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  1. Collected Works of Paul Valery, Volume 15 :
    Moi /
    Published: [2015]; ©1975
    Publisher:  Princeton University Press,, Princeton, NJ :

    A selection of writings that portray the inner life of the artist. Included are several short autobiographical pieces in which Valéry talks about his early childhood, his adolescence, his military experience, his travels, his poetry, and his... more

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    A selection of writings that portray the inner life of the artist. Included are several short autobiographical pieces in which Valéry talks about his early childhood, his adolescence, his military experience, his travels, his poetry, and his acquaintances. The volume contains selections from the Valéry-Gide and Valéry-Fourment correspondence and two additional pieces, "The Avenues of the Mind," a magazine interview with Valéry printed in 1927, and Pierre Feline's "Memories of Paul Valéry."Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Mathews, Jackson, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400871551
    Other identifier:
    Series: Collected Works of Paul Valery ; ; 703
    Subjects: Literary Studies; LITERARY CRITICISM / European / French.
    Other subjects: A Book Of.; Ad libitum.; Alphonse Daudet.; Anecdote.; Apotheosis.; Arthur Rimbaud.; Aubrey Beardsley.; Aujourd'hui.; Automaton.; Avenue Foch.; Banality (sculpture series).; Bayard (legend).; Boredom.; Bug-Jargal.; Calculation.; Calligraphy.; Captivating.; Charles Gide.; Chauvinism.; Claude Lorrain.; Competent man.; Consummation.; Digression.; Disgust.; Empiricism.; Engraving.; Epithalamium.; Euclidean geometry.; Euripides.; Evocation.; Fiasco (novel).; Gascony.; Gaston Bachelard.; Genre.; Grand style (rhetoric).; Hemistich.; Henri de Toulouse-Lautrec.; I Wish (manhwa).; Illustration.; Imbecile.; In High Places (Harry Turtledove novel).; Jean Valjean.; Joseph Conrad.; La Plume.; La Revue Blanche.; La mer (Debussy).; Lecture.; Leitmotif.; Leo Tolstoy.; Les mille et une nuits.; Literary theory.; Literature.; Lord Byron.; Louis Lambert (novel).; Manifesto.; Marcel Schwob.; Mechanism design.; Melange (fictional drug).; Memoir.; Mercure de France.; Monseigneur.; Monsieur.; Mr.; My Day.; New Laws.; Nihilism.; Novelist.; Omnipotence.; On Writing.; Parody.; Parsifal.; Paul Bourget.; Paul Claudel.; Persius.; Philosopher.; Poetry.; Publication.; Quibble (plot device).; Red Beard.; Remade.; Return to order.; Richard Wagner.; S. (Dorst novel).; Seigneur.; Sensibility.; Stupidity.; The First Man.; The Other Hand.; The Philosopher.; The Various.; Thought.; Three Comrades (novel).; Treatise.; Ulalume.; V.; Valery.; Warfare.; Writer.; Writing.; À rebours.
    Scope: 1 online resource (436 p.)
  2. Collected Works of C.G. Jung.
    Collected Works of C.G. Jung, Volume 9 (Part 2) ; Aion: Researches into the Phenomenology of the Self /
    Published: [2014]; ©1969
    Publisher:  Princeton University Press,, Princeton, NJ :

    Aion, originally published in German in 1951, is one of the major works of Jung's later years. The central theme of the volume is the symbolic representation of the psychic totality through the concept of the Self, whose traditional historical... more

