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Displaying results 1 to 25 of 229.

  1. Weapons of words:
    intertextual competition in Babylonian poetry : a study of Anzū, Enūma eliš, and Erra and Išum /
    Author: Wisnom, Laura Selena,
    Published: 2020.
    Publisher:  BRILL,, Leiden Boston :

    In Weapons of Words: Intertextual Competition in Babylonian Poetry Selena Wisnom offers an in-depth literary study of three poems central to Babylonian culture: Anzû, Enūma eliš, and Erra and Išum . Fundamentally interconnected, each poem strives to... more

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    In Weapons of Words: Intertextual Competition in Babylonian Poetry Selena Wisnom offers an in-depth literary study of three poems central to Babylonian culture: Anzû, Enūma eliš, and Erra and Išum . Fundamentally interconnected, each poem strives to out-do its predecessors and competes to establish its protagonist, its ideals, and its poetics as superior to those that came before them. The first of its kind in Assyriology, Weapons of Words explores the rich nuances of these poems by unravelling complex networks of allusion. Through a sophisticated analysis of literary techniques, Selena Wisnom traces developments in the Akkadian poetic tradition and demonstrates that intertextual readings are essential for a deeper understanding of Mesopotamian literature.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789004412972
    Other identifier:
    DOI: 10.1163/9789004412972
    Series: Culture and History of the Ancient Near East; ; volume106
    Biblical Studies, Ancient Near East and Early Christianity E-Books Online, Collection 2019, ISBN: 9789004390805
    Subjects: Epic poetry, Assyro-Babylonian; Intertextuality.
    Scope: 1 online resource.
    Notes:

    Based on the author's dissertation (doctoral)--University of Oxford, 2014.

    Includes bibliographical references and index.
  2. Women write back :
    strategies of response and the dynamics of European literary culture, 1790-1805 /
    Author: Hilger, Stephanie M.
    Published: 2009.
    Publisher:  Rodopi,, Amsterdam ;

    Women Write Back explores the late eighteenth- and early nineteenth-century women's responses to texts written by well-known Enlightment figures. Hilger investigates the authorial strategies employed by Karoline von Günderrode, Ellis Cornelia Knight,... more

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    Women Write Back explores the late eighteenth- and early nineteenth-century women's responses to texts written by well-known Enlightment figures. Hilger investigates the authorial strategies employed by Karoline von Günderrode, Ellis Cornelia Knight, Julie de Krüdener, and Helen Maria Williams, whose works engage Voltaire's Mahomet , Johnson's Rasselas , Goethe's Werther , and Rousseau's Julie . The analysis of these women's texts sheds light on the literary culture of a period that deemed itself not only enlightened but also egalitarian.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789042029057
    Other identifier:
    DOI: 10.1163/9789042029057
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; ; 124
    Subjects: European literature; European literature; European literature; Intertextuality.; European literature.; European literature; Intertextuality.
    Scope: 1 online resource (175 pages)
    Notes:

    Includes bibliographical references (p. 157-175).

    Preliminary Material -- Women Write Back -- Gender and Genre: Helen Maria Williams' Julia, a Novel -- Adventurous Tales: Ellis Cornelia Knight's Dinarbas; a Tale: Being a Continuation of Rasselas, Prince of Abissinia -- Staging Islam: Karoline von Günderrode's Mahomed, der Prophet von Mekka -- The Letter and the Body: Julie de Krüdener's Valérie -- Writing Back, Reading Forward -- Bibliography.
  3. In the second degree :
    paratextual literature in ancient Near Eastern and ancient Mediterranean culture and its reflections in medieval literature /
    Contributor: Alexander, Philip S.; Lange, Armin,; Pillinger, Renate.
    Published: 2010.
    Publisher:  Brill,, Leiden ;

    To better understand the phenomenon of Literature in the Second Degree - in Jewish and Biblical studies often characterized as parabiblical or Rewritten Bible - the current volume applies the theories of Gerard Genette to ancient and medieval... more

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    To better understand the phenomenon of Literature in the Second Degree - in Jewish and Biblical studies often characterized as parabiblical or Rewritten Bible - the current volume applies the theories of Gerard Genette to ancient and medieval literature from various cultures. Literature in the Second Degree realigns earlier (authoritative) texts to the dynamics of developing cultures and their changing cultural memories. In the case of authoritative base texts, Literature in the Second Degree reaffirms their authority by way of interpretative actualization. In the case of non-authoritative base texts it replaces them to effect cultural forgetting. Far from being just literary forgery (pseudepigraphy), Literature in the Second Degree has an important function in the development of the ancient and medieval cultures.

     
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    Source: Union catalogues
    Contributor: Alexander, Philip S.; Lange, Armin,; Pillinger, Renate.
    Media type: Ebook
    Format: Online
    ISBN: 9789004194199
    Other identifier:
    DOI: 10.1163/ej.9789004187733.i-284
    Series: Brill ebook titles
    Subjects: Comparative literature; Comparative literature; Paratext.; Middle Eastern literature; Apocryphal books; Literature, Ancient; Literature, Medieval; Rabbinical literature; Collective memory and literature.; Intertextuality.
    Scope: 1 online resource.
    Notes:

    Includes bibliographical references.

    Array: Array
  4. "Поэтический ансамбль" Русские боги Даниила Андреева в аспекте интертекстуальности /
    Author: Banasiak, Daniel Andrzej,
    Published: 2019.
    Publisher:  Łódź University Press,, Łódź :

    "Монография Даниэля Банасяка является новаторской, эрудиционной диссертацией о категории интертекстуальности в произведении малоизвестного у нас, а в России уважаемого, долгие годы забытого, так как репрессированного в сталинские времена поэта и... more

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    "Монография Даниэля Банасяка является новаторской, эрудиционной диссертацией о категории интертекстуальности в произведении малоизвестного у нас, а в России уважаемого, долгие годы забытого, так как репрессированного в сталинские времена поэта и философа, сына выдающегося прозаика Леонида Андреева. Интертекстуальность становится в этой монографии своего рода отправной точкой для исследований жизни, поэтического творчества и философских концепций Даниила Андреева. В Польше пока нет конкурентной публикации о Данииле Андрееве и его произведениях. В России вышло несколько монографий о писателе, но категория интертекстуальности в Русских богах не была исследована так подробно, как в работе Банасяка. Данная монография не только собирает разбросанные знания о Русских богах и Данииле Андрееве, но и концептуализирует их, а также убедительно комментирует, принося подлинный вклад в исследования русской литературы и ее укоренении в европейской и ориентальной культуре."-- Provided by publisher.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 83-8142-476-3
    Other identifier:
    DOI: http://dx.doi.org/10.18778/8142-475-2.01
    Subjects: Intertextuality.; Russian poetry
    Other subjects: Andreev, Daniil Leonidovich, (1906-1959.)
    Scope: 1 online resource
  5. The Dynamic Essence of Transmedia Storytelling :
    A Graphical Approach to The Journey to the West in Korea /
    Author: Wall, Barbara,
    Published: 2024.; ©2024
    Publisher:  Brill,, Leiden ;

