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  1. The Making of Barbarians :
    Chinese Literature and Multilingual Asia /
    Published: [2022]; ©2022
    Publisher:  Princeton University Press,, Princeton, NJ :

    A groundbreaking account of translation and identity in the Chinese literary tradition before 1850-with important ramifications for todayDebates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    A groundbreaking account of translation and identity in the Chinese literary tradition before 1850-with important ramifications for todayDebates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The Making of Barbarians offers an account of world literature in which China, as center, produces its own margins. Here Sinologist and comparatist Haun Saussy investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West.When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, Saussy focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it.The Making of Barbarians looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. The book explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners-Europeans-appeared on the horizon.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9780691231969
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: Princeton University Press Complete eBook-Package 2022; De Gruyter
    Series: Translation/Transnation ; ; 49
    Subjects: Chinese literature; Chinese literature; Chinese literature; European literature; LITERARY CRITICISM / Asian / Chinese.
    Other subjects: Absurdity.; Aesthetic Theory.; Alien language.; An Lushan Rebellion.; Analects.; Anyang.; Apprenticeship.; Archaeology.; Archaism.; Barbarian.; Barbarism (linguistics).; Behavior.; Buddhism.; Central Asia.; Chinese characters.; Chinese culture.; Collecting.; Confucianism.; Conspiracy theory.; Critical theory.; Criticism.; Cultural assimilation.; Cultural imperialism.; Customer.; Dissociative identity disorder.; Du Fu.; Editing.; Epithet.; Ethnocentrism.; Ethnography.; Foreign language.; Gansu.; Goguryeo.; Grammar.; Guan Yu.; Han Yu.; Hermeneutics.; Historiography.; Hunan.; Ideology.; Import.; Ji Yun.; Jurchen people.; Linguistic imperialism.; Literature.; Manchuria.; Mencius.; Military campaign.; Military dictatorship.; Mongols.; Nigerians.; North-South divide.; Oirats.; Peire Vidal.; Poetry.; Polemic.; Precedent.; Prejudice.; Pronunciation.; Quotation mark.; Regulation.; Repurposing.; Requirement.; Reverse migration (birds).; Rite.; Sachet.; Sanskrit.; Scarcity.; Second World.; Shiben.; Shortage.; Sinicization.; Snob.; Su Shi.; Subsidy.; Tax.; Teleology.; The Opposite Direction.; Thought.; Tocharians.; Transculturation.; Turkic languages.; Turncoat.; Tuyuhun.; Uyghur language.; Uyghurs.; Vernacular.; Vocabulary.; Wang Chong.; World language.; World literature.; World.; Writing.; Written Chinese.; Xinjiang.; Xiongnu.; Yamen.; Yang Guozhong.; Yongzhou.; Yuezhi.
    Scope: 1 online resource (192 p.) :, 4 b/w illus.
  2. The Aesthetic Cold War :
    Decolonization and Global Literature /
    Published: [2022]; ©2022
    Publisher:  Princeton University Press,, Princeton, NJ :

    How decolonization and the cold war influenced literature from Africa, Asia, and the CaribbeanHow did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various... more

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    How decolonization and the cold war influenced literature from Africa, Asia, and the CaribbeanHow did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean-such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka-carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work.Kalliney looks at how the United States and Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9780691230641
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: Princeton University Press Complete eBook-Package 2022; De Gruyter
    RVK Categories: HP 1125
    Subjects: Cold War; Decolonization in literature.; LITERARY CRITICISM / Comparative Literature.
    Other subjects: Aesthetic Theory.; Aggravation (law).; Aleksandr Solzhenitsyn.; American imperialism.; Anti-imperialism.; Antithesis.; Apocalyptic and post-apocalyptic fiction.; Authoritarianism.; Bildungsroman.; Blacklisting.; C. P. Snow.; Censorship.; Chinua Achebe.; Claudia Jones.; Closet drama.; Cold War espionage.; Cold War.; Colonialism.; Communism.; Communist propaganda.; Comrade.; Country risk.; Criticism.; Critique.; Cultural diplomacy.; Cultural imperialism.; Darkness at Noon.; Decolonising the Mind.; Decolonization.; Denunciation.; Deportation.; Dissident.; E. M. Forster.; Essay.; Feudalism.; Fiction.; Harold Pinter.; Heinrich Mann.; Historical fiction.; Hostility.; Ideology.; Imperialism.; Imprisonment.; Isolationism.; Jingoism.; Karl Marx.; Kenneth Tynan.; Left Book Club.; MI5.; Manifesto.; Marxism.; Militant (Trotskyist group).; Misery (novel).; Modernism.; Narrative.; Nativism (politics).; Nazism.; Nigerian Civil War.; Négritude.; Okot p'Bitek.; On the Cult of Personality and Its Consequences.; Oppression.; Parody.; Persecution.; Philosophical fiction.; Poetry.; Politics.; Postmodernism.; Prisoner of conscience.; Proxy war.; Racial segregation.; Racism in the United States.; Racism.; Radicalism (historical).; Romanticism.; Savage Inequalities.; Science fiction.; Separatism.; Socialist realism.; Soviet Union.; Spy fiction.; Stalinism.; Subversion.; The Black Jacobins.; The Counterfeiters (novel).; The God that Failed.; The Origins of Totalitarianism.; The Other Hand.; The Realist.; The Wretched of the Earth.; Totalitarianism.; Trotskyism.; V.; Wai Chee Dimock.; War effort.; War.; Warfare.; Wole Soyinka.; World War II.; Writing.
    Scope: 1 online resource (336 p.) :, 25 b/w illus.
  3. Meaning and reading :
    a philosophical essay on language and literature /
    Published: 1983.
    Publisher:  J. Benjamins,, Amsterdam ;

    According to the traditional view, meaning presents itself under the form of some kind of identity. To give the meaning of a sentence amounts to being capable of producing some substitute based on the identity of the terms of the sentence. Is then... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    According to the traditional view, meaning presents itself under the form of some kind of identity. To give the meaning of a sentence amounts to being capable of producing some substitute based on the identity of the terms of the sentence. Is then the meaning of a book, or of any text, the capacity of rewriting it? Instead of retaining a double-standard theory of meaning, one for sentences and another for texts, that would allow for an ad hoc gap, the author provides a unified conception, called the question view of language he has developed, known as problematology. He pursues a

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-283-35949-9; 9786613359490; 90-272-8035-5
    Edition: 1st ed.
    Series: Pragmatics & beyond, ; 4:3
    Subjects: Semantics.; Discourse analysis, Literary.; Literature; Rhetoric.; Ideology.; Hermeneutics.
    Scope: 1 online resource (186 p.)
    Notes:

    Description based upon print version of record.

