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  1. Epic visions
    visuality in Greek and Latin epic and its reception
    Contributor: Lovatt, Helen (Hrsg.); Vout, Caroline (Hrsg.)
    Published: 2013
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Lovatt, Helen (Hrsg.); Vout, Caroline (Hrsg.)
    Language: English; Latin; Greek, Ancient (to 1453)
    Media type: Book
    Format: Print
    ISBN: 9781107039384
    RVK Categories: FB 6035
    Subjects: Epic poetry, Greek; Epic poetry, Latin; Art and literature; Civilization, Ancient, in art; Visual perception in literature; Imagery (Psychology) in literature; Object (Aesthetics) in literature
    Other subjects: Array; Array; Visual perception in literature; Imagery (Psychology) in literature; Object (Aesthetics) in literature
    Scope: XVIII, 327 S., Ill., 23 cm
    Notes:

    Includes bibliographical references

  2. Shakespeare's props
    memory and cognition
    Published: 2019
    Publisher:  Routledge, New York, NY

    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and... more

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    Introduction: props and cognition -- "Must I remember?": objects, recollection, and grief in Hamlet -- "Washing the Ethiope White": biography of a handkerchief -- "Picture[s] in little": Hamlet the curator -- Babies and corpses -- Broken props and the battle to forget -- Epilogue: the politics of props.

     

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  3. Epic Visions
    Visuality in Greek and Latin Epic and its Reception
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    A wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    A wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107039384
    Subjects: Art and literature; Civilization, Ancient, in art; Epic poetry, Greek ; History and criticism; Epic poetry, Latin ; History and criticism; Imagery (Psychology) in literature; Object (Aesthetics) in literature; Visual perception in literature; Electronic books
    Scope: Online-Ressource (348 p)
    Notes:

    Description based upon print version of record

    Contents; Figures; Tables; Contributors; Preface; Abbreviations; Introduction; Defining epic; Visualising epic; 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101; Introduction; Why the Doloneia?; Agamemnon's gaze; Difficulties of vision and interpretation; Dolon's trick?; Losing (sight of) Rhesus; 2 Operatic visions: Berlioz stages Virgil; Opera and epic*; Trojan visions; How epic is Les Troyens?; The Trojan horse; The death of Dido; 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus' Argonautica; Introduction; Epiphany and recognition at Lemnos

    Venus' Bacchae at LemnosSeeing Medea; Conclusion; 4 The look of the Late Antique Emperor and the art of praise; I have seen the emperor; Epic and viewing the emperor; The emperor on the battlefield; The emperor in the city; The emperor as work of art; 5 Intermediality in Latin epic - en video quaecumque audita; Ekphrasis; Intermediality; Ovid; Lucan; Conclusions; 6 Viewing violence in Statius' Thebaid and the films of Quentin Tarantino; Tydeus and the fifty Thebans; Kiddo and the Crazy 88; Hypsipyle and the Lemnians; Marvin and Mr Blonde; Polynices and Eteocles; Hitler and the Bear Jew

    Conclusion7 Storyboarding and epic; Introduction; Dido in Aeneid 4.68-75; Stag and hounds in Aeneid 7.475-95; Conclusion; 8 Epic in the round; Epic and sculpture; The pictorial qualities of Homer; Sculpture and epic distance; Epic in three dimensions; a. Thornycroft's Teucer; b. Carpeaux's Hector; Beyond the Iliad; 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii; The Casa di Octavius Quartio (Regio II 2.2); Room (h); The Heracles frieze; The Iliad frieze; Heracles on top of Troy; 'Split screen' epic and epic visions

    10 Epic visions on the Tabulae IliacaeTabulating Homer; Entering the pictures; Sliding as you will; Epic visions of epic visions; Bibliography; Index locorum; General index

  4. Victorian jewelry, identity, and the novel
    prisms of culture
    Author: Arnold, Jean
    Published: 2011
    Publisher:  Ashgate, Farnham, England

