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  1. Artistic visions of the Anthropocene North
    climate change and nature in art
    Contributor: Hedin, Gry (Herausgeber); Gremaud, Ann-Sofie Nielsen (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, London

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in... more

    Universitätsbibliothek der RWTH Aachen
    22:LH 65020 1000
    Unlimited inter-library loan, copies and loan

     

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the human-nature dichotomy. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk

     

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    Source: Union catalogues
    Contributor: Hedin, Gry (Herausgeber); Gremaud, Ann-Sofie Nielsen (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780367787080
    RVK Categories: GZ 9840
    Edition: First issued in paperback
    Series: Routledge advances in art and visual studies
    Subjects: Klimaänderung; Naturgeschichte <Fach>; Naturwissenschaften; Nordpol <Motiv>; Kunst; Forschungsreise
    Other subjects: Human ecology in art; Climatic changes / Philosophy; Global environmental change; Nature / Effect of human beings on
    Scope: xiv, 169 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
  2. Posthuman and nonhuman entanglements in contemporary art and the body
    Published: 2022
    Publisher:  Routledge, New York ; London

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan

     

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for the Future -- Epilogue: Unfolding Novel Metaphors for More/than/human Entangled Future. "Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings. Drawing on critical posthumanist and new materialist thought, in this book, nonhumans become subjects of ethics, aesthetics, and politics that produce equally relevant meanings. Designed to include multiple artistic perspectives and forms of expression, which range from sculptures to bio-art and performative practices, the book argues that we are entangled with other organisms around us not only by our socio-cultural connections but predominately by the transformations that we all undergo with the world's materiality. Thus, the artistic works discussed do not merely reflect the world but transform it, offering solutions for practicing alternative ethical values and acting better with and for the world. The book will be of interest to scholars working in art history, cultural studies, media studies, body studies, performance studies, animal studies, and environmental studies"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003216209
    Other identifier:
    Series: Routledge advances in art and visual studies
    Subjects: Körper <Motiv>; Künstlicher Mensch; Kunst; Mensch <Motiv>
    Other subjects: Human beings in art; Human ecology in art; Art, Modern / 21st century / Themes, motives
    Scope: 1 Online-Ressource (vii, 132 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  3. Allegories of the Anthropocene
    Published: 2019
    Publisher:  Duke University Press, Durham ; London

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world. more

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    HQ 7040 D362
    No inter-library loan
    Universitätsbibliothek Wuppertal
    EEA2523
    Unlimited inter-library loan, copies and loan

     

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world.

     

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  4. Outdoor School
    contemporary environmental art
    Contributor: Morrell, Amish (HerausgeberIn); Borsato, Diane (HerausgeberIn)
    Published: [2021]
    Publisher:  Douglas & McIntyre, Madeira Park, BC

