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  1. The artistic foundations of nations and citizens
    art, literature, and the political community
    Contributor: Ward, Ann (HerausgeberIn)
    Published: 2022
    Publisher:  Routledge,, Abingdon, Oxon

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ward, Ann (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003145592; 1003145590; 9781000452471; 1000452476; 9781000452501; 1000452506
    Subjects: Politics in literature; Politics and literature; Politics in art; Arts; Electronic books; POLITICAL SCIENCE / History & Theory; ART / Art & Politics
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource (xiii, 181 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Death's futurity
    the visual life of black power
    Author: Aranke, Sampada
    Published: [2022]; © 2023
    Publisher:  Duke University Press, Durham

    In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred... more

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    Freie Universität Berlin, Universitätsbibliothek
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    In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations of his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023937
    Other identifier:
    RVK Categories: LO 94030 ; MS 3450
    Series: The Visual Arts of Africa and its Diasporas
    Subjects: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American art; African Americans in art; Black Arts movement; Black power; Political art; Politics in art; Social problems in art; Tod <Motiv>; Schwarze
    Scope: 1 Online-Ressource (ix, 186 Seiten, 32 ungezählte Seiten Tafeln), Illustrationen
  3. Visualizing equality
    African American rights and visual culture in the nineteenth century
    Author: Gonzalez, Aston
    Published: [2020]
    Publisher:  <<The>> University of North Carolina Press, Chapel Hill

    "Visualizing equality ... analyz[es] how previously unexamined or understudied African American artists shaped conceptions of race during the nineteenth century. Marshaling material from 26 private and public archives in the United States and... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "Visualizing equality ... analyz[es] how previously unexamined or understudied African American artists shaped conceptions of race during the nineteenth century. Marshaling material from 26 private and public archives in the United States and England, Gonzalez charts the changing roles of African American visual artists as they used their work to expand black rights in the United States. Understudied or forgotten artists such as Robert Douglass Jr., Patrick Henry Reason, James P. Ball, and Augustus Washington produced images to persuade viewers of the necessity for black social equality, political enfranchisement, and freedom from slavery, and Gonzalez argues that these cultural producers helped to make the world they envisioned through their art"--

     
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  4. Alfred Hrdlicka, von Robespierre zu Hitler
    die Pervertierung der Revolution seit 1789
    Contributor: Schurian, Walter (Hrsg.); Hrdlicka, Alfred (Ill.)
    Published: 1988
    Publisher:  Rasch und Röhring, Hamburg

    Alfred Hrdlicka: "Von Robespierre zu Hitler. Die Pervertierung der Revolution seit 1789". Herausgegeben von Walter Schurian. Rasch und Röhring Verlag. Hamburg 1988. 224 S., mit zahlreichen Abb., geb., 68.- DM more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Alfred Hrdlicka: "Von Robespierre zu Hitler. Die Pervertierung der Revolution seit 1789". Herausgegeben von Walter Schurian. Rasch und Röhring Verlag. Hamburg 1988. 224 S., mit zahlreichen Abb., geb., 68.- DM

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Schurian, Walter (Hrsg.); Hrdlicka, Alfred (Ill.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3891361955; 389136170X
    RVK Categories: LI 43000 ; LL 26110 ; LL 26350
    Subjects: Revolutions in art; Politics in art; Art and revolutions; Hrdlicka, Alfred
    Other subjects: Hrdlicka, Alfred (1928-2009); Hrdlicka, Alfred (1928-2009)
    Scope: 223 S, Frontispiz, Abb, 28 cm
  5. Governing the tongue in Northern Ireland
    the place of art/the art of place
    Author: Alcobia-Murphy, Shane
    Published: 2008
    Publisher:  Cambridge Scholars, Newcastle

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  6. Polis and personification in classical Athenian art
    Author: Smith, Amy Claire
    Published: 2011
    Publisher:  Brill, Leiden ; Boston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004214521; 9004214526
    Other identifier:
    RVK Categories: LG 1600 ; NH 6880
    Series: Monumenta Graeca et Romana ; Volume 19
    Subjects: Geschichte; Art, Classical / Greece / Athens / Themes, motives; Art, Greek / Greece / Athens / Themes, motives; Athens (Greece) / Symbolic representation; Fine Arts; ART / History / General; Geschichte; Art, Greek / History / Greece / Athens; Art, Greek / Themes, motives / Greece / Athens; Personification in art; Politics in art; Art, Greek; Art, Classical; Personification in art; Art and society; Polis <Motiv>; Kunst; Personifikation
    Scope: 1 Online-Ressource (xlv, 202 Seiten, [32] Seiten mit Tafeln), Illustrationen
    Notes:

