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  1. Writing on skin in the age of Chaucer
    Contributor: Nyffenegger-Staub, Nicole (Herausgeber); Rupp, Katrin (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  de Gruyter, Berlin ; Boston

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    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
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    in Bearbeitung
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    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
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    HH 4061 N994
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Koblenz
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    EN/CE 2018 6594
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    Englisches Seminar der Universität, Bibliothek
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  2. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Herausgeber)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

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  3. Writing on skin in the age of Chaucer
    Contributor: Nyffenegger-Staub, Nicole (Herausgeber); Rupp, Katrin (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  de Gruyter, Berlin ; Boston

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Nyffenegger-Staub, Nicole (Herausgeber); Rupp, Katrin (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783110575729; 3110575728
    Other identifier:
    9783110575729
    DDC Categories: 420
    Series: Buchreihe der Anglia ; volume 60
    Subjects: Chaucer, Geoffrey; Haut <Motiv>; Schreiben <Motiv>; Pergament <Motiv>
    Other subjects: Geoffrey Chaucer; human skin; parchment; textuality
    Scope: VI, 273 Seiten, Illustrationen
  4. Writing on skin in the age of Chaucer
    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Published: 2018
    Publisher:  de Gruyter Mouton, Berlin

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110578133
    RVK Categories: HH 4033 ; HH 5082 ; HH 5092
    DDC Categories: 420
    Series: Buchreihe der Anglia / Anglia Book Series ; 60
    Subjects: Schreiben <Motiv>; Haut; Pergament <Motiv>; Pergament; Haut <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400); Geoffrey Chaucer; human skin; parchment; textuality
    Scope: 1 Online-Ressource (X, 270 Seiten)
  5. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Publisher)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.

     
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  6. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Publisher)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current... more

     

    Beat Studies represent a vibrant field of intellectual inquiry, and this collection examines Beat culture as deeply infused with ecological themes. Allen Ginsberg invented the term "Flower Power" and Beat texts uncover the sources of our current existential climate predicament. This is the first edited collection to place the Beat Generation in conversation with the environment. A diverse number of contributors from Asia, Europe, and North America addresses essential environmental subjects and the deep ecological vision of the Beats.

     
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  7. The Logic of Love in the Canterbury Tales
    Author: Sharma, Manish
    Published: [2022]; 2022
    Publisher:  University of Toronto Press, Toronto

    The Logic of Love in the Canterbury Tales argues that Geoffrey Chaucer’s magnum opus draws inventively on the resources of late medieval logic to conceive of love as an "insoluble." Philosophers of the fourteenth century expended great effort to... more

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    Universität Potsdam, Universitätsbibliothek
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    The Logic of Love in the Canterbury Tales argues that Geoffrey Chaucer’s magnum opus draws inventively on the resources of late medieval logic to conceive of love as an "insoluble." Philosophers of the fourteenth century expended great effort to solve insolubilia, like the notorious Liar paradox, in order to decide upon their truth or falsity. For Chaucer, however, and in keeping with Christ’s admonition from the Sermon on the Mount, the lover does not judge – does not decide on – the beloved. Through a series of detailed and rigorously "non-judgmental" readings, Manish Sharma provides new insight into each of the prologues and tales and intervenes into scholarly debates about their collective import. In so doing, The Logic of Love in the Canterbury Tales deploys Chaucer’s understanding of charity to consider the limitations of modern critical approaches to the Canterbury Tales, including deconstruction, psychoanalysis, and gender theory. In the course of the analysis, Sharma shows not only how love and medieval philosophy together inform Chaucerian composition, but also how Chaucer could serve as a resource for contemporary theoretical reflections on love and ethics "The Logic of Love in the Canterbury Tales proposes a new way to understand the correlation between love and philosophy in Chaucer's famous collection of stories."--

     
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  8. The Myth of Piers Plowman : Constructing a Medieval Literary Archive
    Author: Warner, Lawrence
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge, UK - New York, USA