    Bibliography: p. [173]-176.

    MEANING AND READING A Philosophical Essay on Language and Literature; Editorial page; Title page; Copyright page; Table of contents; Acknowledgements; 0. INTRODUCTION; 1. THE CLASSICAL CONCEPTION OF MEANING AND ITS SHORTCOMINGS; 1.1. Meaning in a literary setting; 1.2. The arguments for the defense; 1.3. More about the propositional theory of language and its semantic consequences: the Xerox theory of meaning; 1.4. Context matters; 2. TOWARD AN INTEGRATED THEORY OF MEANING; 2.1. The question of the validity of the substitution view; 2.2. The problematological view of language

    2.3. The problematological theory of reference2.3.4. Reference and its mention; 2.4. Reference and meaning; 2.5. From substitutions to questions; 2.6. Is meaning really substitutional?; 2.7. Conclusion; 3. THE RHETORIC OF TEXTUALITY; 3.1. Textual meaning is rhetorical; 3.2. Rhetoric and argumentation; 3.3. Why should rhetoric (argumentation) be problematologically conceptualized?; 3.4. Literary versus non-literary discourse; 3.5. What is literature; 4. IDEAS AND IDEOLOGY; 4.1. The nature of ideas; 4.2. Ideas and questions in Plato's theory; 4.3. Ideas and political ideologies

    4.4. The logic of ideology5. THE NATURE OF LITERARINESS; 5.1. Ideas and textuality; 5.2. Literature and political ideology; 5.3. The dialectics of fiction; 5.4. Fiction and reality; 5.5. Literary forms as means of materializing the problematological difference; 5.6. The birth of the novel: Don Quixote as an illustration; 5.7. Conclusion; 6.THE INTERPRETATIVE PROCE; 6.1.Beyond traditions and omissions; 6.2. Answerhood as meaning; 6.3. The hermeneutic question and its answer; 6.4. Textuality as the meeting point of poetics and hermeneutics

    6.5. Where do we find the questions answered by a text?6.6. Textual dialectics; FOOTNOTES; NOTES; REFERENCES

  4. Exploring the fantastic
    genre, ideology, and popular culture
    Contributor: Batzke, Ina (HerausgeberIn); Erbacher, Eric C. (HerausgeberIn); Hess, Linda M. (HerausgeberIn); Lenhardt, Corinna (HerausgeberIn)
    Published: [2018]; ©2018
    Publisher:  transcript-Verlag, Bielefeld

    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this... more

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    Universität Potsdam, Universitätsbibliothek
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    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Batzke, Ina (HerausgeberIn); Erbacher, Eric C. (HerausgeberIn); Hess, Linda M. (HerausgeberIn); Lenhardt, Corinna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839440278
    Other identifier:
    RVK Categories: AP 53900 ; EC 3950 ; EC 6805 ; HG 439 ; HR 1712
    Series: Lettre
    Subjects: American Studies.; Cultural Studies.; Fantastic.; General Literature Studies.; Genre.; Ideology.; Literary Studies.; Literature.; Media.; Textual Material.
    Scope: 1 Online-Ressource (297 Seiten)
    Notes:

    Batzke, Ina / Erbacher, Eric / Hess, Linda / Lenhardt, Corinna --: Frontmatter -- ; Contents -- ; Introduction

    Scott, Daniel --: GENRE -- ; Belief, Potentiality, and the Supernatural: Mapping the Fantastic

    Botting, Fred --: Fantasy without Fantasy: Politics, Genre, and Media in the Fiction of M. John Harrison

    Golovacheva, Irina --: Is the Fantastic Really Fantastic?

    Lai, Larissa --: Insurgent Utopias: How to Recognize the Knock at the Door

    Gregori, Alfons --: IDEOLOGY -- ; Crossing Impossible Boundaries? Fantastic Narrative and Ideology

    Allatt, Brandy Eileen --: Questioning Mononormativity: A Future of Fantastic Scholarship in Liminal Identities

    Pundt, Johanna --: Organic Fantasy and the Alien Archetype in Nnedi Okorafor’s Lagoon

    Giebel, Michael --: Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz’ The Brief Wondrous Life of Oscar Wao

    Faber, Sarah --: POPULAR CULTURE -- ; Flights of Fancy, Secondary Worlds and Blank Slates: Relations between the Fantastic and the Real

    Gerhard, Atalie --: Creepypastas: How Counterterrorist Fantasies (Re-)Create Horror Traditions for Today’s Digital Communities

    Leonzini, Alexandra --: “All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age

  5. Exploring the fantastic
    genre, ideology, and popular culture
    Contributor: Batzke, Ina (HerausgeberIn); Erbacher, Eric C. (HerausgeberIn); Hess, Linda M. (HerausgeberIn); Lenhardt, Corinna (HerausgeberIn)
    Published: [2018]; ©2018
    Publisher:  transcript-Verlag, Bielefeld

    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this... more

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    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Batzke, Ina (HerausgeberIn); Erbacher, Eric C. (HerausgeberIn); Hess, Linda M. (HerausgeberIn); Lenhardt, Corinna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839440278
    Other identifier:
    RVK Categories: AP 53900 ; EC 3950 ; EC 6805 ; HG 439 ; HR 1712
    Series: Lettre
    Subjects: American Studies.; Cultural Studies.; Fantastic.; General Literature Studies.; Genre.; Ideology.; Literary Studies.; Literature.; Media.; Textual Material.
    Scope: 1 Online-Ressource (297 Seiten)
    Notes:

    Batzke, Ina / Erbacher, Eric / Hess, Linda / Lenhardt, Corinna --: Frontmatter -- ; Contents -- ; Introduction

    Scott, Daniel --: GENRE -- ; Belief, Potentiality, and the Supernatural: Mapping the Fantastic

    Botting, Fred --: Fantasy without Fantasy: Politics, Genre, and Media in the Fiction of M. John Harrison

    Golovacheva, Irina --: Is the Fantastic Really Fantastic?