    Includes bibliographical references (pages xiii-xxxix) and indexes

    Introduction: viewing personifications in classical Athens -- Names or comments? the birth of political personification in Greece -- Humanising Greek places and spaces: local personifications and Athenian imperialism -- Goddess before personification? right and retribution -- The independence of epithets: Kharites, virtues, & other nymphs in the 'Gardens of Aphrodite' -- Aristocracy or democracy? Eukleia and Eunomia between the gods -- Visual personifications in literature and art: Aristophanes' Eirene and her attendants -- Ephemeral personifications: civic festivals and other peacetime pleasures -- Masculine people in feminine places: the body politic at home and abroad
  7. <<The>> artistic foundations of nations and citizens
    art, literature, and the political community
    Contributor: Ward, Ann (Herausgeber)
    Published: 2022
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    "This book examines politics through the lens of art and literature. Through discussion on great works of visual art, literature, and cultural representations of political thought in the medieval, early modern, and American eras, it explores the... more

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    Universitäts- und Landesbibliothek Bonn
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    "This book examines politics through the lens of art and literature. Through discussion on great works of visual art, literature, and cultural representations of political thought in the medieval, early modern, and American eras, it explores the relevance of the nation-state to human freedom and flourishing, as well as the concept of citizenship and statesmanship that it implies, in contrast to that of the 'global community'. The essays in the volume focus on the shifting notions of various core political concepts like citizenship, republicanism, and nationalism from antiquity to the present-day to provide a systematic understanding of their evolving histories through Western Art and literature, highlighting works such as the Bayeux Tapestry, Shakespeare's Henry V, Henry VI, and A Midsummer Night's Dream, Twain's Joan of Arc and Hermann's Nichts als Gespenster, among several other canonical works of political interest. Further, it questions if we should now look beyond the nation-state to some form of tans-national, global community to pursue the human freedom desired by progressives, or look at smaller forms of community resembling the polis to pursue the friendship and nobility valued by the ancients. The volume will be invaluable to students and teachers of political science, especially political theory and philosophy, visual arts, and world literature"--

     
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    Source: Union catalogues
    Contributor: Ward, Ann (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003145592
    Other identifier:
    Subjects: Politics and literature / United States / History; Politics in art; Arts / Political aspects; Politics in literature
    Other subjects: Shakespeare, William / 1564-1616 / Political and social views
    Scope: 1 Online-Ressource (xiii, 181 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    "The present collection grew out of a workshop I developed and chaired for the 16th International Conference of the International Society for the Study of European Ideas (ISSEI), Aftershocks: Globalism and the Future of Democracy, held at the University of Zaragoza, Zaragoza, Spain, July 2-5, 2019." - Aus dem Vorwort
  8. Picturing the Proletariat
    Artists and Labor in Revolutionary Mexico, 1908-1940
    Author: Lear, John
    Published: [2021]; © 2017
    Publisher:  University of Texas Press, Austin

    In the wake of Mexico's revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    In the wake of Mexico's revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists' collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934-1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the "institutionalized revolution." This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers "los tres grandes"-Rivera, Siquieros, and Orozco-while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477311257
    Other identifier:
    Subjects: HISTORY / Latin America / Mexico; Artists; Arts and revolutions; Labor movement; Politics in art; Posada, Josae Guadalupe - Criticism and interpretation; Working class; Politik; Arbeiter <Motiv>; Kunst
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
  9. Aller à, faire avec, passer pareil
    = Going to, making do, passing just the same
    Contributor: Brunette, Edith (Publisher); Lemieux, François (Publisher)
    Published: [2021]
    Publisher:  Galerie Leonard & Bina Ellen Art Gallery, [Montréal]

