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  1. Dimensions of storytelling in German literature and beyond :
    "for once, telling it all from the beginning" /
    Contributor: Boney, Kristy R., (editor.); William, Jennifer, (editor.)
    Published: 2018.
    Publisher:  Camden House,, Rochester, New York :

    Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance. more

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    Verlag (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Explores the storytelling of Anna Seghers and other 20th-century writers who faced the tensions between aesthetics and politically conscious writing, between conformity and resistance.

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Boney, Kristy R., (editor.); William, Jennifer, (editor.)
    Media type: Ebook
    Format: Online
    ISBN: 1-78744-438-4
    Other identifier:
    Series: Studies in German literature, linguistics, and culture
    Subjects: German literature; aStorytelling in literature.
    Other subjects: Aesthetics.; Cultural Context.; German Literature.; Identity.; Literary Critique.; Literature Analysis.; Modernism.; Narration.; Storytelling.; Themes.
    Scope: 1 online resource (vii, 280 pages) :, digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 19 Apr 2019).

    Includes bibliographical references and index.
  2. Reading performance :
    Spanish golden age theatre and Shakespeare on the modern stage /
    Author: Fischer, Susan L.
    Published: 2009.
    Publisher:  Tamesis,, Woodbridge, Suffolk [England] ;

    Spanish Golden-Age plays take their place at the forefront of world theatre. Oscar Wilde once observed that `it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Spanish Golden-Age plays take their place at the forefront of world theatre. Oscar Wilde once observed that `it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different and often mutually exclusive constituencies: the academic critic and the theatre practitioner. In looking at the ways in which theatre is a barometer of society, the essays in this book form part of a larger theoretical inquiry into performance as interpretation, contingent upon the cultural context. Engaging with theoretical approaches to culture, and theoreticians from Elam to Brook, and from Derrida to Bakhtin, the author analyzes in detail productions of plays by Lope de Vega, Tirso de Molina, and Calderón dela Barca, as well as an adaptation of Rojas' Celestina, on the Spanish, or French, or Anglo-American stage. Two chapters deal with appropriations of Shakespeare's Merchant of Venice in translation on the Spanish andFrench boards.As they read performance in [trans]national productions, these essays are not only at the cutting-edge of theatre studies on the `foreign' stage, but they also bring Spanish Golden-Age plays, long neglected byprofessional directors of the classics because of the lack of a continuous performance tradition, closer to assuming their rightful place amongst `the great theatre of the world'. SUSAN L. FISCHER is Professor of Spanish and Comparative Literature at Bucknell University.

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-282-98828-X; 9786612988288; 1-84615-754-4
    Other identifier:
    Series: Coleccion Tamesis. Serie A, Monografias ; ; 272
    Subjects: Spanish drama
    Other subjects: Shakespeare, William, (1564-1616); Cultural Context.; Culture.; Interpretation.; Literary Text.; Modern Stage.; Performance.; Shakespeare.; Spanish Golden-Age Plays.; Theatre as Barometer of Society.; Theoretical Approaches.; World Theatre.
    Scope: 1 online resource (xxiv, 368 pages) :, digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 28 Feb 2023).

    Includes bibliographical references (p. [327]-352) and index.

    pt. 1. Comedia on the Spanish stage -- pt. 2. Comedia on the Anglo-American stage.