  5. Epic visions
    visuality in Greek and Latin epic and its reception
    Contributor: Lovatt, Helen (Publisher); Vout, Caroline (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
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    This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Lovatt, Helen (Publisher); Vout, Caroline (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139600262
    Other identifier:
    RVK Categories: FB 6035
    Subjects: Epic poetry, Greek / History and criticism; Epic poetry, Latin / History and criticism; Art and literature; Civilization, Ancient, in art; Visual perception in literature; Imagery (Psychology) in literature; Object (Aesthetics) in literature; Epos; Latein; Visualisierung; Griechisch; Rezeption
    Scope: 1 online resource (xviii, 327 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Seeing in the dark: kleos, tragedy, and perception in Iliad / Jon Hesk -- Operatic visions: Berlioz stages Virgil / Helen Lovatt -- Visualizing Venus: epiphany and anagnorisis in Valerius Flaucus' Argonautica / Emma Buckley -- The look of the late antique emperor and the art of praise / Roger Rees -- Intermediality in Latin epic: en video quaecumque audita / Martin T. Dinter -- Viewing violence in Statius' Thebiad and the films of Quentin Tarantino / Kyle Gervais -- Storyboarding and epic / Lynn S. Fotheringham and Matt Brooker -- Epic in the round / Caroline Vout -- Split screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii / Katharina Lorenz -- Epic visions on the Tabulae iliacae / Michael Squire

  6. Objects observed
    the poetry of things in twentieth-century France and America
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781487501570
    Series: University of Toronto romance series
    Subjects: Poetry, Modern; American poetry; French poetry; Object (Aesthetics) in literature; Art objects in literature; American poetry; Art objects in literature; French poetry; Object (Aesthetics) in literature; Poetry, Modern; Criticism, interpretation, etc; 1900-1999
    Scope: xii, 320 Seiten
    Notes:

    Literaturverzeichnis: Seite 297-313

  7. Illustrations, optics and objects in nineteenth-century literary and visual cultures
    Published: 2010
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Braunschweig
    Fai-85
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 10448
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    A 2010/1555
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    EL/480/786
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    Universitätsbibliothek Osnabrück
    DVU 6201-534 7
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230221971; 9780230221970
    RVK Categories: HL 1071
    Subjects: English literature; Visual perception in literature; Imagery (Psychology) in literature; Object (Aesthetics) in literature; Material culture in literature
    Scope: XIX, 206 S., Ill.
    Notes:

    Literaturverz. S. 185 - 193

    Hier auch später erschienene, unveränderte Nachdrucke

  8. Gli oggetti della letteratura
    il design tra racconto e immagine
    Published: [2017]
    Publisher:  Els La scuola, Brescia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 19650
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788837230449
    RVK Categories: LH 79540
    Series: Array ; 91
    Subjects: Design; Object (Aesthetics) in literature; Art and literature
    Scope: 189 pages, illustrations (chiefly color), 22 cm
    Notes:

    R. Riccini teaches at the Università IUAV of Venice

    Includes bibliographical references (pages 169-181) and index

  9. Schläft ein Lied in allen Dingen?
    romantische Dingpoetik
    Contributor: Holm, Christiane (HerausgeberIn); Oesterle, Günter (HerausgeberIn); Bormann, Alexander von (MitwirkendeR)
    Published: 2011
    Publisher:  Königshausen & Neumann, Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 820181
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    a ger 721 m/820
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    GK 2661 H747
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    310/GK 2799 H747
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    V-3 1/85
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    EBi 44.2011
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2012/1271
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    GQ/270/54
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    GER:CS:6060:Hol::2011
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    17-13759
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    2011.07211:1
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    12-1882
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    GK 2573 HOL
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    230967 - A
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    Source: Staatsbibliothek zu Berlin
    Contributor: Holm, Christiane (HerausgeberIn); Oesterle, Günter (HerausgeberIn); Bormann, Alexander von (MitwirkendeR)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 382604715X; 9783826047152
    RVK Categories: GK 2799
    DDC Categories: 420#DNB
    Series: Stiftung für Romantikforschung ; 54
    Subjects: German literature; Romanticism; Object (Aesthetics) in literature; Material culture in literature
    Scope: 290 Seiten, Ill., 24 cm
    Notes:

    Literaturangaben

    Uwe C. SteinerEmpirisch-transzendentale Objekte in der Romantik und die empirisch-transzendentale Dublette Mensch / Jürgen Link: Die Tücken des Subjekts und der Einspruch der Dinge : romantische Krisen der Objektivität bei Novalis, Eichendorff und Hoffmann

    Waldemar Fromm: Von schönen und dunklen Dingen : zur Wahrnehmungsgeschichte der Dinge von der Ästhetik Baumgartens zur frühromantischen Poetik

