)
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    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience
  3. The creative imagination
    enlightenment to romanticism
    Author: Engell, James
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

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  4. Eine Kulturpoetik des Adels in der Romantik
    Verhandlungen zwischen 'Adeligkeit' und Literatur um 1800
    Author: Strobel, Jochen
    Published: [2010]; ©2010
    Publisher:  De Gruyter, Berlin ; Boston

    Spätestens seit der Französischen Revolution geriet ,Adel' als politisches Konzept in die Defensive. In den literarischen Texten wie auch in den Lebensläufen zahlreicher Autoren der Romantik ist der Adel dennoch erstaunlich präsent. Analysen zu... more

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    Spätestens seit der Französischen Revolution geriet ,Adel' als politisches Konzept in die Defensive. In den literarischen Texten wie auch in den Lebensläufen zahlreicher Autoren der Romantik ist der Adel dennoch erstaunlich präsent. Analysen zu Texten von Novalis, Tieck, Kleist, Brentano, Eichendorff u.a. erweisen, dass Bedeutungsaspekte von ,Adel' wie ,Spiel', ,Anökonomie', ,Rittertum', ,Genealogie' (dem Adel zugeschriebene Praktiken also) zur Realisierung romantischer Transzendentalpoesie beitragen. An der Schwelle moderner Autorschaft bewegen sich zudem die Romantiker zwischen einem Adel der Geburt und einem Aristokratismus der Distanz zum literarischen Markt.Kulturhistorische und literaturwissenschaftliche Fragestellungen werden verschränkt zu einer ,Kulturpoetik', einem "Studium der kollektiven Erzeugung unterschiedlicher kultureller Praktiken und d[er] Erforschung der Beziehungen zwischen ihnen" (Stephen Greenblatt): In ihrer Summe konfigurieren literarische und andere neue Entwürfe von ,Adel' "soziale Energie" noch im Zeichen des sozialen Abstiegs und des langsamen Abschieds von einer jahrhundertealten Kultur

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110229400
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    RVK Categories: GK 2799
    Series: Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 66 (300)
    Other subjects: German literature / History and criticism / 18th century; German literature / History and criticism / 19th century; Nobility in literature; Romanticism / Germany; Adel/i. d. Literatur; Nobility/in Literature; Political Romanticism; Politische Romantik; Schriftsteller; Schriftsteller; Adel / Motiv; Deutsch; Literatur; Adel; LITERARY CRITICISM / European / German
    Scope: 1 online resource (492 p.)
    Notes:

    Habilitation
  5. Emotionen in der Romantik
    Repräsentation, Ästhetik, Inszenierung. Salzburger Kolloquium der Internationalen Arnim-Gesellschaft
    Published: [2012]; ©2012
    Publisher:  De Gruyter, Berlin ; Boston

    Romantik und Emotionsdarstellung scheinen genuin zusammenzugehören: Mit der Fokussierung der Ästhetik der Emotionen, ihrer gattungstypischen Inszenierung und Repräsentation bei Arnim, Günderrode, Goethe, Heine, Hoffmann, Schiller, Tieck u.a. bietet... more

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    Romantik und Emotionsdarstellung scheinen genuin zusammenzugehören: Mit der Fokussierung der Ästhetik der Emotionen, ihrer gattungstypischen Inszenierung und Repräsentation bei Arnim, Günderrode, Goethe, Heine, Hoffmann, Schiller, Tieck u.a. bietet der Band eine breite Erarbeitung dieses Spannungsverhältnisses. Emotionstheoretisch gilt auch heute noch Herders Diktum: "Empfindung und Wort sind sich so gar entgegen: der wahrhafte Affekt ist stumm, durchbraust unsre ganze Brust inwendig eingeschlossen." Die Beiträge analysieren entsprechend den ›Umgang‹ mit bzw. die Repräsentation von Emotionen in der Literatur der Romantik. Die Tatsache, dass Gefühle anderer nie direkt zugänglich sind und eigene Gefühle nur durch willkürliche Zeichen (Worte) oder Körperzeichen anderen vermittelt bzw. dem Fühlenden bewusst werden können, steht im Mittelpunkt des Interesses an literarischen Gefühlsdarstellungen. Emotionen sind in der Wahrnehmung, auch in der Eigenwahrnehmung immer schon vermittelt; für fiktionale Emotionsdarstellungen würde, denkt man die Mittelbarkeit zu Ende, also gelten, dass sie nur "als diskursive bzw. ästhetische, nicht als real-psychische Entitäten" existieren (Rüdiger Schnell)