    The Dynamic Essence of Transmedia Storytelling challenges many established truths about popular literary classics by presenting an analysis of sixty Korean variations of The Journey to the West , a set which includes novels and poems, as well as... more

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    The Dynamic Essence of Transmedia Storytelling challenges many established truths about popular literary classics by presenting an analysis of sixty Korean variations of The Journey to the West , a set which includes novels and poems, as well as films, comics, paintings, and dance performances dating from the 14th century until today. In contrast to the typical assumption that literary classics like The Journey to the West are stable texts with a single original, Barbara Wall approaches The Journey to the West as a dynamic text comprised of all its variations. She argues that all the creators of such variations, from Korean scholars in the 14th century to "boy bands" like Seventeen in the 21st century, participate in the ongoing story world known as The Journey to the West . Wall employs literary and quantitative analysis, ample graphic visualizations, and in-depth descriptions of classroom games to find new ways to understand the dynamics of transmedia storytelling and popular engagement with story worlds. Her approach opens new frontiers of intertextual analysis to literary scholars and teachers of literature who seek contemporary methods of introducing world literature to new generations of students.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004690219
    Other identifier:
    DOI: 10.1163/9789004690219
    Series: Asian Studies E-Books Online, Collection 2024
    East Asian Comparative Literature and Culture ; ; 14
    Subjects: Intertextuality.; Storytelling
    Scope: 1 online resource (252 pages) :, illustrations.
    Notes:

    Includes bibliographical references and index.

    Array: Preliminary Material /
  6. Transcultural lyricism :
    translation, intertextuality, and the rise of emotion in modern Chinese love fiction, 1899-1925 /
    Author: Liu, Qian,
    Published: [2017]
    Publisher:  Brill,, Leiden ;

    In Transcultural Lyricism: Translation, Intertextuality, and the Rise of Emotion in Modern Chinese Love Fiction, 1899-1925 , Jane Qian Liu examines the profound transformation of emotional expression in Chinese fiction between the years 1899 and... more

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    In Transcultural Lyricism: Translation, Intertextuality, and the Rise of Emotion in Modern Chinese Love Fiction, 1899-1925 , Jane Qian Liu examines the profound transformation of emotional expression in Chinese fiction between the years 1899 and 1925. While modern Chinese literature is known to have absorbed narrative modes of Western literatures, it also learned radically new ways to convey emotions. Drawn from an interdisciplinary mixture of literary, cultural and translation studies, Jane Qian Liu brings fresh insights into the study of intercultural literary interpretation and influence. She convincingly proves that Chinese writer-translators in early twentieth century were able to find new channels and modes to express emotional content through new combinations of traditional Chinese and Western techniques.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789004301320
    Other identifier:
    DOI: 10.1163/9789004301320
    Series: China studies, ; 36
    Subjects: Chinese fiction; Chinese fiction; Translating and interpreting.; Intertextuality.
    Scope: 1 online resource.
    Notes:

    Includes bibliographical references and index.

    Preliminary Material -- Introduction: Translation and Intertextuality of Foreign Literatures in Early Twentieth-Century Chinese Love Fiction -- Pseudowriting and Creating Channels for the Expression of Emotion -- Creating Melodramatic Emotional Effects: Zhou Shoujuan's Creative Translations of Short Stories on Love -- Transcultural Lyricism in Su Manshu's Fictional Writing -- Finding the Right Medium for Emotional Expression: Intertextualizing Western Literary Texts in Yu Dafu's Early Short Stories -- Conclusion: Writing about Emotion with Another's Pen -- Bibliography -- Index.
  7. The challenge of epic :
    allusive engagement in the Dionysiaca of Nonnus /
    Author: Shorrock, Robert.
    Published: 2001.
    Publisher:  Brill,, Leiden ;

    Nonnus once vied with Homer for popularity; today his Dionysiaca languishes in obscurity. The Challenge of Epic offers a literary critical rehabilitation of Nonnus' fifth-century AD poem. It argues that modern neglect stems from a failure to... more

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    Nonnus once vied with Homer for popularity; today his Dionysiaca languishes in obscurity. The Challenge of Epic offers a literary critical rehabilitation of Nonnus' fifth-century AD poem. It argues that modern neglect stems from a failure to appreciate the central position of allusion in late-antique poetry. Attention first focuses on intertextual allusion. It is argued that the poet draws on a plethora of allusions to the cycle of Greek mythology in order to imbue his specific narrative with a universal significance. Focus then shifts to metapoetic allusion: the way in which Nonnus alludes self-consciously to the process of writing, and develops parallels between himself and his subject, Dionysus. Through an appreciation of Nonnus' alllusive strategies, the modern reader can again engage with the mind-bending challenge of the Dionysiaca .

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789004351103
    Other identifier:
    DOI: 10.1163/9789004351103
    Series: Mnemosyne, bibliotheca classica Batava. Supplementum ; ; 210
    Subjects: Epic poetry, Greek; Epic poetry, Greek.; Intertextuality.; Allusions in literature.; Literature.
    Other subjects: Nonnus, of Panopolis.: Dionysiaca.; Dionysus (Greek deity); Dionysus (Greek deity)
    Scope: 1 online resource (viii, 245 pages)
    Notes:

    Includes bibliographical references (p. 215-227) and indexes.

