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Displaying results 1 to 23 of 23.

  1. Farce and farcical elements /
    Contributor: Hüsken, Wim N. M.; Schoell, Konrad,; Søndergaard, Leif.
    Published: 2002.
    Publisher:  Rodopi,, Amsterdam ;

    Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious... more

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    Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of "comedy" on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.

     
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    Source: Union catalogues
    Contributor: Hüsken, Wim N. M.; Schoell, Konrad,; Søndergaard, Leif.
    Media type: Ebook
    Format: Online
    ISBN: 9789004334243
    Other identifier:
    DOI: 10.1163/9789004334243
    Series: Ludus, ; 6
    Subjects: Farce.; Drama, Medieval; Drama, Medieval.; Farce.
    Scope: 1 online resource (223 pages)
    Notes:

    "Ludus: medieval and early Renaissance theatre and drama"--Preliminary page.

    Array: Array
  2. La farce aujourd'hui /
    Author: Diaz, Sylvain
    Published: 2019.
    Publisher:  CNRS Éditions,, Paris :

    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante... more

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    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante (et, sous certains aspects, paradoxale) et sur les liens que la farce d'aujourd'hui tisse avec son ancêtre médiévale. De Tardieu à Vinaver, les auteurs étudient la place de la farce sur les scènes contemporaines, l'ouvrage faisant la part belle à des dramaturges majeurs de l'extrême contemporain comme Rodrigo Garcia, Griselda Gambaro ou bien Elfriede Jelinek. Couvrant plusieurs aires linguistiques (française, anglaise, allemande, américaine, espagnole, israélienne, italienne, roumaine...), cette étude constitue, sans être exhaustive, une sorte de bilan d'un des aspects les plus importants de la dramaturgie moderne. L'ensemble se trouve enrichi de deux entretiens : l'un avec le dramaturge suisse de langue allemande Urs Widmer, l'autre avec le metteur en scène français Christian Schiaretti (directeur du TNP). Trois brefs extraits de Mistero Buffo de Dario Fo, traduits en « joual » – dialecte de la région de Montréal – par le dramaturge québécois Michel Tremblay, exemplifient le travail sur la langue que le comique porte en son essence depuis le Moyen Âge.

     
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  3. La farce aujourd'hui /
    Author: Diaz, Sylvain
    Published: 2019.
    Publisher:  CNRS Éditions,, Paris :

    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante... more

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    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante (et, sous certains aspects, paradoxale) et sur les liens que la farce d'aujourd'hui tisse avec son ancêtre médiévale. De Tardieu à Vinaver, les auteurs étudient la place de la farce sur les scènes contemporaines, l'ouvrage faisant la part belle à des dramaturges majeurs de l'extrême contemporain comme Rodrigo Garcia, Griselda Gambaro ou bien Elfriede Jelinek. Couvrant plusieurs aires linguistiques (française, anglaise, allemande, américaine, espagnole, israélienne, italienne, roumaine...), cette étude constitue, sans être exhaustive, une sorte de bilan d'un des aspects les plus importants de la dramaturgie moderne. L'ensemble se trouve enrichi de deux entretiens : l'un avec le dramaturge suisse de langue allemande Urs Widmer, l'autre avec le metteur en scène français Christian Schiaretti (directeur du TNP). Trois brefs extraits de Mistero Buffo de Dario Fo, traduits en « joual » – dialecte de la région de Montréal – par le dramaturge québécois Michel Tremblay, exemplifient le travail sur la langue que le comique porte en son essence depuis le Moyen Âge.

     
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  4. Dorische Posse, Epicharm und Attische Komödie
    Author: Kerkhof, Rainer
    Published: 2012; ©2001
    Publisher:  K.G. Saur, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110961683
    Other identifier:
    Series: Beiträge zur Altertumskunde ; Band 147
    Subjects: Farce; Greek drama (Comedy); Epicharmus; Griechisch; Komödie; Farce.; Greek drama (Comedy).; Epicharmus.; Griechisch.; Komödie.; HISTORY / Ancient / General
    Scope: 194 Seiten
  5. The Princeton Handbook of Multicultural Poetries /
    Contributor: Brogan, Terry V.F., (editor.)
    Published: [2021]; ©1996
    Publisher:  Princeton University Press,, Princeton, NJ :

    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the... more

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    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written).