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110280005
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    RVK Categories: GK 2799
    Series: Schriften der Internationalen Arnim-Gesellschaft ; 9
    Other subjects: Emotions in literature; German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Arnim, Achim von; Emotion; Literary Studies; Literaturwissenschaft; Romanticism/Literature; Romantik/i.d. Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (288 p.)
  6. Heine und Byron
    Poetik eingreifender Kunst am Beginn der Moderne
    Author: Böhm, Alexandra
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

    Die komparatistische Untersuchung verortet zentrale Texte von Heine und Byron poetologisch und epochengeschichtlich zwischen Romantik und Realismus vor dem Hintergrund einer europäischen Literatur- und Kulturgeschichte des 19. Jahrhunderts. Heines... more

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    Die komparatistische Untersuchung verortet zentrale Texte von Heine und Byron poetologisch und epochengeschichtlich zwischen Romantik und Realismus vor dem Hintergrund einer europäischen Literatur- und Kulturgeschichte des 19. Jahrhunderts. Heines Byron-Rezeption wird dabei unter Rückgriff auf Pierre Bourdieus Theorie des literarischen Feldes neu evaluiert, wobei statt des bisherigen Paradigmas des Weltschmerzes erstmals der Fokus auf eine Poetik eingreifender Kunst gerichtet wird, die Heine und Byron in ihren Texten zwischen 1815 und 1830 entwickeln. Mit diesem transgressiven Konzept performativen Schreibens, das sich in skandalisierenden Schriften wie "Die Bäder von Lukka" und "The Vision of Judgment" zeigt, werden frühromantische Positionen zum Verhältnis von Kunst und Leben aufgegriffen, umcodiert und transformiert. In Detailstudien von Byrons "Childe Harold IV" und Heines "Die Reise von München nach Genua" wird gezeigt, wie sich eine Politisierung der Poetik zu einer eingreifenden Kunst in der textuellen Auseinandersetzung der beiden Autoren mit dem zeitgenössischen Italien und seiner diskursiven Konstruktion vollzieht und damit eine neue Form postromantischen Schreibens realisiert wird

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110283822
    Other identifier:
    RVK Categories: GL 5418
    Series: Hermaea. Neue Folge ; 126
    Other subjects: Poetics / History / 19th century; Romanticism / Germany; Heine, Heinrich; Intertextuality; Intertextualität; Lord Byron; Reception; Rezeption; Scandal; Skandal; Rezeption; Poetik; Performativität / Kulturwissenschaften; LITERARY CRITICISM / European / German
    Scope: 1 online resource (478 p.)
  7. The Cambridge companion to German Romanticism
    Contributor: Saul, Nicholas (Publisher)
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Contributor: Saul, Nicholas (Publisher)
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    ISBN: 9781139002554
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    RVK Categories: GK 2566 ; GK 2652 ; GK 2501
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    Series: Cambridge companions to ...
    The companions to literature and classics
    Subjects: Arts, German / 19th century; Romanticism / Germany; Literatur; Deutsch; Romantik
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  8. The Cambridge companion to German Romanticism
    Contributor: Saul, Nicholas (Publisher)
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Contributor: Saul, Nicholas (Publisher)
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    ISBN: 9781139002554
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    RVK Categories: GK 2566 ; GK 2652
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    Series: Cambridge companions to ...
    The companions to literature and classics
    Subjects: Arts, German / 19th century; Romanticism / Germany; Romantik; Literatur; Deutsch
    Scope: 1 Online-Ressource (XX, 335 S.)
  9. Memory in German Romanticism
    imagination, image, reception
    Contributor: Clason, Christopher R. (Publisher); Rockelmann, Joseph D. (Publisher); Weiler, Christina M. (Publisher)
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "'Memory in German Romanticism' treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image,... more

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    "'Memory in German Romanticism' treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cerebral functions, seek to assemble the elements of one's own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination creates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, images, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts"