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Brunette, Edith (Publisher); Lemieux, François (Publisher)
    Language: French; English
    Media type: Book
    ISBN: 9782924316245; 2924316243
    RVK Categories: LH 65880
    Subjects: Umwelt <Motiv>; Installation <Kunst>; Umweltschaden <Motiv>; Mixed media
    Other subjects: Brunette, Edith / 1979- / Exhibitions; Lemieux, François / 1979- / Exhibitions; Multimedia installations (Art) / Québec (Province) / Exhibitions; Colonies in art; Environmental degradation in art; Politics in art; Human territoriality in art; Capitalism in art; Politics in art; Environmental degradation in art; Colonies in art; Multimedia installations (Art); Exhibition catalogs; Québec
    Scope: 252 Seiten, Illustrationen, 24 cm
    Notes:

    Published to accompany exhibition held at the Leonard & Bina Ellen Art Gallery in fall 2020-winter 2021

    Includes bibliographical references
  10. Death's futurity
    the visual life of black power
    Author: Aranke, Sampada
    Published: [2022]; © 2023
    Publisher:  Duke University Press, Durham

    In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred... more

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bayreuth
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    In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations of his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023937
    Other identifier:
    RVK Categories: LO 94030 ; MS 3450
    Series: The Visual Arts of Africa and its Diasporas
    Subjects: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American art; African Americans in art; Black Arts movement; Black power; Political art; Politics in art; Social problems in art; Tod <Motiv>; Schwarze
    Scope: 1 Online-Ressource (ix, 186 Seiten, 32 ungezählte Seiten Tafeln), Illustrationen
  11. La "politica in figure"
    temi, funzioni, attori della comunicazione visiva nei Comuni Lombardi (XII-XIV secolo)
    Author: Ferrari, Matteo
    Published: maggio 2022
    Publisher:  Viella, Roma

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  12. Weimar Germany and the limits of political art
    a study of the work of George Grosz and Ernst Toller
    Author: Kane, Martin
    Published: 1987
    Publisher:  Hutton Pr., Tayport

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    :G :11039:k:kl:
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kupferstichkabinett - Sammlung der Zeichnungen und Druckgraphik, Bibliothek
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    NA Kü GROS 1987
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    Staats- und Universitätsbibliothek Bremen
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    we 8228
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    89 A 19099
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Heidelberg
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    Badische Landesbibliothek
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    Staatliche Kunsthalle Karlsruhe, Bibliothek
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Location:
    Deutsches Literaturarchiv Marbach, Bibliothek
    Signature:
    LL (Toller,Ern.)
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    No loan of volumes, only paper copies will be sent

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Signature:
    91-8774
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    Württembergische Landesbibliothek
    Signature:
    39/20774
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    122090 - A
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0907033237
    RVK Categories: GM 6238
    Subjects: Politics in art; Arts, German
    Other subjects: Grosz, George; Toller, Ernst
    Scope: 231 S., Ill., 21 cm
  13. Everything is connected
    art and conspiracy
    Author: Eklund, Douglas; Alteveer, Ian; Brown, Meredith A.; Miller, John; Olmsted, Kathryn S.; Saunders, Beth
    Published: [2018]
    Publisher:  The Metropolitan Museum of Art, New York ; Yale University Press, New Haven ; London

    "For the last fifty years, artists have explored the hidden operations of power and the symbiotic suspicion between the government and its citizens that haunts Western democracies. Everything Is Connected: Art and Conspiracy will be the first major... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "For the last fifty years, artists have explored the hidden operations of power and the symbiotic suspicion between the government and its citizens that haunts Western democracies. Everything Is Connected: Art and Conspiracy will be the first major exhibition to tackle this perennially provocative topic. It will trace the simultaneous development of two kinds of art about conspiracy. The first half of the exhibition will comprise works by artists who hew strictly to the public record, uncovering hidden webs of deceit--from the shell corporations used by New York's largest private landlord, interconnected networks encompassing politicians, businessmen, and arms dealers. In the second part, other artists will dive headlong into the fever dreams of the disaffected, creating fantastical works that nevertheless uncover uncomfortable truths in an age of information overload and weakened trust in institutions. Featuring seventy works by thirty artists in media ranging from painting and sculpture to photography, video, and installation art, from 1969 to 2016, Everything Is Connected: Art and Conspiracy will present an alternate history of postwar and contemporary art that is also an archaeology of our troubled times." -- Metropolitan Museum of Art website