    Lai, Larissa --: Insurgent Utopias: How to Recognize the Knock at the Door

    Gregori, Alfons --: IDEOLOGY -- ; Crossing Impossible Boundaries? Fantastic Narrative and Ideology

    Allatt, Brandy Eileen --: Questioning Mononormativity: A Future of Fantastic Scholarship in Liminal Identities

    Pundt, Johanna --: Organic Fantasy and the Alien Archetype in Nnedi Okorafor’s Lagoon

    Giebel, Michael --: Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz’ The Brief Wondrous Life of Oscar Wao

    Faber, Sarah --: POPULAR CULTURE -- ; Flights of Fancy, Secondary Worlds and Blank Slates: Relations between the Fantastic and the Real

    Gerhard, Atalie --: Creepypastas: How Counterterrorist Fantasies (Re-)Create Horror Traditions for Today’s Digital Communities

    Leonzini, Alexandra --: “All the Better to Eat You With”: The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age

  6. Meaning and reading
    a philosophical essay on language and literature /
    Published: 1983.
    Publisher:  J. Benjamins,, Amsterdam ;

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Media type: Book
    Format: Online
    Series: Pragmatics & beyond, ; 4:3
    Subjects: Semantics.; Discourse analysis, Literary.; Literature; Rhetoric.; Ideology.; Hermeneutics.
    Scope: viii, 176 p.
    Notes:

    Bibliography: p. [173]-176.

  7. Preußische Phantasmen :
    Imaginationen nationaler Identität in der deutschen Literatur des 20. und 21. Jahrhunderts /
    Published: [2021]; ©2021
    Publisher:  transcript Verlag,, Bielefeld :

    Spätestens seit Germaine de Staëls Diktum von Preußens militärisch-philosophischem »Januskopf« ist Preußen eine Projektionsfläche für die unterschiedlichsten Fiktionen nationaler Identität. Das preußische Phantasma setzt sich aus einem Gewirr von... more

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    Spätestens seit Germaine de Staëls Diktum von Preußens militärisch-philosophischem »Januskopf« ist Preußen eine Projektionsfläche für die unterschiedlichsten Fiktionen nationaler Identität. Das preußische Phantasma setzt sich aus einem Gewirr von Motiven und Narrativen zusammen, die sich verschieben und verzweigen, kombiniert und neuinszeniert werden. Hannelore Roth verfolgt die diskursive Vielfalt dieses Phänomens im 20. und 21. Jahrhundert. Anhand von bekannten und weniger bekannten Texten sowie der Debatte um das Berliner Schloss erkundet sie die performativen Strategien, mittels derer die Illusion einer geschlossenen Identität konstruiert wird und zugleich untergraben werden kann.

     

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  8. Material inscriptions :
    rhetorical reading in practice and theory /
    Published: 2013.
    Publisher:  Edinburgh University Press,, Edinburgh :

    This monograph provides readings of literary and philosophical texts that work through the rhetoric of tropes to the material inscription at the origin of these texts. The book focuses on the practice and pedagogical value of rhetorical reading. Its... more

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    This monograph provides readings of literary and philosophical texts that work through the rhetoric of tropes to the material inscription at the origin of these texts. The book focuses on the practice and pedagogical value of rhetorical reading. Its readings follow an itinerary from poetic texts (such as those by Wordsworth and Keats) through theoretical or philosophical texts (by Descartes and Nietzsche) to narrative fiction (by Henry James). The book also contains two essays on Paul de Man and literary theory and an interview on the topic of 'Deconstruction at Yale.' All three of these latter texts are explicitly about the inescapable function and importance of the rhetoric of tropes for any critical reading or literary study worthy of the name.

     

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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9780748681235 (ebook)
    Subjects: Rhetoric.; Philosophy.; Ideology.
    Scope: 1 online resource (xiii, 234 pages) :, digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015).

    Facing Language: Wordsworth's First Poetic Spirits ('Blest Babe, ' 'Drowned Man, ' 'Blind Beggar') -- Aesthetic Ideology and Material Inscription: On Hegel's Aesthetics and Keats's Urn -- Spectre Shapes: 'The Body of Descartes?' -- Reading for Example: A Metaphor in Nietzsche's Birth of Tragedy -- Towards a Fabulous Reading: Nietzsche's 'On Truth and Lie in the Extra-moral Sense' -- Reading Over Endless Histories: Henry James's 'The Altar of the Dead' -- Ending Up / Taking Back (with two postscripts on Paul de Man's historical materialism) -- The Future Past of Literary Theory.

  9. Ideology, rhetoric, aesthetics :
    for De Man /
    Published: 2013.
    Publisher:  Edinburgh University Press,, Edinburgh :

    This volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man’s work in all its rigour - and hence also the aesthetic theory of Kant,... more

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    This volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man’s work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel - the book goes on to uncover a ‘material moment’ in Hegel’s Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man’s critical reading of Heidegger on the example of Hölderlin — a moment essential for de Man’s shifts to the question of rhetoric and then to the question of ideology — and ends with a reading of Derrida’s ‘last’ text on de Man and its uncanny self-inscription in Rousseau’s episode of the stolen ribbon.

     

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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9780748681273 (ebook)
    Subjects: Ideology.; Rhetoric.; Aesthetics.
    Scope: 1 online resource (xiii, 222 pages) :, digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015).

    Part I. Aesthetic Ideology. Allegories of Reference: An Introduction to Aesthetic Ideology ; 'As the poets do it': On the Material Sublime ; Returns of the Sublime: Positing and Performative in Kant, Fichte, and Schiller ; Lightstruck: Hegel on the Sublime. -- Part II. Hegel/Marx. Hegel/Marx: Consciousness and Life ; Man and Self-consciousness: Kojève, Romantic Ironist ; Next Steps: Lukács, Jameson, Post-Dialectics. -- Part III. Heidegger/Derrida. Monstrous History: Heidegger Reading Hölderlin ; Discontinuous Shifts: History Reading History ; Machinal Effects: Derrida With and Without de Man.

  10. Meaning and reading :
    a philosophical essay on language and literature /
    Published: 1983.
    Publisher:  J. Benjamins,, Amsterdam ;

    According to the traditional view, meaning presents itself under the form of some kind of identity. To give the meaning of a sentence amounts to being capable of producing some substitute based on the identity of the terms of the sentence. Is then... more

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    According to the traditional view, meaning presents itself under the form of some kind of identity. To give the meaning of a sentence amounts to being capable of producing some substitute based on the identity of the terms of the sentence. Is then the meaning of a book, or of any text, the capacity of rewriting it? Instead of retaining a double-standard theory of meaning, one for sentences and another for texts, that would allow for an ad hoc gap, the author provides a unified conception, called the question view of language he has developed, known as problematology. He pursues a

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-283-35949-9; 9786613359490; 90-272-8035-5
    Edition: 1st ed.
    Series: Pragmatics & beyond, ; 4:3
    Subjects: Semantics.; Discourse analysis, Literary.; Literature; Rhetoric.; Ideology.; Hermeneutics.
    Scope: 1 online resource (186 p.)
    Notes:

    Description based upon print version of record.

