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  1. Through a Native lens
    American Indian photography
    Published: [2020]; © 2020
    Publisher:  University of Oklahoma Press, Norman

    "A critical overview of how Native Americans appropriated photography and integrated it into their ways of life, both as patrons who commissioned portraits and as photographers who created collections, between 1840-1940 throughout the United States... more

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A critical overview of how Native Americans appropriated photography and integrated it into their ways of life, both as patrons who commissioned portraits and as photographers who created collections, between 1840-1940 throughout the United States and Canada."

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780806164847
    Series: <<The>> Charles M. Russell Center series on art and photography of the American West ; Volume 37
    Subjects: USA; Indianer; Fotografie; Indianer <Motiv>; Geschichte;
    Other subjects: Indians of North America / Portraits; Indian photographers; Photography / Social aspects / United States; Photography / Social aspects / Canada; Indian photographers; Indians of North America; Photography / Social aspects; Canada; United States; Portraits
    Scope: xi, 228 Seiten, Porträts, Illustrationen
    Notes:

    Revision of the author's thesis (doctoral - University of California, Los Angeles, 2013) under title: "Through Native lenses"

    Dissertation, University of California, Los Angeles, 2013

    Native participants in photography -- Relationships with photographers -- Native practitioners -- Professional Native photographers -- Semiprofessional Native photographers -- Amateur Native photographers -- Conclusion : Indigenous photographic developments

  2. TV snapshots
    an archive of everyday life
    Author: Spigel, Lynn
    Published: 2022
    Publisher:  Duke University Press, Durham ; London

    TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times. "In TV... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    TV portraits : picturing families and household things -- TV performers : a theater of everyday life -- TV dress-up : fashion poses and everyday glamour -- TV pinups : sex and the single TV -- TV memories : snapshots in digital times. "In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today's selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and, in pinup poses, people even turned the TV setting into a space for erotic display. While the TV industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of TV in everyday life"--

     

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  3. The image of environmental harm in American social documentary photography
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    America Begins Again: Waste and Social Documentary -- The Climax Community in Puerto Rico's New Deal -- The New Social Document in Post-Industrial America -- Photographic Views after Three Mile Island -- Tracing Toxicity -- Sacrifice Zones "With an... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    America Begins Again: Waste and Social Documentary -- The Climax Community in Puerto Rico's New Deal -- The New Social Document in Post-Industrial America -- Photographic Views after Three Mile Island -- Tracing Toxicity -- Sacrifice Zones "With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and post-industrial economic conditions of the United States in the twentieth century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies and visual rhetoric"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367860400
    Other identifier:
    9781003016588
    RVK Categories: AP 94900 ; AP 99083
    Series: Routledge History of photography
    Subjects: Dokumentarfotografie; Umweltschaden <Motiv>
    Other subjects: Documentary photography / United States; Nature photography / United States; Environmental degradation / Pictorial works; Photography / Social aspects / United States
    Scope: x, 156 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  4. The image of environmental harm in American social documentary photography
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and post-industrial economic conditions of the United States in the twentieth century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies and visual rhetoric"--

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003016588
    Other identifier:
    RVK Categories: AP 94900 ; AP 99083
    Series: Routledge History of photography
    Subjects: Umweltschaden <Motiv>; Dokumentarfotografie
    Other subjects: Documentary photography / United States; Nature photography / United States; Environmental degradation / Pictorial works; Photography / Social aspects / United States
    Scope: 1 Online-Ressource (x, 156 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    America Begins Again: Waste and Social Documentary -- The Climax Community in Puerto Rico's New Deal -- The New Social Document in Post-Industrial America -- Photographic Views after Three Mile Island -- Tracing Toxicity -- Sacrifice Zones

  5. At the edge of sight
    photography and the unseen
    Published: 2013
    Publisher:  Duke University Press, Durham

    Race and reproduction in Camera Lucida -- The politics of pictorialism : another look at F. Holland Day -- The space between : Eadweard Muybridge's motion studies -- Preparing the way for the train : Andrew J. Russell -- Chansonetta Stanley Emmons's... more

     

    Race and reproduction in Camera Lucida -- The politics of pictorialism : another look at F. Holland Day -- The space between : Eadweard Muybridge's motion studies -- Preparing the way for the train : Andrew J. Russell -- Chansonetta Stanley Emmons's nostalgic views -- Augustus Washington and the civil contract of photography -- Afterimages : Abu Ghraib

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822378266; 0822378264
    Other identifier:
    RVK Categories: AP 94283 ; AP 99083
    Subjects: Photography / Social aspects / United States; Photography / History / United States; Photography, Artistic / History; Unsichtbarkeit; Fotografie; Wahrnehmung
    Other subjects: Washington, Augustus (1820-1875); Day, Fred Holland (1864-1933); Muybridge, Eadweard (1830-1904); Russell, Andrew J. (1829-1902); Emmons, Chansonetta Stanley (1858-1937)
    Scope: 1 Online-Ressource (xvii, 293 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  6. Snapshot photography
    the lives of images
    Published: 2013
    Publisher:  The MIT Press, Cambridge, Mass. [u.a.]

    Universitäts- und Landesbibliothek Bonn
    2014/420
    Loan of volumes, no copies
    Fachhochschule Dortmund, Hochschulbibliothek
    JZG 173
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Duisburg-Essen
    JZH42989
    Unlimited inter-library loan, copies and loan
    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/+JDG 55 VEREIN 2013
    No inter-library loan
    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
    428/H902/113
    No inter-library loan
    Universitätsbibliothek Paderborn
    JZH3028
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262019293
    Subjects: Photography / Social aspects / United States; Photographic criticism / United States; Ästhetik; Schnappschuss; Fotografie
    Scope: VIII, 358 S., Ill.
    Notes:

    Includes bibliographical references and index

  7. Through a Native lens
    American Indian photography
    Published: [2020]; © 2020
    Publisher:  University of Oklahoma Press, Norman

    "A critical overview of how Native Americans appropriated photography and integrated it into their ways of life, both as patrons who commissioned portraits and as photographers who created collections, between 1840-1940 throughout the United States... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "A critical overview of how Native Americans appropriated photography and integrated it into their ways of life, both as patrons who commissioned portraits and as photographers who created collections, between 1840-1940 throughout the United States and Canada."

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9780806164847
    Edition: First edition
    Series: The Charles M. Russell Center series on art and photography of the American West ; volume 37
    Subjects: Fotografie; Indianer; Indianer <Motiv>
    Other subjects: Indians of North America / Portraits; Indian photographers; Photography / Social aspects / United States; Photography / Social aspects / Canada; Indian photographers; Indians of North America; Photography / Social aspects; Canada; United States; Portraits
    Scope: xi, 228 Seiten, Illustrationen
    Notes:

    Revision of the author's thesis (doctoral--University of California, Los Angeles, 2013) under title: "Through Native lenses"

    Dissertation, University of California, Los Angeles, 2013

    Native participants in photography -- Relationships with photographers -- Native practitioners -- Professional Native photographers -- Semiprofessional Native photographers -- Amateur Native photographers -- Conclusion : Indigenous photographic developments

  8. Snapshot photography
    the lives of images
    Published: 2013
    Publisher:  The MIT Press, Cambridge, Mass. [u.a.]

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Fachhochschule Dortmund, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Kunst- und Museumsbibliothek der Stadt Köln
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Paderborn
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262019293
    Subjects: Photography / Social aspects / United States; Photographic criticism / United States
    Scope: VIII, 358 S. : Ill.
    Notes:

    Includes bibliographical references and index