    Frauke Berndt: "Körperliches körperlich" : Friedrich Creuzers Mediologie

    Heinz Brüggemann: Mitgespielt : vom Handeln und Sprechen der Dinge, Thema mit Variationen in Texten der Romantik

    Johannes F. Lehmann: "Das Vorhandenseyn einer Körperwelt" : widerständige Dinge in der romantischen Komiktheorie von Stephan Schütze und bei E.T.A. Hoffmann

    Sandra Bauer: Die Poetik der dinglichen : Andenken in Goethes Wilhelm Meisters Lehrjahre

    Christine Weder: Die (Ohn-)Macht der Objekte : romantische Dinge zwischen Magie und Profanität in Heinrich v. Kleists Michael Kohlhaas und E.T.A. Hoffmanns Der Zusammenhang der Dinge

    Claudia Liebrand: Hoffmanns Dinge

    Michael Niehaus: Wandernde Dinge--in der Romantik und anderswo

    Thomas Nehrlich: E.A. Poe's The Purloined Letter : Wahrnehmungsästhetik und Dingepoetik

    Rudolf Helmstetter: Verlorene Dinge, die Poesie der Siebensachen und der Realismus der Requisiten (Gottfried Keller, Aron Bernstein, Theodor Fontane)

    Christiane Holm: Bewegte und bewegende Dinge : Überlegungen zur Zeitstruktur des Andenkens um 1800

    Beate Söntgen.: Entleerung und Re-Möblierung : zur Einrichtung des Innenraums in Bildern der Romantik und des Biedermeier

  10. Schläft ein Lied in allen Dingen?
    romantische Dingpoetik
    Contributor: Holm, Christiane (HerausgeberIn); Oesterle, Günter (HerausgeberIn); Bormann, Alexander von (MitwirkendeR)
    Published: 2011
    Publisher:  Königshausen & Neumann, Würzburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Holm, Christiane (HerausgeberIn); Oesterle, Günter (HerausgeberIn); Bormann, Alexander von (MitwirkendeR)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 382604715X; 9783826047152
    Parent title:
    RVK Categories: GK 2799
    DDC Categories: 420#DNB
    Series: Stiftung für Romantikforschung ; 54
    Subjects: German literature; Romanticism; Object (Aesthetics) in literature; Material culture in literature
    Scope: 290 Seiten, Ill., 24 cm
    Notes:

    Literaturangaben

    Uwe C. SteinerEmpirisch-transzendentale Objekte in der Romantik und die empirisch-transzendentale Dublette Mensch / Jürgen Link: Die Tücken des Subjekts und der Einspruch der Dinge : romantische Krisen der Objektivität bei Novalis, Eichendorff und Hoffmann

    Waldemar Fromm: Von schönen und dunklen Dingen : zur Wahrnehmungsgeschichte der Dinge von der Ästhetik Baumgartens zur frühromantischen Poetik

    Frauke Berndt: "Körperliches körperlich" : Friedrich Creuzers Mediologie

    Heinz Brüggemann: Mitgespielt : vom Handeln und Sprechen der Dinge, Thema mit Variationen in Texten der Romantik

    Johannes F. Lehmann: "Das Vorhandenseyn einer Körperwelt" : widerständige Dinge in der romantischen Komiktheorie von Stephan Schütze und bei E.T.A. Hoffmann

    Sandra Bauer: Die Poetik der dinglichen : Andenken in Goethes Wilhelm Meisters Lehrjahre

    Christine Weder: Die (Ohn-)Macht der Objekte : romantische Dinge zwischen Magie und Profanität in Heinrich v. Kleists Michael Kohlhaas und E.T.A. Hoffmanns Der Zusammenhang der Dinge

    Claudia Liebrand: Hoffmanns Dinge

    Michael Niehaus: Wandernde Dinge--in der Romantik und anderswo

    Thomas Nehrlich: E.A. Poe's The Purloined Letter : Wahrnehmungsästhetik und Dingepoetik

    Rudolf Helmstetter: Verlorene Dinge, die Poesie der Siebensachen und der Realismus der Requisiten (Gottfried Keller, Aron Bernstein, Theodor Fontane)

    Christiane Holm: Bewegte und bewegende Dinge : Überlegungen zur Zeitstruktur des Andenkens um 1800

