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  1. Die Faszination des Exotischen
    Exotismus, Rassismus und Sexismus in der Kunst
    Author: Beyme, Klaus von
    Published: [2008]; © 2008
    Publisher:  Wilhelm Fink, Paderborn

    Preliminary Material /Klaus von Beyme -- Einleitung: Vom Exotismus und Orientalismus zur "Hybridisierung" und "Kreolisierung" im Verhältnis zur Dritten Welt /Klaus von Beyme -- Orientalismus im Mittelalter und in der Neuzeit /Klaus von Beyme --... more

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    Universitäts- und Landesbibliothek Bonn
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    Preliminary Material /Klaus von Beyme -- Einleitung: Vom Exotismus und Orientalismus zur "Hybridisierung" und "Kreolisierung" im Verhältnis zur Dritten Welt /Klaus von Beyme -- Orientalismus im Mittelalter und in der Neuzeit /Klaus von Beyme -- Amerika in der europäischen Kunst /Klaus von Beyme -- Das Bild der Afrikaner in der Kunst /Klaus von Beyme -- Exotismus im Zeitalter des Imperialismus /Klaus von Beyme -- Exotismus, Orientalismus, Folklorismus, Archaismus und Primitivismus in der klassischen Moderne /Klaus von Beyme -- Das Ende des Exotismus: Postkoloniale Kunst und die "Kreolisierung" der Kulturen /Klaus von Beyme -- Ausblick /Klaus von Beyme -- Quellen und Literatur /Klaus von Beyme -- Liste der Abbildungen /Klaus von Beyme -- Danksagung /Klaus von Beyme -- Personenregister /Klaus von Beyme.

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846746561
    Other identifier:
    Subjects: Kunst; Fremdheit <Motiv>; Exotismus
    Other subjects: Exoticism in art; Orientalism in art; Racism in art; Sexism in art
    Scope: 1 Online-Ressource (209 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (p. [181]-199) and index
  2. Africans in English caricature 1769-1819
    black jokes, white humour
    Author: Odumosu, Temitope
    Published: [2017]; © 2017
    Publisher:  Harvey Miller Publishers, London

    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country's changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry

     
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  3. <<Die>> Faszination des Exotischen
    Exotismus, Rassismus und Sexismus in der Kunst
    Author: Beyme, Klaus <<von>>
    Published: [2008]; © 2008
    Publisher:  Wilhelm Fink, Paderborn

    Preliminary Material /Klaus von Beyme -- Einleitung: Vom Exotismus und Orientalismus zur „Hybridisierung“ und „Kreolisierung“ im Verhältnis zur Dritten Welt /Klaus von Beyme -- Orientalismus im Mittelalter und in der Neuzeit /Klaus von Beyme --... more

     

    Preliminary Material /Klaus von Beyme -- Einleitung: Vom Exotismus und Orientalismus zur „Hybridisierung“ und „Kreolisierung“ im Verhältnis zur Dritten Welt /Klaus von Beyme -- Orientalismus im Mittelalter und in der Neuzeit /Klaus von Beyme -- Amerika in der europäischen Kunst /Klaus von Beyme -- Das Bild der Afrikaner in der Kunst /Klaus von Beyme -- Exotismus im Zeitalter des Imperialismus /Klaus von Beyme -- Exotismus, Orientalismus, Folklorismus, Archaismus und Primitivismus in der klassischen Moderne /Klaus von Beyme -- Das Ende des Exotismus: Postkoloniale Kunst und die „Kreolisierung“ der Kulturen /Klaus von Beyme -- Ausblick /Klaus von Beyme -- Quellen und Literatur /Klaus von Beyme -- Liste der Abbildungen /Klaus von Beyme -- Danksagung /Klaus von Beyme -- Personenregister /Klaus von Beyme

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846746561
    Other identifier:
    Subjects: Exoticism in art; Orientalism in art; Racism in art; Sexism in art
    Scope: 1 Online-Ressource (209 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (p. [181]-199) and index
  4. Estética e raça
    ensaios sobre a literatura negra
    Author: Azevedo, Luiz Mauricio
    Published: janeiro 2021
    Publisher:  Editora Sulina, Porto Alegre, RS, Brasil

    "Sem hesitar em contribuir para o debate acerca de questões frequentemente espinhosas no âmbito da literatura negra e sua fortuna teóricocrítica - no caso brasileiro cada vez mais encorpada, felizmente -, e problematizadas a partir de um ponto de... more

