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  1. Die Erfindung der Zentralperspektive und die Entstehung der neuzeitlichen Wissenschaft
    Published: 2002
    Publisher:  Fink, München

    Universitätsbibliothek Bielefeld
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Universitätsbibliothek Dortmund
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    Hochschulbibliothek der Hochschule Düsseldorf
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Duisburg-Essen
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    Universitätsbibliothek der Fernuniversität
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    Landesbibliothekszentrum Rheinland-Pfalz / Rheinische Landesbibliothek
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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Technische Hochschule Köln, Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: AK 16500 ; LH 61342 ; LI 19800 ; LH 71040
    Subjects: Mathematik; Geometrische Optik; Ästhetik; Kunst; Perspektive
    Other subjects: Descartes, René (1596-1650); Masaccio (1401-1428); Kepler, Johannes (1571-1631); Leonardo da Vinci (1452-1519); Brunelleschi, Filippo (1377-1446); Alberti, Leon Battista (1404-1472); Kopernikus, Nikolaus (1473-1543)
    Scope: 223 S., Ill., graph. Darst
    Notes:

    Volltext // 2009 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: PVA 2003.382

  2. I volti della misericordia nell'arte
    Published: [2016]; © 2016
    Publisher:  Àncora, Milano

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  3. Masaccio's shivering neophyte
    Published: 2015

    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title: Source; New York, NY, 2015; Vol. 34, No. 3 (Spring 2015), Seite [9]-16
    Subjects: Taufe <Motiv>; Ikonographie; Neophyt <Religion>
    Other subjects: Masaccio (1401-1428); Masaccio (1401-1428): Petrus-Zyklus
  4. <<Das>> Licht in der Kunst
    Published: [2022]
    Publisher:  Reimer, Berlin

    Universitäts- und Landesbibliothek Bonn
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    Universitätsbibliothek Dortmund
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    Kunstakademie Düsseldorf, Bibliothek
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    Museum Folkwang, Museumsbibliothek
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    Kunst- und Museumsbibliothek der Stadt Köln
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    Universitätsbibliothek Paderborn
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    Universitätsbibliothek Siegen
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  5. Accounting faith and seeing "ghost money" in Masaccio's "Tribute Money"
    Published: 2022

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Money matters in European artworks and literature, c. 1400-1750 / edited by Natasha Seaman and Joanna Woodall; Amsterdam, 2022; Seite 253-271
    Subjects: Geld; Geld <Motiv>; Finanzwirtschaft
    Other subjects: Masaccio (1401-1428): Zinsgroschen
    Scope: Illustrationen
  6. Die Erfindung der Zentralperspektive und die Entstehung der neuzeitlichen Wissenschaft
    Published: 2002
    Publisher:  Fink, München

    Access:
    Resolving-System (kostenfrei)
    Hessisches BibliotheksInformationsSystem hebis
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    Source: Digi20
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3770536827
    Other identifier:
    RVK Categories: AK 16500 ; LH 61342 ; LH 71040 ; LI 19800
    DDC Categories: 700; 940
    Subjects: Perspektive; Geometrische Optik; Ästhetik; Kunst; Mathematik
    Other subjects: Masaccio (1401-1428); Leonardo da Vinci (1452-1519); Brunelleschi, Filippo (1377-1446); Alberti, Leon Battista (1404-1472); Kopernikus, Nikolaus (1473-1543); Kepler, Johannes (1571-1630); Descartes, René (1596-1650)
    Scope: 223 S. : Ill., graph. Darst.
    Notes:

    Online-Ausg.:

  7. Nel Segno di Masaccio
    l'invenzione della prospettiva ; [Firenze, Galleria degli Uffizi, 16 ottobre 2001 - 20 gennaio 2002]
    Contributor: Camerota, Filippo (Publisher)
    Published: 2001
    Publisher:  Giunti, Firenze

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Camerota, Filippo (Publisher)
    Media type: Book
    ISBN: 88-09-02329-3
    Subjects: Perspektive; Kunst; Geschichte 1400-1500
    Other subjects: Masaccio
    Scope: XL, 311 p.: Ill. (some col.)
    Notes:

    Contains bibl. (S. 285 - 307) and name index. - At head of title: Ministero per i beni e le attivita culturali ... - Publ. on the occasion of the 6th centenary of the birth of Tommaso Cassai (1401 - 1428), known as Masaccio