    Preliminary Material -- PREFACE -- INTRODUCTION -- THE CHALLENGE OF EPIC -- THE CYCLE OF DIONYSUS -- THE POET OF DIONYSUS -- THE DIONYSIAC EXPERIENCE -- BIBLIOGRAPHY -- INDEX LOCORUM -- GENERAL INDEX -- SUPPLEMENTS TO MNEMOSYNE.
  8. Texte(s) et intertexte(s) /
    Contributor: Calvez, Eric Le, (editor.)
    Published: 1997.; ©1997
    Publisher:  Brill,, Leiden ;

    Comme le remarque Laurent Milesi dans sa préface, «la notion d'intertextualité s'est à tel point imposée dans les recherches critico-théoriques sur les phénomènes de textualité et, plus largement, de discursivité que l'idée même de texte est... more

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    Comme le remarque Laurent Milesi dans sa préface, «la notion d'intertextualité s'est à tel point imposée dans les recherches critico-théoriques sur les phénomènes de textualité et, plus largement, de discursivité que l'idée même de texte est devenue difficilement envisageable sans un dispositif intertextuel». Au-delà des influences de la mode et puisque, malgré elle, les relations d'un texte avec un autre texte sur lequel il vient se greffer sont loin d'être épuisées, Texte(s) et Inter-texte(s) s'inscrit résolument dans une telle conception de la production et de la productivité littéraires. Les approfondissant à partir d'exemples empruntés à diverses périodes de la littérature en langue française, donc à des pratiques diachroniquement différentes, il tâche de souligner la théorisation plutôt que l'historicisation classique. L'ouvrage s'organise en fonction de trois tendances principales, où se devinent la richesse et la complexité du concept, comme la multiplicité des points de vue critico-théoriques: intertextualité littéraire, intertextualité et interdiscursivité, intertextualité et critique génétique. Une approche de l'intertextualité n'est pas sans conséquence sur notre compréhension de la textualité: réécriture et écriture sont deux facettes spéculaires de la production textuelle. L'examen de l'une entraîne nécessairement le réexamen de l'autre, et devrait ainsi permettre de définir, sous un nouveau jour, certains des phénomènes qui régissent la création littéraire.

     
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    Source: Union catalogues
    Contributor: Calvez, Eric Le, (editor.)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789004649064
    Other identifier:
    DOI: 10.1163/9789004649064
    Series: Literature and Cultural Studies - Book Archive pre-2000
    Subjects: Criticism, Textual.; Intertextuality.; Literature, Modern
    Notes:

    Includes bibliographical references and index.

    Array: Preliminary Material /
  9. Karneval der Überlebenden :
    Intertextualität in Arno Schmidts Novellen-Comödie Die Schule der Atheisten /
    Author: Schmidt, Julia,
    Published: 1998.; ©1998
    Publisher:  Brill,, Leiden ;

    Die überwältigende Teilhabe anderer Autoren durchsetzt das Werk des Wortweltenerbauers Arno Schmidt (1914-1979). Unter dem Oberbegriff Intertextualität sind in der vorliegenden Untersuchung verschiedene Formen nachweisbarer Ãœbernahmen... more

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    Die überwältigende Teilhabe anderer Autoren durchsetzt das Werk des Wortweltenerbauers Arno Schmidt (1914-1979). Unter dem Oberbegriff Intertextualität sind in der vorliegenden Untersuchung verschiedene Formen nachweisbarer Ãœbernahmen zusammengefasst: Anspielung, Zitat, Parodie u.a.m. Ausgehend von einer rezeptionsorientierten Fragestellung wird der Frage nachgegangen, unter welchen Bedingungen intertextuelle Formen in der Novellen-Comödie Die Schule der Atheisten (1972) erscheinen: Stehen sie im Dienst der monologischen Beweisführung einer psychosexuellen Bedeutung oder sind sie, wie es die formale Bestimmung Comödie nahelegt, humoristisch, d.h. im Sinne eines Bedeutungsspiels dialogisch angelegt?

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9789004654884
    Other identifier:
    DOI: 10.1163/9789004654884
    Series: Amsterdamer Publikationen zur Sprache und Literatur ; ; 131
    Literature and Cultural Studies - Book Archive pre-2000
    Subjects: Intertextuality.
    Scope: 1 online resource (196 pages) :, illustrations.
    Notes:

    Includes bibliographical references and index.

    Array: Preliminary Material /
  10. Poetic memory :
    allusion in the poetry of Callimachus and the Metamorphoses of Ovid /
    Author: Tress, Heather van,
    Published: 2004.
    Publisher:  Brill,, Leiden ;

    This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in... more

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    This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of \'signposting\' and \'authorization\' techniques, and the relationship between allusion and genre.

     
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    Source: Union catalogues
    Language: English; Latin; Greek, Ancient (to 1453)
    Media type: Ebook
    Format: Online
    ISBN: 9789047406624
    Other identifier:
    DOI: 10.1163/9789047406624
    Series: Mnemosyne, bibliotheca classica Batava. Supplementum, ; 258
    Subjects: Fables, Latin; Mythology, Classical, in literature.; Metamorphosis in literature.; Allusions in literature.; Rhetoric, Ancient.; Intertextuality.; Allusions in literature.; Art.; Art appreciation.; Fables, Latin.; Influence (Literary, artistic, etc.); Intertextuality.; Metamorphosis in literature.; Mythology, Classical, in literature.; Rhetoric, Ancient.; Technique.
    Other subjects: Ovid, (43 B.C.-17 A.D. or 18 A.D.): Metamorphoses.; Ovid, (43 B.C.-17 A.D. or 18 A.D.); Callimachus; Callimachus; Callimachus; Callimachus; Callimachus.; Ovid, (43 B.C.-17 A.D. or 18 A.D.)
    Scope: 1 online resource (viii, 218 pages)
    Notes:

    Includes bibliographical references (p. 197-206) and indexes.

    Preliminary Material -- CALLIMACHUS, OVID, AND ALLUSION -- A WELL-DEFINED SCOPE: LEXICAL INTEGRATIVE AND REFLECTIVE ALLUSIONS IN THE PROLOGUE OF CALLIMACHUS' AETIA AND THE PROEM OF OVID'S METAMORPHOSES -- BROADENING THE SCOPE: MARKING THE ALLUSION AND REITERATIVE INTEGRATIVE AND REFLECTIVE ALLUSION -- VARIATION OF THE TROPE: REFLECTIVE AND INTEGRATIVE ALLUSION AND AUTHORIZATION WITHIN CALLIMACHUS' HYMN TO DELOS AND OVID'S BOOK 6 OF THE METAMORPHOSES -- BOUNDARIES OF GENRE? ALLUSION AND GENRE -- CONCLUSION -- BIBLIOGRAPHY -- INDEX OF PASSAGES CITED -- GENERAL INDEX -- SAMENVATTING IN HET NEDERLANDS -- CURRICULUM VITAE -- SUPPLEMENTS TO MNEMOSYNE by H. Pinkster , H.S. Versnel , I.J.F. de Jong and P.H. Schrijvers.
  11. Progressive intertextual practice in modern and contemporary literature /
    Contributor: Ebury, Katherine, (editor.); Mulligan, Christin M., (editor.)
    Published: 2024.
    Publisher:  Routledge,, New York, NY :

