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  1. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Published: [2014]; © 2014
    Publisher:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255269
    Other identifier:
    Subjects: Armenian literature; Mythological religion; Nationalism; Orientalism; Ottoman empire; Philology; Philosophy of art; LITERARY CRITICISM / General; Armenian literature; Art and literature; Religion and literature; Religion and literature
    Scope: 1 online resource (420 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Published: [2014]; © 2014
    Publisher:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255269
    Other identifier:
    Subjects: Armenian literature; Mythological religion; Nationalism; Orientalism; Ottoman empire; Philology; Philosophy of art; LITERARY CRITICISM / General; Armenian literature; Art and literature; Religion and literature; Religion and literature
    Scope: 1 online resource (420 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Published: [2014]
    Publisher:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... more

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    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora Frontmatter -- Contents -- A Note on the Transliteration -- Acknowledgments -- INTRODUCTION -- 1. Variants and Facets of the Literary Erection -- 2. Abovean and the Birth of the Native -- 3. Orientalism and Neo-Archeology -- 4. The Disaster of the Native -- 5. The Other Scene of Representation -- 6. Erection and Self-Sacrifice -- 7. The Mourning of Religion I -- 8. The Mourning of Religion II -- EPILOGUE: Nietzsche in Armenian Literature at the Turn of the Twentieth Century -- A. Excerpts from Nineteenth-Century Works of Philology and Ethnography -- B. Essays in Mehyan and Other Writings of Constant Zarian -- C. Daniel Varuzhan: Poems and Prose -- Notes -- Bibliography -- Index

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823255269
    Other identifier:
    Subjects: Armenian literature; Art and literature; Religion and literature; Religion and literature; LITERARY CRITICISM / General
    Other subjects: Armenian literature; Mythological religion; Nationalism; Orientalism; Ottoman empire; Philology; Philosophy of art
    Scope: 1 Online-Ressource (420 p)