    Foreword / Ann MacDonald -- Introduction / Amish Morrell -- The BUSH Manifesto / Tania Willard, Peter Morin and Gabrielle Hill -- #turtle_kin_in_kind / FASTWURMS -- The Goat Milking and The Great Chorus / Bill Burns -- The Best Dancer is Also a... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    Foreword / Ann MacDonald -- Introduction / Amish Morrell -- The BUSH Manifesto / Tania Willard, Peter Morin and Gabrielle Hill -- #turtle_kin_in_kind / FASTWURMS -- The Goat Milking and The Great Chorus / Bill Burns -- The Best Dancer is Also a Farmer: A Conversation Around Art, Life, and Learning / Jen Delos Reyes with Diane Borsato and Amish Morrell -- Farm as Ethics / Karen Houle -- Under the Freeway, a Forest: Some Notes on Trespassing / Amish Morrell with Deidre Fraser-Gunduras, Ayumi Goto, Maggie Groat, Hannah Jickling and Helen Reed, Jamie Ross and Jay White -- The Slow Walkers of Whycocomagh and Mountains Used to Be Ugly / Aislinn Thomas -- Clouds, Bees, Gems, Stars and Apples: Museum Interventions of Diane Borsato / Georgiana Uhlyarik with Diane Borsato -- Twenty-Four Affections / Sameer Farooq -- Un-camoflauging, Water-witching and Orphan Wells / Alana Bartol -- Protect Your Love and # 1 Fan / D’Arcy Wilson -- The Rights of Nature / Terri-Lynn Williams-Davidson with Public Studio -- Thinking Through The River / Jacqueline Bell with Carolina Caceydo and Genevieve Robertson. "For more than a decade, the Outdoor School project has provided a framework for interdisciplinary artists to come together and share projects that reimagine ways of relating with the landscape. The experiential and community-based art projects described in Outdoor School present an alternative to scientific, commercial and colonial conceptions of land and nature in the face of climate change and mass extinction. These art practices include activities like mushroom foraging, water witching, trespassing, pumpkin-boat sailing, cloud identifying, ravine running, honey extracting, spell conjuring, rabbit hunting, coyote walking and more. The project calls attention to creative, counter-cultural works that are focused on education, community and place, and blur the boundaries between art and life, nature and culture. Featuring interviews, essays and over 150 photographs, Outdoor School is an important contribution to discussions of contemporary art and ecology, foregrounding work that is marginal and ephemeral by nature. Artists featured in Outdoor School include Alana Bartol, Diane Borsato, Bill Burns, Carolina Caycedo, Sameer Farooq, FASTWÜRMS, Ayumi Goto, Maggie Groat, Gabrielle Hill, Peter Morin, Public Studio, Helen Reed, Genevieve Robertson, Jamie Ross, Aislinn Thomas, Vibrant Matter, Jay White, Tania Willard, Terri-Lynn Williams-Davidson and D'Arcy Wilson."--

     

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    Source: Union catalogues
    Contributor: Morrell, Amish (HerausgeberIn); Borsato, Diane (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781771622844; 1771622849
    RVK Categories: LH 61100
    Subjects: Human ecology in art; Environment (Art); Art and society; Art, Modern; Art and society; Art, Modern; Environment (Art); Human ecology in art
    Scope: 192 Seiten, 27 cm
    Notes:

    Includes bibliographical references

  5. Posthuman and nonhuman entanglements in contemporary art and the body
    Published: 2022
    Publisher:  Routledge, New York ; London

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for... more

     

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for the Future -- Epilogue: Unfolding Novel Metaphors for More/than/human Entangled Future "Disclosing the interconnectedness of human and nonhuman bodies, understood here as more/than/human entanglements, this book makes a crucial intervention into the field of contemporary artistic studies, exploring how art can conceptualize material boundaries of entangled beings/doings. Drawing on critical posthumanist and new materialist thought, in this book, nonhumans become subjects of ethics, aesthetics, and politics that produce equally relevant meanings. Designed to include multiple artistic perspectives and forms of expression, which range from sculptures to bio-art and performative practices, the book argues that we are entangled with other organisms around us not only by our socio-cultural connections but predominately by the transformations that we all undergo with the world's materiality. Thus, the artistic works discussed do not merely reflect the world but transform it, offering solutions for practicing alternative ethical values and acting better with and for the world. The book will be of interest to scholars working in art history, cultural studies, media studies, body studies, performance studies, animal studies, and environmental studies"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003216209
    Other identifier:
    Series: Routledge advances in art and visual studies
    Subjects: Human beings in art; Human ecology in art; Art, Modern / 21st century / Themes, motives
    Scope: 1 Online-Ressource (vii, 132 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  6. Artistic visions of the Anthropocene North
    climate change and nature in art
    Contributor: Hedin, Gry (Herausgeber); Gremaud, Ann-Sofie Nielsen (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, London

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in... more

    Universitätsbibliothek der RWTH Aachen
    Unlimited inter-library loan, copies and loan

     

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the human-nature dichotomy. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk

     