    "This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text... more

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    "This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce's Ulysses alongside recent contemporary literature by authors such as Siri Husvedt and Maggie O'Farrell, as well as theoretical interventions. The volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles"--

     
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    Source: Union catalogues
    Contributor: Ebury, Katherine, (editor.); Mulligan, Christin M., (editor.)
    Media type: Ebook
    Format: Online
    ISBN: 9781003441199; 100344119X; 9781040024508; 1040024505; 9781040024591; 1040024599
    Other identifier:
    Series: Routledge studies in contemporary literature
    Subjects: Intertextuality.; Literature, Modern; Intertextualité.; LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM / Books & Reading
    Scope: 1 online resource.
    Notes:

    Includes bibliographical references and index.
  12. The Flight of the Angels :
    Intertextuality in Four Novels by Boris Vian /
    Author: Rolls, Alistair Charles,
    Published: 1999.; ©1999
    Publisher:  Brill,, Leiden ;

    It is a close study of four novels by Boris Vian. It aims to show how L'Écume des jours, L'Automne à Pékin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes... more

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    It is a close study of four novels by Boris Vian. It aims to show how L'Écume des jours, L'Automne à Pékin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes possible to achieve a more comprehensive understanding, not only of the significance of the tetralogy in exposing a complex and multi-layered novelistic strategy at the heart of the vianesque, but of the individual novels as autonomous creations. An examination of the novels reveals that they are not merely joined to one another via a superficial network of textual similarities (that which I refer to as intratextuality ), but that this intertwining is emblematic of a common method of narrative construction. Each Vian novel is dependent, for a thorough understanding of the text to be possible, upon the multiple lines of external influence running through it. The sources of this influence (which I refer to as intertextuality ) are located in various major texts of twentieth century literature, anglophone as well as francophone. Thus, in each instance the narrative is driven by a complicated interaction of intratextuality and intertextuality.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004649453
    Other identifier:
    DOI: 10.1163/9789004649453
    Series: Faux Titre ; ; 167
    Literature and Cultural Studies - Book Archive pre-2000
    Subjects: Intertextuality.
    Scope: 1 online resource (372 pages) :, illustrations.
    Notes:

    Includes bibliographical references and index.

    Array: Preliminary Material /
  13. Proust - Flaubert - Ovid :
    a Der Stoff, aus dem Erinnerungen sind /
    Author: Zollinger, Edi,
    Published: 2013.
    Publisher:  Wilhelm Fink Verlag,, Paderborn :

    A la recherche du temps perdu ist ein gigantischer Wörterteppich, dem Proust die stärksten Erzählfäden der europäischen Literatur eingewoben hat. Von Anakreon bis Zola - alle haben sie ihr Garn zur Recherche beigetragen. Ausgehend von einer dicht... more

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    A la recherche du temps perdu ist ein gigantischer Wörterteppich, dem Proust die stärksten Erzählfäden der europäischen Literatur eingewoben hat. Von Anakreon bis Zola - alle haben sie ihr Garn zur Recherche beigetragen. Ausgehend von einer dicht gewobenen Szene hoch oben im Haus von Combray, die im Versteckten berichtet, wie Marcel zum Schriftsteller wird, verfolgt Edi Zollinger feinste Webfäden der Recherche über die »Madeleine-Episode« und die Beschreibungen der Weissdornblüten im Park von Tansonville in die Werke unterschiedlichster Autoren zurück: in Andersens Märchen, in den Roman de la Rose oder in Sainte-Beuves heute kaum mehr gelesenen Roman Volupté etwa. Bis schließlich ans Licht kommt, dass Prousts schillerndste Fäden auch schon durch das Auge in Flauberts Webschiffchen gelaufen sind - und sie sich endlich alle wiederfinden auf der Spindel in Ovids Hand.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9783846754993
    Other identifier:
    DOI: 10.30965/9783846754993
    Series: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2013-2017, ISBN: 9783657100064
    Subjects: Intertextuality.; Erotic literature, French; Influence (Literary, artistic, etc.).
    Scope: 1 online resource
    Notes:

    Preliminary Material -- Den Faden aufnehmen -- Das kaputte Webschiffchen -- Ein winziges Stück Stoff -- Der Johannistrieb -- Runter vom Thron! -- Werke gebären -- Der geflickte Teppich -- Das Horn im Wald -- Die zündende Kerze -- Buchstabenspiele -- Das Kleid des "Fliedermütterchens" -- Zurück zur Quelle -- Eine Welt wird geboren -- Rosenromantik -- Das Patchwork -- Arachnes Filiation -- Die Spindel -- Anmerkungen -- Verzeichnis benutzter Siglen -- Literaturverzeichnis /
  14. Arachnes Rache :
    a Flaubert inszeniert einen Wettkampf im narrativen Weben: Madame Bovary, Notre-Dame de Paris und der Arachne-Mythos /
    Author: Zollinger, Edi,
    Published: 2007.
    Publisher:  Wilhelm Fink Verlag,, Paderborn :

    Gustave Flaubert meldet mit Madame Bovary seinen Anspruch auf die Krone der Dichtkunst an. Wie Arachne, die in Ovids Metamorphosen die Göttin Minerva zum Wettkampf im Weben herausfordert und für ihre Kühnheit grausam bestraft wird, will auch er sich... more

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    Gustave Flaubert meldet mit Madame Bovary seinen Anspruch auf die Krone der Dichtkunst an. Wie Arachne, die in Ovids Metamorphosen die Göttin Minerva zum Wettkampf im Weben herausfordert und für ihre Kühnheit grausam bestraft wird, will auch er sich mit dem Altmeister seines Fachs messen. In einer versteckt erzählten Neuaufla-ge des mythischen Wettstreits zwingt er den Literaturgott Victor Hugo zum Autoren-Duell - und übt späte Rache für Arachne. In seinem Erstling Ma-dame Bovary baut Flaubert ein ganzes Gebäude aus verdeckten Spott-Zitaten und provokanten Verweisen auf den Jahrhundertroman Notre-Dame de Paris auf. Arachnes Rache öffnet die verborgenen Türen, die die zwei literarischen Bauwerke verbinden und folgt den von Flaubert zwischen den Zeilen angelegten Geheimgängen. Auf einem kryptisch im Text angelegten Hinterhof kommt es schließlich zum finalen Showdown, den Flaubert, soviel sei verraten, mit einem Geniestreich narrativen Webens für sich entscheidet.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9783846743751
    Other identifier:
    DOI: 10.30965/9783846743751
    Series: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2007-2012, ISBN: 9783657100057
    Subjects: Madame Bovary (Choreographic work : Gawrikow)Flaubert, Gustave,; Arachne (Greek mythology); Intertextuality.
    Scope: 1 online resource
  15. Intertextualité surréaliste dans la poésie de René Char :
    apparitions et réapparitions de l'image d'Artine /
    Author: Kleiva, Julie S.
    Published: 2018.
    Publisher:  Brill-Rodopi,, Leiden ;

