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  1. What the Thunder Said :
    How The Waste Land Made Poetry Modern /
    Author: Rasula, Jed,
    Published: [2022]; ©2022
    Publisher:  Princeton University Press,, Princeton, NJ :

    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put its thirty-four-year-old author... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put its thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "But," as Jed Rasula writes, "The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern." In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, "April is the cruellest month, breeding / Lilacs out of the dead land," to its closing Sanskrit mantra, "Shantih shantih shantih," The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "make it new." What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "men of 1914."Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9780691225784
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: Princeton University Press Complete eBook-Package 2022; De Gruyter
    RVK Categories: HM 2455
    Subjects: LITERARY CRITICISM / Poetry.
    Other subjects: A Season in Hell.; Aldous Huxley.; Aphorism.; Arnaut Daniel.; Arthur Cravan.; Arthur Rimbaud.; Arthur Symons.; Assonance.; Blaise Cendrars.; Caresse Crosby.; Charles Baudelaire.; Charles Demuth.; Charles Olson.; Charles Reznikoff.; Conrad Aiken.; D. H. Lawrence.; Dada.; Darius Milhaud.; De Profundis (letter).; Demimonde.; E. M. Forster.; Erudition.; Essay.; Eustace Mullins.; Existentialism.; Ezra Pound.; F. L. Lucas.; F. S. Flint.; Floyd Dell.; Ford Madox Ford.; Fredric Wertham.; Gelett Burgess.; Georg Wilhelm Friedrich Hegel.; George Antheil.; Gerontion.; Gilbert Murray.; Guillaume Apollinaire.; Hart Crane.; Hector Berlioz.; Henri Bergson.; Herbert Spencer.; Hugh Ross Williamson.; Hugh Selwyn Mauberley.; Imagism.; Irving Babbitt.; James Abbott McNeill Whistler.; James Huneker.; Jeremiad.; John Crowe Ransom.; John Masefield.; John Middleton Murry.; John Peale Bishop.; Joseph Moncure March.; Karl Shapiro.; Kurt Schwitters.; Kurt Weill.; Lothario.; Louis MacNeice.; Louis Untermeyer.; Ludwig Tieck.; Lytton Strachey.; Malcolm Cowley.; Manifesto of Futurism.; Marcel Broodthaers.; Marcel Duchamp.; Mario Praz.; Mythopoeia.; New Criticism.; Nian Rebellion.; Pierre Leroux.; Poetry.; Prometheus.; Randall Jarrell.; Revolution.; Revue.; Richard Aldington.; Ripostes.; Robert Bridges.; Robert Frost.; Rosicrucianism.; Rupert Brooke.; Sherwood Anderson.; Symbolist Manifesto.; T. E. Hulme.; The Birth of Tragedy.; The Egoist (periodical).; The Machiavellian Moment.; Thomas Carlyle.; Thus Spoke Zarathustra.; Tristan Tzara.; V.; Venusberg (mythology).; Victor Plarr.; Vorticism.; W. B. Yeats.; W. H. Auden.; Wallace Stevens.; Walter Pater.; William Empson.; Wyndham Lewis.
    Scope: 1 online resource (344 p.) :, 32 b/w illus.
  2. The Princeton Handbook of Multicultural Poetries /
    Contributor: Brogan, Terry V.F., (editor.)
    Published: [2021]; ©1996
    Publisher:  Princeton University Press,, Princeton, NJ :

    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written).

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Brogan, Terry V.F., (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691228211
    Other identifier:
    Subjects: Poesie; Poesie; Poetics; Poetics; Poetique; Poetry; Poetry; Poetry; LITERARY CRITICISM / Poetry.
    Other subjects: Abbreviation.; Aeneid.; Aestheticism.; Allegory.; Alliteration.; Allusion.; Aphorism.; Art for art's sake.; Arthur Rimbaud.; Artifice.; Assonance.; Blank verse.; Caesura.; Charles Baudelaire.; Classicism.; Comparative literature.; Concrete poetry.; Couplet.; Courtly love.; Despair (novel).; Diction.; Didacticism.; Digression.; Dramatic monologue.; Eclogue.; Epic Cycle.; Epic poetry.; Epigram.; Epistle.; Evocation.; Existentialism.; Farce.; Free verse.; G. (novel).; Genre.; Hexameter.; Humour.; Idyll.; Imagery.; Intelligentsia.; Internal rhyme.; Irony.; Jews.; Lament.; Literature.; Long poem.; Lyric poetry.; Lyricism.; Metaphysical poets.; Modernism.; N. (novella).; Narrative poetry.; Narrative.; Neo-romanticism.; Neoclassicism.; New Generation (Malayalam film movement).; Novelist.; Of Modern Poetry.; Oral poetry.; Panegyric.; Parody.; Pessimism.; Petrarch.; Picturesque.; Poet.; Poetic diction.; Poetry.; Political poetry.; Prose poetry.; Prose.; Proverb.; Pseudonym.; Quatrain.; Rainer Maria Rilke.; Rhetoric.; Rhyme scheme.; Rhyme.; Romantic poetry.; Romanticism.; S. (Dorst novel).; Sanskrit.; Satire.; Sensibility.; Sonnet sequence.; Sonnet.; Stanza.; Strophe.; Surrealism.; Symbolism (arts).; T. S. Eliot.; The New Poetry.; The Other Hand.; The Song of Roland.; The Various.; Treatise.; Troubadour.; V.; World War II.; Writer.; Writing.
    Scope: 1 online resource (352 p.)
  3. Others /
    Published: [2021]; ©2002
    Publisher:  Princeton University Press,, Princeton, NJ :