    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem,... more

     

    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem by figures including the maligned Chaucer editor John Urry, and contextualizes its first modernization by a literary forger inspired by the 1790s Shakespeare controversies. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107338821
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: criticism and interpretation; authorship; Geoffrey Chaucer; Latin; London; Manuscript; Piers Plowman; William Langland
    Scope: 1 electronic resource (242 p.)
  9. Participatory reading in late-medieval England
    Author: Blatt, Heather
    Published: 20171101
    Publisher:  Manchester University Press, Manchester

    This book explores how modern media practices can illuminate participatory reading in England from the late-fourteenth to the early-sixteenth centuries. Nonlinear apprehension, immersion and embodiment are practices intimately familiar to readers of... more

     

    This book explores how modern media practices can illuminate participatory reading in England from the late-fourteenth to the early-sixteenth centuries. Nonlinear apprehension, immersion and embodiment are practices intimately familiar to readers of Wikipedia, players of video games and users of multi-touch mobile devices. But far from being unique to digital media, they have clear analogues in the pre-modern era. Participatory reading in late-medieval England traces how the affinities between old and new media can reveal fresh insights not only about the digital, but also about the long history of media forms and practices. It thus casts new light on the literary practices of a period pre- and post-print to demonstrate how participatory reading vitally contributed to and shaped these negotiations of fragile authority.

     
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  10. Writing on skin in the age of Chaucer
    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Published: [2018]; © 2018
    Publisher:  De Gruyter, Berlin ; Boston

    Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative sense. This volume explores the textuality of human skin as discussed by Geoffrey Chaucer and other writers (medical, religious, philosophical, and literary) of the fourteenth and fifteenth century. It presents four main aspects of the complex relations between text, parchment, and human skin as they have been discussed in recent scholarship. These four aspects are, first, the (mostly figurative) resonances between parchment-making and transformations of human skin, second, parchment as a space of contact between animal and human spheres, third, human skin and parchment as sites where (gender) identities are negotiated, and fourth, the place of medieval skin studies within cultural studies and its relationship to the major concerns of cultural studies: the difficult demarcation of skin from body, the instability of any inscription, and the skin’s precarious state as an entity of its own

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110578133; 9783110575873
    Other identifier:
    Series: Buchreihe der Anglia / Anglia Book Series ; Volume 60
    Subjects: Geoffrey Chaucer; human skin; parchment; textuality; Haut; Haut <Motiv>; Pergament <Motiv>; Schreiben <Motiv>; Pergament
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 Online-Ressource (VII, 273 Seiten)
  11. Hysteria, perversion, and paranoia in "The Canterbury tales"
    "wild" analysis and the symptomatic storyteller
    Author: McLaughlin, Becky Renee
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo, MI

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other – conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104; 9781501514067
    Other identifier:
    Series: Research in medieval and early modern culture ; 25
    Studies in medieval and early modern culture ; 71
    Subjects: Canterbury Tales; Chaucer; Geoffrey Chaucer; Hysteria; Hysterie; Paranoia; Perversion; Psychose; Psychosis; HISTORY / Medieval; Paranoia <Motiv>; Perversion <Motiv>; Hysterie <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: 1 Online Ressource (VIII, 295 Seiten)
  12. Chaucer's polyphony
    the modern in medieval poetry
    Author: Fruoco, Jonathan
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo

    Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style.... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514364; 9781501514043
    Other identifier:
    Series: Research in medieval and early modern culture ; 29
    Studies in medieval and early modern culture ; 75
    Subjects: Chaucer; Geoffrey Chaucer; Middle English; Mittelenglisch; Modernity; Modernität; Polyphonie; Polyphony; LITERARY CRITICISM / Medieval; Polyfonie <Literatur>; Dialogisches Prinzip
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 Online Ressource (X, 228 Seiten), Diagramm
  13. Keep on Rolling Under the Stars
    Green Readings on the Beat Generation
    Contributor: Weidner, Chad (Herausgeber)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