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    Source: Union catalogues
    Contributor: Hedin, Gry (Herausgeber); Gremaud, Ann-Sofie Nielsen (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367787080
    RVK Categories: GZ 9840
    Edition: First issued in paperback
    Series: Routledge advances in art and visual studies
    Subjects: Kunst; Nordpol <Motiv>; Geschichte 1780-2018; ; Nordpol; Forschungsreise; Naturgeschichte <Fach>; Naturwissenschaften; Klimaänderung; Geschichte 1780-2018;
    Other subjects: Human ecology in art; Climatic changes / Philosophy; Global environmental change; Nature / Effect of human beings on
    Scope: xiv, 169 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
  7. Allegories of the Anthropocene
    Published: 2019
    Publisher:  Duke University Press, Durham ; London

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Wuppertal
    Unlimited inter-library loan, copies and loan

     

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world

     

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  8. Allegories of the Anthropocene
    Published: 2019; ©2019
    Publisher:  Duke University Press, Durham

    In 'Allegories of the Anthropocene' Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and... more

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    In 'Allegories of the Anthropocene' Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers-including poets Kamau Brathwaite and Kathy Jetnil-Kijiner, Dominican installation artist Tony Capellan, and authors Keri Hulme and Erna Brodber-whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis

     

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    Volltext (kostenfrei)
  9. Allegories of the Anthropocene
    Published: 2019
    Publisher:  Duke University Press, Durham

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world more

     

    Agriculture and empire : excavating plantation soil -- Planetarity and militarized radiations -- Accelerations : globalization and states of waste -- Oceanic futures : interspecies worldings -- An island is a world

     

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  10. Artistic visions of the Anthropocene North
    climate change and nature in art
    Contributor: Hedin, Gry (Publisher); Gremaud, Ann-Sofie Nielsen (Publisher)
    Published: [2018]; © 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the human-nature dichotomy. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Hedin, Gry (Publisher); Gremaud, Ann-Sofie Nielsen (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138232631; 9781315311890
    RVK Categories: GZ 9840
    Series: Routledge advances in art and visual studies
    Subjects: Naturgeschichte <Fach>; Kunst; Klimaänderung; Naturwissenschaften; Nordpol <Motiv>; Forschungsreise
    Other subjects: Human ecology in art; Climatic changes / Philosophy; Global environmental change; Nature / Effect of human beings on
    Scope: xiv, 169 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
  11. The world to come
    art in the age of the anthropocene
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Published: [2018]
    Publisher:  Samuel P. Harn Museum of Art, University of Florida, Gainesville

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures Foreword / Rebecca Nagy -- Acknowledgments / Kerry Oliver-Smith -- Introduction / Kerry Oliver-Smith -- The world to come / Kerry Oliver-Smith -- Feminist counter-apocalypse: an ethical proposal for the anthropocene / Joanna Zylinska -- A world of our making / T. J. Demos -- Uncommoning nature / Marisol de la Cadena -- How to grow livable worlds: ten not-so-easy steps / Natasha Myers -- The ethics of deep time / Trevor Paglen

     

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    Source: Union catalogues
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780983308584
    RVK Categories: LH 65880
    Subjects: Human ecology in art; Art, Modern; Future in art; History in art; Photography, Artistic
    Scope: 169 Seiten
    Notes:

    Published in conjunction with the exhibition The World to Come: Art in the Age of the Anthropocene, organized by the Samuel P. Harn Museum of Art, University of Florida. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL September 18, 2ß18-March 3, 2019, University of Michigan Museum of Art, University of Michigan, Ann Arbor, MI April 27, 2019-July 28, 2019."

  12. Posthuman and nonhuman entanglements in contemporary art and the body
    Published: 2022
    Publisher:  Routledge, New York

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Unfolding Body Archipelagos. From Parallelism to More/than/human Entanglements -- Unfolding Human/Nonhuman Animal Entanglements -- Unfolding More/than/human Entanglements in Ethical Laboratories -- Unfolding More/than/human Performances with and for the Future -- Epilogue: Unfolding Novel Metaphors for More/than/human Entangled Future.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003216209; 100321620X; 9781000579550; 1000579557; 9781000579529; 1000579522
    Other identifier:
    RVK Categories: LH 84120
    Series: Routledge advances in art and visual studies
    Subjects: Human beings in art; Human ecology in art; Art, Modern; ART / History / Contemporary (1945-); ART / Subjects & Themes / Human Figure
    Scope: 1 online resource
  13. Esthétiques du pire
    premier colloque du Centre Pompidou-Metz
    Published: c 2011
    Publisher:  Lienart Éd., Montreuil-sous-Bois

