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  1. The sin of knowledge
    ancient themes and modern variations
    Author: Ziolkowski, Theodore
    Published: ©2000
    Publisher:  Princeton University Press, Princeton

    Prelude: The Timeless Topicality of Myth --pt. 1.Ancient Themes.Ch. 1.Adam: The Genesis of Consciousness.Ch. 2.Prometheus: The Birth of Civilization.Ch. 3.Faust: The Ambivalence of Knowledge.Interlude: From Myth to Modernity --pt. 2.Modern... more

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    Prelude: The Timeless Topicality of Myth --pt. 1.Ancient Themes.Ch. 1.Adam: The Genesis of Consciousness.Ch. 2.Prometheus: The Birth of Civilization.Ch. 3.Faust: The Ambivalence of Knowledge.Interlude: From Myth to Modernity --pt. 2.Modern Variations.Ch. 4.The Secularization of Adam.Ch. 5.The Proletarianization of Prometheus --Ch. 6.The Americanization of Faust --Postlude: On the Uses and Abuses of Myth. The timeless topicality of myth -- Ancient themes. Adam: the genesis of consciousness. The Biblical fall -- Near Eastern sources -- The paradox of knowledge in Solomon's Jerusalem -- Prometheus: the birth of civilization. Hesiod's trickster -- Aeschylus's culture-hero -- From Boeotia to Athens -- Faust: the ambivalence of knowledge. The historical Faust -- The growth of the legend -- The chapbook speculator -- Marlowe's power seeker -- From myth to modernity -- Modern variations. The secularization of Adam. Candide's fall -- The typological impulse -- Romantic tragicomic falls -- American ambiguities -- modern ironies -- The proletarianization of Prometheus. From myth to Marx -- Modern metaphors -- Marxist myths -- GDR ambiguities -- Three major re-visions -- The enemy of the people -- The Americanization of Faust. Modernizations of the myth -- Faust and the bomb -- Playful Fausts of the fifties -- A blue-collar Faust -- Professorial Fausts -- Fausts of politics and poetry -- Fausts for the nineties -- On the uses and abuses of myth. "Adam, Prometheus, and Faust - their stories were central to the formation of Western consciousness and continue to be timely cautionary tales in an age driven by information and technology. Here Theodore Ziolkowski explores how each myth represents a response on the part of ancient Hebrew, ancient Greek, and sixteenth-century Christian culture to the problem of knowledge, particularly humankind's powerful, perennial, and sometimes unethical desire for it This book exposes for the first time the similarities underlying these myths as well as their origins in earlier trickster legends, and considers when and why they emerged in their respective societies. It then examines the variations through which the themes have been adapted by modern writers to express their own awareness of the sin of knowledge." "Each myth is shown to capture the anxiety of a society when faced with new knowledge that challenges traditional values. Ziolkowski's examples of recent appropriations of the myths are especially provocative. From Voltaire to the present, the Fall of Adam has provided an image for the emergence from childhood innocence into the consciousness of maturity Prometheus, as the challenger of authority and the initiator of technological evil, yielded an ambivalent model for the socialist imagination of the German Democratic Republic. And finally, an America unsettled by its responsibility for the atomic bomb, and worrying that in its postwar prosperity it had betrayed its values, recognized in Faust the disturbing image of its soul."--Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691223940; 0691223947
    Subjects: Mythology in literature; Wissen; Faustdichtung; Literatur; Erkenntnis; Mythos; Sünde; Literature; Mythology in literature; Mythologie; Letterkunde; LITERARY CRITICISM / General; Mythologie dans la littérature; Literatur - Motiv - Faust, Johann; Literatur - Motiv - Adam; Literatur - Motiv - Prometheus; Mythos - Motiv (Literatur)
    Other subjects: Prometheus (Greek deity); Adam (Biblical figure); Faust (-approximately 1540); Adam; Faust; Prometheus; Goethe, Johann Wolfgang{von; Adam - (Biblical figure); Prometheus - (Greek deity); Faust, Johann - Motiv - Literatur; Faust - -approximately 1540; Adam - Motiv (Literatur); Prometheus - Motiv - Literatur; Adam - Motiv - Literatur; Faust, Johannes - Motiv (Literatur); Prometheus - Motiv (Literatur); Adapa; Aeschylus; Anacreon; Anaxagoras; Apollodorus; Beethoven, Ludwig van; Berman, Marshall; Borrow, Anthony; Camerarius, Joachim; Cleisthenes; Dali, Salvador; Damn Yankees; Dickens, Charles; Don Juan; Dyson, Freeman; Edwards, Jonathan; Erasmus, Desiderius; Greene, Graham; Hamlet; Heine, Heinrich; Herodotus; Herseyjohn; Hesiod; Institoris, Heinrich; Jerome, Saint; Jerusalem; Jonson, Ben; Keim, Andrew; Kirsch, Rainer; Klinger, Max; Kreitzer, Larry; Kupelwieser, Leopold; Legenda Aurea; Mailer, Norman; Mainzer, Otto; Malleus Maleficorum; Melanchthon, Philipp; Napoleon; Nono, Luigi; Olson, Elder; Orff, Carl; Paul, Saint; Peisistratus; Poussin, Nicholas; Prometheia; Quinet, Edgar; biblical criticism; chapbook; curiositas; etiology; forbidden knowledge; pact with devil
    Scope: 1 Online-Ressource (xvi, 222 pages), illustrations
    Notes:

    Includes bibliographical references (pages 193-216) and index
  2. Epic and empire
    politics and generic form from Virgil to Milton
    Author: Quint, David
    Published: [2021]; ©1993
    Publisher:  Princeton University Press, Princeton, NJ

    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form

     
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