  8. Das Licht in der Kunst
    Published: [2022]
    Publisher:  Reimer, Berlin

    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    G 679/1
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    Universitätsbibliothek Dortmund
    KC-L 9/251
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    Kunstakademie Düsseldorf, Bibliothek
    Publikation eingetroffen und in Bearbeitung
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    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/CLW 2022
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    Universitätsbibliothek Paderborn
    JYR1991
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    Universitätsbibliothek Siegen
    21JYRL1003
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  9. Nel segno di Masaccio
    l'invenzione della prospettiva ; [Firenze, Galleria degli Uffizi, 16 ottobre 2001 - 20 gennaio 2002]
    Published: 2001
    Publisher:  Giunti, Firenze

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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  10. Nel segno di Masaccio
    l'invenzione della prospettiva ; [Firenze, Galleria degli Uffizi, 16 ottobre 2001 - 20 gennaio 2002]
    Published: 2001
    Publisher:  Giunti, Firenze

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Staatliche Bibliothek Regensburg
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    Universitätsbibliothek Regensburg
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  11. Fingerzeige
    Studien zur Bedeutung und Funktion einer Geste in der bildenden Kunst der italienischen Renaissance
    Published: 2001
    Publisher:  Lang, Frankfurt am Main [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 363137500X
    RVK Categories: LH 84123 ; LN 10250
    Series: [Europäische Hochschulschriften / 28] ; 376
    Subjects: Hand in art; Gesture in art; Pointing (Gesture); Art, Renaissance -- Italy -- Themes, motives; Art, Italian -- Themes, motives; Malerei; Plastik; Renaissance; Kunst; Geste <Motiv>
    Other subjects: Ghiberti, Lorenzo (1378-1455); Alberti, Leon Battista (1404-1472); Masaccio (1401-1428); Donatello (1386-1466); Leonardo da Vinci (1452-1519); Johannes der Täufer
    Scope: 265 S., Ill.
    Notes:

    Zugl.: Freiburg (Breisgau), Univ., Diss., 1999

  12. Die Erfindung der Zentralperspektive und die Entstehung der neuzeitlichen Wissenschaft
    Published: 2002
    Publisher:  Fink, München

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Landesbibliothek Coburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Deutsches Museum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Passau
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    Bischöfliche Zentralbibliothek
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  13. Art history and class struggle
    Transl. from the French by Louise Asmal
    Published: 1979
    Publisher:  Pluto Pr., London

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 090438327X
    RVK Categories: LH 61020
    Edition: 2. impr.
    Subjects: Klassenkampf; Geschichte; Bildnis; Ästhetik; Kunstwissenschaft; Kunst; Marxismus
    Other subjects: Goya y Lucientes, Francisco José de (1746-1828); Rubens, Peter Paul (1577-1640); David, Jacques Louis (1748-1825); Rembrandt Harmensz van Rijn (1606-1669); Masaccio (1401-1428); Franklin, Benjamin (1706-1790)
    Scope: 206, 32 S., Ill.
    Notes:

    EST: Histoire de l'art et lutte des classes (engl.)

  14. Peinture et société
    naissance et destruction d'un espace plastique ; de la Renaissance au cubisme
    Published: 1994
    Publisher:  Denoël, Paris

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  15. Raum und Unendlichkeit
    die Perspektive als Bedeutungsträger in Florentiner Bildprogrammen des Quattrocento
    Published: 1995
    Publisher:  Verl. Die Blaue Eule, Essen

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3892066337
    RVK Categories: LN 37110 ; LN 83220 ; LN 83340 ; LN 84604
    Series: Kunst, Geschichte und Theorie ; 21
    Subjects: Raum; Freskomalerei; Perspektive; Renaissance; Bild; Abendmahl <Motiv>
    Other subjects: Masaccio (1401-1428); Ghirlandaio, Domenico (1449-1494)
    Scope: 252, [18] S., Ill.
    Notes:

    Zugl.: Bochum, Univ., Diss., 1994

  16. Images of humanist ideals in Italian Renaissance art
    Published: 2000
    Publisher:  Mellen, Lewiston [u.a.]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  17. Italia e Fiandra nella pittura del Quattrocento
    Published: 1983
    Publisher:  Jaca Book, Milano

