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  1. Urban Food Systems Governance and Poverty in African Cities
    Contributor: Battersby, Jane (Publisher); Watson, Vanessa (Publisher)
    Published: 2018
    Publisher:  Taylor & Francis

    This book presents the findings of an international collaborative research project that aimed to improve our understanding of the connections between urban poverty, food systems, household food security and governance, by focusing on three secondary... more

     

    This book presents the findings of an international collaborative research project

    that aimed to improve our understanding of the connections between

    urban poverty, food systems, household food security and governance, by focusing

    on three secondary cities in Anglophone sub-Saharan Africa.

     

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    Source: OAPEN
    Contributor: Battersby, Jane (Publisher); Watson, Vanessa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781138726758; 9781315191195
    Subjects: Food & society; Central government; Urban & municipal planning
    Other subjects: Food security; Food supply; Government policy; Poverty; Urbanization; Africa; Kenya; Kisumu; Kitwe
    Scope: 1 electronic resource (290 p.)
  2. Inside the Canberra Press Gallery : Life in the Wedding Cake of Old Parliament House
    Published: 2011
    Publisher:  ANU Press, Canberra

    Before television, radio, and later the internet came to dominate the coverage of Australian politics, the Canberra Press Gallery existed in a world far removed from today’s 24-hour news cycle, spin doctors and carefully scripted sound bites. This... more

     

    Before television, radio, and later the internet came to dominate the coverage of Australian politics, the Canberra Press Gallery existed in a world far removed from today’s 24-hour news cycle, spin doctors and carefully scripted sound bites. This historical memoir of a career reporting from The Wedding Cake of Old Parliament House offers a rare insider’s perspective on both how the gallery once operated and its place in the Australian body politic.

     

    Using some of the biggest political developments of the past fifty years as a backdrop, Inside the Canberra Press Gallery – Life in the Wedding Cake of Old Parliament House sheds light on the inner workings of an institution critical to the health of our parliamentary democracy.

     

    Rob Chalmers (1929-2011) entered the Federal Parliamentary Press Gallery in 1951 as a twenty-one-year-old reporter for the now-defunct Sydney Daily Mirror and would retire from political commentary 60 years later – an unprecedented career span in Australian political history. No parliamentary figure – politician, bureaucrat or journalist − can match Chalmers’ experience, from his first Question Time on 7 March 1951 until, desperately ill, he reluctantly retired from editing the iconic newsletter Inside Canberra sixty years, four months and eighteen days later.

     

    As well as being considered a shrewd political analyst, Chalmers was a much-loved member of the gallery and a past president of the National Press Club. Rob Chalmers used to boast that he had outlasted 11 prime ministers; and a 12th, Julia Gillard described him as ‘one of the greats’ of Australian political journalism upon his passing. Rob Chalmers is survived by his wife Gloria and two children from a previous marriage, Susan and Rob jnr.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: TV & society; Politics & government; Central government
    Other subjects: australia; journalism; parliament; press; gouvernment; Canberra; Gough Whitlam
    Scope: 1 electronic resource (254 p.)
  3. An uneasy hegemony
    politics of state-building and struggles for justice in Sri Lanka
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    Sri Lanka has been regarded as a model democracy among former British colonies. It was lauded for its impressive achievement in terms of human development indicators. However, Sri Lanka's modern history can also be read as a tragic story of... more

    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    295 pol 2022/4288
    Unlimited inter-library loan, copies and loan

     

    Sri Lanka has been regarded as a model democracy among former British colonies. It was lauded for its impressive achievement in terms of human development indicators. However, Sri Lanka's modern history can also be read as a tragic story of inter-ethnic inequalities and tensions, resulting in years of violent conflicts. Two long spells of anti-state youth uprisings were followed by nearly three decades of civil war, and most recently a renewed upsurge of events are examples of the on-going uneasy project of state-building. This book discusses that state-building in Sri Lanka is centred on the struggle for hegemony amidst a kind of politics that rejects individual and group equality, opposes the social integration of marginalised groups and appeals to narrow, fearful and xenophobic tendencies among the majority population and minorities alike. It answers the pressing questions of - How do the dynamics of intra-Sinhalese class relations and Sinhalese politics influence the trajectories of post-colonial state-building? What tensions emerge over time, between Sinhalese hegemony-building and wider state-building? How did these tensions manifest in majority and minority relationships?