    Dans Intertextualité surréaliste dans la poésie de René Char , Julie S. Kleiva montre comment la figure d'Artine, initialement une représentante du surréalisme charienne, se transforme en une image complexe, polymorphe et considérablement présente à... more

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    Dans Intertextualité surréaliste dans la poésie de René Char , Julie S. Kleiva montre comment la figure d'Artine, initialement une représentante du surréalisme charienne, se transforme en une image complexe, polymorphe et considérablement présente à travers l'œuvre de René Char (1907-1988). En adoptant une approche intertextuelle, Kleiva soutient que la figure d'Artine représente la force déroutante au cœur de l'imagination poétique charienne. L'image revenante d'Artine favorise l'idée d'une continuité dans l'œuvre poétique de Char malgré la rupture articulée au milieu des années 30. In Intertextualité surréaliste dans la poésie de René Char , Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet René Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char's poetry. The reappearing image of Artine serves to demonstrate that Char's poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789004368781
    Other identifier:
    DOI: 10.1163/9789004368781
    Series: Faux titre ; ; v. 425
    Subjects: Surrealism (Literature); Intertextuality.
    Other subjects: Char, René, (1907-1988.): Artine.; Char, René, (1907-1988)
    Scope: 1 online resource.
    Notes:

    Includes bibliographical references and index.

    Front Matter -- Copyright page -- Remerciements -- Illustrations -- Notice -- La beauté d'Artine : introduction -- Rêve et surréalité -- Occultisme et alchimie -- Images mentales -- Léthargie et vitesse -- Sous l'emprise d'Artine -- Back Matter -- Bibliographie.
  16. "Поэтический ансамбль" Русские боги Даниила Андреева в аспекте интертекстуальности /
    Author: Banasiak, Daniel Andrzej,
    Published: 2019.
    Publisher:  Łódź University Press,, Łódź :

    "Монография Даниэля Банасяка является новаторской, эрудиционной диссертацией о категории интертекстуальности в произведении малоизвестного у нас, а в России уважаемого, долгие годы забытого, так как репрессированного в сталинские времена поэта и... more

     

    "Монография Даниэля Банасяка является новаторской, эрудиционной диссертацией о категории интертекстуальности в произведении малоизвестного у нас, а в России уважаемого, долгие годы забытого, так как репрессированного в сталинские времена поэта и философа, сына выдающегося прозаика Леонида Андреева. Интертекстуальность становится в этой монографии своего рода отправной точкой для исследований жизни, поэтического творчества и философских концепций Даниила Андреева. В Польше пока нет конкурентной публикации о Данииле Андрееве и его произведениях. В России вышло несколько монографий о писателе, но категория интертекстуальности в Русских богах не была исследована так подробно, как в работе Банасяка. Данная монография не только собирает разбросанные знания о Русских богах и Данииле Андрееве, но и концептуализирует их, а также убедительно комментирует, принося подлинный вклад в исследования русской литературы и ее укоренении в европейской и ориентальной культуре."-- Provided by publisher.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 83-8142-476-3
    Other identifier:
    DOI: http://dx.doi.org/10.18778/8142-475-2.01
    Subjects: Intertextuality.; Russian poetry
    Other subjects: Andreev, Daniil Leonidovich, (1906-1959.)
    Scope: 1 online resource
  17. Wittgenstein in Translation :
    Exploring Semiotic Signatures /
    Author: Gorlée, Dinda L.
    Published: [2012]; ©2012
    Publisher:  De Gruyter Mouton,, Berlin ;Boston :

    Apart from the Tractatus, Wittgenstein did not write whole manuscripts, but composed short fragments. The current volume reveals the depths of Wittgenstein's soul-searching writings - his "new" philosophy - by concentrating on ordinary language and... more

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    Apart from the Tractatus, Wittgenstein did not write whole manuscripts, but composed short fragments. The current volume reveals the depths of Wittgenstein's soul-searching writings - his "new" philosophy - by concentrating on ordinary language and using few technical terms. In so doing, Wittgenstein is finally given the accolade of a neglected figure in the history of semiotics. The volume applies Wittgenstein's methodological tools to the study of multilingual dialogue in philosophy, linguistics, theology, anthropology and literature. Translation shows how the translator's signatures are in conflict with personal or stylistic choices in linguistic form, but also in cultural content. This volume undertakes the "impossible task" of uncovering the reasoning of Wittgenstein's translated texts in order to construct, rather than paraphrase, the ideal of a terminological coherence.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614511137
    Other identifier:
    Series: Semiotics, Communication and Cognition [SCC] ; ; 9
    Subjects: Intertextuality.; Semiotics and literature.; Translating and interpreting; Semiotik.; Übersetzungstheorie.; Wittgenstein.
    Scope: 1 online resource (368p.)
  18. A New Glimpse of Day One :
    Intertextuality, History of Interpretation, and Genesis 1.1-5 /
    Author: Giere, S. D.
    Published: [2009]; ©2009
    Publisher:  De Gruyter,, Berlin ;Boston :

    Informed by the understanding that all texts are intertexts, this work develops and employs a method that utilizes the concept of intertextuality for the purpose of exploring the history of interpretation of a biblical text. With Day One, Genesis... more

