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  1. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: 2003
    Publisher:  Fink, München

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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    RVK Categories: CP 5000 ; IH 2105 ; IH 1403 ; CC 6900
    Subjects: Erinnerung <Motiv>; Prosa; Französisch; Vergessen <Motiv>; Erzähltechnik
    Other subjects: Perec, Georges (1936-1982): W ou le souvenir d'enfance; Barthes, Roland (1915-1980): La chambre claire; Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 314 S.
    Notes:

    Volltext // 2009 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: PVA 2003.1033

    Zugl.: Freiburg i. Br., Univ., Diss., 2001
  2. What Photography Is
    Author: Elkins, James
    Published: 2011
    Publisher:  Routledge, Florence ; ProQuest, Ann Arbor, Michigan

    In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue... more

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    In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203886489
    RVK Categories: AP 94750 ; AP 94700
    Edition: 1st ed.
    Subjects: Fotografie; Ästhetik; Philosophie
    Other subjects: Barthes, Roland (1915-1980): La chambre claire
    Scope: 1 Online-Ressource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: 2003
    Publisher:  Fink, München

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    Hessisches BibliotheksInformationsSystem hebis
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    Source: Digi20
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 377053817X
    Other identifier:
    RVK Categories: CC 6900 ; CP 5000 ; IH 1403 ; IH 2105 ; IH 14481 ; IH 70961 ; IH 74361
    Subjects: Erzähltechnik; Erinnerung <Motiv>; Vergessen <Motiv>; Französisch; Prosa
    Other subjects: Proust, Marcel (1871-1922): À la recherche du temps perdu; Perec, Georges (1936-1982): W ou le souvenir d'enfance; Barthes, Roland (1915-1980): La chambre claire
    Scope: 314 S.
    Notes:

    Online-Ausg.:

    Zugl.: Freiburg i. Br., Univ., Diss., 2001
  4. Vergänglichkeit und Tod in der Fotografie am Beispiel von Roland Barthes' "Die helle Kammer"
    Author: Barba, Patrizia
    Published: 2015
    Publisher:  Diplomica, Hamburg

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    Kunst- und Museumsbibliothek der Stadt Köln
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    KMB/+JE 2015
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783958508354; 9783958503359
    Subjects: Tod; Fotografie; Tod <Motiv>; Reproduktion; Ästhetik
    Other subjects: Barthes, Roland (1915-1980): La chambre claire; Warhol, Andy (1928-1987)
  5. Photography degree zero
    reflections on Roland Barthes's Camera lucida
    Published: 2011
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for... more

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    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262013253; 9780262516662
    RVK Categories: AP 94500 ; IH 14481
    Edition: 1. MIT Press paperback edition
    Subjects: Photography; Photography, Artistic; Photographic criticism; Fotografie; Ästhetik; Philosophie
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: X, 287 Seiten, Illustrationen
  6. What photography is
    Author: Elkins, James
    Published: 2011
    Publisher:  Routledge, New York [u.a.]

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    Fachhochschule Bielefeld, Hochschulbibliothek
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    JZG Elki
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415995689; 041599568X; 9780415995696; 0415995698
    Subjects: Photography--Philosophy.; Fotografie; Ästhetik
    Other subjects: Barthes, Roland (1915-1980): La chambre claire
    Scope: 222 S., Ill.
  7. Barthes' Gespenster
    Author: Göttel, Dennis
    Publisher:  arthistoricum.net, Heidelberg

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    Source: Union catalogues
    Contributor: Müller-Helle, Katja
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 700; 770
    Subjects: Gespenst
    Other subjects: Barthes, Roland (1915-1980): La chambre claire
    Scope: 1 Online-Ressource
    Notes:

    Aus: Fotogeschichte, 29 (2009), Nr. 114. S. 52-58

    Elektronische Reproduktion der Druckausgabe
  8. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: [2003]; © 2003
    Publisher:  Wilhelm Fink Verlag, München

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    Freie Universität Berlin, Universitätsbibliothek
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  9. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: [2003]; © 2003
    Publisher:  Wilhelm Fink Verlag, München

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    Universitätsbibliothek Augsburg
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  10. Camere con vista
    lo spazio del corpo fra letteratura e fotografia
    Author: Rizzarelli, Maria
    Published: 2019