     
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    Contributor: Clason, Christopher R. (Publisher); Rockelmann, Joseph D. (Publisher); Weiler, Christina M. (Publisher)
    Language: English; German
    Media type: Conference proceedings
    Format: Online
    ISBN: 9781003312239; 9781000839029
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    Corporations / Congresses: International Conference on Romanticism (2017, El Paso, Tex.)
    Series: Routledge studies in nineteenth century literature
    Subjects: Gedächtnis <Motiv>; Literatur; Deutsch; Romantik
    Other subjects: Kleist, Heinrich von (1777-1811); Heine, Heinrich (1797-1856); Novalis (1772-1801); Bernhardi, Sophie (1775-1833); Hoffmann, E. T. A. (1776-1822); Tieck, Ludwig (1773-1853); Memory in literature; German literature / 19th century / History and criticism; Romanticism / Germany; German literature; Romanticism; Germany; 1800-1899; Criticism, interpretation, etc; Essays; Literary criticism
    Scope: 1 Online-Ressource (xi, 263 Seiten)
  10. Improvisation as art
    conceptual challenges, historical perspectives
    Author: Landgraf, Edgar
    Published: 2011
    Publisher:  Continuum, New York [u.a.]

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781441146946
    RVK Categories: GE 3812 ; EC 2260 ; EC 1975
    Series: New directions in German studies ; 1
    Subjects: Improvisation in art; Aesthetics, Modern / 18th century; Aesthetics, Modern / 19th century; Romanticism / Germany; Art, Modern / 18th century; Art, Modern / 19th century; Improvisation; Künste
    Scope: X, 165 S.
    Notes:

    Includes bibliographical references and index
  11. From Goethe to Novalis
    studies in classicism and romanticism : festschrift for Dennis F. Mahoney in celebration of his sixty-fifth birthday = Festschrift for Dennis F. Mahoney in celebration of his sixty-fifth birthday
    Contributor: Mahoney, Dennis F.; Mieder, Wolfgang (Publisher)
    Published: [2015]; © 2015
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Contributor: Mahoney, Dennis F.; Mieder, Wolfgang (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453914151; 1453914153; 9781433127601; 1433127601
    Series: Frau Minne und die Liebenden
    Subjects: Classicism; German literature; Romanticism; Literatur; Deutsch; LITERARY CRITICISM / European / German; Classicism / Germany; German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Array; Literatur; Deutsch
    Other subjects: Mahoney, Dennis F. (1950-)
    Scope: 1 online resource (xxvi, 339 pages)
    Notes:

    Print version record

    Tabula gratulatoria -- Preface -- Classicism. Goethe seen Anew: Egon Günther's film Lotte in Weimar -- The thematic significance of astrology in Schiller's Wallenstein -- The French Revolution as volcano: Goethe and Georg Forster -- Primeval formation: interpreting Wilhelm Meisters Lehrjahre with the help of Goethe's Urworte. Orphisch -- Goethe's autobiographical writings -- Schillers Der Geisterseher: a princely experiment or the creation of a "spiritualist" -- On the periphery of Weimar classicism: passion, patriarchy and political machinations in Caroline von Wolzogen's Agnes von Lilien (1797) and Barbara Honigmann's Eine Liebe aus nichts -- Maria Stuart adaptations in the twentieth and twenty-first centuries: from "classical" parodies to contemporary politics -- Transition. The French Revolution and the bildungsroman -- Painting the red flower blue: developments in research on the novels of the Age of Goethe since 1968 --

    The apprenticeship of the reader: the bildungsroman of the "Age of Goethe" -- The channeling of a literary revolution: Goethe, Schiller, and the genesis of German romanticism -- Romanticism. The myth of death and resurrection in Heinrich von Ofterdingen -- Double into doppelgänger: the genesis of the doppelgänger motif in the novels of Jean Paul and E.T.A. Hoffmann -- Stages of enligthenment: Lessing's Nathan der Weise and Novalis' Heinrich von Ofterdingen -- A "schützenkönig" for Kuhschnappel: social reality and wish projection in Jean Paul's Siebenkäs -- Human history as natural history in Heinrich von Ofterdingen and Die Llehrlinge zu Sais -- "Was nicht ist, kann noch werden": proverbs and early German romanticism -- Old, new, and (un)known worlds: history and fiction in Achim von Arnim's Die Kronenwächter and Edward P. Jones's The known world -- Romanticizing the everyday: Penelope Fitzgerald's The blue flower --

