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Displaying results 1 to 9 of 9.

  1. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Author: Cardoso, Rafael
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2022/395
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Historisches Institut, Abteilung für Iberische und Lateinamerikanische Geschichte, Bibliothek
    Signature:
    423/Wm240
    Inter-library loan:
    No inter-library loan

    Location:
    FH Münster, Hochschulbibliothek
    Signature:
    77 HB 47
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108481908; 9781108741590
    Series: Afro-Latin America
    Subjects: Kunst; Geschichte 1890-1945; Selbstbild; Postkolonialismus; Rasse; Identität
    Other subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Scope: xv, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Author: Cardoso, Rafael
    Published: 2021; © 2021
    Publisher:  Cambridge University Press, Cambridge ; New York

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781108481908; 9781108741590
    RVK Categories: LO 97450
    Series: Afro-Latin America
    Subjects: Identität; Kunst; Rasse; Selbstbild; Postkolonialismus
    Other subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Scope: xix, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Modernismos 1922-2022
    Contributor: Andrade, Gênese (Publisher); Schwartz, Jorge (Publisher)
    Published: 2022
    Publisher:  Companhia das Letras, São Paulo - SP

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que envolvem a Semana de 22 não se esgotam. Revisitar aqueles dias de fevereiro envolve avanços e recuos, novas perguntas e respostas em aberto numa reflexão centenária que gira em torno de antecedentes e desdobramentos, sobre os quais não há consenso. Do diálogo com o pensamento feminista, que ecoa nas herdeiras da Antropofagia que marcam a literatura e a música contemporânea, à representação e representatividade do negro na produção artística do período; das reflexões sobre a força do design gráfico de livros e revistas de vanguarda à controversa relação de Tarsila do Amaral com a moda parisiense; das relações dos modernistas com a política à apropriação da temática indígena em algumas de suas principais obras. Os textos reunidos neste livro têm como objetivo trazer para o debate as manifestações e as obras artísticas modernistas, reconhecendo suas virtudes e controvérsias, as relações com seu contexto político, social e cultural de produção e recepção, com o mesmo vigor que moveu seus protagonistas.

     
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  4. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Author: Cardoso, Rafael
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    FH Münster, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108481908; 9781108741590
    Series: Afro-Latin America
    Subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Scope: xv, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  5. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Author: Cardoso, Rafael
    Published: 2021; © 2021
    Publisher:  Cambridge University Press, Cambridge ; New York

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108481908; 9781108741590
    RVK Categories: LO 97450
    Series: Afro-Latin America
    Subjects: Identität; Kunst; Rasse; Selbstbild; Postkolonialismus
    Other subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Scope: xix, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Arte do centenário e outros escritos
    Author: Andrade, Oswald de
    Published: 2022
    Publisher:  Editora Unesp, São Paulo, SP

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Andrade, Gênese (Publisher); Andrade, Oswald de
    Language: Portuguese
    Media type: Book
    ISBN: 9786557111376
    Edition: 1a edição Editora Unesp
    Subjects: Kunst; Modernismo; Literatur
    Other subjects: Brazilian literature / 20th century / History and criticism; Modernism (Literature) / Brazil; Arts, Brazilian / 20th century; Modernism (Art) / Brazil; Semana de Arte Moderna / (1922 / São Paulo, Brazil)
    Scope: 174 Seiten, 21 cm
  7. Modernismos 1922-2022
    Contributor: Andrade, Gênese (Publisher); Schwartz, Jorge (Publisher)
    Published: 2022
    Publisher:  Companhia das Letras, São Paulo - SP

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que envolvem a Semana de 22 não se esgotam. Revisitar aqueles dias de fevereiro envolve avanços e recuos, novas perguntas e respostas em aberto numa reflexão centenária que gira em torno de antecedentes e desdobramentos, sobre os quais não há consenso. Do diálogo com o pensamento feminista, que ecoa nas herdeiras da Antropofagia que marcam a literatura e a música contemporânea, à representação e representatividade do negro na produção artística do período; das reflexões sobre a força do design gráfico de livros e revistas de vanguarda à controversa relação de Tarsila do Amaral com a moda parisiense; das relações dos modernistas com a política à apropriação da temática indígena em algumas de suas principais obras. Os textos reunidos neste livro têm como objetivo trazer para o debate as manifestações e as obras artísticas modernistas, reconhecendo suas virtudes e controvérsias, as relações com seu contexto político, social e cultural de produção e recepção, com o mesmo vigor que moveu seus protagonistas.

     
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  8. Modernismos 1922-2022 /
    Contributor: Andrade, Gênese (Publisher); Schwartz, Jorge (Publisher)
    Published: 2022.
    Publisher:  Companhia das Letras,, São Paulo :

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Neste volume, organizado por Gênese Andrade e com ensaios inéditos de José Miguel Wisnik, Lilia Moritz Schwarcz, Walnice Nogueira Galvão, Regina Teixeira de Barros e outros vinte e cinco pesquisadores, é instigante perceber como temas e questões que envolvem a Semana de 22 não se esgotam. Revisitar aqueles dias de fevereiro envolve avanços e recuos, novas perguntas e respostas em aberto numa reflexão centenária que gira em torno de antecedentes e desdobramentos, sobre os quais não há consenso. Do diálogo com o pensamento feminista, que ecoa nas herdeiras da Antropofagia que marcam a literatura e a música contemporânea, à representação e representatividade do negro na produção artística do período; das reflexões sobre a força do design gráfico de livros e revistas de vanguarda à controversa relação de Tarsila do Amaral com a moda parisiense; das relações dos modernistas com a política à apropriação da temática indígena em algumas de suas principais obras. Os textos reunidos neste livro têm como objetivo trazer para o debate as manifestações e as obras artísticas modernistas, reconhecendo suas virtudes e controvérsias, as relações com seu contexto político, social e cultural de produção e recepção, com o mesmo vigor que moveu seus protagonistas.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Andrade, Gênese (Publisher); Schwartz, Jorge (Publisher)
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 978-65-5921-240-8; 65-5921-240-8
    RVK Categories: IQ 88105 ; LO 97859
    Edition: 1a ed.
    Subjects: Modernism (Literature) / Brazil; Brazilian literature / 20th century / History and criticism; Modernism (Art) / Brazil; Art, Modern / 20th century; Art, Brazilian / 20th century; Modern movement (Architecture) / Brazil; Modernism (Aesthetics) / Brazil; Art critics / Brazil / History / 20th century; Kunst; Literatur
    Scope: 824 Seiten, 16 ungezählte Seiten Tafeln :, Illustrationen.
  9. Modernity in black and white :
    art and image, race and identity in Brazil, 1890-1945 /
    Author: Cardoso, Rafael
    Published: 2021.; © 2021.
    Publisher:  Cambridge University Press,, Cambridge ; New York :

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-1-108-48190-8; 978-1-108-74159-0
    RVK Categories: LO 97450
    Series: Afro-Latin America
    Subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century; Postkolonialismus; Kunst; Rasse; Identität; Selbstbild
    Scope: xix, 263 Seiten, 12 ungezählte Seiten Tafeln :, Illustrationen.
    Notes:

    Includes bibliographical references and index