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Displaying results 1 to 10 of 10.

  1. Passionate Intelligence: The Poetry of Geoffrey Hill /
    Author: Knottenbelt, E.M.,
    Published: 1990.; ©1990
    Publisher:  Brill,, Leiden ;

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004483521; 9789051831405
    Other identifier:
    DOI: 10.1163/9789004483521
    Series: Costerus New Series ; ; 77
    Costerus New Series Online
    Subjects: Lyric.; Poems.; Poetry.
    Scope: 1 online resource
    Notes:

    Includes bibliographical references and index.

    Array: Preliminary Material /
  2. The Case of Rhyme versus Reason :
    Ibn al-Rūmī and his Poetics in Context /
    Author: McKinney, Robert,
    Published: 2004.
    Publisher:  BRILL,, Leiden;

    The poetry of the extremely prolific and versatile 'Abbāsid poet Ibn al-Rūmī is examined in this book. Part 1, The Poet, reconstructs the poet's life and times providing the background for Part II, The Poetry, which traces the influences in Ibn... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    The poetry of the extremely prolific and versatile 'Abbāsid poet Ibn al-Rūmī is examined in this book. Part 1, The Poet, reconstructs the poet's life and times providing the background for Part II, The Poetry, which traces the influences in Ibn al-Rūmī's distinctive poetic style and themes. This provides a glimpse into a rather fluid period in Arabic literary history when the boundary between poetry and prose was becoming increasingly permeable, due to the emergence of the so-called "secretary-poets," and to the prevalence and importance of the munāżarah , or disputation. Part III, The Poem, analyzes the poet's celebrated 282-line poem commemorating the quashing of the Zanj rebellion. The towering architectonics and sophisticated organization of this poem provide an ideal opportunity to explore Ibn al-Rūmī's poetic contribution.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789047404392; 9789004130104
    Other identifier:
    DOI: 10.1163/9789047404392
    Series: Brill Studies in Middle Eastern Literatures ; ; 28
    Brill Book Archive Part 1, ISBN: 9789004472495
    Subjects: Abbasids.; Lyric.
    Scope: 1 online resource.
    Notes:

    Includes bibliographical references and index.
  3. Critical Rhythm
    The Poetics of a Literary Life Form /
    Contributor: Culler, Jonathan D., (editor.); Glaser, Ben, (editor.)
    Published: 2019.; ©2019.
    Publisher:  Fordham University Press,, New York :

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

     

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Culler, Jonathan D., (editor.); Glaser, Ben, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-8232-8598-7; 0-8232-8205-8; 0-8232-8206-6
    Other identifier:
    Edition: First edition.
    Series: Verbal arts: studies in poetics
    Subjects: Poetics; Poetics; Rhythm in literature.
    Other subjects: History of Criticism.; Lyric.; Meter.; Modernism.; Poetics.; Prosody.; Rhythm.; Romantic Poetry.; Scansion.; Victorian Poetry.
    Scope: 1 online resource (321 pages).
    Notes:

    This edition also issued in print: 2019.

    Includes bibliographical references and index.
  4. Forming sleep :
    representing consciousness in the English Renaissance /
    Contributor: Simon, Margaret, (editor.); Simpson-Younger, Nancy L. (editor.)
    Published: [2020]; ©2020
    Publisher:  The Pennsylvania State University Press,, University Park, Pennsylvania :

    Forming Sleep asks how biocultural and literary dynamics act together to shape conceptions of sleep states in the early modern period. Engaging with poetry, drama, and prose largely written in English between 1580 and 1670, the essays in this... more