    Double trouble: uncanny secrets in E.T. A. Hoffmann's and Otto Ludwig's Das Fräulein von Scuderi -- List of publications

    "Achim von Arnim, Bildungsroman, Classicism, German literature, Johann Wolfgang von Goethe, E.T.A. Hoffmann, Dennis F. Mahoney, Novalis, novel, Jean Paul, Romanticism, Friedrich Schiller" --
  12. The early political writings of the German romantics
    Contributor: Beiser, Frederick C. (Publisher)
    Published: 1996
    Publisher:  Cambridge University Press, Cambridge

    The Early Political Writings of the German Romantics contains all the essential political writings of Friedrich Schlegel, Schleiermacher and Novalis during the formative period of romantic thought (1797 to 1803). While the political thought of the... more

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    The Early Political Writings of the German Romantics contains all the essential political writings of Friedrich Schlegel, Schleiermacher and Novalis during the formative period of romantic thought (1797 to 1803). While the political thought of the German romantics has been generally recognised as important, it has been little studied, and most of the texts have been until now unavailable in English. The early romantics had an ambition still relevant to contemporary political thought: how to find a middle path between conservatism and liberalism, between an ethic of community and the freedom of the individual. Frederick C. Beiser's edition comprises all kinds of texts relevant for understanding the political ideas of the early romantic circles in Berlin and Jena - essays, lectures, aphorisms, chapters from books, and jottings from notebooks. All have been translated anew, many for the first time

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Beiser, Frederick C. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139170604
    Other identifier:
    RVK Categories: MC 6100
    Series: Cambridge texts in the history of political thought
    Subjects: Geschichte; Politik; Politische Wissenschaft; Political science / Germany / History; Romanticism / Germany; Politische Theorie; Romantik
    Scope: 1 online resource (xli, 203 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Array: Array
  13. The Literature of German Romanticism
    Contributor: Mahoney, Dennis F. (Publisher)
    Published: 2004
    Publisher:  Boydell & Brewer, Suffolk

    This volume of sharply focused essays by an international team of scholars deals not only with the most significant literary, philosophical, and cultural aspects of German Romanticism - one of the most influential, albeit highly controversial... more

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    This volume of sharply focused essays by an international team of scholars deals not only with the most significant literary, philosophical, and cultural aspects of German Romanticism - one of the most influential, albeit highly controversial movements in the history of German literature - but also with the history and status of scholarship on the literature of the period. The introduction and first section establish an overall framework by placing German Romanticism within a European context that includes its English counterpart. Goethe and Schiller are considered, as are the Jena Romantics. The second section is organized according to the traditional distinctions between epic, dramatic, and lyric modes of writing, while realizing that particularly in the Romantic novel, there was an attempt to blend these three. A final group of essays focuses on German literary Romanticism's relation to other aspects of German culture: folklore studies, politics, psychology, natural science, gender presentation and representation, music, and visual art. Contributors: Gerhard Schulz, Arnd Bohm, Richard Littlejohns, Gerhart Hoffmeister, Ulrich Scheck, Claudia Stockinger, Bernadette Malinowski, Fabian Lampart, Klaus Peter, Gabriele Rommel, Martha B. Helfer, Kristina Muxfeldt, Beate Allert, Paul Bishop and R. H. Stephenson, Nicholas Saul. Dennis F. Mahoney is Professor of German and Director of the European Studies Program at the University of Vermont

