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  1. Von den "Grottesken" zum Grotesken
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance
    Author: Scholl, Dorothea
    Published: 2004
    Publisher:  Lit, Münster

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3825854450
    RVK Categories: IU 1750 ; IU 1871
    Series: Ars rhetorica ; 11
    Subjects: Gesellschaft; Grotesque in architecture; Grotesque in art; Grotesque in literature; Italian literature; Italian literature; Renaissance; Das Groteske; Literatur; Renaissance; Kunst; Italienisch
    Scope: 768 S., Ill.
    Notes:

    Zugl.: Kiel, Univ., Habil.schrift, 2000
  2. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Publisher)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Content information
    Source: Union catalogues
    Contributor: Acciarino, Damiano (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780772721952
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Kunst; Das Groteske; Ästhetik
    Other subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen, 23 cm
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions "Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques" held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  3. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Herausgeber)
    Published: [2019]; © 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

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    Universitätsbibliothek Gießen
    Signature:
    000 LN 89260 A171
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    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral.

     
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    Source: Union catalogues
    Contributor: Acciarino, Damiano (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance studies. Essays and studies ; 43
    Subjects: Renaissance; Groteske <Kunst>; Groteske <Literatur>; Ästhetik; Das Groteske; Kunst; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Literaraturangaben
  4. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Publisher)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Acciarino, Damiano (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780772721952
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Kunst; Das Groteske; Ästhetik
    Other subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen, 23 cm
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions "Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques" held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  5. Von den "Grottesken" zum Grotesken
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance
    Author: Scholl, Dorothea
    Published: 2004
    Publisher:  Lit, Münster

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3825854450
    RVK Categories: IU 1750 ; IU 1871
    Series: Ars rhetorica ; 11
    Subjects: Gesellschaft; Grotesque in architecture; Grotesque in art; Grotesque in literature; Italian literature; Italian literature; Renaissance; Das Groteske; Literatur; Renaissance; Kunst; Italienisch
    Scope: 768 S., Ill.
    Notes:

    Zugl.: Kiel, Univ., Habil.schrift, 2000
  6. Von den "Grottesken" zum Grotesken
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance
    Author: Scholl, Dorothea
    Published: 2004
    Publisher:  Lit-Verl., Münster

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3825854450
    RVK Categories: IU 1750 ; LN 89260
    Series: Ars rhetorica ; 11
    Subjects: Array; Array; Grotesque in art; Grotesque in architecture; Grotesque in literature; Array
    Scope: 768 S., Ill.
    Notes:

    Zugl.: Kiel, Univ., Habil.-Schr., 2000
  7. Von den "Grottesken" zum Grotesken
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance
    Author: Scholl, Dorothea
    Published: 2004
    Publisher:  Lit-Verl., Münster

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 544703
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3825854450
    Other identifier:
    9783825854454
    RVK Categories: IU 1750 ; LN 89260
    Series: Ars rhetorica ; 11
    Subjects: Italian literature; Italian literature; Grotesque in art; Grotesque in architecture; Grotesque in literature; Renaissance
    Scope: 768 S., Ill., 24 cm
    Notes:

    Zugl.: Kiel, Univ., Habil.-Schr., 2000

    Literaturverz. S. 699 - 750
  8. Der steinerne Blick
    Symbolköpfe der Romanik
    Author: Dinzelbacher, Peter; Frenken, Ralph
    Published: 2008
    Publisher:  Deutscher Wissenschaftsverlag, Baden-Baden

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2009:1214:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Landesamt für Denkmalpflege und Archäologie, Sachsen-Anhalt, Landesmuseum für Vorgeschichte, Bibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783868880038
    Other identifier:
    9783868880038
    RVK Categories: LH 69240 ; LH 69320 ; LH 69360 ; LH 69400
    Edition: 1. Aufl.
    Subjects: Decoration and ornament, Romanesque; Decoration and ornament, Architectural; Sculpture, Romanesque; Sculpture, Medieval; Grotesque in architecture; Monsters in art; Symbolism in art; Church architecture; Church architecture; Geschichte 1100-1300
    Scope: 241 S., zahlr. Ill., 21 x 15 cm
    Notes:

