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Displaying results 1 to 13 of 13.

  1. Image and the office of the dead in Late Medieval Europe
    regular, repellant, and redemptive death
    Author: Schell, Sarah
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    "Image and the Office of the Dead in Late Medieval Europe" explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "Image and the Office of the Dead in Late Medieval Europe" explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789463722117
    Series: Visual and material culture
    Subjects: Illuminierte Handschrift; Totengedächtnis; Visualisierung; Gebet; Tod <Motiv>; Andacht
    Other subjects: Commemoration, devotional practice, manuscripts, funeral, Book of Hours; Art and religion / Europe / History / To 1500; Death in art; Death / Europe / History / To 1500; Death / Religious aspects / Christianity; Art, Medieval / Europe / History; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion
    Scope: 239 Seiten, Illustrationen
    Notes:

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts
  2. The portuguese restoration of 1640 and its global visualization
    political iconography and transcultural negotiation
    Author: Krass, Urte
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    Cover -- Table of Contents -- Acknowledgments -- Introduction -- Disciplinary Positions -- The Impact of Images in Revolutions -- Transcontinental Entanglements of Images -- Cultural Translation -- Images of the Portuguese Restoration: The State of... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
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    Cover -- Table of Contents -- Acknowledgments -- Introduction -- Disciplinary Positions -- The Impact of Images in Revolutions -- Transcontinental Entanglements of Images -- Cultural Translation -- Images of the Portuguese Restoration: The State of Research -- Chapter Organization -- 1. Signs, Miracles, and Conspiratorial Images -- Portugal 1640: National Identity, Providentialism -- The Miracle of the Alcobaça Monastery Statue (6 November 1632) -- The Miraculously Discovered Coins near Évora (8 October 1640) -- "Our Lady of the Conspirators": A Clandestine Image Capsule -- Shift of Perspective: A Portable Oratory from Japan -- Hidden beneath Tortoiseshell: John Twice in Miniature -- Shift of Perspective: An Oratory with Sliding Cover from Japan -- Excursus: Subversive Images and Secret Signs in the European Context -- Flight Images: Aeneas and Other Myths in the Service of the Restoration Project -- Excursus: Portugal as Verus Israel (by Joel Golb) -- Biblical Flight Scenes as a Mirror for the Oppressed Portuguese -- 2. The Lisbon Miracle of the Crucifix (1 December 1640) -- Speech Act and Image Act -- Interpretations of the Image Miracle -- Aljubarrota, Madrid, Lisbon: The Crosier as National Relic -- Traditions of Living Images of Christ -- Habsburg Veneration of Christ -- Shift of Perspective: A Living Crucifix in Goa (1636) -- Reception of the Goa Miracle -- The Processional Standard of the Santa Mónica Convent -- The Living Goan Crucifix as a Possible Model for the Lisbon Image Act -- A Cochin Visionary's Image Worlds in a Broadsheet with the Lisbon Crucifix Miracle (Lisbon 1641) -- 3. The New King's Oath (15 December 1640) -- 4. Acclamations -- Coimbra (6 December 1640-8 February 1641) -- Braga: The Moon as Image Carrier (29 January 1641) -- Funchal, Madeira (10 January 1641) -- Salvador de Bahia (15 February 1641).

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048551750
    Series: Visual and Material Culture, 1300-1700
    Subjects: History of art and design styles: c 1400 to c 1600; Material culture; ART / History / Renaissance; HISTORY / Renaissance; HISTORY / Europe / Spain & Portugal; Paintings and painting; Prints and printmaking
    Scope: 1 Online-Ressource (508 Seiten), Illustrationen
  3. Art and witchcraft in early modern Italy
    Author: Tal, Guy
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    "The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which... more

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    Universitätsbibliothek Heidelberg
    Signature:
    2024 C 1707
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    Location:
    Diözesanbibliothek Münster
    Signature:
    24:2558
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    "The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings--variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil's scrabbling claws, and a nocturnal procession presided over by an infanticidal crone--Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463722599
    Series: Monsters and Marvels. Alterity in the Medieval and early modern Worlds ; 2
    Subjects: Witchcraft in art; Witches in art; Art; Witchcraft; Sorcellerie dans l'art; Art - Italie - Histoire; Sorcellerie - Italie - Histoire; Sorcières dans l'art; History of art and design styles: c 1400 to c 1600; History of art and design styles: c 1600 to c 1800; ART / History / Renaissance; ART / History / Baroque & Rococo; HISTORY / Renaissance; Paintings and painting; History of art
    Scope: 375 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages [327]-361) and index
  4. Satire, veneration, and St. Joseph in art, c. 1300-1500
    Author: Williams, Anne L.
    Published: [2019]; ©2019
    Publisher:  Amsterdam University Press, Amsterdam

    Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts... more

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies, by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048534111
    Series: Visual and material culture, 1300-1700 ; 16
    Subjects: Art, Renaissance; Christian art and symbolism; Satire in art; Laughter in art; Altarpieces; Satire dans l'art; Rire dans l'art; History of art and design styles: c 1400 to c 1600; Christian worship, rites and ceremonies; ART - History - Renaissance; Altarpieces; Christian art and symbolism; Laughter in art; Satire in art; Art
    Other subjects: Joseph Saint; Joseph - Saint; Art; Humor; Satire; St. Joseph; Veneration
    Scope: 1 Online-Ressource (236 Seiten, 8 ungezählte Seiten Tafeln), Illustrationen
    Notes:

    Includes bibliographical references and index
  5. Ornament and monstrosity in early modern art
    Contributor: Hammeken, Chris Askholt (HerausgeberIn); Hansen, Maria Fabricius (HerausgeberIn)
    Published: [2019]; ©2019
    Publisher:  Amsterdam University Press, Amsterdam

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... more

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions -- monstrosities even -- that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     
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  6. Figuring faith and female power in the art of Rubens
    Author: Lyon, J. Vanessa
    Published: [2020]
    Publisher:  Amsterdam University Press, Amsterdam

    This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue... more

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used-and abused-to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity

     
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  7. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2024:274:
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2024/1577
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2024 C 225
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    74.2474
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    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the "Secretum", the "Familiares" and "De remediis utriusque fortune" - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature ("ut pictura poësis") and by the "paragone" debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     
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  8. The Portuguese Restoration of 1640 and its global visualization
    political iconography and transcultural negotiation
    Author: Krass, Urte
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 C 2578
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    73.2886
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    The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies

     
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    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463725637
    Series: Visual and material culture, 1300-1700 ; 47
    Subjects: History of art and design styles: c 1400 to c 1600; Material culture; ART / History / Renaissance; HISTORY / Renaissance; HISTORY / Europe / Spain & Portugal; Paintings and painting; Prints and printmaking; Material culture
    Scope: 508 Seiten, Illustrationen
  9. The matter of violence in Baroque painting
    Author: Cornea, Bogdan
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    "Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 C 1934
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    Location:
    Germanisches Nationalmuseum, Bibliothek
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    74.1284
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    "Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. Baroque paintings expose or reference their materiality by insisting on various physical changes wrought through violence. This study approaches violence as the work of materiality, which has the potential to analogously stage pictorial surfaces as corporeal surfaces, where paint becomes flayed flesh, canvas threads ruptured skin, and red paint spilt blood."--

     
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    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463727808; 9463727809
    Series: Visual and material culture, 1300-1700 ; 42
    Subjects: Violence in art; Art, Baroque; History of art and design styles: c 1400 to c 1600; Art and design styles: Baroque; Violence in society; ART / History / Baroque & Rococo; ART / Subjects & Themes / Human Figure; HISTORY / Renaissance; Art, Baroque - Themes, motives; Violence in art; Paintings and painting; Narrative theme: Death, grief, loss; Violence and abuse in society
    Scope: 184 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 165-182) and index
  10. Image and the office of the dead in late medieval Europe
    regular, repellant, and redemptive death
    Author: Schell, Sarah
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Image and the Office of the Dead in Late Medieval Europe</cite> explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries.... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2023:4914:
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    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 C 1556
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    Location:
    Germanisches Nationalmuseum, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    74.2091
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    Unlimited inter-library loan, copies and loan

     

    Image and the Office of the Dead in Late Medieval Europe explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     
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    Content information
    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9463722114; 9789463722117
    Series: Visual and Material Culture, 1300-1700 ; 50
    Subjects: Art and religion; Death in art; Death; Death; Art, Medieval; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion; Art and religion; Art, Medieval; Death; Death in art; Death - Religious aspects - Christianity; History of art; Religious and ceremonial art; Religious issues and debates; History
    Scope: 239 Seiten, Illustrationen, 24 cm
    Notes:

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts

    Literaturverzeichnis: Seite 211-229
  11. Image and the office of the dead in late medieval Europe
    regular, repellant, and redemptive death
    Author: Schell, Sarah
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Image and the Office of the Dead in Late Medieval Europe</cite> explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries.... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Image and the Office of the Dead in Late Medieval Europe explores the Office of the Dead as a site of interaction between text, image, and experience in the culture of commemoration that thrived in the fourteenth and fifteenth centuries. The Office of the Dead was a familiar liturgical ritual, and its perceived importance and utility are evident in its regular inclusion in devotional compilations, which crossed the boundaries between lay and religious readers. The Office was present in all medieval deaths: as a focus for private contemplation, a site of public performance, a reassuring ritual, and a voice for the bereaved. Examining the images at the Office of the Dead and related written, visual, and material evidence, this book explores the relationship of these images to the text in which they are embedded and to the broader experiences of and aspirations for death