    Beate Söntgen.: Entleerung und Re-Möblierung : zur Einrichtung des Innenraums in Bildern der Romantik und des Biedermeier

  11. Gli oggetti della letteratura
    il design tra racconto e immagine
    Published: [2017]
    Publisher:  Els La scuola, Brescia

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788837230449
    RVK Categories: LH 79540
    Series: Array ; 91
    Subjects: Design; Object (Aesthetics) in literature; Art and literature
    Scope: 189 pages, illustrations (chiefly color), 22 cm
    Notes:

    R. Riccini teaches at the Università IUAV of Venice

    Includes bibliographical references (pages 169-181) and index

  12. Objects observed
    the poetry of things in twentieth-century France and America
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    <P><EM>Objects Observed</EM> explores the central place given to the object by a number of poets in France and in America in the twentieth century.</P> Cover; Dedication; Contents; Acknowledgments; Abbreviations; Introduction; 1 The Object in... more

    Staats- und Universitätsbibliothek Bremen
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    Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century.

    Cover; Dedication; Contents; Acknowledgments; Abbreviations; Introduction; 1 The Object in Modernism in the United States and France; 2 Cubism and the Poetry of the Object: Pierre Reverdy's Aesthetics of Impersonality; 3 The Text as Object: Francis Ponge's Verbal Still Lifes; 4 Description as Transfiguration: Jean Follain's (Meta)Poetics of the Object; 5 The Object as (M)Other: Guillevic's Poetry and Object-Relations Theory; 6 Jean Tortel's Poetics of the Desiring Gaze; 7 L'Objet après L'Objet: Contemporary French Poetry; Conclusion: Two Traditions; Notes; Bibliography; Index

     

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  13. Objects observed
    the poetry of things in twentieth-century France and America
  14. Poetics and praxis "after" objectivism
    Contributor: Howard, W. Scott (Publisher); Rossell, Broc (Publisher)
    Published: [2018]; © 2018
    Publisher:  University of Iowa Press, Iowa City

    "Poetics and Praxis 'After' Objectivism includes an introduction, ten chapters, and a roundtable afterward...all of which have been written specifically for this volume. The collection examines late twentieth- and early twenty-first-century poetic... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    "Poetics and Praxis 'After' Objectivism includes an introduction, ten chapters, and a roundtable afterward...all of which have been written specifically for this volume. The collection examines late twentieth- and early twenty-first-century poetic praxis within and against the dynamic, disparate legacy of Objectivism and the Objectivists. This is the first volume in the field to study this vital legacy through current poetic praxis, renewing the complexities of the past in terms of the difficulties of the present. The book's scope investigates the continuing relevance of the Objectivist ethos to poetic praxis in our time, examining and exemplifying generative intersections of creativity and critique" ...

     

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    Source: Union catalogues
    Contributor: Howard, W. Scott (Publisher); Rossell, Broc (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781609385927
    Series: Contemporary North American poetry series
    Subjects: American poetry; American poetry; Object (Aesthetics) in literature; Poetics; Poetics; Poetik; Lyrik; Objektivismus
    Scope: vii, 232 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  15. Modernist objects
    Contributor: Cuny, Noëlle (Publisher); Kalck, Xavier (Publisher)
    Published: 2020
    Publisher:  Clemson University Press, [Clemson, South Carolina]

    "Modernist Objects is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. Contributors explore the many tensions surrounding the modernist relationship to objects, things, products... more

    Bayerische Staatsbibliothek
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    "Modernist Objects is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. Contributors explore the many tensions surrounding the modernist relationship to objects, things, products and artIfacts through the prism of poetry, prose, visual arts, culture and crafts"--

     

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    Source: Union catalogues
    Contributor: Cuny, Noëlle (Publisher); Kalck, Xavier (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781949979503
    Edition: First edition
    Series: Seminal modernisms
    Subjects: Objekt <Philosophie>; Ästhetik; Materialität
    Other subjects: Object (Aesthetics); Modernism (Aesthetics); Material culture; Object (Aesthetics) in literature; Material culture; Modernism (Aesthetics); Object (Aesthetics); Object (Aesthetics) in literature
    Scope: ix, 282 Seiten, 8 ungezählte Seiten Tafeln (farbig), Illustrationen, 24 cm
    Notes:

