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  1. Flowing Traces
    Buddhism in the Literary and Visual Arts of Japan
    Published: 1992; ©1992
    Publisher:  Princeton University Press, Princeton, N.J.

    According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually... more

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    According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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  2. Fate, Nature, and Literary Form
    The Politics of the Tragic in Japanese Literature
    Author: Nishi, Kinya
    Published: [2020]
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgements -- A Note on Chinese, Korean, and Japanese Names -- Preface -- Chapter 1: Approaching the Idea of Tragedy in the Non-West -- Chapter 2: Tragic Dramaturgy in Classical Japanese Theater -- Chapter 3:... more

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    Frontmatter -- Table of Contents -- Acknowledgements -- A Note on Chinese, Korean, and Japanese Names -- Preface -- Chapter 1: Approaching the Idea of Tragedy in the Non-West -- Chapter 2: Tragic Dramaturgy in Classical Japanese Theater -- Chapter 3: Tragic Individualism in Modern Japanese Fiction -- Chapter 4: The Dilemma of Multicultural Aesthetics -- Chapter 5: Japanese Modernity and the Cultural Configuration of Nature -- Chapter 6: Matsuo Bashō’s Realism -- Chapter 7: Hiroshima and the Poetics of Death -- Chapter 8: Narrative after Fukushima -- Bibliography -- Index of Names -- Index of Subjects This study is a theoretical reconsideration of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as “the other” of the West. By examining the social backgrounds of artists’ endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment

     

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  3. Die geheimen Lehrschriften zur Duft-Kunst (Kōdō hidensho) – Ästhetik und Praxis der Duft-Kunst in der Edo-Zeit

    Abstract: The Incense Ceremony is one of Japans traditional arts. After the early court enjoyed fragrance and incense in a playful manner (as documented by sources dating back as far as the early eighth century), it evolved during the fifteenth... more

     

    Abstract: The Incense Ceremony is one of Japans traditional arts. After the early court enjoyed fragrance and incense in a playful manner (as documented by sources dating back as far as the early eighth century), it evolved during the fifteenth century into a complex ceremony. The moment of olfactory perception turned into a strict ritual, which combined performative as well as ornamental constituents. In the following Edo period (1603–1868) the Incense Ceremony is characterized by a significant rise in popularity, marked by a growing number of practitioners, who used written treatises to teach and transmit practical knowledge about the art. As one of the first printed treatises the Kōdō hidensho 香道秘伝書 (1669) reached wide circulation. Additionally, the number of comments on this specific treatise published in the century following its publication attest to its high status. While there are other treatises focusing on some aspects of the ceremony in more detail, the Kōdō hidensho does provide a solid overview on the ceremony, its material and performative constituents, its games and how they were celebrated. Consisting of nine separate parts in its entirety, the following translation presents the first two.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    Enthalten in: Asiatische Studien; Boston, Mass. ; Berlin : De Gruyter, 1947-; 73, Heft 2 (2019), 327-345 (gesamt 19); Online-Ressource
    Other subjects: incense; aesthetics; kōdō; performance; Edo period; Räucherwerk; Ästhetik; kōdō; Aufführungspraxis; Edo-Zeit
    Scope: Online-Ressource
  4. Fate, Nature, and Literary Form
    The Politics of the Tragic in Japanese Literature
    Author: Nishi, Kinya
    Published: [2020]
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgements -- A Note on Chinese, Korean, and Japanese Names -- Preface -- Chapter 1: Approaching the Idea of Tragedy in the Non-West -- Chapter 2: Tragic Dramaturgy in Classical Japanese Theater -- Chapter 3:... more

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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Table of Contents -- Acknowledgements -- A Note on Chinese, Korean, and Japanese Names -- Preface -- Chapter 1: Approaching the Idea of Tragedy in the Non-West -- Chapter 2: Tragic Dramaturgy in Classical Japanese Theater -- Chapter 3: Tragic Individualism in Modern Japanese Fiction -- Chapter 4: The Dilemma of Multicultural Aesthetics -- Chapter 5: Japanese Modernity and the Cultural Configuration of Nature -- Chapter 6: Matsuo Bashō’s Realism -- Chapter 7: Hiroshima and the Poetics of Death -- Chapter 8: Narrative after Fukushima -- Bibliography -- Index of Names -- Index of Subjects This study is a theoretical reconsideration of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as “the other” of the West. By examining the social backgrounds of artists’ endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment

     

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