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Displaying results 1 to 2 of 2.

  1. A Book I Value :
    Selected Marginalia /
    Author: Coleridge, Samuel Taylor,
    Published: [2021]; ©2003
    Publisher:  Princeton University Press,, Princeton, NJ :

    Coleridge is such a celebrity that many who have never read "The Rime of the Ancient Mariner" have a fair idea who he was, and yet the common impression of him is not flattering. He is typically seen as a youthful genius transformed by drugs and... more

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    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Coleridge is such a celebrity that many who have never read "The Rime of the Ancient Mariner" have a fair idea who he was, and yet the common impression of him is not flattering. He is typically seen as a youthful genius transformed by drugs and philosophy into a tedious sage. It is time for a change of image. A Book I Value offers a one-volume sampling of Coleridge's encyclopedic marginalia, revealing a figure more complex but also more humanly attractive--clever, curious, playful, intense--than the one we are used to.This book makes a convenient introduction to Coleridge's life, the intellectual issues and contemporary concerns that held his attention, and the workings of his mind. The marginalia represent an unintimidating sort of writing that Coleridge famously excelled at (often in books borrowed from friends). "A book, I value," he wrote, "I reason & quarrel with as with myself when I am reasoning."Unlike the complete Marginalia in six volumes arranged alphabetically by author, this representative selection is chronological and footnote-free, with a contextualizing introduction and brief headnotes that outline Coleridge's circumstances year by year and provide essential historical information. Our own cultural taboo against writing in books is slackening in light of new interest in the history of the book. It will be weakened further by the extraordinary and now accessible example of Coleridge, who was a remarkably shrewd but at the same time a remarkably charitable reader.

     
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  2. Bardic Nationalism :
    The Romantic Novel and the British Empire /
    Author: Trumpener, Katie,
    Published: [2021]; ©1997
    Publisher:  Princeton University Press,, Princeton, NJ :

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism,... more

    Access:

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.

     
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