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    Bayerische Staatsbibliothek
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    "Sem hesitar em contribuir para o debate acerca de questões frequentemente espinhosas no âmbito da literatura negra e sua fortuna teóricocrítica - no caso brasileiro cada vez mais encorpada, felizmente -, e problematizadas a partir de um ponto de vista materialista, Luiz Mauricio Azevedo lança Estética e raça: ensaios sobre a literatura negra, de perspectivas por vezes polêmicas e provocadoras, mas sempre ancoradas em marcada honestidade intelectual e percepção analítica segura sobre os variados ângulos que envolvem a produção de e sobre negros. A obra reúne dezesseis textos de crítica e teoria literárias em que o autor não deixa dúvidas sobre seu engajamento social: 'estou casado com a classe trabalhadora negra', e, sobretudo, seu comprometimento com uma crítica literária livre de paternalismos redutores e potencialmente perigosos. Ao tocar em questões candentes como identidade negra na escrita literária, Azevedo não pretende fazer do conceito o único foco da sua intervenção crítica de modo a incensar autores e obras apenas por tal atributo; pretende, ao contrário, discutir a complexidade da vida social e das lutas cotidianas de sujeitos negros e, a partir daí, examinar como tais questões são tratadas esteticamente por autores negros, de Machado de Assis a Jeferson Tenório, passando por Ralph Ellison e Toni Morrison, por exemplo. E, nessa perspectiva dialética, elabora um pensamento crítico que desvela e combate, ao mesmo tempo, o racismo, como também o pensamento antimarxista que parece prevalecer na crítica cultural desta produção. E isso certamente não é pouco."--Livraria Baleia description

     
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  5. <<The>> other Hogarth
    aesthetics of difference
    Contributor: Fort, Bernadette (Publisher)
    Published: 2001
    Publisher:  Princeton Univ. Press, Princeton, N.J. [u.a.]

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    Source: Union catalogues
    Contributor: Fort, Bernadette (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691010137; 0691010129
    RVK Categories: LI 42255
    Subjects: Gender identity in art; Femininity in art; Women in art; Racism in art; Array; English wit and humor, Pictorial
    Other subjects: Array; Array
    Scope: VIII, 320 S., zahlr. Ill., 26 cm
    Notes:

    Literaturangaben
  6. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:3757:
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    Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg / DIZ, Bibliothek
    Signature:
    Y/Gonza-1
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  7. An economy of colour
    visual culture and the Atlantic world, 1660 - 1830
    Published: 2003
    Publisher:  Manchester Univ. Press, Manchester [u.a.9]

    Location:
    Universitätsbibliothek Trier
    Signature:
    AIP/pb22574
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0719060052; 0719060060
    Series: Critical perspectives in art history
    Subjects: Art, European; Slavery in art; Art and society; Racism in art; Sklaverei <Motiv>; Kunst
    Scope: XII, 203 S., Ill.
    Notes:

    Includes bibliographical references and index
  8. For all the world to see
    visual culture and the struggle for civil rights
    Author: Berger, Maurice
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    hisv180.b496
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    Universitätsbibliothek Koblenz
    Signature:
    EN/G 2017 9871
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  9. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p
  10. The other Hogarth
    aesthetics of difference
    Published: 2001
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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  11. Africans in English caricature 1769-1819
    black jokes, white humour
    Author: Odumosu, Temitope
    Published: [2017]; © 2017
    Publisher:  Harvey Miller Publishers, London

    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country's changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry

     
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  12. Faith Ringgold - Die
    Author: Monahan, Anne
    Published: [2018]
    Publisher:  The Museum of Modern Art, New York

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Ringgold, Faith
    Language: English
    Media type: Book
    ISBN: 9781633450677; 1633450678
    RVK Categories: LI 99999
    Series: MoMA One on one series
    Subjects: Rassismus <Motiv>; Malerei
    Other subjects: Ringgold, Faith (1930-2024); Ringgold, Faith / Criticism and interpretation; Racism in art
    Scope: 48 Seiten, Illustrationen
    Notes:

    In 1963, Faith Ringgold began a series of 20 paintings called "The American People," which depict racial confrontations between whites and blacks. Her 1967 painting Die (American People series #20) shows a violent street riot
  13. <<An>> economy of colour
    visual culture and the Atlantic world, 1660 - 1830
    Published: 2003
    Publisher:  Manchester Univ. Press, Manchester [u.a.9]

    Location:
    Universitätsbibliothek Trier
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0719060052; 0719060060
    Series: Critical perspectives in art history
    Subjects: Art, European; Slavery in art; Art and society; Racism in art
    Scope: XII, 203 S. : Ill.
    Notes:

    Includes bibliographical references and index
  14. For all the world to see
    visual culture and the struggle for civil rights
    Author: Berger, Maurice
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Koblenz
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  15. The other Hogarth
    aesthetics of difference
    Published: 2001
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Europa-Universität Viadrina, Universitätsbibliothek
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  16. Gegenstimmbildung
    Strategien rassismuskritischer Theaterarbeit
    Author: Meyer, Tania
    Published: [2016]; © 2016
    Publisher:  transcript, Bielefeld