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Brogan, Terry V.F., (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691228211
    Other identifier:
    Subjects: Poesie; Poesie; Poetics; Poetics; Poetique; Poetry; Poetry; Poetry; LITERARY CRITICISM / Poetry.
    Other subjects: Abbreviation.; Aeneid.; Aestheticism.; Allegory.; Alliteration.; Allusion.; Aphorism.; Art for art's sake.; Arthur Rimbaud.; Artifice.; Assonance.; Blank verse.; Caesura.; Charles Baudelaire.; Classicism.; Comparative literature.; Concrete poetry.; Couplet.; Courtly love.; Despair (novel).; Diction.; Didacticism.; Digression.; Dramatic monologue.; Eclogue.; Epic Cycle.; Epic poetry.; Epigram.; Epistle.; Evocation.; Existentialism.; Farce.; Free verse.; G. (novel).; Genre.; Hexameter.; Humour.; Idyll.; Imagery.; Intelligentsia.; Internal rhyme.; Irony.; Jews.; Lament.; Literature.; Long poem.; Lyric poetry.; Lyricism.; Metaphysical poets.; Modernism.; N. (novella).; Narrative poetry.; Narrative.; Neo-romanticism.; Neoclassicism.; New Generation (Malayalam film movement).; Novelist.; Of Modern Poetry.; Oral poetry.; Panegyric.; Parody.; Pessimism.; Petrarch.; Picturesque.; Poet.; Poetic diction.; Poetry.; Political poetry.; Prose poetry.; Prose.; Proverb.; Pseudonym.; Quatrain.; Rainer Maria Rilke.; Rhetoric.; Rhyme scheme.; Rhyme.; Romantic poetry.; Romanticism.; S. (Dorst novel).; Sanskrit.; Satire.; Sensibility.; Sonnet sequence.; Sonnet.; Stanza.; Strophe.; Surrealism.; Symbolism (arts).; T. S. Eliot.; The New Poetry.; The Other Hand.; The Song of Roland.; The Various.; Treatise.; Troubadour.; V.; World War II.; Writer.; Writing.
    Scope: 1 online resource (352 p.)
  6. Anatomy of Criticism :
    Four Essays /
    Author: Frye, Northrop,
    Published: [2020]; ©2001
    Publisher:  Princeton University Press,, Princeton, NJ :

    A landmark work of literary criticismNorthrop Frye's Anatomy of Criticism is the magnum opus of one of the most important and influential literary theorists of the twentieth century. Breaking with the practice of close reading of individual texts,... more

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    A landmark work of literary criticismNorthrop Frye's Anatomy of Criticism is the magnum opus of one of the most important and influential literary theorists of the twentieth century. Breaking with the practice of close reading of individual texts, Frye seeks to describe a common basis for understanding the full range of literary forms by examining archetypes, genres, poetic language, and the relations among the text, the reader, and society. Using a dazzling array of examples, he argues that understanding "the structure of literature as a total form" also allows us to see the profoundly liberating effect literature can have.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Damrosch, David, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691204253
    Other identifier:
    Series: Princeton Classics ; ; 70
    Subjects: Criticism.; LITERARY CRITICISM / Semiotics & Theory.
    Other subjects: Absurdity.; Adjective.; Allegory.; Ambiguity.; An Essay on Criticism.; Anachronism.; Anagnorisis.; Aphorism.; Apuleius.; Archetype.; Aristophanes.; Aristotle.; Ben Jonson.; Catharsis.; Comic book.; Criticism.; Decorum.; Diction.; Eclogue.; Eiron.; English literature.; Epigram.; Epithet.; Etymology.; Euripides.; Ezra Pound.; Farce.; Fiction.; Finnegans Wake.; François Rabelais.; Genre fiction.; Genre.; Grammar.; Hamartia.; Historical criticism.; Humanities.; Humour.; Il Penseroso.; Illustration.; Imagery.; Invective.; Irony.; King Lear.; Literary criticism.; Literary fiction.; Literature.; Lycidas.; Madame Bovary.; Melodrama.; Menippean satire.; Metaphor.; Metre (poetry).; Mimesis.; Misery (novel).; Modern Fiction (essay).; Myth and ritual.; Myth.; Mythopoeia.; Narrative.; New Criticism.; Novel.; Novelist.; Old Comedy.; Oracle.; Parable.; Parody.; Pedant.; Pentameter.; Philosopher.; Pity.; Plautus.; Poet.; Poetics (Aristotle).; Poetry.; Prose.; Rainer Maria Rilke.; Rhetoric.; Rhetorical criticism.; Ridicule.; Romanticism.; Satire.; Shakespearean comedy.; Simile.; Suggestion.; Superiority (short story).; Tamburlaine.; Terence.; The Faerie Queene.; The Other Hand.; The Pilgrim's Progress (opera).; The Various.; Theory.; Tragedy.; Tragic hero.; Virginia Woolf.; Volpone.; Western literature.; William Shakespeare.; Writer.; Writing.
    Scope: 1 online resource (408 p.)
  7. Anatomy of criticism :
    four essays /
    Author: Frye, Northrop,
    Published: 2020.
    Publisher:  Princeton University Press,, Princeton, New Jersey ;