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    Informed by the understanding that all texts are intertexts, this work develops and employs a method that utilizes the concept of intertextuality for the purpose of exploring the history of interpretation of a biblical text. With Day One, Genesis 1.1–5, as the primary text, the intertextuality of this biblical text is investigated in its Hebrew (Masoretic Text) and Greek (Septuagint) contexts. The study then broadens to take up the intertextuality of Day One in other Hebrew and Greek texts up to c. 200 CE, moving from Hebrew texts such as Ben Sira and the Dead Sea Scrolls to Greek texts such as Josephus, Philo, the New Testament, and early Christian texts. What emerges from this is a new glimpse of the intertextuality of Day One that provides insight into the complexity of the intertextuality of a biblical text and the role that language plays in intertextuality and interpretation. In addition to the methodological insights that this approach provides to the history of interpretation, the study also sheds light on textual and theological questions that relate to Day One, including the genesis of creatio ex nihilo.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110224344
    Other identifier:
    Series: Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft ; ; 172
    Subjects: Christian literature, Early; Intertextuality in the Bible.; Intertextuality.; Jewish religious literature; Genesis.; Hermeneutik.; Interpretation.; Intertextualität.; Schöpfung.
    Scope: 1 online resource (376p.)
  19. «Viele Anspielungen gehen ohnehin verloren» :
    Autofiktion und Intertextualität in Max Frischs «Montauk» /
    Author: Affolter, Hanspeter,
    Published: 2019.
    Publisher:  Chronos Verlag,, Zürich :

    In seiner Erzählung "Montauk" (1975) inszeniert Max Frisch autobiografische Fakten mit den Mitteln fiktionaler Literatur; eine Kombination, die sich als Autofiktion beschreiben lässt. Besonders interessant sind die intertextuellen Bezüge, mit denen... more

     

    In seiner Erzählung "Montauk" (1975) inszeniert Max Frisch autobiografische Fakten mit den Mitteln fiktionaler Literatur; eine Kombination, die sich als Autofiktion beschreiben lässt. Besonders interessant sind die intertextuellen Bezüge, mit denen Frisch in "Montauk" Biografisches erzählt. Denn diese Verweise spielen nicht nur auf andere Texte an, sondern sind in eins damit auch bedeutsam im Hinblick auf jene Teile der Autorbiografie, die nur indirekt und ganz dezent angedeutet werden können. Indem die Studie verschiedene intertextuelle Anspielungen untersucht - etwa auf Philip Roths "My Life as a Man", auf Ingeborg Bachmanns "Undine geht" und ihre Erzählung "Simultan", auf Frischs eigene "Skizze eines Unglücks" oder auch auf die Orestie des Aischylos -, strebt sie ein genaueres Verständnis von Frischs autofiktionaler Selbststilisierung an. So lässt sich die Arbeit am Bild, das Frisch seiner Leserschaft vermitteln wollte, nicht nur dort verfolgen, wo er autobiografische Dokumente retuschiert, um eine etwas geschönte Version seiner Vergangenheit zu präsentieren, sondern auch an der Art und Weise, wie er Bekenntnisse tief unter die Textoberfläche versenkt, ausgesparte Informationen erschliessbar macht oder auch Neues hinzuerfindet - beispielsweise den Namen seiner jungen Begleiterin, Lynn. Besonderes Gewicht erhält in der Studie die gendertheoretisch motivierte Frage nach Frischs Selbstinszenierung als Mann, die größtenteils über die verschiedenen in "Montauk" beschriebenen Liebesbeziehungen zu Frauen verläuft.

     
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Subjects: Literary style.; Intertextuality.
    Scope: 1 online resource
    Notes:

    1 Einleitung -- i. i Zwischen Faktualität und Fiktionalität 13 -- 1.2 Rezeption 23 -- 1.3 Autofiktion 32 -- 2 My Life as a Man und Leerstellen in den Erinnerungen an Ingeborg Bachmann 49 -- 2.1 Uwe Johnson als Lektor von Montauk 49 -- 2.2 »Was verschweigt es und warum?« 60 -- 2.3 Philip Roths My Life as a Man als Intertext 67 -- 3 Undine geht und die Offenlegung autobiografischer Motive 73 -- 3.1 Lynn als Undine 73 -- 3.2 Biografische Motive 82 -- 4 Simultan als Kontrastfolie für Max' und Lynns gemeinsames Wochenende 99 -- 4.1 Jäger, Autofahrer und Eroberer 99 -- 4.2 Eine Frage des Alters m -- 5 Departures und Frisch als betrogener Ehemann 117 -- 5.1 Stich-Worte 117 -- 5.2 Departures als Intertext 122 -- 5.3 Der Name Lynn 131 -- 6 Skizze eines Unglücks und das Machtverhältnis zwischen Mann und Frau 143 -- 6.1 Die Befreiung der Frau 143 -- 6.2 Lynn als Stellvertreterin 154 -- 6.3 Machtkämpfe 161 -- 6.4 Mädchen 173 -- 7 Der Orest-Mythos und die Schuld an der Frau 181 -- 7-i Die Erinnyen 181 -- 7-2 Max als Orest 191 -- 8 Zusammenfassung 203 -- 9 Bibliografie 205 -- Max-Frisch-Ausgaben 205 -- Quellenliteratur 205 -- Forschungsliteratur 211 -- Lexika 224 -- Filme, Fernsehserien, Videos und Gespräche 225 -- Personenregister 227 -- Werkregister 231.
  20. Interruptions :
    The Fragmentary Aesthetic in Modern Literature /
    Author: Bruns, Gerald L.,
    Published: [2018]
    Publisher:  The University of Alabama Press,, Tuscaloosa :

    In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of... more

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    In Interruptions: The Fragmentary Aesthetic in Modern Literature, Gerald L. Bruns explores the effects of parataxis, or fragmentary writing as a device in modern literature. Bruns focuses on texts that refuse to follow the traditional logic of sequential narrative. He explores numerous examples of self-interrupting composition, starting with Friedrich Schlegel's inaugural theory and practice of the fragment as an assertion of the autonomy of words, and their freedom from rule-governed hierarchies. Bruns opens the book with a short history of the fragment as a distinctive feature of literary modernism in works from Gertrude Stein to Paul Celan to present-day authors. The study progresses to the later work of Maurice Blanchot and Samuel Beckett, and argues, controversially, that Blanchot's writings on the fragment during the 1950s and early 1960s helped to inspire Beckett’s turn toward paratactic prose. The study also extends to works of poetry, examining the radically paratactic arrangements of two contemporary British poets, J. H. Prynne and John Wilkinson, focusing chiefly on their most recent, and arguably most abstruse, works. Bruns also offers a close study of the poetry and poetics of Charles Bernstein. Interruptions concludes with two chapters about James Joyce. First, Bruns tackles the language of Finnegans Wake, namely the break-up of words themselves, its reassembly into puns, neologisms, nonsense, and even random strings of letters. Second, Bruns highlights the experience of mirrors in Joyce’s fiction, particularly in Dubliners, Portrait of the Artist as a Young Man, and Ulysses, where mirrored reflections invariably serve as interruptions, discontinuities, or metaphorical displacements and proliferations of self-identity.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-8173-9172-X
    Series: Modern and contemporary poetics
    Subjects: Intertextuality.; Meaning (Philosophy) in literature.; Aesthetics in literature.; Poetics.; Literature, Experimental; Literature, Modern; Discourse analysis, Literary.
    Scope: 1 online resource (xii, 197 pages) :, illustrations
    Notes:

    Includes bibliographical references and index.