    Bibliography: p. [173]-176.

    MEANING AND READING A Philosophical Essay on Language and Literature; Editorial page; Title page; Copyright page; Table of contents; Acknowledgements; 0. INTRODUCTION; 1. THE CLASSICAL CONCEPTION OF MEANING AND ITS SHORTCOMINGS; 1.1. Meaning in a literary setting; 1.2. The arguments for the defense; 1.3. More about the propositional theory of language and its semantic consequences: the Xerox theory of meaning; 1.4. Context matters; 2. TOWARD AN INTEGRATED THEORY OF MEANING; 2.1. The question of the validity of the substitution view; 2.2. The problematological view of language

    2.3. The problematological theory of reference2.3.4. Reference and its mention; 2.4. Reference and meaning; 2.5. From substitutions to questions; 2.6. Is meaning really substitutional?; 2.7. Conclusion; 3. THE RHETORIC OF TEXTUALITY; 3.1. Textual meaning is rhetorical; 3.2. Rhetoric and argumentation; 3.3. Why should rhetoric (argumentation) be problematologically conceptualized?; 3.4. Literary versus non-literary discourse; 3.5. What is literature; 4. IDEAS AND IDEOLOGY; 4.1. The nature of ideas; 4.2. Ideas and questions in Plato's theory; 4.3. Ideas and political ideologies

    4.4. The logic of ideology5. THE NATURE OF LITERARINESS; 5.1. Ideas and textuality; 5.2. Literature and political ideology; 5.3. The dialectics of fiction; 5.4. Fiction and reality; 5.5. Literary forms as means of materializing the problematological difference; 5.6. The birth of the novel: Don Quixote as an illustration; 5.7. Conclusion; 6.THE INTERPRETATIVE PROCE; 6.1.Beyond traditions and omissions; 6.2. Answerhood as meaning; 6.3. The hermeneutic question and its answer; 6.4. Textuality as the meeting point of poetics and hermeneutics

    6.5. Where do we find the questions answered by a text?6.6. Textual dialectics; FOOTNOTES; NOTES; REFERENCES

  11. The Lives of Literature :
    Reading, Teaching, Knowing /
    Published: [2022]; ©2021
    Publisher:  Princeton University Press,, Princeton, NJ :

    Mixing passion and humor, a personal work of literary criticism that demonstrates how the greatest books illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature... more

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    Mixing passion and humor, a personal work of literary criticism that demonstrates how the greatest books illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691232324
    Other identifier:
    Subjects: Best books.; Characters and characteristics in literature.; Literature; Self in literature.; LITERARY CRITICISM / General.
    Other subjects: A Book Of.; Alliteration.; Antihero.; Author.; Blood sugar.; Career.; Cause and Effect (Numbers).; Chutzpah.; Classroom.; Close-up.; Coercion.; Colonialism.; Comparative literature.; Correction (novel).; Creative writing.; Credential.; Death poem.; Electric power system.; Emily Dickinson.; En route (novel).; English literature.; Epistemology.; Essay.; Ethos.; Everyday life.; Fiction.; French literature.; Genre.; Geographer.; Grant writing.; Grunt Work.; Guideline.; Heathcliff (Wuthering Heights).; Hotel.; Human Desire.; Humanities.; Ideology.; Imagery.; Intersectionality.; James Merrill.; Jocasta.; John Barth.; Journalism.; Juncture.; Lecture.; Liberal education.; Literary criticism.; Literature.; Louis Althusser.; Madame Bovary.; Misery (novel).; Molloy (novel).; Narrative.; Newspaper.; Newsprint.; Novelist.; Only Words (book).; Pedagogy.; Pen name.; Philosopher.; Picaresque novel.; Playwright.; Poet.; Poetry.; Prose poetry.; Prose.; Rant (novel).; Realia (education).; Recitation.; Respondent.; S. (Dorst novel).; Samuel Beckett.; Saving.; Seminar.; Slavery.; Soliloquy.; Sonnet.; Sophocles.; Spelling.; Standardized test.; Storytelling.; Subtraction.; Sympathy.; Text display.; The Actual (novel).; The Chronicle of Higher Education.; The Newspaper.; The Suspicion (Animorphs).; Thesis.; Treatise.; Urban studies.; Utterance.; Vetting.; William Faulkner.; Wisdom literature.; Wound.; Writer's block.; Writer.; Writing center.; Writing.
    Scope: 1 online resource (352 p.) :, 3 b/w illus.
  12. Ideology, Rhetoric, Aesthetics :
    For de Man /
    Published: [2022]; ©2013
    Publisher:  Edinburgh University Press,, Edinburgh :

    Readings of de Man’s critique of aesthetic ideology and the strange ‘materiality’ that emerges from itThis volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical... more

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    Readings of de Man’s critique of aesthetic ideology and the strange ‘materiality’ that emerges from itThis volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man’s work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a ‘material moment’ in Hegel’s Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man’s critical reading of Heidegger on the example of Hölderlin—a moment essential for de Man’s shifts to the question of rhetoric and then to the question of ideology—and ends with a reading of Derrida’s ‘last’ text on de Man and its uncanny self-inscription in Rousseau’s episode of the stolen ribbon.Key Features:Rigorous explications of Paul de Man’s late work on aesthetic ideology and the politicalNew readings of Kant, Schiller, and Hegel that extend de Man’s projectDemonstrates how a certain already ‘Marxian’ self-undoing of Hegelian dialectics leaves traces in Kojève and in Marxists like Lukács and Jameson Presents accounts of disagreements and altercations between de Man and Heidegger and de Man and Derrida

     

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    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748681273
    Other identifier:
    RVK Categories: EC 1730
    Series: The Frontiers of Theory : FRTH
    Subjects: Aesthetics.; Ideology.; Rhetoric.; Literary Studies.; LITERARY CRITICISM / General.
    Scope: 1 online resource (240 p.)
  13. Science Studies. Neurowissenschaften in der Kritik :
    Positionierungen im ökonomisierten Wissenschaftssystem /
    Published: [2023]; ©2023
    Publisher:  transcript Verlag,, Bielefeld :