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    Aion, originally published in German in 1951, is one of the major works of Jung's later years. The central theme of the volume is the symbolic representation of the psychic totality through the concept of the Self, whose traditional historical equivalent is the figure of Christ. Jung demonstrates his thesis by an investigation of the Allegoria Christi, especially the fish symbol, but also of Gnostic and alchemical symbolism, which he treats as phenomena of cultural assimilation. The first four chapters, on the ego, the shadow, and the anima and animus, provide a valuable summation of these key concepts in Jung's system of psychology.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Adler, Gerhard, (editor.); Hull, R. F.C., (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400851058
    Other identifier:
    Edition: Course Book
    Series: Bollingen Series (General) ; ; Volume 9/2
    Subjects: Psychoanalysis.; PSYCHOLOGY / Movements / Psychoanalysis.
    Other subjects: Abercius.; All things.; Allegory.; Allusion.; Analogy.; Anima and animus.; Anima mundi.; Anthropomorphism.; Antithesis.; Archetype.; Archeus.; Astrology.; Attis.; Barbelo.; Causality.; Christ.; Christianity.; Church Fathers.; Clement of Alexandria.; Concupiscence.; Consciousness.; Deity.; Demiurge.; Dionysus.; Dogma.; Dualism.; Edition (book).; Editorial.; Emblem.; Evil.; Existence.; Explanation.; Feeling.; Filius philosophorum.; Firmament.; Four sons of Horus.; God the Father.; God.; Gog and Magog.; Good and evil.; Habacuc.; Hieros gamos.; Horoscope.; Ichthys.; Image of God.; Individuation.; Inferiority complex.; Inner Experience.; Judaism.; Literature.; Living Water.; Manichaeism.; Masculinity.; Meister Eckhart.; Messiah ben Joseph.; Mithraism.; Monotheism.; Mr.; Naassenes.; Neurosis.; Nostradamus.; Nous.; Obscenity.; Old Testament.; Oxyrhynchus.; Paracelsus.; Parmenides.; Personal unconscious.; Phenomenon.; Philosophy.; Physician.; Pleroma.; Prejudice.; Prima materia.; Problem of evil.; Protestantism.; Psychology and Alchemy.; Psychology.; Reality.; Reason.; Religion.; Remora.; Self-knowledge (psychology).; Simon Magus.; Spirituality.; Summum bonum.; Symptom.; The Other Hand.; Theology.; Theory.; Thought.; Transference.; Treatise.; Trickster.; Turba.; Unconsciousness.; Understanding.; Vegetable.; Woman.; Yahweh.
    Scope: 1 online resource (360 p.)
  3. Rich and Strange :
    Gender, History, Modernism /
    Published: [2022]; ©1992
    Publisher:  Princeton University Press,, Princeton, NJ :

    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative... more

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    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Other identifier:
    Subjects: American fiction; Authorship; English fiction; Modernism (Literature); Sex role in literature.; LITERARY CRITICISM / Women Authors.
    Other subjects: Adjective.; Allusion.; Ambiguity.; Ambivalence.; Anti-Oedipus.; Awakenings.; Black people.; Bourgeoisie.; Carelessness.; Castration.; Classicism.; Conflation.; Counterstereotype.; Cowardice.; Cynicism (contemporary).; Cynicism (philosophy).; Deconstruction.; Deleuze and Guattari.; Denial (poem).; Desiring-production.; Dialectic.; Digression.; Disgust.; Duress.; Embarrassment.; Emblem.; Eroticism.; Fatalism.; Femininity.; Feminism (international relations).; Feminism.; Genre.; Gertrude Stein.; Gloom.; Greatness.; Hatred.; Ideology.; Imagery.; Imperialism.; Indication (medicine).; Infanticide.; Irony.; Jacques Derrida.; John Barth.; Joseph Conrad.; Kurtz (Heart of Darkness).; Laziness.; Leveling (philosophy).; Liminality.; Literature.; Loneliness.; Lord Jim.; Luce Irigaray.; Macabre.; Masculinity.; Meanness.; Memoir.; Metonymy.; Misogyny.; Modernism.; Mr.; Mrs.; Narrative.; New Criticism.; Novel.; Novelist.; Oppression.; Patusan.; Pity.; Plotinus.; Poetry.; Postmodernism.; Promiscuity.; Race (human categorization).; Racism.; Result.; Reterritorialization.; Self-destructive behavior.; Selfishness.; Sexual inhibition.; Simile.; Sister Carrie.; Stanza.; Stupidity.; Subjectivity.; Suggestion.; Superiority (short story).; Sympathy.; T. S. Eliot.; Tender Buttons (book).; Terence.; The Other Hand.; The Voyage Out.; Think of the children.; Thought.; Undoing (psychology).; Upper middle class.; Western culture.; Woolf.; Writing.
    Scope: 1 online resource (257 p.)
  4. Academic instincts /
    Published: c2001.
    Publisher:  Princeton University Press,, Princeton, N.J. :