     
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    Source: Union catalogues
    Contributor: Mahoney, Dennis F. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136244
    RVK Categories: GE 4001 ; GK 2501 ; GK 2652
    Subjects: German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Deutsch; Literatur; Romantik
    Scope: 1 online resource (419 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    From "Romantick" to "Romantic": The genesis of German Romanticism in late Eighteenth-Century Europe -- Goethe and the Romantics -- Early Romanticism -- From Goethe's Wilhelm Meister to anti-Meister novels: The Romantic Novel between Tieck's William Lovell and Hoffmann's Kater Murr -- Tales of wonder and terror -- The Romantic drama -- German Romantic poetry in theory and practice: the Schlegel brothers, Schelling, Tieck, Novalis, Eichendorf, Brentano, and Heine -- The turn to history and the Volk -- History and moral imperatives -- Romanticism and natural science -- Gender studies and Romanticism -- The Romantic preoccupation with musical meaning -- Romanticism and the visual arts -- Goethe's late verse -- The reception of German Romanticism in the Twentieth Century
  14. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Author: Pirholt, Mattias
    Published: 2012
    Publisher:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... more

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    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Categories: GK 4675
    Subjects: Mimesis in literature; Romanticism / Germany; Deutsch; Mimesis; Romantik; Literatur
    Other subjects: Goethe, Johann Wolfgang von / 1749-1832 / Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Schlegel, Friedrich von (1772-1829): Lucinde; Brentano, Clemens (1778-1842): Godwi
    Scope: 1 online resource (x, 230 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism
  15. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Author: Pirholt, Mattias
    Published: 2012
    Publisher:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... more

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    Universitätsbibliothek Bamberg
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    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Categories: GK 4675
    Subjects: Mimesis in literature; Romanticism / Germany; Deutsch; Mimesis; Romantik; Literatur
    Other subjects: Goethe, Johann Wolfgang von / 1749-1832 / Wilhelm Meisters Lehrjahre; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Brentano, Clemens (1778-1842): Godwi; Schlegel, Friedrich von (1772-1829): Lucinde
    Scope: 1 online resource (x, 230 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism
  16. The Literature of German Romanticism
    Contributor: Mahoney, Dennis F. (Publisher)
    Published: 2004
    Publisher:  Boydell & Brewer, Suffolk

    This volume of sharply focused essays by an international team of scholars deals not only with the most significant literary, philosophical, and cultural aspects of German Romanticism - one of the most influential, albeit highly controversial... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This volume of sharply focused essays by an international team of scholars deals not only with the most significant literary, philosophical, and cultural aspects of German Romanticism - one of the most influential, albeit highly controversial movements in the history of German literature - but also with the history and status of scholarship on the literature of the period. The introduction and first section establish an overall framework by placing German Romanticism within a European context that includes its English counterpart. Goethe and Schiller are considered, as are the Jena Romantics. The second section is organized according to the traditional distinctions between epic, dramatic, and lyric modes of writing, while realizing that particularly in the Romantic novel, there was an attempt to blend these three. A final group of essays focuses on German literary Romanticism's relation to other aspects of German culture: folklore studies, politics, psychology, natural science, gender presentation and representation, music, and visual art. Contributors: Gerhard Schulz, Arnd Bohm, Richard Littlejohns, Gerhart Hoffmeister, Ulrich Scheck, Claudia Stockinger, Bernadette Malinowski, Fabian Lampart, Klaus Peter, Gabriele Rommel, Martha B. Helfer, Kristina Muxfeldt, Beate Allert, Paul Bishop and R. H. Stephenson, Nicholas Saul. Dennis F. Mahoney is Professor of German and Director of the European Studies Program at the University of Vermont

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Mahoney, Dennis F. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136244
    RVK Categories: GE 4001 ; GK 2501 ; GK 2652
    Subjects: German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Romantik; Deutsch; Literatur
    Scope: 1 online resource (419 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    From "Romantick" to "Romantic": The genesis of German Romanticism in late Eighteenth-Century Europe -- Goethe and the Romantics -- Early Romanticism -- From Goethe's Wilhelm Meister to anti-Meister novels: The Romantic Novel between Tieck's William Lovell and Hoffmann's Kater Murr -- Tales of wonder and terror -- The Romantic drama -- German Romantic poetry in theory and practice: the Schlegel brothers, Schelling, Tieck, Novalis, Eichendorf, Brentano, and Heine -- The turn to history and the Volk -- History and moral imperatives -- Romanticism and natural science -- Gender studies and Romanticism -- The Romantic preoccupation with musical meaning -- Romanticism and the visual arts -- Goethe's late verse -- The reception of German Romanticism in the Twentieth Century
  17. Dante in Deutschland
    an itinerary of Romantic myth
    Author: DiMassa, Daniel
    Published: [2022]; © 2022
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