    ""Brilliant. . . . Frye has wit, style, audacity, immense learning, [and] a gift for opening up new and unexpected perspectives in the study of literature."-The Nation"-- more

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    ""Brilliant. . . . Frye has wit, style, audacity, immense learning, [and] a gift for opening up new and unexpected perspectives in the study of literature."-The Nation"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Damrosch, David, (writer of foreword.)
    Media type: Ebook
    Format: Online
    ISBN: 0-691-20425-X
    Other identifier:
    Series: Princeton classics
    Subjects: Criticism.
    Other subjects: Absurdity.; Adjective.; Allegory.; Ambiguity.; An Essay on Criticism.; Anachronism.; Anagnorisis.; Aphorism.; Apuleius.; Archetype.; Aristophanes.; Aristotle.; Ben Jonson.; Catharsis.; Comic book.; Criticism.; Decorum.; Diction.; Eclogue.; Eiron.; English literature.; Epigram.; Epithet.; Etymology.; Euripides.; Ezra Pound.; Farce.; Fiction.; Finnegans Wake.; François Rabelais.; Genre fiction.; Genre.; Grammar.; Hamartia.; Historical criticism.; Humanities.; Humour.; Il Penseroso.; Illustration.; Imagery.; Invective.; Irony.; King Lear.; Literary criticism.; Literary fiction.; Literature.; Lycidas.; Madame Bovary.; Melodrama.; Menippean satire.; Metaphor.; Metre (poetry).; Mimesis.; Misery (novel).; Modern Fiction (essay).; Myth and ritual.; Myth.; Mythopoeia.; Narrative.; New Criticism.; Novel.; Novelist.; Old Comedy.; Oracle.; Parable.; Parody.; Pedant.; Pentameter.; Philosopher.; Pity.; Plautus.; Poet.; Poetics (Aristotle).; Poetry.; Prose.; Rainer Maria Rilke.; Rhetoric.; Rhetorical criticism.; Ridicule.; Romanticism.; Satire.; Shakespearean comedy.; Simile.; Suggestion.; Superiority (short story).; Tamburlaine.; Terence.; The Faerie Queene.; The Other Hand.; The Pilgrim's Progress (opera).; The Various.; Theory.; Tragedy.; Tragic hero.; Virginia Woolf.; Volpone.; Western literature.; William Shakespeare.; Writer.; Writing.
    Scope: 1 online resource
  8. Century of English Farce /
    Author: Hughes, Leo,
    Published: [2015]; ©1956
    Publisher:  Princeton University Press,, Princeton, NJ :

    This study of farce and low comedy in the English theatre covers the period in which farce as a distinct genre had its beginning.Originally published in 1956.The Princeton Legacy Library uses the latest print-on-demand technology to again make... more

