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To savor the meaning
the theology of literary emotions in medieval Kashmir -
<<The>> inter-relations between Dhvani and Vakrokti
a study -
Dhvani sampradāya aura usake siddhānta
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Dhvanyāloka of Ānandavardhana
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The Dhvanyāloka and its critics
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Dhvani sampradāya aura usake siddhānta
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The inter-relations between Dhvani and Vakrokti
a study -
To savor the meaning
the theology of literary emotions in medieval Kashmir -
Dhvani-siddhānta aura hindī ke pramukha ācārya
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Hindī chāyāvādottara kāvya meṃ dhvani
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Concept of Dhvani in Sanskrit poetics
(Indian theory of suggestion and principles of literary criticism) in the light of Ānanadavardhana's Dhvanyāloka and its commentator Madhusudan Miśra's Avadhāna commentary -
The Dhvanyāloka and its critics
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I. A. Richards and Indian theory of Rasa
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To savor the meaning
the theology of literary emotions in medieval Kashmir -
The Dhvani theory in Sanskrit poetics
-
Dhvanyāloka of Ānandavardhana
-
<<The>> Dhvanyāloka and its critics
-
Dhvanyāloka of Ānandavardhana
-
I. A. Richards and Indian theory of Rasa
-
The Dhvanyāloka and its critics
-
Dhvanyāloka of Ānandavardhana
-
Concept of Dhvani in Sanskrit poetics
Indian theory of suggestion and principles of literary criticism in the light of Ānanadavardhana's Dhvanyāloka and its commentator Madhusudan Miśra's Avadhāna commentary -
The origin and development of the theory of Rasa and Dhvani in Sanskrit poetics
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Dhvanyālokaḥ
Dhvanyāloka tathā Abhinavaguptaracita 'locana' donoṃ ke hindī anuvāda evaṃ 'āśubodhinī' nāmaka samīkṣātmaka vistṛta hindī vyākhyā aur bhūmkā sahita -
Dhvanyālokaḥ
Dhvanyāloka tathā Abhinavaguptaracita 'locana' donoṃ ke hindī anuvāda evaṃ 'āśubodhinī' nāmaka samīkṣātmaka vistṛta hindī vyākhyā aur bhūmkā sahita – 1