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  18. Memory in German Romanticism
    imagination, image, reception
    Contributor: Clason, Christopher R. (Publisher); Rockelmann, Joseph D. (Publisher); Weiler, Christina M. (Publisher)
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "'Memory in German Romanticism' treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image,... more

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    "'Memory in German Romanticism' treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cerebral functions, seek to assemble the elements of one's own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination creates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, images, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts"

     
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    Contributor: Clason, Christopher R. (Publisher); Rockelmann, Joseph D. (Publisher); Weiler, Christina M. (Publisher)
    Language: English; German
    Media type: Conference proceedings
    ISBN: 9781032319841
    Corporations / Congresses: International Conference on Romanticism (2017, El Paso, Tex.)
    Series: Routledge studies in nineteenth century literature
    Subjects: Gedächtnis <Motiv>; Literatur; Deutsch; Romantik
    Other subjects: Kleist, Heinrich von (1777-1811); Heine, Heinrich (1797-1856); Novalis (1772-1801); Bernhardi, Sophie (1775-1833); Hoffmann, E. T. A. (1776-1822); Tieck, Ludwig (1773-1853); Memory in literature; German literature / 19th century / History and criticism; Romanticism / Germany; German literature; Romanticism; Germany; 1800-1899; Criticism, interpretation, etc; Essays; Literary criticism
    Scope: xi, 263 Seiten, 23 cm
  19. The creative imagination
    enlightenment to romanticism
    Author: Engell, James
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  20. Early German Romanticism
    Its Founders and Heinrich von Kleist
    Author: Silz, Walter
    Published: [1929]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  21. Metamorphosis
    The Mind in Exile
    Author: Skulsky, Harold
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674424982
    Other identifier:
    Subjects: Imagination / History; Romanticism / Great Britain; Romanticism / Germany; Empiricism / History; Enlightenment / History; Imagination / Histoire; Siècle des lumières / Histoire; Romantisme / Grande-Bretagne; Romantisme / Allemagne; Empirisme / Histoire; Geschichte; Philosophie; Enlightenment; Creation (Literary, artistic, etc.); Création littéraire; Empiricism; Imagination; Romanticism; Creativiteit; Verbeelding; Verbeeldingskracht; Verlichting (cultuurgeschiedenis); Romantiek; Deutsch; Englisch; Literatur; Romantik; Theorie; Metamorphose <Motiv>; Literatur
    Scope: 1 Online-Ressource (244p.)
    Notes:

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience
  22. Romantic Egypt
    abyssal ground of British romanticism
    Author: Fay, Elizabeth A.
    Published: [2021]
    Publisher:  Lexington Books, Lanham

    "Romantic Egypt argues that the balance between knowing and not-knowing, between deciphering and imagining an archaic Egypt, was essential to the development of the Romantic imaginary, particularly in Britain and Germany: for the Romantics western... more

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    "Romantic Egypt argues that the balance between knowing and not-knowing, between deciphering and imagining an archaic Egypt, was essential to the development of the Romantic imaginary, particularly in Britain and Germany: for the Romantics western philosophy and art had their birth in Ancient Egypt"--

     
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  23. Emotionen in der Romantik
    Repräsentation, Ästhetik, Inszenierung. Salzburger Kolloquium der Internationalen Arnim-Gesellschaft
    Published: [2012]; ©2012
    Publisher:  De Gruyter, Berlin ; Boston

    Romantik und Emotionsdarstellung scheinen genuin zusammenzugehören: Mit der Fokussierung der Ästhetik der Emotionen, ihrer gattungstypischen Inszenierung und Repräsentation bei Arnim, Günderrode, Goethe, Heine, Hoffmann, Schiller, Tieck u.a. bietet... more