     
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    Content information
    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9463722114; 9789463722117
    Series: Visual and Material Culture, 1300-1700 ; 50
    Subjects: Art and religion; Death in art; Death; Death; Art, Medieval; History of art and design styles: c 1400 to c 1600; Religious subjects depicted in art; ART / History / Renaissance; RELIGION / Christian Church / History; SOCIAL SCIENCE / Sociology of Religion; Art and religion; Art, Medieval; Death; Death in art; Death - Religious aspects - Christianity; History of art; Religious and ceremonial art; Religious issues and debates; History
    Scope: 239 Seiten, Illustrationen, 24 cm
    Notes:

    Figures Introduction The Office of the Dead in Christian Liturgy The Office of the Dead in Devotional Books Regular Death: Reading the Funeral and Imaginative Practice Seeing into the Office: Imagining Reader as Body Hearing Community: Image and Liturgy Repellent Death: Time, Rot and the Death of the Body Death-tide: Time and decay of the body 'Nothing more base and abominable': The Corpse Disruption: The Lively Corpse Dry Bones: Death in Life The Redemptive Death: Job, Lazarus and Death Undone Living Death: Job as the Social Body The Undead: Lazarus and the Promise of Resurrection Conclusions Bibliography Bibliography: Manuscripts

    Literaturverzeichnis: Seite 211-229
  12. The portuguese restoration of 1640 and its global visualization
    political iconography and transcultural negotiation
    Author: Krass, Urte
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    Cover -- Table of Contents -- Acknowledgments -- Introduction -- Disciplinary Positions -- The Impact of Images in Revolutions -- Transcontinental Entanglements of Images -- Cultural Translation -- Images of the Portuguese Restoration: The State of... more

    Access:
    Aggregator (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Cover -- Table of Contents -- Acknowledgments -- Introduction -- Disciplinary Positions -- The Impact of Images in Revolutions -- Transcontinental Entanglements of Images -- Cultural Translation -- Images of the Portuguese Restoration: The State of Research -- Chapter Organization -- 1. Signs, Miracles, and Conspiratorial Images -- Portugal 1640: National Identity, Providentialism -- The Miracle of the Alcobaça Monastery Statue (6 November 1632) -- The Miraculously Discovered Coins near Évora (8 October 1640) -- "Our Lady of the Conspirators": A Clandestine Image Capsule -- Shift of Perspective: A Portable Oratory from Japan -- Hidden beneath Tortoiseshell: John Twice in Miniature -- Shift of Perspective: An Oratory with Sliding Cover from Japan -- Excursus: Subversive Images and Secret Signs in the European Context -- Flight Images: Aeneas and Other Myths in the Service of the Restoration Project -- Excursus: Portugal as Verus Israel (by Joel Golb) -- Biblical Flight Scenes as a Mirror for the Oppressed Portuguese -- 2. The Lisbon Miracle of the Crucifix (1 December 1640) -- Speech Act and Image Act -- Interpretations of the Image Miracle -- Aljubarrota, Madrid, Lisbon: The Crosier as National Relic -- Traditions of Living Images of Christ -- Habsburg Veneration of Christ -- Shift of Perspective: A Living Crucifix in Goa (1636) -- Reception of the Goa Miracle -- The Processional Standard of the Santa Mónica Convent -- The Living Goan Crucifix as a Possible Model for the Lisbon Image Act -- A Cochin Visionary's Image Worlds in a Broadsheet with the Lisbon Crucifix Miracle (Lisbon 1641) -- 3. The New King's Oath (15 December 1640) -- 4. Acclamations -- Coimbra (6 December 1640-8 February 1641) -- Braga: The Moon as Image Carrier (29 January 1641) -- Funchal, Madeira (10 January 1641) -- Salvador de Bahia (15 February 1641).

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048551750
    Series: Visual and Material Culture, 1300-1700
    Subjects: History of art and design styles: c 1400 to c 1600; Material culture; ART / History / Renaissance; HISTORY / Renaissance; HISTORY / Europe / Spain & Portugal; Paintings and painting; Prints and printmaking
    Scope: 1 Online-Ressource (508 Seiten), Illustrationen
  13. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the "Secretum", the "Familiares" and "De remediis utriusque fortune" - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature ("ut pictura poësis") and by the "paragone" debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     
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