    How do theater projects intervene in a structurally racist society and its constructions of identity? From a postcolonial perspective and addressing subjects such as `second generation' theater and the controversies around blackface on German stages,... more

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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    How do theater projects intervene in a structurally racist society and its constructions of identity? From a postcolonial perspective and addressing subjects such as `second generation' theater and the controversies around blackface on German stages, Tania Meyer sketches out a number of strategies of anti-racist theater work. She presents theater projects that problematize the dominant social narratives on the enlightenment as a `European achievement', with which identities of the self and the Other are constructed. The study calls attention to the historical dimensions of racist practices of differentiation and their traditions, tracing them through to the present moment, and at the same time is a plea for the re-politicization of theater and drama teaching. Wie intervenieren Theaterprojekte in eine rassistisch strukturierte Gesellschaft und ihre Identitätskonstruktionen? Aus postkolonialer Perspektive und mit Blick u.a. auf postmigrantisches Theater oder die Kontroverse um Blackfacing an deutschen Bühnen zeichnet Tania Meyer Strategien rassismuskritischer Theaterarbeit nach. Sie stellt Theaterprojekte vor, die das dominanzgesellschaftliche Narrativ über die Aufklärung als 'europäische Errungenschaft', mit dem Identitäten des Eigenen und Anderen konstruiert werden, zur Debatte stellen. Die Studie öffnet den Blick auf die historischen Dimensionen rassistischer Unterscheidungspraxen und ihre Tradierungen bis in die Gegenwart und ist zugleich ein Plädoyer zur Repolitisierung von Theater und Theaterpädagogik.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839435205
    Other identifier:
    RVK Categories: AP 67000 ; EC 7860
    Series: Theater ; Band 87
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Ethnicity in the theater; Racism in art; Theater; Theater; PERFORMING ARTS / Theater / History & Criticism
    Other subjects: Cultural Education; Enlightenment; Interculturalism; Pedagogy; Political Theatre; Postcolonial Studies; Racism; Theatre Studies; Theatre
    Scope: 1 Online Ressource (410 Seiten)
    Notes:

    Dissertation, Universität Oldenburg,

    Frontmatter -- -- Inhalt -- -- Anmerkung zu Schreibweisen -- -- Einleitung -- -- Standorte -- -- Diskurse des Interkulturellen -- -- Kritik der Differenz -- -- Perspektiven -- -- Gegen-Erzählungen Beispiel: Amo – eine dramatische Spurensuche -- -- Re-Signifizieren -- -- Re-Konstruieren -- -- Re-Vidieren -- -- Gegen-Bilder Beispiel: Bombenwetter. Das Kopftuch hält -- -- Re-Orientieren -- -- Re-Polemisieren -- -- Re-Arrangieren -- -- Gegenstimmbildung -- -- Strategien -- -- Literatur -- -- Backmatter

    Frontmatter -- -- Inhalt -- -- Anmerkung zu Schreibweisen -- -- Einleitung -- -- Standorte -- -- Diskurse des Interkulturellen -- -- Kritik der Differenz -- -- Perspektiven -- -- Gegen-Erzählungen Beispiel: Amo – eine dramatische Spurensuche -- -- Re-Signifizieren -- -- Re-Konstruieren -- -- Re-Vidieren -- -- Gegen-Bilder Beispiel: Bombenwetter. Das Kopftuch hält -- -- Re-Orientieren -- -- Re-Polemisieren -- -- Re-Arrangieren -- -- Gegenstimmbildung -- -- Strategien -- -- Literatur -- -- Backmatter
  17. The other Hogarth
    aesthetics of difference
    Contributor: Fort, Bernadette (Hrsg.); Hogarth, William (Ill.)
    Published: 2001
    Publisher:  Princeton University Press, Princeton, NJ [u.a.]

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  18. Mov!ng on
    Handlungen an Grenzen - Strategien zum antirassistischen Handeln ; [on the occasion of the Exhibition Mov!ng on, Border Activism - Strategies for Anti-Racist Actions at NGBK, from August 13th to September 11th 2005] = Border activism - strategies for anti-racist actions
    Published: 2005

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    Source: Staatsbibliothek zu Berlin
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3926796960
    RVK Categories: LH 60230 ; LH 61100
    Edition: 1. Aufl.
    Subjects: Racism in art; Boundaries in art; Emigration and immigration in art; Arts; Arts, European
    Scope: 187 S, zahlr. Ill, 275 mm x 210 mm, 506 gr.
  19. Die Faszination des Exotischen
    Exotismus, Rassismus und Sexismus in der Kunst
    Author: Beyme, Klaus von
    Published: c 2008
    Publisher:  Fink, Paderborn