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  14. Schöne Lüge und verhüllte Wahrheit
    Theologische und poetische Allegorie in mittelalterlichen Dichtungen
    Author: Seitschek, Gisela
    Published: 2009
    Publisher:  Duncker & Humblot GmbH, Berlin

    Komplexe Zusammenhänge bildlich auszudrücken, ist seit jeher ein menschliches Bestreben. Allegorie und Personifikation sind vor allem in der mittelalterlichen Literatur gängige Verfahren, um Wissen und abstrakte Sachverhalte zu konkretisieren und zu... more

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    Komplexe Zusammenhänge bildlich auszudrücken, ist seit jeher ein menschliches Bestreben. Allegorie und Personifikation sind vor allem in der mittelalterlichen Literatur gängige Verfahren, um Wissen und abstrakte Sachverhalte zu konkretisieren und zu verkörpern. Gisela Seitschek klärt die Entwicklung allegorischer Literatur im Mittelalter ausgehend von einer historisch-systematischen Übersicht mit besonderem Augenmerk auf den Autoren Alanus ab Insulis, Guillaume de Lorris, Jean de Meun, Dante Alighieri und Geoffrey Chaucer. Mit in den Blick rückt dabei vor allem die mittelalterliche Bibelexegese, entwickelt sich doch die allegorische Literatur im wesentlichen aus der hermeneutischen Methode des vierfachen Schriftsinns. Die zentrale These lautet somit, daß die Allegorie, die ursprünglich aus der Theologie stammt, im »Rosenroman« profaniert und in Dantes »Divina Commedia« re-theologisiert, d.h. erneut in einen religiösen Kontext eingeschrieben wurde. In der Folge findet bei Chaucer wiederum eine Re-Profanierung statt

     
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    Volltext (Lizenzpflichtig)
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    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783428528189
    Edition: 1. Auflage
    Series: Schriften zur Literaturwissenschaft
    Other subjects: Alanus ab Insulis; Allegorie; Dante Alighieri; Geoffrey Chaucer; Guillaume de Lorris; Jean de Meun; Mittelalterliche Literatur; Rosenroman
    Scope: Online-Ressource
  15. Narrative voice in Chaucer's "Canterbury Tales"
    Author: Bornemann, Thies
    Published: 2014
    Publisher:  wvb Wiss. Verl. Berlin, Berlin

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  16. Travelling texts – texts travelling
    a Gedenkschrift in memory of Hans Sauer
    Contributor: Bauer, Renate (Herausgeber); Elsweiler, Christine (Herausgeber); Krischke, Ulrike (Herausgeber); Majewski, Kerstin (Herausgeber)
    Published: [2023]
    Publisher:  utzverlag, München ; Nomos, Baden-Baden

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    Contributor: Bauer, Renate (Herausgeber); Elsweiler, Christine (Herausgeber); Krischke, Ulrike (Herausgeber); Majewski, Kerstin (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783831677542
    Other identifier:
    RVK Categories: HG 439
    DDC Categories: 820; 420
    Series: English and beyond ; 14
    Subjects: Altenglisch; Mittelenglisch; Vergleichende Sprachwissenschaft; Literatur; Anglistik; English
    Other subjects: Old English; Geoffrey Chaucer; Wulfstan; Wilfrid; Charlemagne; Alcuin; Middle English; Early Middle English; Late Old English; secchimgom; Épinal-Erfurt Glossary; Runic
    Scope: 1 Online-Ressource (439 Seiten)
  17. Das Umfeld Geoffrey Chaucers am englischen Königshof
    Published: 2022
    Publisher:  Robert Fichtner Media, Hollenstedt

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Edition: Erste Auflage
    Other subjects: Chaucer, Geoffrey (1343-1400); Geoffrey Chaucer
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig

