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  1. Taking stakes in the unknown
    tracing Post-Black Art
    Author: Adusei-Poku, Nana
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

    In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    TU Berlin, Universitätsbibliothek
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    In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452943
    Other identifier:
    RVK Categories: LH 60240 ; LO 94037
    Series: Image ; volume 180
    Subjects: African American; Art; Black Diaspora Art; Black German; Critical Race Art History; Cultural Studies; Fine Arts; Gender Studies; Gender; Postcolonialism; Theory of Art; ART / Criticism; Postkolonialismus; Schwarze; Engagierte Kunst
    Other subjects: Metz, Philip (1971-); Bradford, Mark (1961-); Thomas, Hank Willis (1976-); Hewitt, Leslie (1977-); Thomas, Mickalene (1971-)
    Scope: 1 Online-Ressource (228 Seiten)
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2015
  2. Taking stakes in the unknown
    tracing Post-Black Art
    Author: Adusei-Poku, Nana
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783837652949
    RVK Categories: LH 60240 ; LO 94037
    Series: Image ; volume 180
    Subjects: Schwarze; Postkolonialismus; Engagierte Kunst
    Other subjects: Hewitt, Leslie (1977-); Bradford, Mark (1961-); Thomas, Hank Willis (1976-); Thomas, Mickalene (1971-); Metz, Philip (1971-); Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts
    Scope: 215 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 618 g
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2015
  3. BLACK-Red-Gold in "der bunten Republik"
    constructions and performances of Heimat/en in Post-Wende Afro-/Black German cultural productions
    Author: Plumly, Vanessa D.
    Published: 2015
    Publisher:  University of Cincinnati, Cincinnati

    While the Afro-/Black German population in the Federal Republic of Germany continues to seek national recognition, the volume and diversity of their cultural output has begun to receive its own international attention. This dissertation is an... more

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    While the Afro-/Black German population in the Federal Republic of Germany continues to seek national recognition, the volume and diversity of their cultural output has begun to receive its own international attention. This dissertation is an interdisciplinary study that assesses the multiplicity of the discursive constructions and performances of the imagined, yet real concept of Heimat in Black German cultural productions. These productions introduce a decolonization of the culturally and politically laden, as well as hegemonically and heteronormatively conceived, exclusionary space of (German) Heimat. In studying these re-imaginings and reconfigurations and the performative acts that constitute them in select Black German political and aesthetic works, I contend that Heimat is not only performed in resistance to a singularly imagined German origin and space of whiteness, but is also revealed to be a more vital construct than other forms of imagined communities. Black Germans, while rooted by their German cultural inheritance, simultaneously traverse the borders of the bounded German nation and interact on a global scale in the realm/s of the transnational Black diaspora. Heimat encompasses elements of both of these imagined communities; yet, it still can be distinguished from them. Persisting through contradictions, the plural Heimat/en of Black Germans become geographically situated, but also internalized (non- )spaces/places that are simultaneously individual and collective (corporeal in both senses of the 'body'), voluntary and involuntary, inclusive and exclusive, local, national, and transnational, and dangerous and safe

     
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    RVK Categories: GO 12710
    Subjects: Kultur; Heimat <Motiv>; Literatur; Schwarze
    Other subjects: Germanic literature; Black German; Afro- German; African Diaspora; German Heimat; Cultural anthropology; Political science; Film studies; African studies; Black studies; Academic theses
    Scope: 1 Online-Ressource (xi, 320 Seiten), Illustrationen
    Notes:

    Lteraturverzeichnis Seite 284-320

    Dissertation, University of Cincinnati, 2015
  4. Taking stakes in the unknown
    tracing Post-Black Art
    Author: Adusei-Poku, Nana
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

    In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452943
    Other identifier:
    RVK Categories: LH 60240 ; LO 94037
    Series: Image ; volume 180
    Subjects: African American; Art; Black Diaspora Art; Black German; Critical Race Art History; Cultural Studies; Fine Arts; Gender Studies; Gender; Postcolonialism; Theory of Art; ART / Criticism; Postkolonialismus; Schwarze; Engagierte Kunst
    Other subjects: Metz, Philip (1971-); Bradford, Mark (1961-); Thomas, Hank Willis (1976-); Hewitt, Leslie (1977-); Thomas, Mickalene (1971-)
    Scope: 1 Online-Ressource (228 Seiten)
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2015
  5. Taking stakes in the unknown
    tracing Post-Black Art
    Author: Adusei-Poku, Nana
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783837652949
    RVK Categories: LH 60240 ; LO 94037
    Series: Image ; volume 180
    Subjects: Schwarze; Postkolonialismus; Engagierte Kunst
    Other subjects: Hewitt, Leslie (1977-); Bradford, Mark (1961-); Thomas, Hank Willis (1976-); Thomas, Mickalene (1971-); Metz, Philip (1971-); Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts
    Scope: 215 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 618 g
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2015
  6. Taking stakes in the unknown
    tracing post-black art
    Author: Adusei-Poku, Nana
    Published: [2021]
    Publisher:  transcript, Bielefeld

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  7. Taking stakes in the unknown :
    tracing Post-Black Art /
    Author: Adusei-Poku, Nana.
    Published: [2021].; © 2021.
    Publisher:  transcript,, Bielefeld :

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 978-3-8376-5294-9
    RVK Categories: LH 60240 ; LO 94037 ; HV 17230 ; HV 16020
    Series: Image ; volume 180
    Subjects: Engagierte Kunst.; Schwarze.; Postkolonialismus.
    Other subjects: Bradford, Mark (1961-); Hewitt, Leslie (1977-.); Thomas, Mickalene (1971-.); Thomas, Hank Willis (1976-.); Metz, Philip (1971-.); Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts
    Scope: 215 Seiten :, Illustrationen ;, 22.5 cm x 14.8 cm, 618 g.
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2015