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Displaying results 1 to 15 of 15.

  1. Private goes public
    self-narrativisation in Brian Friel's plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 3-7720-5534-6
    Other identifier:
    9783772055348
    Edition: 1st ed.
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia
    Scope: 1 Online Ressource, illustrations.
    Notes:

    [1. Auflage]

    Includes bibliographical references and index.
  2. Private goes public
    self-narrativisation in Brian Friel's plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 3-7720-5534-6
    Other identifier:
    9783772055348
    Edition: 1st ed.
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia
    Scope: 1 Online Ressource, illustrations.
    Notes:

    [1. Auflage]

    Includes bibliographical references and index.
  3. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  4. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  A. Francke Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    RVK Categories: HN 3445
    Edition: [1. Auflage]
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Drama; Selbst <Motiv>
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
  5. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

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    Technische Hochschule Augsburg
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    Edition: 1. Auflage
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth
  6. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  7. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Englisch; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Drama; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonial
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  8. Private goes public
    self-narrativisation in Brian Friel's plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 3-7720-5534-6
    Other identifier:
    9783772055348
    Edition: 1st ed.
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia
    Scope: 1 Online Ressource, illustrations.
    Notes:

    [1. Auflage]

    Includes bibliographical references and index.
  9. Sweeney’s revival
    translating and transcending the liminal
    Author: Ikeda, Hiroko
    Published: [2024]
    Publisher:  Peter Lang, Oxford

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  10. Forms of Capital in Brian Friel's Drama
    Cultural Studies and Drama
    Author: Heidari, Elham; Pirnajmuddin, Hossein
    Published: 2014
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783659530425; 3659530425
    Other identifier:
    9783659530425
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; Social Capital; cultural capital; Symbolic capital; Economic Capital; Pierre Bourdieu; Brian Friel; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  11. The Alienated Self in the Plays of Brian Friel
    Familial, Political, and Cultural Alienation
    Author: Gaber, Mahmoud
    Published: 2013
    Publisher:  Scholar's Press, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783639515169; 3639515161
    Other identifier:
    9783639515169
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; drama; Self-fragmentation; cultural estrangement; social isolation; (VLB-WN)1564: Englische Sprachwissenschaft, Literaturwissenschaft; literature; Literary Criticism; Irish literature; Brian Friel; Alienation; Alienated Self
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  12. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  A. Francke Verlag

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    Edition: 1st ed.
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia
    Scope: 1 online resource (271 p.)
    Notes:

    [1. Auflage]
  13. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Resolving-System (kostenfrei)
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    Universität Potsdam, Universitätsbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Englisch; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Drama; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonial
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  14. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  15. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013