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 843432
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 235906066X; 9782359060669
    Corporations / Congresses:
    Centre Pompidou-Metz
    Subjects: Disasters in art; Human ecology in art; Creation (Literary, artistic, etc.)
    Scope: 246 p, Ill., graph. Darst, 21 cm
    Notes:

    Includes bibliographical references

  14. Contesting environmental imaginaries
    nature and counternature in a time of global change
    Contributor: Hartman, Steven P. (HerausgeberIn)
    Published: 2017
    Publisher:  Brill, Rodopi, Leiden

    "Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AP 14000 H333
    No inter-library loan

     

    "Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past or present, casting nature as a normative concept into productive relief. One ambition was to highlight shifting perspectives on nature and the environment that may help account for the rise of the environmental humanities; another was to invite challenges to orthodoxies, including those that animate this burgeoning field. Contributions emerged from the study areas of Environmental History, Ecocriticism, Cultural Studies, American Studies, Caribbean Studies, Scandinavian Studies, Media Studies, and the History of Ideas. This volume draws together the fruits of this thought experiment"--Provided by publisher Introduction: Naturalizing culture and countering nature in discourses of the environment / Steven Hartman -- Part 1. Re-contextualizing nature -- Day and night : topography and renewal in Thoreau's Walden and Douglass's Narrative / Klaus Benesch -- James Schuyler's flower poems and the urban pastoral aesthetic / Tatiani G. Rapatzikou -- Palimpsest of subjugation : inscriptions of domination on the land and the human body in Jane Smiley's A thousand acres / Oyunn Hestetun -- Reframing American naturism? : space, history and the rise of environmental discourse / Mark Luccarelli -- Part 2. Challenging nature and envisioning counternatures -- Uses and abuses of environmental memory / Lawrence Buell -- Environment, technology, and modernity in contemporary Japanese animation / Ursula K. Heise -- A harmony of murder : transatlantic visions of wilderness in Werner Herzog's Grizzly man / Torben Huus Larsen -- Literary appreciation : a biocultural view / Marcus Nordlund -- Part 3. Applying counternatures -- Dark Darwin : (d)evolutionary theory and the logic of vampirism in Bram Stoker's Dracula / Henrik Otterberg -- Why should we respect nature? : an appropriation of Nietzsche / Torsten Pettersson -- Histories and ideologies of nature in Argyll / Karen Lykke Syse -- "Picturing Eden" : contesting Fredrika Bremer's tropics / Adriana Mendez Rodenas -- Life under water : narratives of deep sea counternatures / Hakan Sandgren -- Superfund sites as anti-landscapes / David E. Nye

     

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    Source: Union catalogues
    Contributor: Hartman, Steven P. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004335073
    RVK Categories: MS 9000 ; EC 1879 ; EC 5410
    Series: Studies in environmental humanities ; volume 4
    Subjects: Nature; Human ecology; Science and the humanities; Nature in literature; Human ecology in literature; Nature in art; Human ecology in art; Nature (Aesthetics); Environment (Aesthetics); Discourse analysis
    Scope: xi, 309 pages, 25 cm
    Notes:

    Includes bibliographical references and index

  15. Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies 2015
    Published: 2015
    Publisher:  Open Humanities Press, London

    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    A 41993
    Unlimited inter-library loan, copies and loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    15-15277
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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Vechta
    453457
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1785420054; 9781785420054
    RVK Categories: LH 61100 ; MS 9000
    Subjects: Climatic changes; Global environmental change; Human ecology in art; Nature
    Scope: 402 Seiten, Illustrationen
    Notes:

    Literaturangaben

  16. Artistic visions of the Anthropocene North
    climate change and nature in art
    Contributor: Hedin, Gry (HerausgeberIn); Gremaud, Ann-Sofie Nielsen (HerausgeberIn)
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York and London

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:3410:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 182007
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    68.4° 574
    Unlimited inter-library loan, copies and loan

     