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    Romantik und Emotionsdarstellung scheinen genuin zusammenzugehören: Mit der Fokussierung der Ästhetik der Emotionen, ihrer gattungstypischen Inszenierung und Repräsentation bei Arnim, Günderrode, Goethe, Heine, Hoffmann, Schiller, Tieck u.a. bietet der Band eine breite Erarbeitung dieses Spannungsverhältnisses. Emotionstheoretisch gilt auch heute noch Herders Diktum: "Empfindung und Wort sind sich so gar entgegen: der wahrhafte Affekt ist stumm, durchbraust unsre ganze Brust inwendig eingeschlossen." Die Beiträge analysieren entsprechend den ›Umgang‹ mit bzw. die Repräsentation von Emotionen in der Literatur der Romantik. Die Tatsache, dass Gefühle anderer nie direkt zugänglich sind und eigene Gefühle nur durch willkürliche Zeichen (Worte) oder Körperzeichen anderen vermittelt bzw. dem Fühlenden bewusst werden können, steht im Mittelpunkt des Interesses an literarischen Gefühlsdarstellungen. Emotionen sind in der Wahrnehmung, auch in der Eigenwahrnehmung immer schon vermittelt; für fiktionale Emotionsdarstellungen würde, denkt man die Mittelbarkeit zu Ende, also gelten, dass sie nur "als diskursive bzw. ästhetische, nicht als real-psychische Entitäten" existieren (Rüdiger Schnell)

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110280005
    Other identifier:
    RVK Categories: GK 2799
    Series: Schriften der Internationalen Arnim-Gesellschaft ; 9
    Subjects: Emotions in literature; German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Arnim, Achim von; Emotion; Literary Studies; Literaturwissenschaft; Romanticism/Literature; Romantik/i.d. Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (288 p.)
  24. Heine und Byron
    Poetik eingreifender Kunst am Beginn der Moderne
    Author: Böhm, Alexandra
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

    Die komparatistische Untersuchung verortet zentrale Texte von Heine und Byron poetologisch und epochengeschichtlich zwischen Romantik und Realismus vor dem Hintergrund einer europäischen Literatur- und Kulturgeschichte des 19. Jahrhunderts. Heines... more

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    Die komparatistische Untersuchung verortet zentrale Texte von Heine und Byron poetologisch und epochengeschichtlich zwischen Romantik und Realismus vor dem Hintergrund einer europäischen Literatur- und Kulturgeschichte des 19. Jahrhunderts. Heines Byron-Rezeption wird dabei unter Rückgriff auf Pierre Bourdieus Theorie des literarischen Feldes neu evaluiert, wobei statt des bisherigen Paradigmas des Weltschmerzes erstmals der Fokus auf eine Poetik eingreifender Kunst gerichtet wird, die Heine und Byron in ihren Texten zwischen 1815 und 1830 entwickeln. Mit diesem transgressiven Konzept performativen Schreibens, das sich in skandalisierenden Schriften wie "Die Bäder von Lukka" und "The Vision of Judgment" zeigt, werden frühromantische Positionen zum Verhältnis von Kunst und Leben aufgegriffen, umcodiert und transformiert. In Detailstudien von Byrons "Childe Harold IV" und Heines "Die Reise von München nach Genua" wird gezeigt, wie sich eine Politisierung der Poetik zu einer eingreifenden Kunst in der textuellen Auseinandersetzung der beiden Autoren mit dem zeitgenössischen Italien und seiner diskursiven Konstruktion vollzieht und damit eine neue Form postromantischen Schreibens realisiert wird

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110283822
    Other identifier:
    RVK Categories: GL 5418
    Series: Hermaea. Neue Folge ; 126
    Subjects: Poetics / History / 19th century; Romanticism / Germany; Heine, Heinrich; Intertextuality; Intertextualität; Lord Byron; Reception; Rezeption; Scandal; Skandal; Poetik; Performativität / Kulturwissenschaften; LITERARY CRITICISM / European / German
    Scope: 1 online resource (478 p.)
  25. Frühromantik
    Author: Behler, Ernst
    Published: [2011]; ©1992
    Publisher:  De Gruyter, Berlin ; Boston

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    Content information
    Source: Union catalogues
    Language: German
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    ISBN: 9783110853940
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    RVK Categories: GK 2501
    Edition: Reprint 2010
    Series: Sammlung Göschen ; 2807
    Subjects: German literature / 18th century / History and criticism; German literature / 19th century / History and criticism; Romanticism / Germany; Deutsch; Geschichte 1793-1804; Literatur; Romantik; LITERARY CRITICISM / European / German
    Scope: 1 online resource