     
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    Source: Union catalogues
    Contributor: Lethem, Jonathan
    Language: English
    Media type: Book
    ISBN: 9781588396594
    RVK Categories: LH 60230 ; LH 60240
    Subjects: Kunst; Verschwörung <Motiv>; Kunstpolitik
    Other subjects: Politics in art / Exhibitions; Conspiracy / In art / Exhibitions; Politics in art; Exhibition catalogs
    Scope: 195 Seiten, 28 cm
    Notes:

    Published in conjunction with "Everything is Connected: Art and Conspiracy" on view at The Metropolitan Museum of Art, New York, from September 18, 2018, through January 6, 2019
  14. Ereignisse und Bilder
    Bildpublizistik und politische Kultur in Deutschland zur Zeit der Französischen Revolution
    Author: Danelzik-Brüggemann, Christoph
    Published: 1996
    Publisher:  Akad.-Verl., Berlin

    Location:
    Bibliothek des Konservatismus
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3050026502
    RVK Categories: LC 96015 ; LK 10300 ; NO 3950 ; AP 27400
    Series: Acta humaniora
    Subjects: Prints, German; Politics in art; Public opinion; Art and state; Deutschland
    Scope: 320 Seiten, Illustrationen, 25 cm
    Notes:

    Zugl.: Bochum, Univ., Diss., 1993
  15. Museum of capitalism
    Published: [2017]
    Publisher:  Inventory Press, New York, NY

    The Museum of Capitalism in Oakland, California, treats capitalism as a historical phenomenon. This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The Museum of Capitalism in Oakland, California, treats capitalism as a historical phenomenon. This speculative institution views the present and recent past from the implied perspective of a future society in which our economic and political system is memorialized, and subjected to the museological gaze. Sketches and renderings of exhibits and artifacts, combined with relevant quotations from historical sources, are interspersed with speculative essays on the intersections of ecology, race, museology, historiography, economics and politics

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1941753159; 9781941753156
    RVK Categories: LI 99900
    Subjects: Capitalism; Politics in art; Capitalism; Politics in art; Capitalism; Politics in art
    Scope: 167 Seiten, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references (page 166)

    "Produced on the occasion of the exhibition in Oakland, CA from June 17-August 20, 2017"--Colophon. - Includes bibliographical references (page 166)
  16. George Grosz
    Author: Hess, Hans; Grosz, George
    Published: 1982
    Publisher:  Verl. der Kunst, Dresden

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Bibliothek des Bundesarchivs
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    Dokumentationszentrum Flucht, Vertreibung, Versöhnung - Bibliothek & Zeitzeugenarchiv
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    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Jüdische Gemeinde zu Berlin, Bibliothek
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    Stiftung Deutsches Historisches Museum, Bibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Bibliothek der Friedrich-Ebert-Stiftung
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    RVK Categories: LI 36530
    Subjects: Persönlichkeit, Kunst; German wit and humor, Pictorial; Politics in art; Bildnis; Krieg <Motiv>; Karikatur; Drittes Reich; Kampf <Motiv>; Kunst; Biografie; Kunstsoziologie
    Other subjects: Grosz, George; Grosz, George <1883-1959>; Grosz, George (1893-1959); Hitler, Adolf (1889-1945)
    Scope: 279 S., zahlr. Ill.
    Notes:

    Aus dem Engl. übers.
  17. George Grosz
    Author: Hess, Hans
    Published: 1985
    Publisher:  Yale Univ. Press, New Haven u.a.

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  18. Everything is connected
    art and conspiracy
    Author: Eklund, Douglas; Alteveer, Ian; Brown, Meredith A.; Miller, John; Olmsted, Kathryn S.; Saunders, Beth
    Published: [2018]
    Publisher:  Metropolitan Museum of Art, New York, New York

    "For the last fifty years, artists have explored the hidden operations of power and the symbiotic suspicion between the government and its citizens that haunts Western democracies. Everything Is Connected: Art and Conspiracy will be the first major... more

     

