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  1. The poet's mistake
    Author: McAlpine, Erica
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)

     

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     
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  2. The music of time
    poetry in the twentieth century
    Author: Burnside, John
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights into a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and gave shape to our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the past century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other

     
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  3. The poet's mistake
    Author: McAlpine, Erica
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     
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  4. Of Bridges
    A Poetic and Philosophical Account
    Author: Harrison, Thomas
    Published: [2021]
    Publisher:  University of Chicago Press, Chicago

    Frontmatter -- Contents -- Illustrations -- Introduction -- 1. The Great Bridge- Building of God -- 2. Living on the Bridge -- 3. Musical Bridges -- 4. Bridge Brothers and Foes -- 5. Word Bridges -- 6. The Bridge as Gallows -- 7. Nietzsche's Bridges... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Introduction -- 1. The Great Bridge- Building of God -- 2. Living on the Bridge -- 3. Musical Bridges -- 4. Bridge Brothers and Foes -- 5. Word Bridges -- 6. The Bridge as Gallows -- 7. Nietzsche's Bridges -- 8. Sea Bridges and Selves -- 9. Bridged Disconnection -- Acknowledgments -- Notes -- Bibliography -- Index "Always," wrote Philip Larkin, "it is by bridges that we live." Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, literary and ideological figurations, as well as architectural and musical illustrations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between seemingly unrelated times and places, Thomas Harrison gives a panoramic account of the diverse meanings and valences of human bridges, questioning why they are built and where they lead. He investigates bridges as flashpoints in war and the mega-bridges of our globalized world. He probes links forged by religion between life's transience and eternity and the consolidating ties of music, illustrated in a case study of the blues. He illuminates the real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In fine and intricate readings of literature, philosophy, art, and geography, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Interdisciplinary and deeply lyrical, Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226735320
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    Subjects: Bridges in art; Bridges in literature; Bridges; Bridges; Bridges; LITERARY CRITICISM / General
    Other subjects: Friedrich Nietzsche; Hart Crane; Mediterranean; Yugoslavian Wars; blues; devil's bridges; inhabited bridges; metaphor; music; pontifex maximus
    Scope: 1 Online-Ressource (304 p), 3 color plates, 73 halftones
  5. Of Bridges
    A Poetic and Philosophical Account
    Author: Harrison, Thomas
    Published: [2021]
    Publisher:  University of Chicago Press, Chicago

    Frontmatter -- Contents -- Illustrations -- Introduction -- 1. The Great Bridge- Building of God -- 2. Living on the Bridge -- 3. Musical Bridges -- 4. Bridge Brothers and Foes -- 5. Word Bridges -- 6. The Bridge as Gallows -- 7. Nietzsche's Bridges... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- Illustrations -- Introduction -- 1. The Great Bridge- Building of God -- 2. Living on the Bridge -- 3. Musical Bridges -- 4. Bridge Brothers and Foes -- 5. Word Bridges -- 6. The Bridge as Gallows -- 7. Nietzsche's Bridges -- 8. Sea Bridges and Selves -- 9. Bridged Disconnection -- Acknowledgments -- Notes -- Bibliography -- Index "Always," wrote Philip Larkin, "it is by bridges that we live." Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, literary and ideological figurations, as well as architectural and musical illustrations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between seemingly unrelated times and places, Thomas Harrison gives a panoramic account of the diverse meanings and valences of human bridges, questioning why they are built and where they lead. He investigates bridges as flashpoints in war and the mega-bridges of our globalized world. He probes links forged by religion between life's transience and eternity and the consolidating ties of music, illustrated in a case study of the blues. He illuminates the real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In fine and intricate readings of literature, philosophy, art, and geography, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Interdisciplinary and deeply lyrical, Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226735320
    Other identifier:
    Subjects: Bridges in art; Bridges in literature; Bridges; Bridges; Bridges; LITERARY CRITICISM / General
    Other subjects: Friedrich Nietzsche; Hart Crane; Mediterranean; Yugoslavian Wars; blues; devil's bridges; inhabited bridges; metaphor; music; pontifex maximus
    Scope: 1 Online-Ressource (304 p), 3 color plates, 73 halftones
  6. The music of time
    poetry in the twentieth century
    Author: Burnside, John
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights into a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and gave shape to our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the past century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other

     
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  7. [Crane, Hart] Modern American Poetry: Hart Crane (1899-1932)
    Published: 2005

    Sites about Persons ; au This page offers general information on the American poet Hart Crane. It features a biography, essays, reviews, and external links. more

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    AnglGuide

     