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    Forming Sleep asks how biocultural and literary dynamics act together to shape conceptions of sleep states in the early modern period. Engaging with poetry, drama, and prose largely written in English between 1580 and 1670, the essays in this collection highlight period discussions about how seemingly insentient states might actually enable self-formation. Looking at literary representations of sleep through formalism, biopolitics, Marxist theory, trauma theory, and affect theory, this volume envisions sleep states as a means of defining the human condition, both literally and metaphorically. The contributors examine a range of archival sources—including texts in early modern faculty psychology, printed and manuscript medical treatises and physicians’ notes, and printed ephemera on pathological sleep—through the lenses of both classical and contemporary philosophy. Essays apply these frameworks to genres such as drama, secular lyric, prose treatise, epic, and religious verse. Taken together, these essays demonstrate how early modern depictions of sleep shape, and are shaped by, the philosophical, medical, political, and, above all, formal discourses through which they are articulated. With this in mind, the question of form merges considerations of the physical and the poetic with the spiritual and the secular, highlighting the pervasiveness of sleep states as a means by which to reflect on the human condition. In addition to the editors, the contributors to this volume include Brian Chalk, Jennifer Lewin, Cassie Miura, Benjamin Parris, Giulio Pertile, N. Amos Rothschild, Garret A. Sullivan Jr., and Timothy A. Turner.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Simon, Margaret, (editor.); Simpson-Younger, Nancy L. (editor.)
    Media type: Ebook
    Format: Online
    ISBN: 0-271-08654-8; 0-271-08656-4
    Other identifier:
    Series: Cultural inquiries in English literature, 1400-1700
    Subjects: Consciousness in literature.; Sleep in literature.; English literature
    Other subjects: Biocultural.; Consciousness.; Drama.; Early Modern.; England.; Epic.; Form.; Formalism.; Genre.; Literature.; Lyric.; Mary Sidney.; Mary Wroth.; Milton.; Petrarch.; Philip Sidney.; Renaissance.; Robert Burton.; Shakespeare.; Sleep State.; Sleep.; Spenser.; Thomas Campion.
    Scope: 1 online resource (247 pages).
    Notes:

    Includes bibliographical references and index.
  5. Who Can Afford to Improvise? :
    James Baldwin and Black Music, the Lyric and the Listeners /
    Author: Pavlić, Ed,
    Published: [2015]; ©2015
    Publisher:  Fordham University Press,, New York, NY :

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible... more

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    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823268504
    Other identifier:
    Subjects: African Americans; Music and literature; African American.; Billie Holiday.; Black Music.; James Baldwin.; Lyric.; Music.; Ray Charles.; listeners.; MUSIC / History & Criticism.
    Scope: 1 online resource (352 p.)
  6. Secular Lyric :
    The Modernization of the Poem in Poe, Whitman, and Dickinson /
    Author: Michael, John,
    Published: [2018]; ©2018
    Publisher:  Fordham University Press,, New York, NY :

    Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the... more

    Access:

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the heterogeneity of believers and beliefs in an increasingly secular society. Analyzing historically and formally how these poets inscribed the pressures of the modern crowd in the text of their poems, John Michael shows how the masses appear in these poets’ work as potential readers to be courted and resisted, often at the same time. Unlike their more conventional contemporaries, Poe, Whitman, and Dickinson resist advising, sermonizing or consoling their audiences. They resist most familiar senses of meaning as well. For them, the processes of signification in print rather than the communication of truths become central to poetry, which in turn becomes a characteristic of modern verse in the Western world. Poe, Whitman, and Dickinson, in idiosyncratic but related ways, each disrupt conventional expectations while foregrounding language’s material density, thereby revealing both the potential and the limitations of art in the modern age.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823279746
    Other identifier:
    Subjects: Dickinson.; History.; Lyric Theory.; Lyric.; Petrarch.; Poe.; Secularism.; Whitman.; LITERARY CRITICISM / American / General.
    Scope: 1 online resource (256 p.)
  7. Critical Rhythm :
    The Poetics of a Literary Life Form /
    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan; Culler, Jonathan, (editor.); Gerber, Natalie; Glaser, Ben; Glaser, Ben, (editor.); Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Published: [2019]; ©2019
    Publisher:  Fordham University Press,, New York, NY :