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the human-nature dichotomy. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Hedin, Gry (HerausgeberIn); Gremaud, Ann-Sofie Nielsen (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1138232637; 1315311895; 9781138232631; 9781315311890
    Series: Routledge advances in art and visual studies
    Subjects: Climatic changes; Global environmental change; Human ecology in art; Nature
    Scope: xiv, 169 pages, 16 ungezählte Seiten, Illustrationen, 26 cm
  17. Art in the Anthropocene
    encounters among aesthetics, politics, environments and epistemologies
    Contributor: Davis, Heather (Herausgeber, Verfasser); Turpin, Etienne (Herausgeber, Verfasser)
    Published: 2015
    Publisher:  Open Humanities Press, London

    Kunstakademie Düsseldorf, Bibliothek
    Em, 282
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    Universitäts- und Landesbibliothek Düsseldorf
    kund382.d262
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    FH Münster, Hochschulbibliothek
    77 EG 445
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    Universitätsbibliothek Wuppertal
    HMT3931
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    Source: Union catalogues
    Contributor: Davis, Heather (Herausgeber, Verfasser); Turpin, Etienne (Herausgeber, Verfasser)
    Language: English
    Media type: Book
    ISBN: 9781785420054; 1785420054
    Edition: First edition
    Series: Critical climate change
    Subjects: Human ecology in art; Climatic changes / Philosophy; Global environmental change; Nature / Effect of human beings on; Klimaänderung <Motiv>; Philosophie; Anthropozän; Ästhetik; Kunst; Anthropogene Klimaänderung
    Scope: 402 Seiten, Illustrationen, 23 cm
  18. Form, art and the environment
    engaging in sustainability
    Published: 2017
    Publisher:  Routledge Taylor & Francis Group, London and New York

    Universitäts- und Landesbibliothek Münster
    3K 67618
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138960404
    Series: earthscan from Routledge
    Routledge studies in culture and sustainable development
    Subjects: Human ecology in art; Environmentalism in art; Art and society; Sozialer Wandel; Kunst; Ecocriticism; Umweltschutz; Nachhaltigkeit; Umwelt <Motiv>
    Scope: xvii, 224 Seiten, Illustrationen
  19. The world to come
    art in the age of the anthropocene
    Contributor: Oliver-Smith, Kerry (Herausgeber)
    Published: [2018]
    Publisher:  Samuel P. Harn Museum of Art, University of Florida, Gainesville

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical... more

    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    03/LH 84956 O48
    No inter-library loan

     

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures Foreword / Rebecca Nagy -- Acknowledgments / Kerry Oliver-Smith -- Introduction / Kerry Oliver-Smith -- The world to come / Kerry Oliver-Smith -- Feminist counter-apocalypse: an ethical proposal for the anthropocene / Joanna Zylinska -- A world of our making / T. J. Demos -- Uncommoning nature / Marisol de la Cadena -- How to grow livable worlds: ten not-so-easy steps / Natasha Myers -- The ethics of deep time / Trevor Paglen

     

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    Content information
    Source: Union catalogues
    Contributor: Oliver-Smith, Kerry (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780983308584
    RVK Categories: LH 65880 ; LH 84956
    Subjects: Kunst; Fotografie; Klimaänderung <Motiv>; Umweltschaden <Motiv>; Human ecology in art; Art, Modern; Future in art; History in art; Photography, Artistic
    Scope: xi, 169 Seiten
    Notes:

    Published in conjunction with the exhibition The World to Come: Art in the Age of the Anthropocene, organized by the Samuel P. Harn Museum of Art, University of Florida. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL September 18, 2ß18-March 3, 2019, University of Michigan Museum of Art, University of Michigan, Ann Arbor, MI April 27, 2019-July 28, 2019."