    "For the last fifty years, artists have explored the hidden operations of power and the symbiotic suspicion between the government and its citizens that haunts Western democracies. Everything Is Connected: Art and Conspiracy will be the first major exhibition to tackle this perennially provocative topic. It will trace the simultaneous development of two kinds of art about conspiracy. The first half of the exhibition will comprise works by artists who hew strictly to the public record, uncovering hidden webs of deceit--from the shell corporations used by New York's largest private landlord, interconnected networks encompassing politicians, businessmen, and arms dealers. In the second part, other artists will dive headlong into the fever dreams of the disaffected, creating fantastical works that nevertheless uncover uncomfortable truths in an age of information overload and weakened trust in institutions. Featuring seventy works by thirty artists in media ranging from painting and sculpture to photography, video, and installation art, from 1969 to 2016, Everything Is Connected: Art and Conspiracy will present an alternate history of postwar and contemporary art that is also an archaeology of our troubled times." -- Metropolitan Museum of Art website

     
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    Source: Union catalogues
    Contributor: Lethem, Jonathan
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781588396594
    RVK Categories: LH 60230 ; LH 60240 ; LH 84995
    Subjects: Politics in art / Exhibitions; Conspiracy / In art / Exhibitions; Politics in art
    Scope: 195 Seiten, Illustrationen, 28 cm
    Notes:

    Catalog of an exhibition at the Metropolitan Museum of Art from September 18, 2018-January 6, 2019
  19. Kunst + Politik
    aus der Sammlung der Stadt Wien ; [Angela Varga ... ; Ausstellung ... 04.07. - 10.10.2008, Symposium als Teil der Ausstellung ... 04.07.2008, Museum auf Abruf (MUSA), Wien ; ein Projekt der Kulturabteilung der Stadt Wien] = Art + politics
    Contributor: Saxenhuber, Hedwig (Publisher); Ecker, Berthold
    Published: 2008
    Publisher:  Springer, Wien [u.a.]

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    Source: Union catalogues
    Contributor: Saxenhuber, Hedwig (Publisher); Ecker, Berthold
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783211094600
    Other identifier:
    9783211094600
    RVK Categories: LL 21261
    DDC Categories: 700; 060
    Subjects: Politics in art; Art; Art, Austrian; Fascism
    Scope: 249 S., zahlr. Ill., 21 cm
  20. Black panther
    the revolutionary art of Emory Douglas
    Contributor: Durant, Sam (Publisher); Sanchez, Sonia; Douglas, Emory
    Published: 2007
    Publisher:  Rizzoli, New York, NY

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    Source: Union catalogues
    Contributor: Durant, Sam (Publisher); Sanchez, Sonia; Douglas, Emory
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780847829446; 0847829413; 0847829448; 9780847829415
    Edition: 1. publ.
    Subjects: Graphic artists; Politics in art; Political posters, American
    Other subjects: Douglas
    Scope: 223 S., überw. Ill., 32 cm
    Notes:

    Literaturverz. S. [218] - 219. - Literaturangaben
  21. Guernica, entre icono y mito
    productividad y presencia de memorias colectivas
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Published: 2020
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main ; Iberoamericana, Barcelona

    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Unlimited inter-library loan, copies and loan
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    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo de un arte políticamente comprometido, pensando que este puede incidir en la realidad, que el artista puede ser un aliado del político, del periodista y del historiador. En el caso de Guernica, esta alianza resultó fructífera: así pues, esta obra no solo se está reproduciendo en los álbumes sobre arte moderno, sino que se ha ganado un puesto sobresaliente en los libros de texto, en los documentales y en las ficciones históricas. Como lugar de memoria de la Guerra Civil, el cuadro es también una reivindicación de los derechos humanos: últimamente se ha hecho viral una versión que denuncia las violencias policiales contra los manifestantes en Chile, por ejemplo. Sin embargo, no faltan intentos por recuperarlo para la ideología de los vencedores o desvincularlo del bombardeo. Los capítulos de este libro plantean la recepción artística y literaria del fenómeno cultural Guernica en esta complejidad, como ícono y mito

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569592
    Other identifier:
    RVK Categories: LI 67059
    Series: La casa de la riqueza ; 52
    Subjects: Arte moderno - Fines XIX a 1945; España; Historia de la cultura; Pintura; ART / European; Politics in art; Rezeption; Spanisch; Kunst; Luftangriff <Motiv>; Guernica <Motiv>; Literatur
    Other subjects: Picasso, Pablo (1881-1973): Guernica
    Scope: 1 Online-Ressource (262 Seiten)
  22. Picturing the proletariat
    artists and labor in revolutionary Mexico, 1908-1940
    Author: Lear, John
    Published: [2017]
    Publisher:  University of Texas Press, Austin