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    This study of farce and low comedy in the English theatre covers the period in which farce as a distinct genre had its beginning.Originally published in 1956.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400876891
    Other identifier:
    Series: Princeton Legacy Library ; ; 2128
    Subjects: English drama (Comedy); English drama; English drama; Farce.; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
    Scope: 1 online resource (316 p.)
  9. Dorische Posse, Epicharm und Attische Komödie /
    Author: Kerkhof, Rainer.
    Published: [2012]; ©2001
    Publisher:  B. G. Teubner,, Leipzig :

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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110961683
    Other identifier:
    Series: Beiträge zur Altertumskunde ; ; 147
    Subjects: Farce.; Greek drama (Comedy); Epicharmus.; Griechisch.; Komödie.
    Scope: 1 online resource (194p.)
  10. Die englische Farce im frühen 20. Jahrhundert /
    Author: Quaschnowitz, Dirk
    Published: 1991.
    Publisher:  Lit,, Münster u.a. :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3-89473-136-2
    RVK Categories: HM 1231 ; HK 1341 ; HM 1224
    Series: Studien zur englischen Literatur ; 4
    Subjects: English drama; English farces; Englisch.; Farce.
    Scope: II, 179 S.
    Notes:

    Zugl.: Münster (Westfalen), Univ., Diss., 1990
  11. Modern British farce :
    a selective study of British farce from Pinero to the present day.
    Author: Smith, Leslie
    Published: 1989.
    Publisher:  Macmillan,, Basingstoke u.a. :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0-333-44878-2
    RVK Categories: HG 590 ; HN 1224 ; HN 1231
    Edition: 1. publ.
    Subjects: English drama; English drama; Farce; Englisch.; Farce.
    Scope: XII, 232 S.
  12. Die englische Farce im 19. Jahrhundert /
    Author: Klemm, Werner
    Published: 1946.
    Publisher:  Francke,, Bern :

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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    RVK Categories: HL 1231
    Series: Schweizer anglistische Arbeiten ; 18
    Subjects: English drama; English farces; Englisch.; Farce.
    Scope: VIII, 191 S.
    Notes:

    Zugl.: Basel, Univ., Diss., 1946
  13. Dorische Posse, Epicharm und Attische Komödie
    Author: Kerkhof, Rainer
    Published: 2001
    Publisher:  K.G. Saur, München

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110961683
    Other identifier:
    RVK Categories: FH 21613
    Series: Beiträge zur Altertumskunde ; Band 147
    Subjects: Array; Array; Doric Greek dialect; Farce.; Greek drama (Comedy); Epicharmus.; Griechisch.; Komödie.
    Scope: 194 Seiten
    Notes:

    Geringfügig überarbeitete Fassung der Dissertation des Autors

    Dissertation, Universität Köln, 1999/2000
  14. Les caracteristiques essentielles de la farce française et leur survivance dans les années 1550 - 1620 /
    Author: Bowen, Barbara C.,
    Published: 1964.
    Publisher:  Univ. of Illinois Press,, Urbana, Ill. :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    RVK Categories: IE 5572
    Edition: Neudr. Ann Arbor, Mich. 1980
    Series: Illinois studies in language and literature ; 53
    Subjects: Farces françaises - Histoire et critique; Théâtre (Genre littéraire) - 15e et 16e siècles - Histoire et critique; Théâtre français - Avant 1500 - Histoire et critique; French drama; French farces; Französisch.; Farce.
    Scope: 220 S.
  15. Goodbye Yeats and O'Neill :
    farce in contemporary Irish and Irish-American narratives /
    Author: Hagan, Edward A.
    Published: 2010.
    Publisher:  Rodopi,, Amsterdam ;

    Goodbye Yeats and O'Neill is a reading of one or two books recently written by the following major authors: Roddy Doyle, Colm Tóibín, John McGahern, William Trevor, Seamus Deane, Nuala O'Faolain, Patrick McCabe, Colum McCann, Nick Laird, Gerry Adams,... more