    Sites about Persons ; au This page offers general information on the American poet Hart Crane. It features a biography, essays, reviews, and external links.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Parent title: Enthalten in: MAPS: Modern American Poetry
    Subjects: Hart Crane; 1899-1932; American; poetry; poet; author; 20th century; literature; Crane, Hart, 1899-1932; Authors, American; Authors, American; Authors, American
    Notes:

    Source: SUB
  8. The New World
    Infinitesimal Epics
    Author: Carelli, Anthony
    Published: [2021]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Proem -- I -- Dante Jokes in Peshtigo -- The Buck -- Charlie at Full Speed -- Octet 9 -- Where the Green Ants Dream -- II -- The New World -- The New World -- Old Trees Wave -- The New World -- A New Word -- III -- The New... more

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    Frontmatter -- Contents -- Proem -- I -- Dante Jokes in Peshtigo -- The Buck -- Charlie at Full Speed -- Octet 9 -- Where the Green Ants Dream -- II -- The New World -- The New World -- Old Trees Wave -- The New World -- A New Word -- III -- The New Horizons Spacecraft Speeds Past Pluto in What We May Call the Blink of an Eye -- Country Canto -- White Mountain Song -- The New World -- American Homeric -- IV -- Revolutionary Word -- In Exodus -- Osip in August -- Fire Watcher -- Old Lines -- Notes From an “uncommonly fluent” and “rewarding” poet (The Observer), a collection of miniature epics that asks: can grace be found amid disarray?The New World, Anthony Carelli’s new collection of poems, is an American travelogue that unfolds in a series of darkly comic episodes, with allusions to Dante as a thread throughout. In these epics in miniature, we meet a pilgrim-poet as he awaits the arrival of his child, a would-be Columbus, on the shores of a land “disenstoried” by explorers present and past. It’s a land and a people largely lost in mindscapes and mythscapes, haunted by sketchy aspirational visions, misbegotten misremembering, and emptiness. Nonetheless, the poet steps out to the shore to sing for the child—and reader—to do what Columbus never did: “land gently. / And listen and / listen and listen / and stay.” Constantly unsettling the rhetoric of inherited forms, the poet shaping these poems is always bound to the pilgrim, who cannot pretend to dissolve our purgatories but can only invite us—as a latter-day Virgil would—deeper into the uncanny encounters that encircle us. From an Arizona nursing home and a grandmother's memory of a stolen golden Schwinn in the occupied Philippines, to a tale of road-tripping west through Pennsylvania as sunrise transpires in the wrong sky, The New World opens strange spaces for us to re-see, lament, and re-sing the stories we tell

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691218816
    Other identifier:
    Series: Princeton Series of Contemporary Poets ; 163
    Subjects: POETRY / American / General
    Other subjects: Feminist history; Fitzcarraldo; Forest floor; Fuel; Granola; Groin; Hamstring; Hanging (meat); Hannah Wilke; Hardness; Harry Mathews; Hart Crane; Hayv Kahraman; Indian Ocean; Intellectual property; Iridescence; J. (newspaper); Jay Wright (poet); Jerky; John Keats; Joke; Jorie Graham; Laptop; Library of Congress; Lightness (philosophy); Literature; Moby-Dick; Nights (character); Oat; Ochre; Osip Mandelstam; Parking lot; Pasture; Poet; Poetry; Princeton University Press; Publication; Purgatorio; Republic of Macedonia; Robert Frost; Robert Pinsky; Running; Saucer; Semi-trailer truck; Shoulder; Sleeve; Sluice; Sonnet; Soybean; Speedometer; Steamship; Stephen Hawking; Supermarket; Sweet corn; Swimsuit; Take Flight (musical); Teriyaki; Tessellation; The People of India; Thessaloniki; Tie-dye; Tire; Tobacco; Venison; Wheat; Where the Green Ants Dream; Windshield; Woolen; Wrist; Yugoslavia; Ambulance; Ancient Greece; Anthony Carelli; Archive; Balkans; Beer bottle; Bei Dao; Ben Belitt; Blouse; Bobber (motorcycle); Breakup of Yugoslavia; Bulldozer; Burrito; Cabbage; Career; Catherine Opie; Cattle; Cheek; Citgo; Clock face; Coffin; Comet tail; Concussion; Couplet; Cow dung; David Lehman; Didgeridoo; Epigraph (literature); Family farm; Feminist art
    Scope: 1 Online-Ressource (80 p)
  9. The music of time
    poetry in the twentieth century
    Author: Burnside, John
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a... more