    Neurowissenschaftliche Forschung war und ist Gegenstand vielfältiger Kritik. Neben impliziten philosophischen und gesellschaftstheoretischen Grundannahmen werden auch methodologische Ansätze problematisiert. Eileen Wengemuth bietet hierzu eine... more

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    Neurowissenschaftliche Forschung war und ist Gegenstand vielfältiger Kritik. Neben impliziten philosophischen und gesellschaftstheoretischen Grundannahmen werden auch methodologische Ansätze problematisiert. Eileen Wengemuth bietet hierzu eine verständliche Zusammenfassung, ordnet die verschiedenen Kritikpunkte systematisch ein und geht der Frage nach, was Neurowissenschaftler*innen selbst am Fach kritisieren und wie sie sich zu verschiedenen Kritikpunkten positionieren. Darüber hinaus legt sie dar, wie fachinterne Auseinandersetzungen innerhalb der Neurowissenschaften durch die Rahmenbedingungen ökonomisierter Wissenschaft sowie durch unterschiedliche Wissenschaftsverständnisse vermittelt sind.

     

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  14. Exploring the Fantastic
    Genre, Ideology, and Popular Culture
    Contributor: Batzke, Ina (editor); Erbacher, Eric C. (editor); Heß, Linda M. (editor); Lenhardt, Corinna (editor)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this... more

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    The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings. »Durch die Kombination von theoretischen und literaturkritischen Beiträgen bietet der Band einen Einblick in die sehr heterogenen Perspektiven auf aktuelle Fantasy und regt auf diese Weise zum Weiterdenken an.« Thomas Bitterlich, Jahrbuch der GKJF (2019) »Das Buch ist vor allem deswegen lesenswert, weil die Autoren aus so vielen verschiedenen Ländern stammen und weil sie sich zu einem großen Teil mit Werken und Themen befassen, über die anderswo kaum etwas zu lesen ist.« Franz Rottensteiner, Quarber Merkur, 119 (2019)

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Batzke, Ina (editor); Erbacher, Eric C. (editor); Heß, Linda M. (editor); Lenhardt, Corinna (editor)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3-8394-4027-0
    Other identifier:
    Edition: 1st ed.
    Series: Lettre
    Subjects: Popular Culture; Genre; Fantastic; Ideology; Media; Textual Material; Literature; General Literature Studies; Literary Studies; American Studies; Cultural Studies;
    Other subjects: American Studies.; Cultural Studies.; Fantastic.; General Literature Studies.; Genre.; Ideology.; Literary Studies.; Literature.; Media.; Textual Material.
    Scope: 1 online resource (301 pages).
    Notes:

    Issued also in print.

    Frontmatter 1 Contents 5 Introduction 7 Belief, Potentiality, and the Supernatural: Mapping the Fantastic 17 Fantasy without Fantasy: Politics, Genre, and Media in the Fiction of M. John Harrison 37 Is the Fantastic Really Fantastic? 61 Insurgent Utopias: How to Recognize the Knock at the Door 91 Crossing Impossible Boundaries? Fantastic Narrative and Ideology 117 Questioning Mononormativity: A Future of Fantastic Scholarship in Liminal Identities 141 Organic Fantasy and the Alien Archetype in Nnedi Okorafor's Lagoon 165 Latino/a Magical Realism and American Superhero Fiction as Constitutive Agents in the Negotiation of Dominican-American Identity in Junot Díaz' The Brief Wondrous Life of Oscar Wao 189 Flights of Fancy, Secondary Worlds and Blank Slates: Relations between the Fantastic and the Real 213 Creepypastas: How Counterterrorist Fantasies (Re-)Create Horror Traditions for Today's Digital Communities 239 "All the Better to Eat You With": The Eroticization of the Werewolf and the Rise of Monster Porn in the Digital Age 269 About the Authors 295

  15. Ruthless Democracy :
    A Multicultural Interpretation of the American Renaissance /
    Published: [2021]; ©2000
    Publisher:  Princeton University Press,, Princeton, NJ :

    In Ruthless Democracy, Timothy Powell reimagines the canonical origins of "American" identity by juxtaposing authors such as Hawthorne, Melville, and Thoreau with Native American, African American, and women authors. Taking his title from Melville,... more

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    In Ruthless Democracy, Timothy Powell reimagines the canonical origins of "American" identity by juxtaposing authors such as Hawthorne, Melville, and Thoreau with Native American, African American, and women authors. Taking his title from Melville, Powell identifies an unresolvable conflict between America's multicultural history and its violent will to monoculturalism. Powell challenges existing perceptions of the American Renaissance--the period at the heart of the American canon and its evolutions--by expanding the parameters of American identity. Drawing on the critical traditions of cultural studies and new historicism, Powell invents a new critical paradigm called "historical multiculturalism." Moving beyond the polarizing rhetoric of the culture wars, Powell grounds his multicultural conception of American identity in careful historical analysis. Ruthless Democracy extends the cultural and geographical boundaries of the American Renaissance beyond the northeast to Indian Territory, Alta California, and the transnational sphere that Powell calls the American Diaspora. Arguing for the inclusion of new works, Powell envisions the canon of the American Renaissance as a fluid dialogue of disparate cultural voices.

     

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  16. The African Novel of Ideas :
    Philosophy and Individualism in the Age of Global Writing /
    Published: [2021]; ©2021
    Publisher:  Princeton University Press,, Princeton, NJ :

    An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuriesThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the... more