    In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses three of the perennial issues that have surfaced in recent debates about the humanities: the relation between "amateurs" and "professionals," the relation between one academic discipline and another, and the relation between "jargon" and "plain language." Rather than merely taking sides, the book explores the ways in which such debates are essential to intellectual life. Garber argues that the very things deplored or defended in discussions of the humanities cannot be either eliminated or endorsed because the discussion itself is what gives humanistic thought its vitality. Written in spirited and vivid prose, and full of telling detail drawn both from the history of scholarship and from the daily press, Academic Instincts is a book by a well-known Shakespeare scholar and prize-winning teacher who offers analysis rather than polemic to explain why today's teachers and scholars are at once breaking new ground and treading familiar paths. It opens the door to an important nationwide and worldwide conversation about the reorganization of knowledge and the categories in and through which we teach the humanities. And it does so in a spirit both generous and optimistic about the present and the future of these disciplines.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Tenniel, John,
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-4008-1426-X; 1-282-66564-2; 9786612665646; 1-4008-2467-2
    Other identifier:
    Edition: Course Book
    Subjects: Humanities; Literature; Universities and colleges; Academic writing.; Humanities; Learning and scholarship.
    Other subjects: Adjective.; Aestheticism.; Alan Sokal.; Alfred Kazin.; Amateur professionalism.; Amateur.; American studies.; Anti-intellectualism.; Aphorism.; Art history.; Author.; Book review.; C. P. Snow.; C. S. Lewis.; Columnist.; Counterintuitive.; Critical theory.; Criticism.; Cultural studies.; Culture war.; Deconstruction.; Doublespeak.; Edward Said.; Essay.; Fashionable Nonsense.; Genre.; George Orwell.; Gertrude Stein.; Harvard University.; Headline.; Humanities.; Idealization.; Ideology.; Intellectual.; Interdisciplinarity.; Irony.; Jacques Derrida.; Jacques Lacan.; James Gleick.; Jargon.; Jewish studies.; Jonathan Swift.; Joseph Addison.; Judith Butler.; Liberal arts education.; Literary criticism.; Literary theory.; Literature.; Mario Pei.; Minima Moralia.; Modern Language Association.; Mr.; Neologism.; New Criticism.; Newspeak.; Novelist.; Oxford University Press.; Penis envy.; Philosopher.; Philosophy.; Phrase.; Physicist.; Poetry.; Political correctness.; Politician.; Post-structuralism.; Postmodernism.; Prince Hal.; Psychoanalysis.; Psychology.; Rhetoric.; Richard Feynman.; Robert Maynard Hutchins.; Roland Barthes.; Romanticism.; Science.; Scientist.; Sigmund Freud.; Slang.; Social science.; Sociology.; Sokal affair.; Sophistication.; Stanley Fish.; Terminology.; The New York Times.; The Philosopher.; The School of Athens.; The Two Cultures.; Theodor W. Adorno.; Theory.; Thought.; Usage.; Verb.; Vocabulary.; Wendy Lesser.; Wilhelm Dilthey.; William Shakespeare.; Writer.; Writing.
    Scope: 1 online resource (195 p.)
    Notes:

    Cover title.

    Includes bibliographical references and index.