    OBJECTING TO REALISM. Douglas Mao: Objectionable Objects -- Martin Schauss: "Such density of furniture defeats imagination": Beckett's Post-War Room and the Inheritance of Things -- Pavlina Radia: From Eggbeaters and Alcohol to Gryphons, Dolls, and Puppets: The Affective Mobilities of Djuna Barnes's Objects -- Rachel Bowlby: Tradition and the Test-Tube Baby -- FASHIONING THE HUMAN. Sanja Bahun: The Fabric of Home: Cotton Cloth between Ontology and Use-Value in Paul Klee's, Varvara Stepanova and Lyubov Popova's Artwork -- Louise Kane: Computer Science for (Live) Modernism(s): Magazines as Metaobjects -- Jennifer Kilgore-Caradec: "Twang the lyre and rattle the lexicon": Harps and Lyres in Modernist Poetry -- Lynn M. Somers: Louise Bourgeois's Melancholy Objects to be Used -- PERFORMING THE ORNAMENTAL. Yasna Bozhkova: Limbswish: Baroness Elsa's "Ready-to-Wear" Poem-Objects -- Maurizia Boscagli: The Furniture of Alter-Modernism: Eileen Gray's and Le Corbusier's Two Orientalisms -- Nonia Williams: "LOST! HANSOME GOLE BROOCH." Broken, Lost and Forgotten Objects in Woolf, Mansfield and Stein -- Justine Baillie: Diasporic Modernism: Memory, the Object and Jean Rhys's Good Morning, Midnight (1939)

  16. Collecting and appreciating
    Henry James and the transformation of aesthetics in the age of consumption
    Published: 2010
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034301633; 9783035300529
    Series: Cultural interactions ; v. 21
    Subjects: Ästhetik; Collectors and collecting in literature; Art in literature; Object (Aesthetics) in literature; Material culture in literature; Ästhetik; Kunst <Motiv>; Sachkultur <Motiv>; Kunstsammler <Motiv>; Sammeln <Motiv>
    Other subjects: James, Henry (1843-1916); James, Henry (1843-1916); James, Henry (1843-1916)
    Scope: vi, 209 p
    Notes:

    Includes bibliographical references (p. [195]-205) and index

    Appreciation in the age of consumption. The rise of consumption as an aesthetic revolution; Collecting as a modern form of art appreciation; The problem of art consumption for John Ruskin -- Henry James's early response to collecting. Henry James and the Ruskinian picturesque; Picturesque relics vs. renovated collectibles -- Between aestheticism and naturalism. The aesthete and the naturalist as cultural commodifiers; The impossible painting and the ugly statuettes -- The princess Casamassima. Unmasking the naturalist collector: Zola, Turgenev and James; A youth upon whom nothing was lost; The last sacrifice; The extending of one's horizon -- Henry James's aesthetics of desire. Georg Simmel's "value-increasing process"; The ambiguities of a fin-de-siecle connoisseur: Bernard Berenson; The most exquisite economy: Henry James's aesthetics of desire; Appreciation and interpretation -- The spoils of Poynton. The buried bone and the tiny nuggets; A hindrance in the quality of the material; The method at the heart of madness -- The golden bowl. Rounding off the corners of life; Small shining diamonds out of the sweepings of an ordered house; The steel hoop and the silken rope

  17. Shakespeare's props
    memory and cognition
    Published: 2019
    Publisher:  Routledge, New York, NY

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props.... more

     

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"--

     

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    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351967617; 1351967614; 9781351967600; 1351967606; 9781315265582; 1315265583; 9781351967594; 1351967592
    Other identifier:
    Series: Routledge studies in Shakespeare
    Routledge studies in Shakespeare ; 36
    Subjects: Memory in literature; Object (Aesthetics) in literature; Stage props
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Dramatic production
    Scope: 1 online resource
  18. Victorian jewelry, identity, and the novel
    prisms of culture
    Author: Arnold, Jean
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781409421276
    RVK Categories: HL 1331
    Subjects: Geschichte; English fiction; Material culture in literature; Gems in literature; Jewelry in literature; Object (Aesthetics) in literature; Identity (Psychology) in literature; Gems; Values in literature; Values; Material culture; Roman; Schmuck <Motiv>; Englisch
    Scope: X, 172 S., Ill.
    Notes:

    Includes bibliographical references and index

  19. Epic Visions
    Visuality in Greek and Latin Epic and its Reception
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    10 Epic visions on the Tabulae IliacaeTabulating Homer; Entering the pictures; Sliding as you will; Epic visions of epic visions; Bibliography; Index locorum; General index. A wide-ranging, interdisciplinary collection exploring different ways of... more

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    10 Epic visions on the Tabulae IliacaeTabulating Homer; Entering the pictures; Sliding as you will; Epic visions of epic visions; Bibliography; Index locorum; General index. A wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture Conclusion7 Storyboarding and epic; Introduction; Dido in Aeneid 4.68-75; Stag and hounds in Aeneid 7.475-95; Conclusion; 8 Epic in the round; Epic and sculpture; The pictorial qualities of Homer; Sculpture and epic distance; Epic in three dimensions; a. Thornycroft's Teucer; b. Carpeaux's Hector; Beyond the Iliad; 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii; The Casa di Octavius Quartio (Regio II 2.2); Room (h); The Heracles frieze; The Iliad frieze; Heracles on top of Troy; 'Split screen' epic and epic visions. Figures; Tables; Contributors; Preface; Abbreviations; Introduction; Defining epic; Visualising epic; 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101; Introduction; Why the Doloneia?; Agamemnon's gaze; Difficulties of vision and interpretation; Dolon's trick?; Losing (sight of) Rhesus; 2 Operatic visions: Berlioz stages Virgil; Opera and epic*; Trojan visions; How epic is Les Troyens?; The Trojan horse; The death of Dido; 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus' Argonautica; Introduction; Epiphany and recognition at Lemnos. Venus' Bacchae at LemnosSeeing Medea; Conclusion; 4 The look of the Late Antique Emperor and the art of praise; I have seen the emperor; Epic and viewing the emperor; The emperor on the battlefield; The emperor in the city; The emperor as work of art; 5 Intermediality in Latin epic -- en video quaecumque audita; Ekphrasis; Intermediality; Ovid; Lucan; Conclusions; 6 Viewing violence in Statius' Thebaid and the films of Quentin Tarantino; Tydeus and the fifty Thebans; Kiddo and the Crazy 88; Hypsipyle and the Lemnians; Marvin and Mr Blonde; Polynices and Eteocles; Hitler and the Bear Jew.

     

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  20. Objects observed
    the poetry of things in twentieth-century France and America
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 42949
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    ALW:LG:3690:Sto::2018
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781487501570
    Series: University of Toronto romance series
    Subjects: Poetry, Modern; American poetry; French poetry; Object (Aesthetics) in literature; Art objects in literature; American poetry; Art objects in literature; French poetry; Object (Aesthetics) in literature; Poetry, Modern; Criticism, interpretation, etc; 1900-1999
    Scope: xii, 320 Seiten
    Notes:

    Literaturverzeichnis: Seite 297-313

  21. Objects observed
    the poetry of things in twentieth-century France and America
    Published: [2018]; 2018
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487513528
    Subjects: Poetry, Modern; American poetry; French poetry; Art objects in literature; Object (Aesthetics) in literature; Literatur; Alltagsgegenstand <Motiv>
    Other subjects: Follain, Jean (1903-1971); Reverdy, Pierre (1889-1960); Ponge, Francis (1899-1988); Tortel, Jean (1904-1993)
    Scope: 1 Online-Ressource (333 pages)
    Notes:

    Description based on print version record

  22. Epic visions
    visuality in Greek and Latin epic and its reception
    Contributor: Lovatt, Helen (Publisher); Vout, Caroline (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge, [England] ; New York, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Lovatt, Helen (Publisher); Vout, Caroline (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316262610
    RVK Categories: FB 6035
    Subjects: Object (Aesthetics) in literature; Imagery (Psychology) in literature; Epic poetry, Greek; Epic poetry, Latin; Art and literature; Civilization, Ancient, in art; Visual perception in literature; Griechisch; Rezeption; Visualisierung; Epos; Latein
    Scope: 1 Online-Ressource (348 pages), illustrations
    Notes:

    Description based on print version record

  23. Poetics and praxis "after" objectivism
    Contributor: Howard, W. Scott (Herausgeber); Rossell, Broc (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  University of Iowa Press, Iowa City

    "Poetics and Praxis 'After' Objectivism includes an introduction, ten chapters, and a roundtable afterward...all of which have been written specifically for this volume. The collection examines late twentieth- and early twenty-first-century poetic... more

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    13/HR 1150 H853
    No inter-library loan

     

    "Poetics and Praxis 'After' Objectivism includes an introduction, ten chapters, and a roundtable afterward...all of which have been written specifically for this volume. The collection examines late twentieth- and early twenty-first-century poetic praxis within and against the dynamic, disparate legacy of Objectivism and the Objectivists. This is the first volume in the field to study this vital legacy through current poetic praxis, renewing the complexities of the past in terms of the difficulties of the present. The book's scope investigates the continuing relevance of the Objectivist ethos to poetic praxis in our time, examining and exemplifying generative intersections of creativity and critique" ..