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Article (edited volume)
    Parent title:
    Tomo 1.; 2019; Seite 51-67
    Subjects: Fotografie; Literatur
    Other subjects: Barthes, Roland (1915-1980): La chambre claire; Bufalino, Gesualdo (1920-1996): Tommaso e il fotografo cieco ovvero il Patatràc
  11. Photography and belief
    Author: Strauss, David Levi
    Published: [2020]; © 2020
    Publisher:  David Zwirner Books, New York, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
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  12. Regarding lost time
    photography, identity and affect in Proust, Benjamin, and Barthes
    Author: Haustein, Katja
    Published: 2012
    Publisher:  Modern Humanities Research Assoc. [u.a.], London

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  13. What photography is
    Author: Elkins, James
    Published: 2011
    Publisher:  Routledge, New York, NY [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415995689; 9780415995696; 9780203886489
    RVK Categories: AP 94700 ; AP 94750
    Edition: 1. publ.
    Subjects: Philosophie; Photography, Artistic; Photography; Ästhetik; Fotografie; Philosophie
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: XIII, 222 S., Ill.
    Notes:

    Includes bibliographical references and index
  14. Photography degree zero
    reflections on Roland Barthes's Camera Lucida
    Contributor: Batchen, Geoffrey (Publisher)
    Published: 2009
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for... more

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.

     
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    Content information
    Source: Union catalogues
    Contributor: Batchen, Geoffrey (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780262013253; 9780262516662
    RVK Categories: AP 94500 ; IH 14481
    Subjects: Philosophie; Photography; Photography, Artistic; Photographic criticism; Fotografie; Philosophie; Ästhetik
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: X, 287 S., Ill.
    Notes:

    Hier auch später erschienener Nachdruck: MIT Press paperback edition, 2011
  15. Barthes' Gespenster
    Author: Göttel, Dennis; Müller-Helle, Katja
    Published: 10 Dez. 2018
    Publisher:  Universitätsbibliothek Heidelberg, Heidelberg

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Gespenst
    Other subjects: Barthes, Roland (1915-1980): La chambre claire
    Scope: 1 Online-Ressource
    Notes:

    Aus: Fotogeschichte, 29 (2009), Nr. 114. S. 52-58

    Elektronische Reproduktion der Druckausgabe
  16. Photofictions
    Author: Roche, Roger-Yves
    Published: 2009
    Publisher:  Presses universitaires du Septentrion, Villeneuve d'Ascq ; OAPEN FOUNDATION, The Hague

    Débrouiller l’écheveau complexe de la mémoire et des images, et singulièrement de la photographie, dans le texte autobiographique contemporain (celui-là même que l’on nomme parfois autofiction), telle est la tâche que s’est donnée l’auteur du présent... more

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    Débrouiller l’écheveau complexe de la mémoire et des images, et singulièrement de la photographie, dans le texte autobiographique contemporain (celui-là même que l’on nomme parfois autofiction), telle est la tâche que s’est donnée l’auteur du présent ouvrage. Un essai fait de patience et de passion, qui, quand il n’est pas une tentative de mise au jour d’une sorte d’inconscient visuel à l’œuvre, prend très vite les allures d’un roman familial à plusieurs voix. Où s’entrelacent les fils et ficelles de la ressemblance et de la différence, du mort et du vif, et, aussi bien, du masculin et du féminin : le fantasme de la réconciliation d’un auteur avec son image, en quelque sorte.

     
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  17. Photofictions
    Perec, Modiano, Duras, Goldschmidt, Barthes
    Author: Roche, Roger-Yves
    Published: 2020
    Publisher:  Presses universitaires du Septentrion, Villeneuve d'Ascq ; OpenEdition, Marseille

    Débrouiller l'écheveau complexe de la mémoire et des images, et singulièrement de la photographie, dans le texte autobiographique contemporain (celui-là même que l'on nomme parfois autofiction), telle est la tâche que s'est donnée l'auteur du présent... more

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    Débrouiller l'écheveau complexe de la mémoire et des images, et singulièrement de la photographie, dans le texte autobiographique contemporain (celui-là même que l'on nomme parfois autofiction), telle est la tâche que s'est donnée l'auteur du présent ouvrage. Un essai fait de patience et de passion, qui, quand il n'est pas une tentative de mise au jour d'une sorte d'inconscient visuel à l'œuvre, prend très vite les allures d'un roman familial à plusieurs voix. Où s'entrelacent les fils et ficelles de la ressemblance et de la différence, du mort et du vif, et, aussi bien, du masculin et du féminin : le fantasme de la réconciliation d'un auteur avec son image, en quelque sorte.