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    An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuriesThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature.Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought.The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691212401
    Other identifier:
    Subjects: African fiction (English); African fiction (English); Philosophy in literature.; Thought and thinking in literature.; LITERARY CRITICISM / Comparative Literature.
    Other subjects: African literature.; African philosophy.; Age of Enlightenment.; Ambivalence.; Americanah.; Assassination.; Author.; Bildung.; Career.; Chinua Achebe.; Civility.; Colonialism.; Comparative literature.; Cosmopolitanism.; Criticism.; Critique.; Cross-cultural.; Dambudzo Marechera.; Death and the King's Horseman.; Decolonization.; Determination.; Digression.; Duke University.; Dynamism (metaphysics).; Edward Said.; Elleke Boehmer.; Epistemology.; Explanation.; First principle.; Genre fiction.; Ghostwritten.; Harare.; His Family.; Historical fiction.; Historiography.; Ideology.; Imperialism.; Inception.; Individualism.; Individuation.; Institution.; Intellectual history.; J. E. Casely Hayford.; Kwame Gyekye.; Liberalism.; Literary criticism.; Literary fiction.; Literature.; Lobengula.; Mathematician.; Modernity.; Mukherjee.; Nadine Gordimer.; Nancy Armstrong.; Narrative.; New York University.; Novel.; Novelist.; Orality.; Pennsylvania State University.; Personhood.; Philosopher.; Philosophical fiction.; Philosophy.; Political philosophy.; Politics.; Post-structuralism.; Poverty porn.; Publishing.; Queen Mary University of London.; Racism.; Radicalism (historical).; Rationality.; Reason.; Religion.; Robert Mugabe.; Self-actualization.; Sensibility.; Sibling.; Spirituality.; Stanford University.; Structuring.; Subjectivity.; Suggestion.; Suicide by hanging.; Suicide.; The Other Hand.; Theory.; Things Fall Apart.; Thought.; Trade-off.; Treatise.; Truism.; Uganda.; University of Bristol.; University of Cape Town.; University of Houston.; Writer.; Writing.; Zimbabwe.
    Scope: 1 online resource (232 p.)
  17. Others /
    Published: [2021]; ©2002
    Publisher:  Princeton University Press,, Princeton, NJ :

    This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony... more

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    This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the ''wholly other'' within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness. Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend, Conrad's ''The Secret Sharer,'' Yeats's ''Cold Heaven,'' or Proust's Remembrance of Things Past. Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title--Others--indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End. We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness. Each testifies in its own way to the richness and tangible weight of an otherness close at hand.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691224053
    Other identifier:
    Subjects: Criticism; Difference (Psychology) in literature.; European fiction; LITERARY CRITICISM / Semiotics & Theory.
    Other subjects: Absurdity.; Allegory.; Allusion.; Analogy.; Anthony Trollope.; Anthropomorphism.; Aphorism.; Aporia.; Appropriation (art).; Assonance.; Autobiography.; Catachresis.; Charles Dickens.; Concept.; Consciousness.; Criticism.; Determination.; Dichotomy.; Dizziness.; E. M. Forster.; Edmund Husserl.; Emblem.; Essay.; Feeling.; Fiction.; Genre.; George Eliot.; Harold Bloom.; Howards End.; Idealism.; Ideology.; Immanuel Kant.; Instant.; Irony.; J. L. Austin.; Jacques Derrida.; Joseph Conrad.; Kurtz (Heart of Darkness).; Lesbian.; Literary theory.; Literature.; Louis Althusser.; Marcel Proust.; Messianism.; Metaphor.; Michael Sprinker.; Mrs.; My Neighbor.; Narration.; Narrative.; Novel.; Novelist.; Obscenity.; Oedipus the King.; On Truth.; Otherness (book).; Our Mutual Friend.; Oxford University Press.; Oxymoron.; Pamphlet.; Paragraph.; Paul de Man.; Performative utterance.; Perjury.; Philosopher.; Philosophy.; Poetry.; Prose.; Prosopopoeia.; Pun.; Racism.; Rhetoric.; Rhyme.; Roland Barthes.; Romanticism.; Specters of Marx.; Speech act.; Stupidity.; Subjectivity.; Suffering.; Suggestion.; Synecdoche.; Søren Kierkegaard.; The Other Hand.; The Resistance to Theory.; The Secret Sharer.; The Various.; Theory.; Thought.; Trollope.; Uncertainty.; University of Minnesota Press.; Verisimilitude (fiction).; Victorian literature.; W. B. Yeats.; Wallace Stevens.; Walter Benjamin.; Werner Hamacher.; Wissenschaft.; Writing.
    Scope: 1 online resource (297 p.)
  18. Rich and Strange :
    Gender, History, Modernism /
    Published: [2022]; ©1992
    Publisher:  Princeton University Press,, Princeton, NJ :

    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative... more

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    Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820580
    Other identifier:
    Subjects: American fiction; Authorship; English fiction; Modernism (Literature); Sex role in literature.; LITERARY CRITICISM / Women Authors.
    Other subjects: Adjective.; Allusion.; Ambiguity.; Ambivalence.; Anti-Oedipus.; Awakenings.; Black people.; Bourgeoisie.; Carelessness.; Castration.; Classicism.; Conflation.; Counterstereotype.; Cowardice.; Cynicism (contemporary).; Cynicism (philosophy).; Deconstruction.; Deleuze and Guattari.; Denial (poem).; Desiring-production.; Dialectic.; Digression.; Disgust.; Duress.; Embarrassment.; Emblem.; Eroticism.; Fatalism.; Femininity.; Feminism (international relations).; Feminism.; Genre.; Gertrude Stein.; Gloom.; Greatness.; Hatred.; Ideology.; Imagery.; Imperialism.; Indication (medicine).; Infanticide.; Irony.; Jacques Derrida.; John Barth.; Joseph Conrad.; Kurtz (Heart of Darkness).; Laziness.; Leveling (philosophy).; Liminality.; Literature.; Loneliness.; Lord Jim.; Luce Irigaray.; Macabre.; Masculinity.; Meanness.; Memoir.; Metonymy.; Misogyny.; Modernism.; Mr.; Mrs.; Narrative.; New Criticism.; Novel.; Novelist.; Oppression.; Patusan.; Pity.; Plotinus.; Poetry.; Postmodernism.; Promiscuity.; Race (human categorization).; Racism.; Result.; Reterritorialization.; Self-destructive behavior.; Selfishness.; Sexual inhibition.; Simile.; Sister Carrie.; Stanza.; Stupidity.; Subjectivity.; Suggestion.; Superiority (short story).; Sympathy.; T. S. Eliot.; Tender Buttons (book).; Terence.; The Other Hand.; The Voyage Out.; Think of the children.; Thought.; Undoing (psychology).; Upper middle class.; Western culture.; Woolf.; Writing.
    Scope: 1 online resource (257 p.)
  19. Kultur in Stücken :
    Barthes, Brecht, Artaud /
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag,, Bielefeld :

    Die Erschütterungen neuzeitlicher Gewissheitsordnungen haben das menschliche Selbst- und Weltverständnis in eine tiefe Krise gestürzt. Darauf antworten Bertolt Brecht und Antonin Artaud wie auch ihr Rezipient Roland Barthes mit einem Theater des... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Die Erschütterungen neuzeitlicher Gewissheitsordnungen haben das menschliche Selbst- und Weltverständnis in eine tiefe Krise gestürzt. Darauf antworten Bertolt Brecht und Antonin Artaud wie auch ihr Rezipient Roland Barthes mit einem Theater des Nichtverstehens - sowohl auf der Bühne wie auch im Text. Dieses Theater zeigt, dass Kultur in erster Linie ein ästhetisches System und daher immer ein riskanter Prozess ist. Melanie Reichert überführt die drei bisher vor allem literatur- und kunstwissenschaftlich gelesenen Autoren in einen kulturphilosophischen Diskurs. Dabei deckt sie verborgene Synergien zwischen ihnen auf und macht diese für gegenwärtige kulturkritische Fragestellungen fruchtbar.