     

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    Source: Union catalogues
    Contributor: Howard, W. Scott (Herausgeber); Rossell, Broc (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781609385927
    RVK Categories: HR 1150
    Series: Contemporary North American poetry series
    Subjects: Lyrik; Objektivismus; Poetik; American poetry; American poetry; Object (Aesthetics) in literature; Poetics; Poetics
    Scope: vii, 232 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  24. Shakespeare's props
    memory and cognition
    Published: 2019
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props.... more

    Access:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan

     

    "Shakespeare's most famous props have become transhistorical, transnational metonyms for their plays: a strawberry-spotted handkerchief instantly recalls Othello; a skull, Hamlet. This book reveals the cognitive impact of Shakespeare's props. Departing from the longstanding tendency to conceptualise props as detachable body parts, this monograph argues for props as detachable parts of the mind. Through props, Shakespeare's characters reveal their own cognition and intervene in the cognition of other characters, illuminating and extending their affect. Shakespeare's props are neither static icons nor substitutes for the body, but volatile, malleable, and dangerously exposed extensions of his characters' minds. Recognising them as such offers new readings of the plays, from the way memory becomes a weapon in Hamlet's Elsinore, to the pleasures and perils of Early Modern gift culture in Othello. The book illuminates Shakespeare's exploration of extended cognition, recollection and remembrance at a time when the growth of printing was forcing Renaissance culture to rethink the relationship between memory and the object. Readings in Shakespearean stage history, drawing on much unpublished archival material, reveal how props illuminate cultural priorities: while some props accrue cultural memories, others decay and are forgotten as detritus of the stage"--...

     

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  25. Objects Observed
    The Poetry of Things in Twentieth-Century France and America
    Published: 2018
    Publisher:  University of Toronto Press, Toronto

    Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century. John C. Stout provides comprehensive examinations of Pierre Reverdy, Francis Ponge, Jean Follain, Guillevic, and... more

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    Staats- und Universitätsbibliothek Bremen
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    Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century. John C. Stout provides comprehensive examinations of Pierre Reverdy, Francis Ponge, Jean Follain, Guillevic, and Jean Tortel. Stout argues that the object furnishes these poets with a catalyst for creating a new poetics and for reflecting on lyric as a genre. In France, the object has been central to a broad range of aesthetic practices, from the era of Cubism and Surrealism to the 1990s. In the heyday of American Modernism, several major poets foregrounded the object in their work; however, in postwar twentieth-century America, poets moved away from a focus on the object. Objects Observed illuminates the variety of aesthetic practices and positions in French and American poets from the years of high Modernism (1909–1930) to the 1990s

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487513528
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: American poetry; Art objects in literature; French poetry; Poetry, Modern; American poetry; Art objects in literature; French poetry; Poetry, Modern; Object (Aesthetics) in literature; LITERARY CRITICISM / European / French
    Scope: 1 Online-Ressource
    Notes:

    De Gruyter - University Press Pilot Project. eBook available to select US libraries only

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Abbreviations -- -- Introduction -- -- 1. The Object In Modernism In The United States And France -- -- 2. Cubism And The Poetry Of The Object: Pierre Reverdy’S Aesthetics Of Impersonality -- -- 3. The Text As Object: Francis Ponge’S Verbal Still Lifes -- -- 4. Description As Transfiguration: Jean Follain’S (Meta)Poetics Of The Object -- -- 5. The Object As (M)Other: Guillevic’S Poetry And Object-Relations Theory -- -- 6. Jean Tortel’S Poetics Of The Desiring Gaze -- -- 7. L’Objet Après L’Objet: Contemporary French Poetry -- -- Conclusion: Two Traditions -- -- Notes -- -- Bibliography -- -- Index