    Erscheinungsjahr der gedruckten Ausgabe des Digitalisats: 2022
  18. Schöne Lüge und verhüllte Wahrheit.
    Theologische und poetische Allegorie in mittelalterlichen Dichtungen.
    Author: Seitschek, Gisela
    Published: 2009
    Publisher:  Duncker & Humblot GmbH, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783428528189
    Edition: 1. Auflage
    Series: Schriften zur Literaturwissenschaft
    Subjects: Alanus ab Insulis; Allegorie; Dante Alighieri; Geoffrey Chaucer; Guillaume de Lorris; Jean de Meun; Mittelalterliche Literatur; Rosenroman
    Scope: 296 S.
  19. Writing on skin in the age of Chaucer
    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Published: [2018]; © 2018
    Publisher:  De Gruyter, Berlin ; Boston

    Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative... more

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    Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative sense. This volume explores the textuality of human skin as discussed by Geoffrey Chaucer and other writers (medical, religious, philosophical, and literary) of the fourteenth and fifteenth century. It presents four main aspects of the complex relations between text, parchment, and human skin as they have been discussed in recent scholarship. These four aspects are, first, the (mostly figurative) resonances between parchment-making and transformations of human skin, second, parchment as a space of contact between animal and human spheres, third, human skin and parchment as sites where (gender) identities are negotiated, and fourth, the place of medieval skin studies within cultural studies and its relationship to the major concerns of cultural studies: the difficult demarcation of skin from body, the instability of any inscription, and the skin’s precarious state as an entity of its own

     
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    Contributor: Nyffenegger-Staub, Nicole (Publisher); Rupp, Katrin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110575873; 9783110578133
    Other identifier:
    RVK Categories: HH 4033 ; HH 5082 ; HH 5092
    Series: Buchreihe der Anglia / Anglia Book Series ; Volume 60
    Subjects: Geoffrey Chaucer; human skin; parchment; textuality; Haut <Motiv>; Pergament <Motiv>; Schreiben <Motiv>; Pergament; Haut
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 Online-Ressource (VII, 273 Seiten)
  20. Hysteria, perversion, and paranoia in "The Canterbury tales"
    "wild" analysis and the symptomatic storyteller
    Author: McLaughlin, Becky Renee
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo, MI

    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in... more

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    Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other – conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514104; 9781501514067
    Other identifier:
    Series: Research in medieval and early modern culture ; 25
    Studies in medieval and early modern culture ; 71
    Subjects: Canterbury Tales; Chaucer; Geoffrey Chaucer; Hysteria; Hysterie; Paranoia; Perversion; Psychose; Psychosis; HISTORY / Medieval; Paranoia <Motiv>; Perversion <Motiv>; Hysterie <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: 1 Online Ressource (VIII, 295 Seiten)
  21. Narrative voice in Chaucer's 'Canterbury Tales'
    Author: Bornemann, Thies
    Published: 2014
    Publisher:  wvb, Wiss. Verl. Berlin, Berlin

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783865737977
    Other identifier:
    9783865737977
    RVK Categories: HH 5083
    DDC Categories: 420
    Subjects: Erzählperspektive
    Other subjects: Chaucer, Geoffrey (1343-1400): The Canterbury tales; Geoffrey Chaucer; Narratologie; Erzähltheorie; Mediaval narrative; Dramatic principle
    Scope: 276 S.
    Notes:

    Zugl.: Berlin, Freie Univ., Diss., 2013
  22. Birds, birds, birds
    a comparative study of medieval Persian and English poetry, especially Attar’s Conference of Birds, The Owl and the Nightingale, Chaucer’s The Parliament of Fowls and The Canterbury Tales
    Author: Baeten, Somayeh
    Published: [2020]; © 2020
    Publisher:  utzverlag GmbH, München