     

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  20. Hitlers Fotograf :
    Heinrich Hoffmann und die nationalsozialistische Bildpolitik /
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag,, Bielefeld :

    Propaganda-Bildbände waren ein konstitutiver Teil der nationalsozialistischen (Bild-)Politik, die maßgeblich von einem Mann beeinflusst wurde: Heinrich Hoffmann. Der Fotografie-Unternehmer vermarktete weltweit nationalsozialistische Bilder mit Adolf... more

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    Propaganda-Bildbände waren ein konstitutiver Teil der nationalsozialistischen (Bild-)Politik, die maßgeblich von einem Mann beeinflusst wurde: Heinrich Hoffmann. Der Fotografie-Unternehmer vermarktete weltweit nationalsozialistische Bilder mit Adolf Hitler als wiederkehrendes, wenn auch nicht alleiniges Motiv. Christina Irrgangs Medienanalyse unterzieht seiner zugrunde liegenden Bildstrategie einer kritischen Revision und deckt an ausgewählten Beispielen Mechanismen auf, die noch heute Wirksamkeit erfahren. Damit entfacht sie einen vernachlässigten Diskurs neu und erweitert ihn um eine fototheoretische Perspektive.

     

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  21. The dialogics of critique :
    M.M. Bakhtin and the theory of ideology /
    Published: 1992.
    Publisher:  Routledge,, London ;

    As interest in the work of Bakhtin grows there is an increasing demand for a well organized, readable text which explains his main ideas and relates them to current social and cultural theory. This book is designed to supply this demand. Elegantly... more

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    As interest in the work of Bakhtin grows there is an increasing demand for a well organized, readable text which explains his main ideas and relates them to current social and cultural theory. This book is designed to supply this demand. Elegantly written with the needs of the student coming to Bakhtin for the first time in mind, it provides the essential guide to this important and neglected thinker.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-134-92746-0; 1-134-92747-9; 0-203-33034-X; 1-280-32579-8; 978020333034X; 0-203-20382-8
    Other identifier:
    Edition: 1st ed.
    Subjects: Literature; Criticism; Ideology.; Hermeneutics.
    Other subjects: Bakhtin, M. M. (1895-1975.)
    Scope: 1 online resource (267 p.)
    Notes:

    Description based upon print version of record.

    Includes bibliographical references (p. [234]-252) and indexes.

    Book Cover; Title; Contents; Acknowledgements; Introduction; The 1920's writings; The 1930's and 1940's writings; The Bakhtin Circle and the theory of ideology; Bakhtin's critical hermeneutics; Bakhtin, ideology and neo-structuralism; Towards a dialogical ideological criticism; Notes; Bibliography; Name index; Subject index

  22. Preußische Phantasmen :
    Imaginationen nationaler Identität in der deutschen Literatur des 20. und 21. Jahrhunderts /
    Published: [2021]; ©2021
    Publisher:  transcript Verlag,, Bielefeld :

    Spätestens seit Germaine de Staëls Diktum von Preußens militärisch-philosophischem »Januskopf« ist Preußen eine Projektionsfläche für die unterschiedlichsten Fiktionen nationaler Identität. Das preußische Phantasma setzt sich aus einem Gewirr von... more

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    Spätestens seit Germaine de Staëls Diktum von Preußens militärisch-philosophischem »Januskopf« ist Preußen eine Projektionsfläche für die unterschiedlichsten Fiktionen nationaler Identität. Das preußische Phantasma setzt sich aus einem Gewirr von Motiven und Narrativen zusammen, die sich verschieben und verzweigen, kombiniert und neuinszeniert werden. Hannelore Roth verfolgt die diskursive Vielfalt dieses Phänomens im 20. und 21. Jahrhundert. Anhand von bekannten und weniger bekannten Texten sowie der Debatte um das Berliner Schloss erkundet sie die performativen Strategien, mittels derer die Illusion einer geschlossenen Identität konstruiert wird und zugleich untergraben werden kann.

     

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  23. Academic instincts /
    Published: c2001.
    Publisher:  Princeton University Press,, Princeton, N.J. :

    In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses... more

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    In this lively and provocative book, cultural critic Marjorie Garber, who has written on topics as different as Shakespeare, dogs, cross-dressing, and real estate, explores the pleasures and pitfalls of the academic life. Academic Instincts discusses three of the perennial issues that have surfaced in recent debates about the humanities: the relation between "amateurs" and "professionals," the relation between one academic discipline and another, and the relation between "jargon" and "plain language." Rather than merely taking sides, the book explores the ways in which such debates are essential to intellectual life. Garber argues that the very things deplored or defended in discussions of the humanities cannot be either eliminated or endorsed because the discussion itself is what gives humanistic thought its vitality. Written in spirited and vivid prose, and full of telling detail drawn both from the history of scholarship and from the daily press, Academic Instincts is a book by a well-known Shakespeare scholar and prize-winning teacher who offers analysis rather than polemic to explain why today's teachers and scholars are at once breaking new ground and treading familiar paths. It opens the door to an important nationwide and worldwide conversation about the reorganization of knowledge and the categories in and through which we teach the humanities. And it does so in a spirit both generous and optimistic about the present and the future of these disciplines.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Tenniel, John,
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-4008-1426-X; 1-282-66564-2; 9786612665646; 1-4008-2467-2
    Other identifier:
    Edition: Course Book
    Subjects: Humanities; Literature; Universities and colleges; Academic writing.; Humanities; Learning and scholarship.
    Other subjects: Adjective.; Aestheticism.; Alan Sokal.; Alfred Kazin.; Amateur professionalism.; Amateur.; American studies.; Anti-intellectualism.; Aphorism.; Art history.; Author.; Book review.; C. P. Snow.; C. S. Lewis.; Columnist.; Counterintuitive.; Critical theory.; Criticism.; Cultural studies.; Culture war.; Deconstruction.; Doublespeak.; Edward Said.; Essay.; Fashionable Nonsense.; Genre.; George Orwell.; Gertrude Stein.; Harvard University.; Headline.; Humanities.; Idealization.; Ideology.; Intellectual.; Interdisciplinarity.; Irony.; Jacques Derrida.; Jacques Lacan.; James Gleick.; Jargon.; Jewish studies.; Jonathan Swift.; Joseph Addison.; Judith Butler.; Liberal arts education.; Literary criticism.; Literary theory.; Literature.; Mario Pei.; Minima Moralia.; Modern Language Association.; Mr.; Neologism.; New Criticism.; Newspeak.; Novelist.; Oxford University Press.; Penis envy.; Philosopher.; Philosophy.; Phrase.; Physicist.; Poetry.; Political correctness.; Politician.; Post-structuralism.; Postmodernism.; Prince Hal.; Psychoanalysis.; Psychology.; Rhetoric.; Richard Feynman.; Robert Maynard Hutchins.; Roland Barthes.; Romanticism.; Science.; Scientist.; Sigmund Freud.; Slang.; Social science.; Sociology.; Sokal affair.; Sophistication.; Stanley Fish.; Terminology.; The New York Times.; The Philosopher.; The School of Athens.; The Two Cultures.; Theodor W. Adorno.; Theory.; Thought.; Usage.; Verb.; Vocabulary.; Wendy Lesser.; Wilhelm Dilthey.; William Shakespeare.; Writer.; Writing.
    Scope: 1 online resource (195 p.)
    Notes:

