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  1. I entered without words :
    Poems /
    Author: Gladding, Jody,
    Published: [2022]; ©2022
    Publisher:  Princeton University Press,, Princeton, NJ :

    An innovative and inviting book of poems about the places where language and landscape convergeIn this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language... more

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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    An innovative and inviting book of poems about the places where language and landscape convergeIn this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language in lyrics that operate as physical acts in three-dimensional space.Composed and printed in a landscape format, these minimal, quiet, playful, meditative, and open-ended poems are experimental in form and inviting in subject. Drawing inspiration from poets like A. R. Ammons, Lorine Niedecker, Gustaf Sobin, and Jean Valentine, and visual artists like Ann Hamilton, Roni Horn, and Cecilia Vicuña, Gladding discovers exciting spatial possibilities within the page itself by exploiting white space and varying typeface. As the page opens into the compositional field that Mallarmé, Ponge, and others conceived it to be, words constellate around bolded through-lines to offer multiple, interwoven meanings, interacting with each other and the reader, who moves freely among them, to make poems that are spatial, nonlinear, and different with each reading. And, adding yet another dimension to the collection, many of the poems have facing-page French versions."Landscape-oriented" in every sense, I entered without words is an ambitious, innovative, and striking collection by a major poet.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9780691238975
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: Princeton University Press Complete eBook-Package 2022; De Gruyter
    Series: Princeton Series of Contemporary Poets ; ; 168
    Subjects: Experimental poetry, American.; Experimental poetry.; Poetry; POETRY / General.
    Other subjects: Acid-free paper.; All rights reserved.; Ancient Greece.; Bibliography.; Classical Athens.; Clothing.; David Hinton.; David Lehman.; Dora Maar.; Firmament.; Flesh.; Freedom of speech.; Harvard Review.; Heat.; Intellectual property.; Jean Valentine.; Leather.; Liang Qichao.; Library of Congress.; My Child.; Newspaper.; Poet.; Poetry.; Princeton University Press.; Printing.; Publication.; Ralph Angel.; Scrap.; Shakespeare's plays.; Shorthand.; Stock exchange.; Thucydides.; Tiananmen Square.; Virgil.; Washing.; Wealth.
    Scope: 1 online resource (80 p.)
  2. Mists of Regret :
    Culture and Sensibility in Classic French Film /
    Author: Andrew, Dudley,
    Published: [2021]; ©1995
    Publisher:  Princeton University Press,, Princeton, NJ :

    Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely... more

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    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.

     
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