    This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony... more

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    This volume fulfills the author's career-long reflections on radical otherness in literature. J. Hillis Miller investigates otherness through ten nineteenth- and twentieth-century authors: Friedrich Schlegel, Charles Dickens, George Eliot, Anthony Trollope, Joseph Conrad, W. B. Yeats, E. M. Forster, Marcel Proust, Paul de Man, and Jacques Derrida. From the exquisite close readings for which he is celebrated, Miller reaps a capacious understanding of otherness--one reachable not through theory but through literature itself. Otherness has wide valence in contemporary literary and cultural studies and is often understood as a misconception by hegemonic groups of subaltern ones. In a pleasing counter to this, Others conceives of otherness as something that inhabits sameness. Instances of the ''wholly other'' within the familiar include your sense of self or your beloved, your sense of your culture as such, or your experience of literary, theoretical, and philosophical works that belong to your own culture--works that are themselves haunted by otherness. Though Others begins and ends with chapters on theorists, the testimony they offer about otherness is not taken as more compelling than that of such literary works as Dicken's Our Mutual Friend, Conrad's ''The Secret Sharer,'' Yeats's ''Cold Heaven,'' or Proust's Remembrance of Things Past. Otherness, as this book finds it in the writers read, is not an abstract concept. It is an elusive feature of specific verbal constructs, different in each case. It can be glimpsed only through close readings that respect this diversity, as the plural in the title--Others--indicates. We perceive otherness in the way that the unseen--and the characters' emotional responses to it--ripples the conservative ideological surface of Howard's End. We sense it as chaos in Schlegel's radical concept of irony. And we gaze at it in the multiple personifications of Heart of Darkness. Each testifies in its own way to the richness and tangible weight of an otherness close at hand.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691224053
    Other identifier:
    Subjects: Criticism; Difference (Psychology) in literature.; European fiction; LITERARY CRITICISM / Semiotics & Theory.
    Other subjects: Absurdity.; Allegory.; Allusion.; Analogy.; Anthony Trollope.; Anthropomorphism.; Aphorism.; Aporia.; Appropriation (art).; Assonance.; Autobiography.; Catachresis.; Charles Dickens.; Concept.; Consciousness.; Criticism.; Determination.; Dichotomy.; Dizziness.; E. M. Forster.; Edmund Husserl.; Emblem.; Essay.; Feeling.; Fiction.; Genre.; George Eliot.; Harold Bloom.; Howards End.; Idealism.; Ideology.; Immanuel Kant.; Instant.; Irony.; J. L. Austin.; Jacques Derrida.; Joseph Conrad.; Kurtz (Heart of Darkness).; Lesbian.; Literary theory.; Literature.; Louis Althusser.; Marcel Proust.; Messianism.; Metaphor.; Michael Sprinker.; Mrs.; My Neighbor.; Narration.; Narrative.; Novel.; Novelist.; Obscenity.; Oedipus the King.; On Truth.; Otherness (book).; Our Mutual Friend.; Oxford University Press.; Oxymoron.; Pamphlet.; Paragraph.; Paul de Man.; Performative utterance.; Perjury.; Philosopher.; Philosophy.; Poetry.; Prose.; Prosopopoeia.; Pun.; Racism.; Rhetoric.; Rhyme.; Roland Barthes.; Romanticism.; Specters of Marx.; Speech act.; Stupidity.; Subjectivity.; Suffering.; Suggestion.; Synecdoche.; Søren Kierkegaard.; The Other Hand.; The Resistance to Theory.; The Secret Sharer.; The Various.; Theory.; Thought.; Trollope.; Uncertainty.; University of Minnesota Press.; Verisimilitude (fiction).; Victorian literature.; W. B. Yeats.; Wallace Stevens.; Walter Benjamin.; Werner Hamacher.; Wissenschaft.; Writing.
    Scope: 1 online resource (297 p.)