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    Goodbye Yeats and O'Neill is a reading of one or two books recently written by the following major authors: Roddy Doyle, Colm Tóibín, John McGahern, William Trevor, Seamus Deane, Nuala O'Faolain, Patrick McCabe, Colum McCann, Nick Laird, Gerry Adams, Claire Boylan, Frank McCourt, Tim O'Brien, Michael Patrick MacDonald, Alice McDermott, Edward J. Delaney, Beth Lordan, William Kennedy, Thomas Kelly, and Mary Gordon. The study argues that farce has been a major mode of recent Irish and Irish-American fiction and memoir-a primary indicator of the state of both Irish and Irish-American cultures in the early twenty-first century.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9789042029941
    Other identifier:
    DOI: 10.1163/9789042029941
    Series: Costerus ; ; new ser., v. 183
    Subjects: Irish literature; Irish American literature; Farce.; Irony in literature.; Farce.; Irish American literature.; Irish literature.; Irony in literature.
    Scope: 1 online resource (vi, 329 pages)
    Notes:

    Includes bibliographical references (p. 315-320) and index.

    Preliminary Material -- THE DONKEYS AND THE NARROWBACKS: CONTEMPORARY CIRCUS ANIMALS -- DEFINING THE OBJECT FOR STRUGGLE: EPISTEMOLOGY IN THE AGE OF AUTOBIOGRAPHY - FRANK MCCOURT, ANGELA'S ASHES AND SEAMUS DEANE, READING IN THE DARK -- BELFAST AND SOUTH BOSTON: CUT OFF FROM SERIOUS CONSIDERATION - GERRY ADAMS, BEFORE THE DAWN AND MICHAEL PATRICK MACDONALD, ALL SOULS -- THE VOID OF IRISH IDENTITY: NUALA O'FAOLAIN, ARE YOU SOMEBODY -- TIM O'BRIEN'S IRONIC AESTHETIC: FAITH AND THE NATURE OF A "TRUE" STORY -- THE DELUSION OF CULTURAL STUDIES: COLM TÓIBÍN, THE BLACKWATER LIGHTSHIP -- PICARESQUE FARCE: NICK LAIRD, UTTERLY MONKEY -- ICONS FOR THE NEW AGE: THE TRANSVESTITE IN PATRICK MCCABE'S BREAKFAST ON PLUTO AND THE BALLET DANCER IN COLUM MCCANN'S DANCER -- HOME ISN'T THERE ANY MORE: WILLIAM TREVOR'S THE STORY OF LUCY GAULT AND JOHN MCGAHERN'S BY THE LAKE -- TRANSFORMING NOSTALGIA FOR THE VICTORIAN: CLARE BOYLAN'S CHARLOTTE BRONTË NOVEL, EMMA BROWN -- THE IRISH WESTERN EPIC: RODDY DOYLE REMAKES JOHN FORD - THE LAST ROUNDUP -- THE AMERICAN WAKE: ALICE MCDERMOTT, CHILD OF MY HEART -- BEING IRISH AND BEING NOTHING: THE ABYSS OF IDENTITY IN ALICE MCDERMOTT'S CHARMING BILLY AND EDWARD J. DELANEY'S FICTION -- THE HEADACHE AND THE ASPIRIN: SEX AS DISEASE AND CURE IN SHERMAN ALEXIE'S THE TOUGHEST INDIAN IN THE WORLD, COLUM MCCANN'S THIS SIDE OF BRIGHTNESS, AND OTHER CONTEMPORARY STORIES -- LOW SERIOUSNESS IN BETH LORDAN'S BUT COME YE BACK -- THE DECAY OF LYING? ON LIFE SUPPORT IN WILLIAM KENNEDY'S ROSCOE AND THOMAS KELLY'S THE RACKETS -- VISITING THE AMERICAN SIXTIES ON IRELAND: MARY GORDON'S PEARL -- THE NECESSITY AND FUTILITY OF ROMANCE: THOMAS KELLY'S EMPIRE RISING -- WHAT IS THE IRISH STORY? R.F. FOSTER'S THE IRISH STORY -- THE FUNCTION OF FARCE AT THE PRESENT TIME -- THE PATTERN OF READING IN THE DARK -- BIBLIOGRAPHY -- INDEX.
  16. David Kalisch - drei jüdische Possen /
    Contributor: Schulz, Georg-Michael, (editor.)
    Published: [2014]; ©2014
    Publisher:  De Gruyter Oldenbourg,, München ;