  20. The work of wind
    air, land, sea
    Contributor: Springer, Anna-Sophie (HerausgeberIn)
    Published: 2018-
    Publisher:  K. Verlag, Berlin ; Blackwood Gallery, University of Toronto, Mississauga, Ontario

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work... more

    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    No inter-library loan

     

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes. The project is extended by the Society of the Diffusion of Useful Knowledge, a public program and broadcast series. While the title might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience."-- Page v

     

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    Source: Union catalogues
    Contributor: Springer, Anna-Sophie (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    Parent title:
    Subjects: Human ecology in art; Climatic changes; Global environmental change; Nature; Winds in art; Weather in art; Ecology in art; Nature in art; Landscapes in art; Beaufort scale; Beaufort scale; Weather; Winds; Winds ; Measurement; Exhibition catalogs
    Scope: 25 cm
    Notes:

    "A three-part exhibition and publication series. Opening perspectives on climate change, environmental crisis, and resilience. Presented by the Blackwood Gallery, the University of Toronto Mississauga in partnership with the City of Mississauga." --Website: workofwind.ca

    "While the title might suggest a weather project. It is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resillience." -- Page v

  21. Esthétiques du pire
    premier colloque du Centre Pompidou-Metz
    Published: c 2011
    Publisher:  Lienart Éd., Montreuil-sous-Bois

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 235906066X; 9782359060669
    Corporations / Congresses:
    Centre Pompidou-Metz
    Subjects: Disasters in art; Human ecology in art; Creation (Literary, artistic, etc.)
    Scope: 246 p, Ill., graph. Darst, 21 cm
    Notes:

    Includes bibliographical references

  22. Artistic visions of the Anthropocene North
    climate change and nature in art
    Contributor: Hedin, Gry (Publisher); Gremaud, Ann-Sofie Nielsen (Publisher)
    Published: [2018]; © 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven essays, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the human-nature dichotomy. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Bjoerk

     

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    Source: Union catalogues
    Contributor: Hedin, Gry (Publisher); Gremaud, Ann-Sofie Nielsen (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138232631; 9781315311890
    RVK Categories: GZ 9840
    Series: Routledge advances in art and visual studies
    Subjects: Naturgeschichte <Fach>; Kunst; Klimaänderung; Naturwissenschaften; Nordpol <Motiv>; Forschungsreise
    Other subjects: Human ecology in art; Climatic changes / Philosophy; Global environmental change; Nature / Effect of human beings on
    Scope: xiv, 169 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
  23. Artonauten
    op expeditie in het Antropoceen
    Published: [2018]
    Publisher:  V2_Publishing, Rotterdam

    In de twintigste en eenentwintigste eeuw verkenden de aqua-, aero-, en astronauten de fysieke buitenwereld van de mens. Zee, lucht, kosmos; dankzij technologische uitvindingen was de mens in staat om vanuit diverse perspectieven zijn eigen... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    In de twintigste en eenentwintigste eeuw verkenden de aqua-, aero-, en astronauten de fysieke buitenwereld van de mens. Zee, lucht, kosmos; dankzij technologische uitvindingen was de mens in staat om vanuit diverse perspectieven zijn eigen leefwereld, planeet Aarde, te verkennen en te bestuderen. Dit moderne avontuur heeft geleid tot een enorme expansie van de menselijke leefsfeer, maar tegelijkertijd ook tot een (zelf)destructieve leefstijl. We staan volgens velen aan het begin van het Antropoceen, het nieuwe geologische tijdvak waarin de mens zoveel impact heeft op de aardse biosfeer dat die invloed nu 'rivaliseert' met de grootste krachten van de natuur. Hoe krijgen we zintuiglijk grip op dit nieuwe overweldigende perspectief? 0In dit essay onderzoekt Ruben Jacobs hoe kunst zich verhoudt tot deze nieuwe ecologische realiteit, en hoe kunstenaars wetenschap en techniek inzetten om onze relatie met de aarde opnieuw te onderzoeken

     

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    Source: Union catalogues
    Language: Dutch
    Media type: Book
    ISBN: 9789082893502; 9082893509
    RVK Categories: LH 61100
    Subjects: Ökologie; Anthropozän; Ökologie <Motiv>; Kunst
    Other subjects: Human ecology in art; Nature / Effect of human beings on; Art and science; Art and technology
    Scope: 77 Seiten, Illustrationen, 17 cm
    Notes:

    Includes bibliographical references (pages 75-77)

