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  1. The medicine of art
    disease and the aesthetic object in gilded age America
    Author: Lee, Elizabeth L.
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501346903; 9781501346897
    Other identifier:
    Subjects: Krankheit <Motiv>; Bildnis; Kunst; Medizin <Motiv>
    Other subjects: Stevenson, Robert Louis (1850-1894); Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Art / Psychological aspects; Art therapy; Artists / Health and hygiene; Diseases in art; Medicine and art; United States; 1800-1899; History
    Scope: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln), Illustrationen
  2. The medicine of art
    disease and the aesthetic object in gilded age America
    Author: Lee, Elizabeth L.
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
  3. The medicine of art
    disease and the aesthetic object in gilded age America
    Author: Lee, Elizabeth L.
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
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  4. The medicine of art :
    disease and the aesthetic object in gilded age America /
    Author: Lee, Elizabeth L.
    Published: 2022.
    Publisher:  Bloomsbury Visual Arts,, London :

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is something else in life besides the four walls of an ill-ventilated studio.” Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-1-5013-4690-3; 978-1-5013-4689-7
    Other identifier:
    Subjects: Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Medicine and art; Kunst; Medizin <Motiv>; Krankheit <Motiv>; Bildnis
    Other subjects: Stevenson, Robert Louis (1850-1894)
    Scope: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln) :, Illustrationen.
  5. The medicine of art :
    disease and the aesthetic object in gilded age America /
    Author: Lee, Elizabeth L.
    Published: 2022.
    Publisher:  Bloomsbury Visual Arts,, London :

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, “Health—is the thing!” Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career “there is something else in life besides the four walls of an ill-ventilated studio.” Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
    Export to reference management software   RIS file
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-1-5013-4687-3
    Subjects: Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Medicine and art; Kunst; Medizin <Motiv>; Krankheit <Motiv>; Bildnis
    Other subjects: Stevenson, Robert Louis (1850-1894)
    Scope: xiv, 222 Seiten, 8 ungezählte Seiten Tafeln :, Illustrationen.