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  1. Black Riders :
    The Visible Language of Modernism /
    Published: [2020]; ©1993
    Publisher:  Princeton University Press,, Princeton, NJ :

    "English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to... more

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    "English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing. Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.

     

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  2. Collected Works of Paul Valery, Volume 15 :
    Moi /
    Published: [2015]; ©1975
    Publisher:  Princeton University Press,, Princeton, NJ :

    A selection of writings that portray the inner life of the artist. Included are several short autobiographical pieces in which Valéry talks about his early childhood, his adolescence, his military experience, his travels, his poetry, and his... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    A selection of writings that portray the inner life of the artist. Included are several short autobiographical pieces in which Valéry talks about his early childhood, his adolescence, his military experience, his travels, his poetry, and his acquaintances. The volume contains selections from the Valéry-Gide and Valéry-Fourment correspondence and two additional pieces, "The Avenues of the Mind," a magazine interview with Valéry printed in 1927, and Pierre Feline's "Memories of Paul Valéry."Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Mathews, Jackson, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400871551
    Other identifier:
    Series: Collected Works of Paul Valery ; ; 703
    Subjects: Literary Studies; LITERARY CRITICISM / European / French.
    Other subjects: A Book Of.; Ad libitum.; Alphonse Daudet.; Anecdote.; Apotheosis.; Arthur Rimbaud.; Aubrey Beardsley.; Aujourd'hui.; Automaton.; Avenue Foch.; Banality (sculpture series).; Bayard (legend).; Boredom.; Bug-Jargal.; Calculation.; Calligraphy.; Captivating.; Charles Gide.; Chauvinism.; Claude Lorrain.; Competent man.; Consummation.; Digression.; Disgust.; Empiricism.; Engraving.; Epithalamium.; Euclidean geometry.; Euripides.; Evocation.; Fiasco (novel).; Gascony.; Gaston Bachelard.; Genre.; Grand style (rhetoric).; Hemistich.; Henri de Toulouse-Lautrec.; I Wish (manhwa).; Illustration.; Imbecile.; In High Places (Harry Turtledove novel).; Jean Valjean.; Joseph Conrad.; La Plume.; La Revue Blanche.; La mer (Debussy).; Lecture.; Leitmotif.; Leo Tolstoy.; Les mille et une nuits.; Literary theory.; Literature.; Lord Byron.; Louis Lambert (novel).; Manifesto.; Marcel Schwob.; Mechanism design.; Melange (fictional drug).; Memoir.; Mercure de France.; Monseigneur.; Monsieur.; Mr.; My Day.; New Laws.; Nihilism.; Novelist.; Omnipotence.; On Writing.; Parody.; Parsifal.; Paul Bourget.; Paul Claudel.; Persius.; Philosopher.; Poetry.; Publication.; Quibble (plot device).; Red Beard.; Remade.; Return to order.; Richard Wagner.; S. (Dorst novel).; Seigneur.; Sensibility.; Stupidity.; The First Man.; The Other Hand.; The Philosopher.; The Various.; Thought.; Three Comrades (novel).; Treatise.; Ulalume.; V.; Valery.; Warfare.; Writer.; Writing.; À rebours.
    Scope: 1 online resource (436 p.)