    Cover title.

    Includes bibliographical references and index.

  24. Achilles' Choice :
    Examples of Modern Tragedy /
    Published: [2015]; ©2015
    Publisher:  Princeton University Press,, Princeton, NJ :

    Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic... more

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    Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic tradition-among them, Kleist, Goethe, Melville, Yeats, and Faulkner-and suggests that the tradition of tragedy does continue in genres other than drama, that is, in the novel and even in lyric poetry.The notion of tragedy's migration from one genre to others indicates, however, rather sweeping modifications in the theory of tragedy. Achilles' Choice proposes a structural model for tragic criticism that synthesizes the almost scientific theories predominant since World War II with the irrationalist theories they replaced.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-691-64484-5; 1-4008-7002-X
    Other identifier:
    Edition: 1st ed.
    Series: Princeton Essays in Literature ; ; 1414
    Subjects: Drama; Tragedy; Tragedy.
    Other subjects: Absalom.; Act of Violence.; Aeschylus.; Afterword.; Ahab.; Analogy.; Anecdote.; Anthropomorphism.; Antinomy.; Antithesis.; Apollonian and Dionysian.; Arthur Schopenhauer.; Boredom.; Brute fact.; Clytemnestra.; Counterculture.; Criticism.; D. H. Lawrence.; Deal with the Devil.; Dialectic.; Dialectician.; Dichotomy.; Die Welt.; Dionysian Mysteries.; Dithyramb.; Dudley Fitts.; Electra complex.; Emblem.; Epic poetry.; Equivalents.; F. L. Lucas.; Fairy.; Falsity.; Faust.; Fiction.; Francis Fergusson.; Genre.; George Steiner.; Good and evil.; Greek chorus.; Greek mythology.; Greek tragedy.; Hamartia.; Hedonism.; Humour.; Hymn to Proserpine.; Hypocrisy.; Ideology.; Individuation.; Irony.; Irresistible force paradox.; Jacques Derrida.; Literature.; Long Day's Journey into Night.; Lurch (The Addams Family).; Lyric poetry.; Michael Robartes and the Dancer.; Moby-Dick.; Monomania.; Mourning Becomes Electra.; Name-dropping.; Nihilism.; Novella.; On the Eve.; On the Mountain.; Only Words (book).; Oreste.; Outrageous Fortune (TV series).; Paradox.; Parody.; Pessimism.; Philosopher.; Philosophy of Friedrich Nietzsche.; Philosophy.; Picaresque novel.; Playwright.; Poetry.; Prose.; Pylades.; Rainer Maria Rilke.; Romanticism.; Rosencrantz and Guildenstern.; Slavery.; Soliloquy.; Sophistication.; Stanza.; Symptom.; The Birth of Tragedy.; The Case of Wagner.; The Countess Cathleen.; The Giver.; The Other Hand.; Theodore Dreiser.; Tragedy.; Tragic hero.; Uncle Vanya.; W. B. Yeats.; Walter Kaufmann (philosopher).; William Shakespeare.; Writing.
    Scope: 1 online resource (193 pages).
    Notes:

    Includes index.

    Bibliography: p. 173-174.

  25. Die Verfügbarmachung der Literatur :
    Neoliberale Logiken und ihr Einfluss auf literarische Bildung /
    Published: [2023]; 2023
    Publisher:  transcript Verlag,, Bielefeld :

    Welchen unsichtbaren Zwängen unterliegen wir beim Sprechen über Literatur? Dieser Frage widmet sich Emmanuel Breite anhand der spezifischen Praxis des Literaturunterrichts. Seine These: Das dortige Handlungsfeld ist durch eine neoliberale Ideologie... more

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    Welchen unsichtbaren Zwängen unterliegen wir beim Sprechen über Literatur? Dieser Frage widmet sich Emmanuel Breite anhand der spezifischen Praxis des Literaturunterrichts. Seine These: Das dortige Handlungsfeld ist durch eine neoliberale Ideologie geprägt, die nicht vom Sprechen über Literatur zu trennen ist. Ergebnis davon ist die Hervorbringung einer spezifischen Form des Subjektseins, die mit den Dogmen der neoliberalen Ideologie kompatibel ist. Der Deutschunterricht wird so zum Ort, an dem sich verschiedene Machtverhältnisse kreuzen und sich die neoliberalen Logiken im Verständnis der Schüler*innen verfestigen - eine Kritik, die weit über die kompetenztheoretische Ausrichtung des Unterrichts hinausragt.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3-8394-6759-4
    Other identifier:
    RVK Categories: EC 2130
    Edition: 1st ed.
    Series: Literaturtheorie : TRSLITT ; ; 6
    Subjects: LITERARY CRITICISM / Semiotics & Theory.
    Other subjects: Classroom Practices.; Education.; Educational Research.; German Lessons.; Ideology.; Language.; Literary Studies.; Literature Lessons.; Neoliberalism.; Post-structuralism.; Postmodernism.; Power.; Theory of Literature.
    Scope: 1 online resource (340 p.)