    Literaturverz. S. 229 - 240
  9. Gargoyles and grotesques
    Author: Woodcock, Alexander E. R.
    Published: 2011
    Publisher:  Shire Publications, Oxford, United Kingdom

    The medieval context -- Patrons and masons -- The imagery of gargoyles and grotesques -- Gargoyles and the Gothic revival -- The conservation of gargoyles and grotesques -- Places to visit. "Alex Woodcock here tells the story of the monsters,... more

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    Universitätsbibliothek Heidelberg
    Signature:
    2020 C 1483
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    The medieval context -- Patrons and masons -- The imagery of gargoyles and grotesques -- Gargoyles and the Gothic revival -- The conservation of gargoyles and grotesques -- Places to visit. "Alex Woodcock here tells the story of the monsters, mermaids and mouth-pullers that to this day provoke much curiosity and various interpretations among church visitors. He traces their history and analyses their artistic context, from their Romanesque beginnings through to their heyday in the fourteenth and fifteenth centuries, their revival in Victorian times and the tradition of production and conservation that continues today." --Back cover

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780747808312
    Other identifier:
    9780747808312
    Series: Shire library
    Subjects: Gargoyles; Grotesque in architecture; Stone carving; Gargoyles; Grotesque in architecture; Stone carving; England; History
    Scope: 64 Seiten, Illustrationen
    Notes:

    Includes bibliographical references (page 63) and index
  10. Von den "Grottesken" zum Grotesken :
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance /
    Author: Scholl, Dorothea.
    Published: 2004.
    Publisher:  Lit,, Münster :

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3-8258-5445-0
    RVK Categories: IU 1750 ; IU 1871
    Series: Ars rhetorica ; 11
    Subjects: Gesellschaft; Grotesque in architecture; Grotesque in art; Grotesque in literature; Italian literature; Italian literature; Renaissance; Italienisch.; Literatur.; <<Das>> Groteske.; Renaissance.; Kunst.
    Scope: 768 S. :, Ill.
    Notes:

    Zugl.: Kiel, Univ., Habil.schrift, 2000
  11. Paradigms of Renaissance grotesques /
    Contributor: Acciarino, Damiano, (Publisher)
    Published: 2019.
    Publisher:  Centre for Reformation and Renaissance Studies,, Toronto :

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Acciarino, Damiano, (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-7727-2195-2
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; <<Das>> Groteske.; Kunst.; Ästhetik.
    Scope: 597 Seiten :, Illustrationen ;, 23 cm.
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions “Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques” held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  12. Der steinerne Blick
    Symbolköpfe der Romanik
    Author: Dinzelbacher, Peter; Frenken, Ralph
    Published: 2008
    Publisher:  Deutscher Wissenschaftsverlag, Baden-Baden

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783868880038
    Other identifier:
    9783868880038
    RVK Categories: LH 69240 ; LH 69320 ; LH 69360 ; LH 69400
    Edition: 1. Aufl.
    Subjects: Decoration and ornament, Romanesque; Decoration and ornament, Architectural; Sculpture, Romanesque; Sculpture, Medieval; Grotesque in architecture; Monsters in art; Symbolism in art; Church architecture; Church architecture; Geschichte 1100-1300
    Scope: 241 S., zahlr. Ill., 21 x 15 cm
    Notes:

    Literaturverz. S. 229 - 240
  13. Von den "Grottesken" zum Grotesken
    die Konstituierung einer Poetik des Grotesken in der italienischen Renaissance
    Author: Scholl, Dorothea
    Published: 2004
    Publisher:  Lit-Verl., Münster

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3825854450
    Other identifier:
    9783825854454
    RVK Categories: IU 1750 ; LN 89260
    Series: Ars rhetorica ; 11
    Subjects: Italian literature; Italian literature; Grotesque in art; Grotesque in architecture; Grotesque in literature; Renaissance
    Scope: 768 S., Ill., 24 cm
    Notes:

    Zugl.: Kiel, Univ., Habil.-Schr., 2000

    Literaturverz. S. 699 - 750
  14. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Content information
    Source: Union catalogues
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: EC 8640 ; LN 10250 ; LN 89260
    Series: Array ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  15. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:4430:
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    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 3297
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    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    72.3061
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: EC 8640 ; LN 10250 ; LN 89260
    Series: Array ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index