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  1. Racial worldmaking
    the power of popular fiction
    Author: Jerng, Mark C.
    Published: 2018
    Publisher:  Fordham University Press, New York

    Frontmatter -- contents -- introduction. Racial Worldmaking -- chapter 1. Worlds of Color -- chapter 2. Futures Past of Asiatic Racialization -- chapter 3. Romance and Racism after the Civil War -- chapter 4. Reconstructing Racial Perception --... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- contents -- introduction. Racial Worldmaking -- chapter 1. Worlds of Color -- chapter 2. Futures Past of Asiatic Racialization -- chapter 3. Romance and Racism after the Civil War -- chapter 4. Reconstructing Racial Perception -- chapter 5. The “Facts” of Blackness and Anthropological Worlds -- chapter 6. Fantasies of Blackness and Racial Capitalism -- chapter 7. Racial Counterfactuals and the Uncertain Event of Emancipation -- chapter 8. Alternate Histories of World War II; or, How the Race Concept Organizes the World -- conclusion. On the Possibilities of an Antiracist Racial Worldmaking -- acknowledgments -- notes -- bibliography -- index When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?

     
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  2. Racial Worldmaking
    The Power of Popular Fiction
    Author: Jerng, Mark C.
    Published: [2017]; © 2018
    Publisher:  Fordham University Press, New York, NY

    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named "racial worldmaking" because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823277780
    Other identifier:
    Subjects: African American; Asian American; Fantasy; Genre; Plantation Romance; Popular fiction; Race; Science Fiction; LITERARY CRITICISM / American / General; American fiction; Asians in literature; Blacks in literature; English fiction; Group identity in literature; Literature and society; Race discrimination; Racism in literature
    Scope: 1 online resource (272 pages), 1
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. Racial Worldmaking
    The Power of Popular Fiction
    Author: Jerng, Mark C.
    Published: [2017]; © 2018
    Publisher:  Fordham University Press, New York, NY

    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named "racial worldmaking" because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823277780
    Other identifier:
    Subjects: African American; Asian American; Fantasy; Genre; Plantation Romance; Popular fiction; Race; Science Fiction; LITERARY CRITICISM / American / General; American fiction; Asians in literature; Blacks in literature; English fiction; Group identity in literature; Literature and society; Race discrimination; Racism in literature
    Scope: 1 online resource (272 pages), 1
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Racial worldmaking
    the power of popular fiction
    Author: Jerng, Mark C.
    Published: 2018
    Publisher:  Fordham University Press, New York

    Frontmatter -- contents -- introduction. Racial Worldmaking -- chapter 1. Worlds of Color -- chapter 2. Futures Past of Asiatic Racialization -- chapter 3. Romance and Racism after the Civil War -- chapter 4. Reconstructing Racial Perception --... more

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    Frontmatter -- contents -- introduction. Racial Worldmaking -- chapter 1. Worlds of Color -- chapter 2. Futures Past of Asiatic Racialization -- chapter 3. Romance and Racism after the Civil War -- chapter 4. Reconstructing Racial Perception -- chapter 5. The “Facts” of Blackness and Anthropological Worlds -- chapter 6. Fantasies of Blackness and Racial Capitalism -- chapter 7. Racial Counterfactuals and the Uncertain Event of Emancipation -- chapter 8. Alternate Histories of World War II; or, How the Race Concept Organizes the World -- conclusion. On the Possibilities of an Antiracist Racial Worldmaking -- acknowledgments -- notes -- bibliography -- index When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?

     
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