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770546565
    Other identifier:
    9783770546565
    RVK Categories: NK 4940 ; LH 65020 ; LH 84960
    Subjects: Exoticism in art; Orientalism in art; Racism in art; Sexism in art; Sexismus; Rassismus; Kunst
    Other subjects: Said, Edward W. (1935-2003): Orientalism
    Scope: 209 S., zahlr. Ill., 24 cm
    Notes:

    Literaturverz. S. [181] - 199
  20. Invisible man
    Fahamu Pecou
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Published: [2016]
    Publisher:  Halsey Institute of Contemporary Art, Charleston, SC ; EMORY, Michael C. Carlos Museum, Atlanta, Ga.

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... more

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    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
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    Source: Union catalogues
    Contributor: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781532345074; 1532345070
    RVK Categories: LI 99999
    Subjects: Art and society; Art; Hope in art; African American men in art; Racism in art; African American art; African American art; African American men in art; Art; Art and society; Hope in art; Racism in art; Pecou, Fahamu
    Other subjects: Pecou, Fahamu (1975-)
    Scope: 174 pages, 27 cm
    Notes:

    Band im Schuber
  21. Faith Ringgold - Die
    Author: Monahan, Anne
    Published: [2018]
    Publisher:  The Museum of Modern Art, New York

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    Source: Union catalogues
    Contributor: Ringgold, Faith (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781633450677; 1633450678
    RVK Categories: LI 99999
    Series: MoMA One on one series
    Subjects: Racism in art
    Other subjects: Ringgold, Faith
    Scope: 48 Seiten, Illustrationen
    Notes:

    In 1963, Faith Ringgold began a series of 20 paintings called "The American People," which depict racial confrontations between whites and blacks. Her 1967 painting Die (American People series #20) shows a violent street riot
  22. Stranger in the village
    Rassismus im Spiegel von James Baldwin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Published: [2023]
    Publisher:  Scheidegger & Spiess, Zürich ; Aargauer Kunsthaus, Aarau

    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie... more

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    10 A 182088
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    In seinem berühmten Text "Stranger in the Village" verarbeitete der US-amerikanische Schriftsteller James Baldwin siene von Rassismus durchzogene Erfahrung in der Schweiz der 1950er Jahre. Baldwins Worte inspirieren Kunstschaffende bis heute. Sie halten uns als Gesellschaft einen Spiegel vor und haben nichts von ihrer Brisanz verloren. Das Buch thematisiert Zugehörigkeit und Ausgrenzung anhand von Beiträgen ausgewiesener Expertinnen und Experten sowie aktuellen Werken von Kunstschaffenden aus der Schweiz und der internationalen Szene. Es stellt Fragen, die uns alle angehen

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Eidenbenz, Céline (HerausgeberIn); Mühlebach, Sarah (MitwirkendeR); Baldwin, James (VerfasserIn des Bezugswerks)
    Language: German; French; English
    Media type: Book
    Format: Print
    ISBN: 9783039421824
    Other identifier:
    9783039421824
    RVK Categories: HU 3093 ; LH 60240
    Subjects: Racism in art; Racism and the arts; Black people in art; Art, Black; Racisme dans l'art - Expositions
    Other subjects: Baldwin, James (1924-1987)
    Scope: 282 Seiten, Illustrationen
    Notes:

    Publiziert anlässlich der Ausstellung "Stranger in the Village. Rassismus im Spiegel von James Baldwin", Aargauer Kunsthaus, 3.9.2023-7.1.2024
  23. The other Hogarth :
    aesthetics of difference /
    Contributor: Fort, Bernadette
    Published: 2001.
    Publisher:  Princeton Univ. Press,, Princeton [u.a.] :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
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  24. Africans in English caricature 1769-1819 :
    black jokes, white humour /
    Author: Odumosu, Temitope,
    Published: [2017].; © 2017.
    Publisher:  Harvey Miller Publishers,, London :

    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country's changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry

     
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  25. Ken Gonzales-Day
    profiled
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Published: [2011]
    Publisher:  Wallis Annenberg Photography Department at the Los Angeles County Museum of Art, Los Angeles

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Gonzales-Day, Ken (KünstlerIn); Robinson, Edward L. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0875872131; 9780875872131
    Subjects: Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art; Photography of sculpture; Photography, Artistic; Stereotypes (Social psychology) in art; Race awareness in art; Racism in art
    Other subjects: Gonzales-Day, Ken; Gonzales-Day, Ken
    Scope: 151 Seiten, 28 cm
    Notes:

    "Ken Gonzales-Day, PAC Prize 2011, LACMA"--P. preceding t.p