    Prologue : The invention of poetry -- An archeology of fragments -- The impossible experience of words : the later fiction of Maurice Blanchot and Samuel Beckett -- Dialectrics : turbulence and contradiction in J.H. Prynne's Kazoo dreamboats -- Metastatic lyricism : John Wilkinson's poetry and poetics -- Apology for stuffed owls : on the virtues of bad poetry -- Paratactics ("pataquerics") of the ordinary : the course of the comic in Charles Bernstein's poetry -- On the words of the Wake (and what to do with them) -- What's in a mirror? James Joyce's phenomenology of misperception -- Epilogue : On incompletion (stopping briefly with Gertrude Stein).
  21. L’intertextualité /
    Author: Baron, Philippe
    Published: 2019.
    Publisher:  Presses universitaires de Franche-Comté,, Besançon :

    Le présent volume s’ouvre sur le bilan d’une trentaine d’années de recherches consacrées à l’intertextualité, ce vaste champ théorique où se croisent plusieurs disciplines et courants d’idées. Viennent ensuite dix-sept études sur des textes et leur... more

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    Le présent volume s’ouvre sur le bilan d’une trentaine d’années de recherches consacrées à l’intertextualité, ce vaste champ théorique où se croisent plusieurs disciplines et courants d’idées. Viennent ensuite dix-sept études sur des textes et leur contexte d’écriture. En effet, les particularités d’un corpus, l’approfondissement d’une poétique permettent de combiner des notions déjà établies et parfois de les compléter, notamment les classifications très utilisées de Genette. En outre, les variations de genre et de style, l’abondance ou la raréfaction des emprunts à d’autres textes peuvent être analysées à travers l’imaginaire, l’esthétique, l’idéologie d’un auteur ou d’un groupe littéraire. Certains exemples font valoir les jeux fictionnels ou les contraintes structurelles ; d’autres éclairent surtout l’arrière-plan biographique ou culturel, l’incidence de l’inconscient, l’ancrage socio-historique, l’horizon d’attente du public. Car il s’agit essentiellement ici d’explorer les fonctions, les effets, les enjeux de l’intertextualité. Par conséquent, les formes implicites ou diffuses n’ont pas été écartées lorsqu’elles se présentent comme une ressource possible dans des circonstances ou à des fins précises. Activité herméneutique par excellence, la lecture intertextuelle ne manque pas de relancer le "plaisir du texte", mais loin de nous disperser entre les allusions, références et citations, elle nous rend finalement plus attentifs à des corrélations, à des tendances générales qui offrent une synthèse révélatrice de chaque époque : l’ésotérisme médiéval, les codes de l’imitation antique et classique, la défense et illustration du Burlesque, l’esprit des Lumières, les mythologies du Romantisme et de la Décadence, les expériences de la modernité...

     
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  22. Metareference across media :
    theory and case studies /
    Contributor: Wolf, Werner,; Bantleon, Katharina.; Thoss, Jeff.; Bernhart, Walter.
    Published: 2009.
    Publisher:  Rodopi,, Amsterdam ;

    Strange as it may seem, Cervantes’s novel Don Quixote , Marc Forster’s film Stranger than Fiction , Shakespeare’s play A Midsummer Night’s Dream , Pere Borrell del Caso’s painting “Escaping Criticism” reproduced on the cover of the present volume and... more

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    Strange as it may seem, Cervantes’s novel Don Quixote , Marc Forster’s film Stranger than Fiction , Shakespeare’s play A Midsummer Night’s Dream , Pere Borrell del Caso’s painting “Escaping Criticism” reproduced on the cover of the present volume and Mozart’s sextet “A Musical Joke” all share one common feature: they include a meta-dimension. Metaization – the movement from a first cognitive, referential or communicative level to a higher one on which first-level phenomena self-reflexively become objects of reflection, reference and communication in their own right – is in fact a common feature not only of human thought and language but also of the arts and media in general. However, research into this issue has so far predominantly focussed on literature, where a highly differentiated, albeit strictly monomedial critical toolbox exists. Metareference across Media remedies this onesidedness and closes the gap between literature and other media by providing a transmedial framework for analysing metaphenomena. The essays transcend the current notion of metafiction, pinpoint examples of metareference in hitherto neglected areas, discuss the capacity for metaization of individual media or genres from a media-comparative perspective, and explore major (historical) forms and functions as well aspects of the development of metaization in cultural history. Stemming from diverse disciplinary and methodological backgrounds, the contributors propose new and refined concepts and models and cover a broad range of media including fiction, drama, poetry, comics, photography, film, computer games, classical as well as popular music, painting, and architecture. This collection of essays, which also contains a detailed theoretical introduction, will be relevant to students and scholars from a wide variety of fields: intermediality studies, semiotics, literary theory and criticism, musicology, art history, and film studies.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Wolf, Werner,; Bantleon, Katharina.; Thoss, Jeff.; Bernhart, Walter.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 90-420-2671-5
    Other identifier:
    DOI: 10.1163/9789042026711
    Series: Studies in intermediality ; ; 4
    Subjects: Intermediality; Media literacy; Intertextuality; Intermediality.; Intertextuality.; Media literacy.
    Scope: 1 online resource (vii, 656 pages) :, illustrations.
    Notes:

    "Dedicated to Walter Bernhart on the occasion of his retirement."

    Papers originally presented at a symposium held in Graz, May 22-24, 2008.

    Includes bibliographical references and index.