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783831648603; 3831648603
    Other identifier:
    9783831648603
    Series: English and Beyond ; Band 11
    Subjects: Erzählen <Motiv>; Rahmenerzählung; Fabel; Englisch; Persisch; Erzähltechnik
    Other subjects: Chaucer, Geoffrey (1343-1400): The parliament of fowls; Chaucer, Geoffrey (1343-1400): The Canterbury tales; ʿAṭṭār, Farīd-ad-Dīn (1145-1221): Manṭeq oṭ-ṭair; Chaucer, Geoffrey (1343-1400); ʿAṭṭār, Farīd-ad-Dīn (1145-1221); Animal Fable; Frame Tale; Farid du Din Attar; Geoffrey Chaucer; Stanley Nott; Garcin De Tassyand; Shafiei
    Scope: 117 Seiten, 24 cm x 17 cm, 386 g
    Notes:

    Dissertation, Ludwig-Maximilians-Universität München, 2019
  23. Chaucer's polyphony
    the modern in medieval poetry
    Author: Fruoco, Jonathan
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Kalamazoo

    Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style.... more

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    Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501514364; 9781501514043
    Other identifier:
    Series: Research in medieval and early modern culture ; 29
    Studies in medieval and early modern culture ; 75
    Subjects: Chaucer; Geoffrey Chaucer; Middle English; Mittelenglisch; Modernity; Modernität; Polyphonie; Polyphony; LITERARY CRITICISM / Medieval; Polyfonie <Literatur>; Dialogisches Prinzip
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 Online Ressource (X, 228 Seiten), Diagramm
  24. Schöne Lüge und verhüllte Wahrheit.
    Theologische und poetische Allegorie in mittelalterlichen Dichtungen.
    Author: Seitschek, Gisela
    Published: 2009
    Publisher:  Duncker & Humblot, Berlin

    Main description: Komplexe Zusammenhänge bildlich auszudrücken, ist seit jeher ein menschliches Bestreben. Allegorie und Personifikation sind vor allem in der mittelalterlichen Literatur gängige Verfahren, um Wissen und abstrakte Sachverhalte zu... more

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    Main description: Komplexe Zusammenhänge bildlich auszudrücken, ist seit jeher ein menschliches Bestreben. Allegorie und Personifikation sind vor allem in der mittelalterlichen Literatur gängige Verfahren, um Wissen und abstrakte Sachverhalte zu konkretisieren und zu verkörpern. Gisela Seitschek klärt die Entwicklung allegorischer Literatur im Mittelalter ausgehend von einer historisch-systematischen Übersicht mit besonderem Augenmerk auf den Autoren Alanus ab Insulis, Guillaume de Lorris, Jean de Meun, Dante Alighieri und Geoffrey Chaucer. Mit in den Blick rückt dabei vor allem die mittelalterliche Bibelexegese, entwickelt sich doch die allegorische Literatur im wesentlichen aus der hermeneutischen Methode des vierfachen Schriftsinns. Die zentrale These lautet somit, daß die Allegorie, die ursprünglich aus der Theologie stammt, im "Rosenroman" profaniert und in Dantes "Divina Commedia" re-theologisiert, d. h. erneut in einen religiösen Kontext eingeschrieben wurde. In der Folge findet bei Chaucer wiederum eine Re-Profanierung statt.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783428128181
    Other identifier:
    9783428528189
    RVK Categories: EC 3755 ; EC 5125
    Edition: 1. Aufl.
    Series: Schriften zur Literaturwissenschaft ; 32
    Subjects: Poetry, Medieval; Allegory; Mittelalterliche Literatur; Dante Alighieri; Rosenroman; Allegorie; Jean de Meun; Geoffrey Chaucer; Alanus ab Insulis; Guillaume de Lorris
    Scope: Online-Ressource (296 S.), Ill.
    Notes:

    PublicationDate: 20100910

    Vorwort; Inhaltsverzeichnis; Einleitung; I. Theorien der Allegorie vom Hl. Augustinus bis Dante; 1. Allegoria in verbis und allegoria in facto; 2. Von der zweifachen Allegorie zum vierfachen Schriftsinn; 3. Die Schriftexegese des Hl. Thomas von Aquin; 4. Die Theorie Dantes: allegoria dei poeti und allegoria dei teologi; a) Das Convivio; b) Das Schreiben an Cangrande della Scala; c) Zusammenfassung; II. Die Entwicklung der allegorischen Literatur von der Spätantike bis ins Mittelalter; 1. Spätantike: Prudentius, Martianus Capella, Claudianus, Boethius

    a) Aurelius Prudentius Clemens, Psychomachiab) Claudius Claudianus, In Rufinum; c) Martianus Capella, De nuptiis Mercurii et Philologiae; d) Anicius Manlius Severinus Boethius, De consolatione philosophiae; 2. Lateinisches Mittelalter: Bernardus Silvestris, Johannes de Altavilla; a) Bernardus Silvestris, De mundi universitate; b) Johannes de Altavilla, Architrenius; 3. Die Weiterentwicklung des Genres in der Volkssprache: Themen und Gattungen; a) Dit; b) Der Physiologus als Vorbild für die volkssprachlichen Bestiaires; c) Visionsliteratur; d) Minneallegorie

    III. Die poetische Allegorie in christlich-platonischem Kontext: Alanus ab Insulis1. De Planctu Naturae; 2. Anticlaudianus de Antirufino; a) Inhaltsüberblick; b) Allegorische Wissensvermittlung und Aufstieg zur Erkenntnis; aa) Allegorische Wissensvermittlung - die Darstellung der Artes; bb) Aufstieg zur Erkenntnis - die Himmelsreise der Prudencia; c) Zusammenfassung; IV. Allegoria dei poeti bzw. profane Allegorie: Der Roman de la Rose; 1. Der erste Teil des Roman de la Rose von Guillaume de Lorris; a) Inhaltsüberblick; b) Inwiefern ist der Roman de la Rose I eine allegoria dei poeti?

    2. Der zweite Teil des Roman de la Rose von Jean de Meun: Entfernung von der AllegorieV. Dante und die allegoria dei poeti: Zwei italienische Bearbeitungen des Rosenromans; 1. Il Fiore; a) Zur Geschichte des Manuskripts; b) Struktur; c) Das Problem der Autorschaft; d) Die Allegorien des Fiore; 2. Il Detto d'Amore; a) Die Frage der Autorschaft; b) Inhalt und Aufbau; c) Das allegorische Schema des Detto d'Amore; VI. Vita Nova - auf dem Weg zur Resakralisierung der Allegorie; 1. Il libro della memoria; 2. „Il Libro del Nove" - die Struktur der Vita Nova

    3. Ecce Deus fortior me - die Darstellung Amorsa) Die „Besitzergreifung"; b) Una maravigliosa visione - die erste Erscheinung; 4. Zwei weitere Erscheinungen Amors; 5. Beatrice - Amore; 6. Beatrice - beatrice; 7. Beatrice - miracolo; 8. Beatrice beata; a) Der Tod Beatrices; b) Die Todesvision Dantes; c) Demut und Todessehnsucht; d) Il „numero amico"; 9. Trauer und Transzendenz; 10. Quella benedecta Beatrice - der Blick in die Ewigkeit; VII. (Re-)Sakralisierung der Allegorie: Die Divina Commedia; 1. Aufbau und Rituale der Divina Commedia

    2. Historizität bzw. der sensus litteralis der Divina Commedia

    Electronic reproduction; Available via World Wide Web

    Zugl.: LMU München, Dissertationsschrift, 2007
  25. Narrative voice in Chaucer's "Canterbury Tales"
    Author: Bornemann, Thies
    Published: 2014
    Publisher:  wvb Wiss. Verl. Berlin, Berlin

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783865737977
    Other identifier:
    9783865737977
    DDC Categories: 420
    Subjects: Chaucer, Geoffrey; Erzählperspektive
    Other subjects: Geoffrey Chaucer; Narratologie; Erzähltheorie; Mediaval narrative; Dramatic principle
    Scope: 276 S.
    Notes:

    Berlin, Freie Univ., Diss., 2013