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  1. The Princeton Handbook of Multicultural Poetries
    Contributor: Brogan, Terry V.F. (HerausgeberIn)
    Published: [2021]; ©1996
    Publisher:  Princeton University Press, Princeton, NJ

    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the... more

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    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written)

     

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    Content information
    Source: Union catalogues
    Contributor: Brogan, Terry V.F. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691228211
    Other identifier:
    Subjects: Poesie; Poesie; Poetics; Poetics; Poetique; Poetry; Poetry; Poetry; LITERARY CRITICISM / Poetry
    Other subjects: Existentialism; Farce; Free verse; G. (novel); Genre; Hexameter; Humour; Idyll; Imagery; Intelligentsia; Internal rhyme; Irony; Jews; Lament; Literature; Long poem; Lyric poetry; Lyricism; Metaphysical poets; Modernism; N. (novella); Narrative poetry; Narrative; Neo-romanticism; Neoclassicism; New Generation (Malayalam film movement); Novelist; Of Modern Poetry; Oral poetry; Panegyric; Parody; Pessimism; Petrarch; Picturesque; Poet; Poetic diction; Poetry; Political poetry; Prose poetry; Prose; Proverb; Pseudonym; Quatrain; Rainer Maria Rilke; Rhetoric; Rhyme scheme; Rhyme; Romantic poetry; Romanticism; S. (Dorst novel); Sanskrit; Satire; Sensibility; Sonnet sequence; Sonnet; Stanza; Strophe; Surrealism; Symbolism (arts); T. S. Eliot; The New Poetry; The Other Hand; The Song of Roland; The Various; Treatise; Troubadour; V; World War II; Writer; Writing; Abbreviation; Aeneid; Aestheticism; Allegory; Alliteration; Allusion; Aphorism; Art for art's sake; Arthur Rimbaud; Artifice; Assonance; Blank verse; Caesura; Charles Baudelaire; Classicism; Comparative literature; Concrete poetry; Couplet; Courtly love; Despair (novel); Diction; Didacticism; Digression; Dramatic monologue; Eclogue; Epic Cycle; Epic poetry; Epigram; Epistle; Evocation
    Scope: 1 Online-Ressource (352 p.)
  2. What the Victorians made of romanticism
    material artifacts, cultural practices, and reception history
    Author: Mole, Tom
    Published: 2017
    Publisher:  Princeton University Press, Princeton

    This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott,... more

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    This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth--one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing--such as photographs, postcards, books, and collectibles--that in turn remade the public's understanding of Romantic writers

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400887897; 1400887895
    Subjects: English literature; Romanticism; Littérature anglaise - 19e siècle - Histoire et critique; Romantisme - Grande-Bretagne - 19e siècle; LITERARY CRITICISM - European - English, Irish, Scottish, Welsh; English literature; Romanticism; Criticism, interpretation, etc
    Other subjects: Algernon Charles Swinburne; Anecdote; Anthology; Atheism; Author; Benjamin Disraeli; Biography; Book design; Calton Hill; Cambridge University Press; Charles Dickens; Childe Harold's Pilgrimage; Christianity; Clergy; Edition (book); Embellishment; English literature; English poetry; Engraving; Felicia Hemans; First appearance; Franco Moretti; Frank Kermode; George Eliot; God; Guide to the Lakes; Handbook; Harriet Beecher Stowe; Hebrew Melodies; Henry Chorley; Illustration; Illustrator; Jerome McGann; John Ruskin; Lecture; Literary criticism; Literature; Long poem; Lord Byron; Mary Shelley; Matthew Arnold; Modernity; Narrative; National Library of Scotland; New Generation (Malayalam film movement); New Historicism; New media; Newspaper; Novel; Paratext; Percy Bysshe Shelley; Photography; Poet; Poetry; Poets' Corner; Postcard; Preface; Princes Street Gardens; Princeton University Press; Print culture; Printing; Printmaking; Prometheus Unbound (Aeschylus); Prose; Publication; Publishing; Queen Mab; Religion; Reprint; Romantic poetry; Romanticism; Scott Monument; Scott's (restaurant); Secularization; Sensibility; Sermon; She Walks in Beauty; Special collections; Stanza; Stephen Greenblatt; Subjectivity; Supporter; T. S. Eliot; The Anthologist; The Aspern Papers; The Destruction of Sennacherib; The Giaour; The Lay of the Last Minstrel; The Other Hand; The Pencil of Nature; Theology; Troilus and Criseyde; Victorian era; Wai Chee Dimock; Walter Benjamin; William Michael Rossetti; William Shakespeare; William Wordsworth; Writer; Writing
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    The web of reception. Romantic writers in the Victorian media ecology -- Reception traditions and punctual historicism -- Minding the generation gap -- Illustrations. Illustration as renovation -- Renovating romantic poetry: retrofitted illustrations -- Turning the page: illustrated frontmatter -- Sermons. A religious reception tradition -- Converting Shelley -- Spurgeon, Byron, and the contingencies of mediation -- Statues. -- Secular pantheons for the reformed: Byron in Cambridge -- The distributed pantheon: Scott in Edinburgh -- The networked Pantheon: Byron in London -- Anthologies. Scattered odes in shattered books: quantifying Victorian anthologies -- Romantic short poems in Victorian anthologies -- Romantic long poems in Victorian anthologies -- Coda: Ozymandias at the Olympics; or, she walks in Brixton.