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    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights into a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and gave shape to our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the past century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other Frontmatter -- CONTENTS -- A NOTE TO THE READER -- INTRODUCTION -- GHOSTLY MUSIC IN THE AIR -- EVERYONE SANG -- L'INFINITO -- EINEN REINEN VORGANG -- THE GRIEF THAT DOES NOT SPEAK -- THE POWER OF THE VISIBLE -- A VERY YOUNG POLICEMAN EXPLODING -- AN OLD CHAOS OF THE SUN -- WELTENTON -- LA RAZÓN POÉTICA -- WHY LOOK AT ANIMALS? -- A STONY INVITATION TO REFLECT -- A GOLDEN AGE OF POETRY AND POWER -- WHERE TURTLES WIN -- SÓLO TÚ, ALMA MÍA -- LIKE A STRIPÈD PAIR OF PANTS -- TANTALUS IN LOVE -- A GIFT TO THE FUTURE -- THE PANIC OF THE ADVERSARY -- THE BAT-POET -- TO RECLAIM LOST SPACE -- A TOWERING STRANGENESS -- THE POETS IN GHANA -- NOTES -- SELECT BIBILIOGRAPHY -- ACKNOWLEDGEMENTS -- INDEX

     
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  10. The Poet's Mistake
    Author: McAlpine, Erica
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet’s Mistake -- Chapter 1. Wordsworth’s Imperfect Perfect -- Chapter 2. Robert Browning’s Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson’s... more

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    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet’s Mistake -- Chapter 1. Wordsworth’s Imperfect Perfect -- Chapter 2. Robert Browning’s Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson’s Eloquent Lies -- Chapter 5. Hart Crane’s Wrapture -- Chapter 6. Fact-Checking Elizabeth Bishop -- Chapter 7. Misremembering Seamus Heaney -- Conclusion. Mistaking on Purpose -- Notes -- Works Cited -- Index What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     
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  11. What the thunder said
    how the waste land made poetry modern
    Author: Rasula, Jed
    Published: [2022]; © 2022
    Publisher:  Princeton University Press, Princeton

    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author... more

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    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem

     
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  12. Infinite Consanguinity
    The Translation of Hart Crane's "Voyages" into Portuguese
    Author: Migliavacca, Adriano
    Published: 2013
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783659486364; 3659486361
    Other identifier:
    9783659486364
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; Translation Studies; modern poetry; Hart Crane; (VLB-WN)1562: Allgemeine und Vergleichende Literaturwissenschaft
    Scope: Online-Ressource
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    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  13. The music of time :
    poetry in the twentieth century /
    Author: Burnside, John,
    Published: [2020].; © 2020.
    Publisher:  Princeton University Press,, Princeton ; Oxford :

    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a... more

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    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights into a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and gave shape to our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the past century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other

     
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    Volltext (URL des Erstveröffentlichers)
  14. The Poet's Mistake
    Author: McAlpine, Erica
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet’s Mistake -- Chapter 1. Wordsworth’s Imperfect Perfect -- Chapter 2. Robert Browning’s Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson’s... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet’s Mistake -- Chapter 1. Wordsworth’s Imperfect Perfect -- Chapter 2. Robert Browning’s Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson’s Eloquent Lies -- Chapter 5. Hart Crane’s Wrapture -- Chapter 6. Fact-Checking Elizabeth Bishop -- Chapter 7. Misremembering Seamus Heaney -- Conclusion. Mistaking on Purpose -- Notes -- Works Cited -- Index What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     
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  15. The New World
    Infinitesimal Epics
    Author: Carelli, Anthony
    Published: [2021]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Proem -- I -- Dante Jokes in Peshtigo -- The Buck -- Charlie at Full Speed -- Octet 9 -- Where the Green Ants Dream -- II -- The New World -- The New World -- Old Trees Wave -- The New World -- A New Word -- III -- The New... more