    During the first half of the 19th century, light theater typically portrayed Jews as objects of mockery or morally questionable minor characters. This was also true of Kalisch's farces. Yet it is thanks to his farce, "One of our people," which... more

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    During the first half of the 19th century, light theater typically portrayed Jews as objects of mockery or morally questionable minor characters. This was also true of Kalisch's farces. Yet it is thanks to his farce, "One of our people," which enjoyed success well into the 20th century, that we see a Jewish main character portrayed in an entirely positive manner, thus casting new light on Jewish life in a non-Jewish environment. Wie in Wien so erlebt auch in Berlin, Frankfurt, Darmstadt und andernorts das volkstümliche Unterhaltungstheater im 19. Jahrhundert eine Blütezeit mit der Posse als der dominierenden Gattung. In Berlin gibt David Kalisch der bereits etablierten Gattung ein deutlich prägnanteres Profil, nämlich mittels seines satirischen Witzes und durch oft verdeckte, aber für Eingeweihte erkennbare politische Bezüge - vor allem vor und in der Zeit der März-Revolution -, so dass er verschiedentlich sogar als "Vater der Berliner Posse" bezeichnet wird. Wenn bis dahin Juden zumeist in Nebenrollen und vielfach als lächerliche und verspottete oder als moralisch zweifelhafte Figuren auftreten, so ist das bei Kalisch nicht grundsätzlich anders, obwohl er selbst jüdischer Herkunft ist. Allerdings ist es just ihm zu verdanken, wenn in einer bis ins 20. Jahrhundert hinein erfolgreichen Posse - "Einer von unsere Leut'"- eine rein positiv gezeichnete jüdische Hauptfigur begegnet und Aspekte des Lebens von Juden in der nicht-jüdischen Umgebung in Deutschland thematisiert werden. Die hier zusammengestellten Stücke bieten das ganze Spektrum unterschiedlicher jüdischer Figuren in Kalischs Stücken.

     
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    Source: Union catalogues
    Contributor: Schulz, Georg-Michael, (editor.)
    Language: German
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9783110363463
    Other identifier:
    Parent title: Title is part of eBook package:: DGBA Theology and Religious Studies 2000 - 2014; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Complete Package 2014; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE History 2014; De Gruyter
    Series: Conditio Judaica : Studien und Quellen zur deutsch-jüdischen Literatur- und Kulturgeschichte , ; 87
    Subjects: Jews; Berlin.; Kalisch, David.; Posse.; jüdisch.; LITERARY COLLECTIONS / European / General.
    Other subjects: Berlin.; Farce.; Jewish.; Kalisch, David.
    Scope: 1 online resource (171 p.)
  17. Immaculate Deception and Further Ribaldries :
    Yet Another Dozen Medieval French Farces in Modern English /
    Author: Enders, Jody,
    Published: [2022]; ©2022
    Publisher:  University of Pennsylvania Press,, Philadelphia :

    Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming?... more

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    Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred.Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies-more extant than in any other vernacular-have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9780812298598
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: University of Pennsylvania Complete eBook-Package 2022; De Gruyter
    Series: The Middle Ages Series
    Subjects: French drama; French farces; Arts-Theater.; Lit Crit-European Literature.; Lit Crit-Medieval Literature.; DRAMA / European / French.
    Other subjects: Farce.; French literature.; Middle Ages.; Reformation.; Shakespeare.; comedy.; feminist staging.; free.; medieval literature.; new plays.; open access.; performance.; repertoire.; satire.; theater history.; translation.
    Scope: 1 online resource (432 p.) :, 6 halftones
  18. Rabelais :
    que le roman commence! : essai.
    Author: Pronkidēs, Lakēs,
    Published: [2017].
    Publisher:  Pierre-Guillaume de Roux,, Paris :