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781009199247
    Series: South Asia in the social sciences ; 19
    Subjects: Justice, Administration of; Nation-building; Central government; Constitution: government & the state; Friedens- und Konfliktforschung; Government powers; Kommunal-, Regional- Landes und Lokalregierung; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POLITICAL SCIENCE / Government / International; Peace studies & conflict resolution; Political structure & processes; Politics & government; Politik und Staat; Politische Strukturen und Prozesse; Regierungsbefugnisse; Regional government; Verfassung: Regierung und Staat; Zentralregierung
    Scope: xxiii, 360 Seiten
    Notes:

    Serienzählung auf hinteren Buchumschlag genannt

    Interessenniveau: 01, General/trade: For a non-specialist adult audience. (01)

    Dedication; Preface; List of Tables; List of Acronyms; Acknowledgements; 1. Introduction; 2. Politics of judgement; 3. From nationalism to ethnic supremacy; 4. Political patronage: Underbelly of everyday politics; 5. State institutions and patronage politics; 6. War and peace as politics by other means; 7. What came after war?; Bibliography; Annexes; Index.

  4. Please make me pretty, I don't want to die
    poems
    Published: [2022]; 2022
    Publisher:  Princeton University Press, Princeton

    "Please make me pretty, I don't want to die is the first book of poetry by Tawanda Mulalu. In four parts named for the seasons, these poems bring together descriptions of everyday experiences and sensory memories with an overarching focus on the... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    "Please make me pretty, I don't want to die is the first book of poetry by Tawanda Mulalu. In four parts named for the seasons, these poems bring together descriptions of everyday experiences and sensory memories with an overarching focus on the pleasures and difficulties of intimacy and the anomie of United States culture. An immigrant to the U.S. from Botswana, Mulalu explores facets of his life and identity in a powerful first-person voice, including his relationships, his immigration, and his work as a teacher's assistant in a third-grade classroom in Cambridge, Massachusetts. The collection juxtaposes traditional poetic styles such as sonnets and elegies with less orthodox interjections, such as craggy prose-poem "prayers" and other meditations, to create a poetic world both familiar and jarring-one in which history, the body, and poetry can collide in a single surprising turn of image ("The stars also suffer. Immense and dead, their gasses burn/ distant like castanets of antebellum teeth. My open window/ a synecdoche of country") or crystallize into lament: ("If I saw a starving/ black child my first thought would not be to take this picture of myself. Or wake. Everyone is dying. There/ are such pretty words for this.")"--

     

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  5. Please make me pretty, I don't want to die
    poems
    Published: [2022]; 2022
    Publisher:  Princeton University Press, Princeton

    "Please make me pretty, I don't want to die is the first book of poetry by Tawanda Mulalu. In four parts named for the seasons, these poems bring together descriptions of everyday experiences and sensory memories with an overarching focus on the... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Please make me pretty, I don't want to die is the first book of poetry by Tawanda Mulalu. In four parts named for the seasons, these poems bring together descriptions of everyday experiences and sensory memories with an overarching focus on the pleasures and difficulties of intimacy and the anomie of United States culture. An immigrant to the U.S. from Botswana, Mulalu explores facets of his life and identity in a powerful first-person voice, including his relationships, his immigration, and his work as a teacher's assistant in a third-grade classroom in Cambridge, Massachusetts. The collection juxtaposes traditional poetic styles such as sonnets and elegies with less orthodox interjections, such as craggy prose-poem "prayers" and other meditations, to create a poetic world both familiar and jarring-one in which history, the body, and poetry can collide in a single surprising turn of image ("The stars also suffer. Immense and dead, their gasses burn/ distant like castanets of antebellum teeth. My open window/ a synecdoche of country") or crystallize into lament: ("If I saw a starving/ black child my first thought would not be to take this picture of myself. Or wake. Everyone is dying. There/ are such pretty words for this.")"--

     

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