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    Frontmatter -- Contents -- Proem -- I -- Dante Jokes in Peshtigo -- The Buck -- Charlie at Full Speed -- Octet 9 -- Where the Green Ants Dream -- II -- The New World -- The New World -- Old Trees Wave -- The New World -- A New Word -- III -- The New Horizons Spacecraft Speeds Past Pluto in What We May Call the Blink of an Eye -- Country Canto -- White Mountain Song -- The New World -- American Homeric -- IV -- Revolutionary Word -- In Exodus -- Osip in August -- Fire Watcher -- Old Lines -- Notes From an “uncommonly fluent” and “rewarding” poet (The Observer), a collection of miniature epics that asks: can grace be found amid disarray?The New World, Anthony Carelli’s new collection of poems, is an American travelogue that unfolds in a series of darkly comic episodes, with allusions to Dante as a thread throughout. In these epics in miniature, we meet a pilgrim-poet as he awaits the arrival of his child, a would-be Columbus, on the shores of a land “disenstoried” by explorers present and past. It’s a land and a people largely lost in mindscapes and mythscapes, haunted by sketchy aspirational visions, misbegotten misremembering, and emptiness. Nonetheless, the poet steps out to the shore to sing for the child—and reader—to do what Columbus never did: “land gently. / And listen and / listen and listen / and stay.” Constantly unsettling the rhetoric of inherited forms, the poet shaping these poems is always bound to the pilgrim, who cannot pretend to dissolve our purgatories but can only invite us—as a latter-day Virgil would—deeper into the uncanny encounters that encircle us. From an Arizona nursing home and a grandmother's memory of a stolen golden Schwinn in the occupied Philippines, to a tale of road-tripping west through Pennsylvania as sunrise transpires in the wrong sky, The New World opens strange spaces for us to re-see, lament, and re-sing the stories we tell

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691218816
    Other identifier:
    Series: Princeton Series of Contemporary Poets ; 163
    Subjects: POETRY / American / General
    Other subjects: Feminist history; Fitzcarraldo; Forest floor; Fuel; Granola; Groin; Hamstring; Hanging (meat); Hannah Wilke; Hardness; Harry Mathews; Hart Crane; Hayv Kahraman; Indian Ocean; Intellectual property; Iridescence; J. (newspaper); Jay Wright (poet); Jerky; John Keats; Joke; Jorie Graham; Laptop; Library of Congress; Lightness (philosophy); Literature; Moby-Dick; Nights (character); Oat; Ochre; Osip Mandelstam; Parking lot; Pasture; Poet; Poetry; Princeton University Press; Publication; Purgatorio; Republic of Macedonia; Robert Frost; Robert Pinsky; Running; Saucer; Semi-trailer truck; Shoulder; Sleeve; Sluice; Sonnet; Soybean; Speedometer; Steamship; Stephen Hawking; Supermarket; Sweet corn; Swimsuit; Take Flight (musical); Teriyaki; Tessellation; The People of India; Thessaloniki; Tie-dye; Tire; Tobacco; Venison; Wheat; Where the Green Ants Dream; Windshield; Woolen; Wrist; Yugoslavia; Ambulance; Ancient Greece; Anthony Carelli; Archive; Balkans; Beer bottle; Bei Dao; Ben Belitt; Blouse; Bobber (motorcycle); Breakup of Yugoslavia; Bulldozer; Burrito; Cabbage; Career; Catherine Opie; Cattle; Cheek; Citgo; Clock face; Coffin; Comet tail; Concussion; Couplet; Cow dung; David Lehman; Didgeridoo; Epigraph (literature); Family farm; Feminist art
    Scope: 1 Online-Ressource (80 p)
  16. What the thunder said
    how the waste land made poetry modern
    Author: Rasula, Jed
    Published: [2022]; © 2022
    Publisher:  Princeton University Press, Princeton

    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author... more

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    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem

     
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  17. The music of time
    poetry in the twentieth century
    Author: Burnside, John
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a... more

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    A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights into a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and gave shape to our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the past century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other Frontmatter -- CONTENTS -- A NOTE TO THE READER -- INTRODUCTION -- GHOSTLY MUSIC IN THE AIR -- EVERYONE SANG -- L'INFINITO -- EINEN REINEN VORGANG -- THE GRIEF THAT DOES NOT SPEAK -- THE POWER OF THE VISIBLE -- A VERY YOUNG POLICEMAN EXPLODING -- AN OLD CHAOS OF THE SUN -- WELTENTON -- LA RAZÓN POÉTICA -- WHY LOOK AT ANIMALS? -- A STONY INVITATION TO REFLECT -- A GOLDEN AGE OF POETRY AND POWER -- WHERE TURTLES WIN -- SÓLO TÚ, ALMA MÍA -- LIKE A STRIPÈD PAIR OF PANTS -- TANTALUS IN LOVE -- A GIFT TO THE FUTURE -- THE PANIC OF THE ADVERSARY -- THE BAT-POET -- TO RECLAIM LOST SPACE -- A TOWERING STRANGENESS -- THE POETS IN GHANA -- NOTES -- SELECT BIBILIOGRAPHY -- ACKNOWLEDGEMENTS -- INDEX

     
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