    Array: Array
  23. Literary community-making :
    the dialogicality of English texts from the seventeenth century to the present /
    Contributor: Sell, Roger D.
    Published: 2012.
    Publisher:  John Benjamins Pub. Co.,, Amsterdam :

    The writing and reading of so-called literary texts can be seen as processes which are genuinely communicational. They lead, that is to say, to the growth of communities within which individuals acknowledge not only each other's similarities but... more

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    The writing and reading of so-called literary texts can be seen as processes which are genuinely communicational. They lead, that is to say, to the growth of communities within which individuals acknowledge not only each other's similarities but differences as well. In this new book, Roger D. Sell and his colleagues apply the communicational perspective to the past four centuries of literary activity in English. Paying detailed attention to texts - both canonical and non-canonical - by Amelia Lanyer, Thomas Coryate, John Boys, Pope, Coleridge, Arnold, Kipling, William Plomer, Auden, Walter Mac

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Sell, Roger D.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-280-67689-2; 9786613653826; 90-272-7417-7
    Edition: 1st ed.
    Series: Dialogue studies, ; v. 14
    Subjects: Discourse analysis, Literary.; English language; Literature; Intertextuality.
    Scope: 1 online resource (273 p.)
    Notes:

    Description based upon print version of record.

    Includes bibliographical references and index.

    Literary Community-Making; Editorial page; Title page; LCC data; Table of contents; List of illustrations and figures; Contributors; Chapter 1. Introduction; 1.1 Scope; 1.2 Main findings; 1.3 Looking ahead; References; Chapter 2. Creating paratextual communities; 2.1 Lanyer, Coryate and their paratexts; 2.2 "Let the Muses your companions be": Lanyer's imagined community; 2.3 "Travelling wonder of our daies": A writer and his community; 2.4 Paratexts and communities; References; Chapter 3. Laudianism and literary communication; 3.1 Communicative restriction: Some limiting factors

    3.2 Subjective contingencies3.3 Affiliations; 3.4 Laudian self-positionings; 3.5 Literary communities; 3.6 Royalist allegiances; 3.7 Antiquarian circles; 3.8 Receptive contingencies 1: The later seventeenth century; 3.9 Receptive contingencies 2: The nineteenth century; 3.10 Conclusion: Communities and valencies of attraction; References; Chapter 4. Pope's community-making through The Dunciad Variorum; 4.1 The central community of the poem proper; 4.2 "It Partakes of the Nature of a Secret": Community-making and the apparatus; References; Chapter 5. Dialogue versus Silencing

    5.1 A communicational tyrant?5.2 The invitation to readers of The Rime; 5.3 Readers' responses; 5.4 Green values; 5.5 The conversational readjustment of 1817; 5.6 The continuing conversation; References; Chapter 6. Towards a dialogical approach to Arnold; 6.1 Dialogical reading; 6.2 Apparent contradictions; 6.3 A writer on religious matters; 6.4 A poet who wrote prose; 6.5 The writer's communicational afterlife; References; Chapter 7. Kipling's soldiers and Kipling's readers; 7.1 The literary breakthrough; 7.2 Stories; 7.3 Poems; 7.4 Popularity and respectability; References

    Chapter 8. Addressivity and literary history8.1 Plomer and literary history; 8.2 Reintroducing Plomer; 8.3 Plomer's addressivity, textual and personal; 8.4 The addressivity of The Case Is Altered: Voices from past and present; 8.5 Plomer and the Victorians; 8.6 Nostalgia underneath satire: Addressivity and time in "London Ballads and Poems"; 8.7 Plomer, communicational ethics and literary community-making; References; Chapter 9. Within the anti-fascist community; 9.1 A call to respond to?; 9.2 A warning to heed?; 9.3 A text-world to build; References

    Chapter 10. Literary dialogicality under threat?10.1 A controversial figure; 10.2 O'Connell the landlord; 10.3 The forty-shilling freeholders and Catholic emancipation; 10.4 The campaign for repeal; 10.5 Dialogicality; References; Chapter 11. Robert Kroetsch and Rudy Wiebe; 11.2 The challenge to hegemonic images; 11.2 Mediating the experience of "being in the Prairie"; 11.3 The self, community and space: The Blue Mountains of China; 11.4 Seed Catalogue: Cabbages, gophers and porcupines; 11.5 On Alberta: Sweeter than All the World and Alberta; References

    Chapter 12. "Reading as a relationship"
  24. Déjà-vu-Effekte :
    Intertextualität und Erinnerung in inszenierter Fotografie /
    Author: Köhler, Astrid,
    Published: [2018]; ©2018
    Publisher:  transcript-Verlag,, Bielefeld :

    Auch wenn nicht allein das jüngere Kunstschaffen von Praktiken des piktoralen Verweisens, Wiederholens und Recycelns gekennzeichnet ist, wurden diese durch die Verbreitungsmöglichkeiten der Fotografie und des Internets erheblich katalysiert.... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Auch wenn nicht allein das jüngere Kunstschaffen von Praktiken des piktoralen Verweisens, Wiederholens und Recycelns gekennzeichnet ist, wurden diese durch die Verbreitungsmöglichkeiten der Fotografie und des Internets erheblich katalysiert. Lichtbildnerische Reproduktionen sowie das Aufgreifen bekannter Bildformeln in inszenierten Fotografien - etwa im Werk von Rita Nowak, Tatiana Antoshina und Sam Taylor-Johnson - führen zu Kaskaden der Korrelierbarkeit und Déjà-vu-Effekten.Ausgehend von Theorien der Intertextualität, Interpiktoralität und Intermedialität untersucht Astrid Köhler Vorzüge und Fallstricke dieser Ansätze, um ein Analysemodell zu entwickeln, das von binären Vor-/Nachbild-Zuweisungen absieht. Staged photography - do practices of recourse that lead to a blurring of speaker, memory structure and perception contain the potential to re- and dis-organize?

     
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  25. Geschichtsphilosophie als Literatur :
    Intertextuelle Analysen zum Werk Heiner Müllers /
    Author: He, Lianhua,
    Published: [2022]; ©2022
    Publisher:  transcript Verlag,, Bielefeld :

    Das Werk Heiner Müllers wurde bisher hauptsächlich aus eurozentrischer Perspektive interpretiert. Ein postkolonialer Blick hingegen eröffnet neue Lesarten für die Deutung seiner Arbeit. Lianhua He untersucht mit diesem Ansatz die implizite... more

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    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Das Werk Heiner Müllers wurde bisher hauptsächlich aus eurozentrischer Perspektive interpretiert. Ein postkolonialer Blick hingegen eröffnet neue Lesarten für die Deutung seiner Arbeit. Lianhua He untersucht mit diesem Ansatz die implizite Geschichtsphilosophie in den Theaterstücken und dem lyrischen Werk Heiner Müllers. Anhand ausgewählter Texte analysiert sie die literarischen Vorlagen und deren Bearbeitung, und zeigt, inwiefern sich seine Geschichtsphilosophie auch in der Textstruktur und den intertextuellen Bezügen seines gesamten Werks nachweisen lässt.

     
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