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

    Access:
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Attridge, Derek; Cable, Tom; Culler, Jonathan; Culler, Jonathan, (editor.); Gerber, Natalie; Glaser, Ben; Glaser, Ben, (editor.); Jackson, Virginia; Jarvis, Simon; Jones, Ewan; Kappeler, Erin; Martin, Meredith; Nowell Smith, David; Prins, Yopie; Saussy, Haun
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Poetics; Poetics; Rhythm in literature.; History of Criticism.; Lyric.; Meter.; Modernism.; Poetics.; Prosody.; Rhythm.; Romantic Poetry.; Scansion.; Victorian Poetry.; LITERARY CRITICISM / Poetry.
    Scope: 1 online resource (288 p.) :, 9
  8. Secular Lyric :
    The Modernization of the Poem in Poe, Whitman, and Dickinson /
    Author: Michael, John,
    Published: [2018]; ©2018
    Publisher:  Fordham University Press,, New York, NY :

    Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the heterogeneity of believers and beliefs in an increasingly secular society. Analyzing historically and formally how these poets inscribed the pressures of the modern crowd in the text of their poems, John Michael shows how the masses appear in these poets’ work as potential readers to be courted and resisted, often at the same time. Unlike their more conventional contemporaries, Poe, Whitman, and Dickinson resist advising, sermonizing or consoling their audiences. They resist most familiar senses of meaning as well. For them, the processes of signification in print rather than the communication of truths become central to poetry, which in turn becomes a characteristic of modern verse in the Western world. Poe, Whitman, and Dickinson, in idiosyncratic but related ways, each disrupt conventional expectations while foregrounding language’s material density, thereby revealing both the potential and the limitations of art in the modern age.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-8232-8147-7; 0-8232-7973-1; 0-8232-7974-X
    Other identifier:
    Edition: First edition.
    Subjects: American poetry
    Other subjects: Dickinson, Emily, (1830-1886); Whitman, Walt, (1819-1892); Poe, Edgar Allan, (1809-1849); Dickinson.; History.; Lyric Theory.; Lyric.; Petrarch.; Poe.; Secularism.; Whitman.
    Scope: 1 online resource
    Notes:

    This edition previously issued in print: 2018.

    Includes bibliographical references and index.
  9. Poets and Scribes in Late Medieval England :
    Essays on Manuscripts and Meaning in Honor of Susanna Fein /
    Contributor: Johnston, Michael, (editor.); Kerby-Fulton, Kathryn, (editor.); Pearsall, Derek, (editor.)
    Published: [2023]; ©2023
    Publisher:  Medieval Institute Publications,, Kalamazoo, MI :

    Susanna Fein's long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Susanna Fein's long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley's autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein's work, many of whom present original research-much of it following trails first laid down by Fein-in this volume.

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Johnston, Michael, (editor.); Kerby-Fulton, Kathryn, (editor.); Pearsall, Derek, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501516481
    Other identifier:
    Series: Festschriften, Occasional Papers, and Lectures
    Subjects: Literatur/Mittelalter.; Lyrik.; Manuskriptforschung.; Mittelenglisch.; LITERARY CRITICISM / Medieval.
    Other subjects: Lyric.; Manuscripts.; Medieval Literature.; Middle English.
    Scope: 1 online resource (X, 227 p.)
    Notes:

    Issued also in print.
  10. Critical Rhythm
    The Poetics of a Literary Life Form /
    Contributor: Culler, Jonathan D., (editor.); Glaser, Ben, (editor.)
    Published: 2019.; ©2019.
    Publisher:  Fordham University Press,, New York :

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

     

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Source: Union catalogues
    Contributor: Culler, Jonathan D., (editor.); Glaser, Ben, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-8232-8598-7; 0-8232-8205-8; 0-8232-8206-6
    Other identifier:
    Edition: First edition.
    Series: Verbal arts: studies in poetics
    Subjects: Poetics; Poetics; Rhythm in literature.
    Other subjects: History of Criticism.; Lyric.; Meter.; Modernism.; Poetics.; Prosody.; Rhythm.; Romantic Poetry.; Scansion.; Victorian Poetry.
    Scope: 1 online resource (321 pages).
    Notes:

    This edition also issued in print: 2019.

    Includes bibliographical references and index.