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  19. Theatrical event-machines :
    encounters between theatre and theory in british farce from the 1960s to the 1980s /
    Author: Howaldt, Kerstin
    Published: [2023].
    Publisher:  Königshausen & Neumann,, Würzburg :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 978-3-8260-7871-2; 3-8260-7871-3
    RVK Categories: AP 64930 ; HN 1231
    DDC Categories: 790
    Subjects: Theater.; Farce.; Englisch.
    Other subjects: Theatre, Britain; Farce
    Scope: 303 Seiten ;, 23.5 cm x 15.5 cm.
    Notes:

    Dissertation, Universität Erfurt, 2021
  20. La farce aujourd'hui /
    Author: Diaz, Sylvain
    Published: 2019.
    Publisher:  CNRS Éditions,, Paris :

    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante... more

     

    Ce volume réunit des réflexions sur la résurgence de la farce médiévale depuis la seconde moitié du xxe siècle. En effet, malgré l'importance de ce registre, peu d'études à ce jour ont entrepris de réfléchir tout à la fois sur sa présence insistante (et, sous certains aspects, paradoxale) et sur les liens que la farce d'aujourd'hui tisse avec son ancêtre médiévale. De Tardieu à Vinaver, les auteurs étudient la place de la farce sur les scènes contemporaines, l'ouvrage faisant la part belle à des dramaturges majeurs de l'extrême contemporain comme Rodrigo Garcia, Griselda Gambaro ou bien Elfriede Jelinek. Couvrant plusieurs aires linguistiques (française, anglaise, allemande, américaine, espagnole, israélienne, italienne, roumaine...), cette étude constitue, sans être exhaustive, une sorte de bilan d'un des aspects les plus importants de la dramaturgie moderne. L'ensemble se trouve enrichi de deux entretiens : l'un avec le dramaturge suisse de langue allemande Urs Widmer, l'autre avec le metteur en scène français Christian Schiaretti (directeur du TNP). Trois brefs extraits de Mistero Buffo de Dario Fo, traduits en « joual » – dialecte de la région de Montréal – par le dramaturge québécois Michel Tremblay, exemplifient le travail sur la langue que le comique porte en son essence depuis le Moyen Âge.

     
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  21. Dorische Posse, Epicharm und Attische Komödie /
    Author: Kerkhof, Rainer.
    Published: [2012]; ©2001
    Publisher:  B. G. Teubner,, Leipzig :

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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110961683
    Other identifier:
    Series: Beiträge zur Altertumskunde ; ; 147
    Subjects: Farce.; Greek drama (Comedy); Epicharmus.; Griechisch.; Komödie.
    Scope: 1 online resource (194p.)
  22. Dorische Posse, Epicharm und Attische Komödie
    Author: Kerkhof, Rainer
    Published: 2012; ©2001
    Publisher:  K.G. Saur, München

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    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110961683
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    Series: Beiträge zur Altertumskunde ; Band 147
    Subjects: Farce; Greek drama (Comedy); Epicharmus; Griechisch; Komödie; Farce.; Greek drama (Comedy).; Epicharmus.; Griechisch.; Komödie.; HISTORY / Ancient / General
    Scope: 194 Seiten
  23. Century of English Farce
    Author: Hughes, Leo
    Published: [2016]; ©1956
    Publisher:  Princeton University Press, Princeton, NJ

    This study of farce and low comedy in the English theatre covers the period in which farce as a distinct genre had its beginning.Originally published in 1956.The Princeton Legacy Library uses the latest print-on-demand technology to again make... more

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    This study of farce and low comedy in the English theatre covers the period in which farce as a distinct genre had its beginning.Originally published in 1956.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400876891
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Farce; English drama; English drama (Comedy); English drama; English drama; Farce; English drama; English drama (Comedy); English drama (Comedy).; English drama.; Farce.; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Preface -- -- Contents -- -- 1. A Problem in Definition -- -- 2. Structure and Devices -- -- 3. Farce and the Afterpiece -- -- 4. Rival Entertainments: Pantomime, Burlesque, Satire, Sentiment -- -- 5. Sources and Influences -- -- 6. The Actors -- -- 7. Fairs and Strollers -- -- 8. Some Representative Farces -- -- 9. Conclusion: The Status of Farce -- -- Bibliography -- -- Index