  24. Along ecological lines
    contemporary art and climate crisis
    Contributor: Drabble, Barnaby (Publisher) (Publisher); Biemann, Ursula (Publisher)
    Published: [2019]
    Publisher:  Gaia Project press, [England]

    Along Ecological Lines' is the second critical anthology in Gaia Project's bestselling 'Elemental' series.Bringing together essays, interviews and case studies it examines the work and ideas of a range of environmentally engaged artists working in... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    Along Ecological Lines' is the second critical anthology in Gaia Project's bestselling 'Elemental' series.Bringing together essays, interviews and case studies it examines the work and ideas of a range of environmentally engaged artists working in Europe today.Providing readers an insight into practices that are dealing in different ways with the urgent and complex manifestations of climate change, this book addresses questions about how art can positively enter a discourse which is all too often dominated by political and scientific voices.Spanning seven chapters of writings by artists, activists and academics, this volume brings together various interconnected themes from self-sufficiency and civil disobedience, to interspecies justice, divestment and de-growth, to environmental ethics.The collected texts reveal a new immediacy amongst a growing network of practitioners collaborating across disciplines to bring creative, at times visionary methods to bear on environmental and ecological challenges

     

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    Source: Union catalogues
    Contributor: Drabble, Barnaby (Publisher) (Publisher); Biemann, Ursula (Publisher)
    Language: English
    Media type: Book
    ISBN: 099321925X; 9780993219252
    RVK Categories: LH 61100
    Subjects: Klimaänderung; Ökologie <Motiv>; Klimaänderung <Motiv>; Ökologie; Kunst
    Other subjects: Human ecology in art; Nature in art; Ecology in art / Political aspects; Environmentalism in art; Global environmental change; Nature / Effect of human beings on
    Scope: xiii Seiten, Seite 17- 224, Illustrationen, 24 cm
  25. Fragile earth
    the naturalist impulse in contemporary art
    Published: [2019]
    Publisher:  Florence Griswold Museum, Old Lyme, Connecticut

    "Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in their art. Motivated by the inexorable rise of urban-industrial development and the subsequent deterioration of our planet, artists confront the vulnerability of our environment and the effects of global climate change to illustrate the continued relevance of ecology and nature conservation to contemporary artistic practice. In Fragile Earth: The Naturalist Impulse in Contemporary Art, leading artists Jennifer Angus, Mark Dion, Courtney Mattison, and James Prosek make natural elements their medium conceptually and literally, from prints created with eel bodies, to ceramic sculpture mimicking coral bleaching, cabinets filled with colorful plastic collected from oceans and rivers, and walls covered with shockingly beautiful, preserved insects. Bringing an artistic perspective to natural science, these essays and written conversations showcase the persuasive role artists can play in advocating for the preservation of our earth"--

     

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    Source: Union catalogues
    Contributor: Parsons, Jennifer Stettler; Angus, Jennifer; Dion, Mark; Lubchenco, Jane; Mattison, Courtney; Prosek, James
    Language: English
    Media type: Book
    ISBN: 9781880897317; 1880897318
    Subjects: Naturdarstellung; Kunst
    Other subjects: Human ecology in art / Exhibitions; Art, Modern / 21st century / Exhibitions; Art, Modern; Human ecology in art; 2000-2099; Exhibition catalogs
    Scope: 120 Seiten, Illustrationen, 28 cm
    Notes:

    "Published on the occasion of the exhibition Fragile Earth: The Naturalist Impulse in Contemporary Art, Florence Griswold Museum, June 1, 2019-September 8, 2019"--Colophon

    Fragile Earth : The Naturalist Impulse in Contemporary Art / Jennifer Stettler Parsons -- Dialogue : In Search of Nature / Mark Dion and James Prosek -- Dialogue : Clay, Coral, and Climate Change : Sculpting Hope for the Ocean / Courtney Mattison and Jane Lubchenco -- Silver Wings and Golden Scales; Or, An Evening of Metamorphosis at the Lyme Art Colony / a tale by Jennifer Angus -- Plates. James Prosek -- Courtney Mattison -- Mark Dion -- Jennifer Angus