    Introduction. Allegories of work -- Saturnino Herrán, José Guadalupe Posada, and the working class on the eve of revolution -- Workers and artists in the 1910 revolution -- El Machete and cultural and political vanguards -- Consuming labor : revista... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:1982:
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    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a hit 649 7x/50
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    Linga A/912458
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    Introduction. Allegories of work -- Saturnino Herrán, José Guadalupe Posada, and the working class on the eve of revolution -- Workers and artists in the 1910 revolution -- El Machete and cultural and political vanguards -- Consuming labor : revista CROM, art education, and la lectura preferida -- Cardenismo, the popular front, and the league of revolutionary artists and writers -- The Mexican Electricians Union, the art of the strike and the Spanish Civil War -- "Unity at all costs!" and the end of revolution -- Conclusion

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781477311240; 9781477311509
    Edition: First edition
    Series: Joe R. and Teresa Lozano long series in Latin American and Latino art and culture
    Subjects: Politics in art; Arts and revolutions; Artists; Working class; Labor movement
    Other subjects: Posada, José Guadalupe (1852-1913); Herrán, Saturnino (1887-1918)
    Scope: xiii, 366 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 341-352
  23. Governing the tongue in Northern Ireland: the place of art/ the art of place
    Author: Alcobia-Murphy, Shane
    Published: c2008
    Publisher:  Cambridge Scholars, Newcastle

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a ang 657.5/873
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1847187463; 9781847187468
    Subjects: Art and society; Literature and society; Politics in art; Politics in literature; Artists; Authors, Irish
    Scope: XIII,177 S., 22cm
    Notes:

    Formerly CIP
  24. Les couleurs de la France
    Author: Ory, Pascal; Pastoureau, Michel; Serri, Jérôme
    Published: [2016]
    Publisher:  Hoëbeke, Paris

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:1088:
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    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 985281
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782842305727
    Subjects: Flags in art; Symbolism of colors; Politics in art; Painting, French; Painting, French
    Scope: 165 Seiten, Illustrationen (farbig)
    Notes:

    Aux origines du drapeau tricolore -- Les couleurs de la nation -- Un drapeau célébré par nos plus grands peintres -- Les impressionnistes -- Les post- et néo-impressionnistes -- En marge de l'histoire -- Nabis et fauves -- Cubisme, orphisme et futurisme -- L'école de paris avant et après 1940.
  25. Ephemeral histories
    public art, politics, and the struggle for the streets in Chile
    Author: Trumper, Camilo D.
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Politics under Salvador Allende was a battle fought in the streets. Everyday attempts to 'ganar la calle' allowed a wide range of urban residents to voice potent political opinions. Santiaguinos marched through the streets chanting slogans, seized... more

    Location:
    Historisches Institut, Abteilung für Iberische und Lateinamerikanische Geschichte, Bibliothek
    Signature:
    423/Ur34/1
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    No inter-library loan

    Location:
    Bibliotheken im Fürstenberghaus 1
    Signature:
    Okk 5600,3
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    Unlimited inter-library loan, copies and loan

     

    "Politics under Salvador Allende was a battle fought in the streets. Everyday attempts to 'ganar la calle' allowed a wide range of urban residents to voice potent political opinions. Santiaguinos marched through the streets chanting slogans, seized public squares, and plastered city walls with graffiti, posters, and murals. Urban art might only last a few hours or a day before being torn down or painted over, but such activism allowed a wide range of city dwellers to participate in the national political arena. These popular political strategies were developed under democracy, only to be reimagined under the Pinochet dictatorship. Ephemeral Histories places urban conflict at the heart of Chilean history, exploring how marches and protest, posters and murals, documentary film and street photography, became the basis of a new form of political change in Latin America in the late twentieth century"...Provided by publisher

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520289901; 9780520289918; 9780520964303
    Subjects: Art; Politics in art; Politics in motion pictures; Film; Demonstration; Politik <Motiv>; Kunst; Aktivismus
    Scope: xiii, 276 Seiten, Illustrationen
    Notes:

    Includes index