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  18. Vom Wandbild zum Bilderbuch
    eine Handschrift aus dem Umkreis Bonifacio Bembos als Rezeption von Masolinos zerstörten Fresken vom Monte Giordano
    Published: 1998

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: German
    Media type: Data medium; Microfilm
    Edition: [Mikrofiche-Ausg.]
    Subjects: Rezeption; Mikroform; Weltzeitalter <Motiv>; Buchmalerei; Illuminierte Handschrift; Freskomalerei; Auftraggeber; Umkreis; Malerei
    Other subjects: Masaccio (1401-1428); Bembo, Bonifacio (1420-1482); Masolino da Panicale (1383-1447); Sforza Familie
    Scope: 295 S., [103] Bl., zahlr. Ill.
    Notes:

    Berlin, Freie Univ., Diss., 1998. - Mikrofiche-Ausg.: 5 Mikrofiches : 24x

  19. Ricomposizione del mondo in un paesaggio di Leonardo da Vinci
    Published: 2018

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Article (journal)
    Parent title: Giornale di bordo; Firenze, 2018; 3a serie, n. 39/40 (ago.-dic. 2015), Seite 1-18
    Subjects: Ortsbestimmung; Rekonstruktion; Naturnachahmung; Zeichnung; Landschaft <Motiv>
    Other subjects: Del Verrocchio, Andrea (1435-1488); Masaccio (1401-1428); Cennini, Cennino (1360-1440); Lippi, Filippo (1406-1469); Leonardo da Vinci (1452-1519); Panofsky, Erwin (1892-1968); Baldovinetti, Alessio (1425-1499); Eyck, Jan van (1390-1441)
    Scope: Illustrationen
  20. La morte dipinta
    arte e teologia delle ultime cose
    Published: 2015
    Publisher:  EDB, Edizioni Dehoniane Bologna, Bologna

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  21. "... che pare sia bucato quel muro"
    l'architettura "verosimile" della Trinità di Masaccio
    Published: 2014

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Parent title:
    La festa delle arti, 1; 2014; S. 206-211
    Subjects: Architektur <Motiv>
    Other subjects: Masaccio (1401-1428): Dreifaltigkeit
  22. The invisible coin in Masaccio's "Tribute Money"
    Published: 2015

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Art and money / ed. by Peter Stupples; Newcastle upon Tyne, 2015; Seite 1-6
    Subjects: Geld <Motiv>
    Other subjects: Masaccio (1401-1428): Zinsgroschen
  23. Masaccio ha ritratto sua madre?
    Published: 2018

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Parent title:
    Memorie valdarnesi / Reale Accademia Valdarnese del Poggio; Pisa, 2018; Anno 184° (2018), serie 9, fascicolo 8, Seite 129-132
    Subjects: Mutter <Motiv>; Autograf; Ikonographie; Malerei; Selbstbildnis; Personenstand; Identifikation; Freskomalerei
    Other subjects: Masaccio (1401-1428)
    Scope: 1 Illustration
  24. Painterly perspective and piety
    religious uses of the vanishing point, from the 15th to the 18th century
    Published: 2008
    Publisher:  McFarland, Jefferson, NC [u.a.]

    "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780786435050
    Subjects: Christian art and symbolism; Christianity and art; Perspective; Christliche Kunst; Symbolik; Sakralbau; Perspektive; Malerei; Ästhetik
    Other subjects: Masaccio (1401-1428): Dreifaltigkeit
    Scope: VII, 312 S., Ill.
    Notes:

    Includes bibliographical references and index

  25. Vom Wandbild zum Bilderbuch
    eine Handschrift aus dem Umkreis Bonifacio Bembos als Rezeption von Masolinos zerstörten Fresken vom Monte Giordano
    Published: 1998

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Edition: Mikrofiche-Ausg.
    Subjects: Illuminierte Handschrift; Freskomalerei; Weltzeitalter <Motiv>; Rezeption; Malerei; Auftraggeber; Mikroform; Buchmalerei; Umkreis
    Other subjects: Sforza Familie; Masaccio (1401-1428); Bembo, Bonifacio (1420-1482); Masolino da Panicale (1383-1447)
    Scope: 295 S., 203 Ill.
    Notes:

    Mikrofiche-Ausg.: Berlin : Klein, 1999. 5 Mikrofiches

    Zugl.: Berlin, Freie Univ., Diss., 1998