     
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  18. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: 2003
    Publisher:  Fink, München

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    Universitätsbibliothek Bielefeld
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    VG208 K19
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 377053817X
    Other identifier:
    9783770538171
    Subjects: Erzähltechnik; Vergessen <Motiv>; Erinnerung <Motiv>
    Other subjects: Barthes, Roland (1915-1980): La chambre claire; Perec, Georges (1936-1982): W ou le souvenir d'enfance; Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 314 S.
    Notes:

    Zugl.: Freiburg (Breisgau), Univ., Diss., 2001
  19. Photofictions
    Perec, Modiano, Duras, Goldschmidt, Barthes
    Author: Roche, Roger-Yves
    Published: 2009
    Publisher:  Presses Univ. du Septentrion, Villeneuve-d'Ascq

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    Ruhr-Universität Bochum, Fakultät für Philologie, Romanisches Seminar, Bibliothek
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    Fr 20 68.55
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    Universitäts- und Landesbibliothek Münster
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782757400845
    RVK Categories: IH 1247
    Series: Objet ; 1136
    Subjects: Autobiografische Literatur; Fotografie
    Other subjects: Duras, Marguerite (1914-1996): L' amant; Perec, Georges (1936-1982): W ou le souvenir d'enfance; Barthes, Roland (1915-1980): La chambre claire
    Scope: 315 S.
  20. Photography degree zero
    reflections on Roland Barthes's Camera lucida
    Contributor: Batchen, Geoffrey (Publisher)
    Published: 2011
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.

     
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    Source: Union catalogues
    Contributor: Batchen, Geoffrey (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780262013253; 9780262516662
    RVK Categories: AP 94500 ; IH 14481
    Edition: 1. MIT Press paperback ed.
    Subjects: Philosophie; Photography; Photography, Artistic; Photographic criticism; Fotografie; Ästhetik; Philosophie
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: X, 287 S., Ill.
  21. What photography is
    Author: Elkins, James
    Published: 2011
    Publisher:  Routledge, New York, NY [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780415995689; 9780415995696; 9780203886489
    RVK Categories: AP 94700 ; AP 94750
    Edition: 1. publ.
    Subjects: Philosophie; Photography, Artistic; Photography; Ästhetik; Fotografie; Philosophie
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: XIII, 222 S., Ill.
    Notes:

    Includes bibliographical references and index
  22. Sprachen des Vergessens
    Proust, Perec und Barthes zwischen Verlust und Eingedenken
    Author: Kasper, Judith
    Published: 2003
    Publisher:  Fink, München

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  23. Photography and belief
    Author: Strauss, David Levi
    Published: [2020]; © 2020
    Publisher:  David Zwirner Books, New York, New York

    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop,... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    In this exploration of contemporary photography, David Levi Strauss questions the concept that "seeing is believing."Identifying a recent shift in the dominance of photography, Strauss looks at the power of the medium in the age of Photoshop, smartphones, and the internet, asking important questions about how we look and what we trust. In the first 'ekphrasis' title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of "deepfakes," Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images

     
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    Content information
  24. Photography degree zero
    reflections on Roland Barthes's Camera Lucida
    Contributor: Batchen, Geoffrey (Publisher)
    Published: 2009
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Batchen, Geoffrey (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780262013253; 9780262516662
    RVK Categories: AP 94500 ; IH 14481
    Subjects: Philosophie; Photography; Photography, Artistic; Photographic criticism; Fotografie; Philosophie; Ästhetik
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: X, 287 S., Ill.
    Notes:

    Hier auch später erschienener Nachdruck: MIT Press paperback edition, 2011
  25. What photography is
    Author: Elkins, James
    Published: 2011
    Publisher:  Routledge, New York, NY [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203886489
    RVK Categories: AP 94700 ; AP 94750
    Edition: 1. publ.
    Subjects: Philosophie; Photography, Artistic; Photography; Fotografie; Ästhetik; Philosophie
    Other subjects: Barthes, Roland: Chambre claire; Barthes, Roland (1915-1980): La chambre claire
    Scope: 1 Online-Ressource (xiii, 222 Seiten), Ill.
    Notes:

    Includes bibliographical references and index