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Displaying results 1 to 18 of 18.

  1. Der Sommer des Großinquisitors
    über die Faszination des Bösen
    Published: November 2022
    Publisher:  Rowohlt Berlin, Berlin

    Universitätsbibliothek Bielefeld
    OK160.90 L647
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    HZA17573
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    Universitätsbibliothek Wuppertal
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  2. Der Sommer des Großinquisitors
    über die Faszination des Bösen
    Published: November 2022
    Publisher:  Rowohlt Berlin, Berlin

    Bibliothek des Konservatismus
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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 9783737101622
    Other identifier:
    9783737101622
    RVK Categories: EC 5410 ; KI 3535
    Edition: Originalausgabe
    Subjects: Rezeption; Moral <Motiv>; Ideologie; Das Böse; Literatur
    Other subjects: Dostoevskij, Fëdor Michajlovič (1821-1881): Velikij inkvizitor; Macht; Moral; Politik; das Böse; Literaturgeschichte; Politische Theorie; Avantgarde; Nationalsozialismus; Stalinismus; Totalitarismus; Der Großinquisitor; Fjodor Dostojewski; Max Weber; Helmuth Plessner; Carl Schmitt; Arthur Koestler; Kulturgeschichte; 20. Jahrhundert; literarische Essays
    Scope: 237 Seiten, 20.5 cm x 12.5 cm
  3. <<Der>> Sommer des Großinquisitors
    über die Faszination des Bösen
    Published: November 2022
    Publisher:  Rowohlt Berlin, Berlin

    Universitätsbibliothek Bielefeld
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Lippische Landesbibliothek - Theologische Bibliothek und Mediothek
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    Universitätsbibliothek Duisburg-Essen
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    Universitätsbibliothek Wuppertal
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  4. Der Sommer des Großinquisitors
    über die Faszination des Bösen
    Published: November 2022
    Publisher:  Rowohlt Berlin, Berlin

    Staatliche Bibliothek, Provinzialbibliothek
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    Hofbibliothek Aschaffenburg
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    Universitätsbibliothek Bamberg
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    Landesbibliothek Coburg
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    Studienbibliothek
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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  5. Der Sommer des Großinquisitors
    Über die Faszination des Bösen
  6. Emil Oprecht
    Verleger der Exilautoren
    Published: [2023]; © 2023
    Publisher:  Europa Verlag, Zürich

    Universitätsbibliothek der LMU München
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    Universität der Bundeswehr München, Universitätsbibliothek
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  7. Emil Oprecht
    Verleger der Exilautoren
    Published: [2023]; © 2023
    Publisher:  Europa Verlag, Zürich

    Bibliothek der Friedrich-Ebert-Stiftung
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  8. The aesthetic cold war
    decolonization and global literature
    Published: [2022]; 2022
    Publisher:  Princeton University Press, Princeton$4Oxford

    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Leipzig
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    Universität Potsdam, Universitätsbibliothek
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    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean--such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka-carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century"--

     

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  9. Emil Oprecht
    Der Verleger Europas
  10. Der Sommer des Großinquisitors
    über die Faszination des Bösen
  11. Emil Oprecht
    Verleger der Exilautoren
  12. Weltliteratur im SPIEGEL - Band 1: Schriftstellerporträts der Nachkriegsjahre
    Ein SPIEGEL E-Book
  13. Arthur Koestler unter die Lupe genommen
    eine psychoanalytische Studie
  14. Komisches Unglück. Erzähler und Erzählfiguren Samuel Becketts
    Published: 1996
    Publisher:  Humboldt-Universität zu Berlin, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Erzähler; Erzählen
    Other subjects: Beckett, Samuel (1906-1989); Samuel Beckett; Solipsismus; Komik; Arthur Koestler
    Scope: Online-Ressource
    Notes:

    In: Komik und Solipsismus im Werk Samuel Becketts

  15. In transit
    narratives of German Jews in exile, flight, and internment during "The Dark Years" of France
    Published: 2012
    Publisher:  Frank & Timme, Berlin

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783865963840; 3865963846
    Other identifier:
    9783865963840
    DDC Categories: 830
    Subjects: Hardback; Alfred D̂blin; Anna Seghers; Lion Feuchtwander; Arthur Koestler; Hans Mayer; German Jews; Exile; Exil; Internment; Frankreich; Franz Werfel; Alma Mahler-Werfel; Deutsche Juden
    Scope: XIX, 290 S., 21 cm
    Notes:

    Literaturverz. S. 273 - 281

  16. The aesthetic cold war
    decolonization and global literature
    Published: [2022]; 2022
    Publisher:  Princeton University Press, Princeton$4Oxford

    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various... more

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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean--such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka-carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century"--

     

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  17. Der Sommer des Großinquisitors :
    über die Faszination des Bösen /
    Published: November 2022.
    Publisher:  Rowohlt Berlin,, Berlin :

    Bibliothek des Konservatismus
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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 978-3-7371-0162-2
    Other identifier:
    9783737101622
    RVK Categories: EC 5410 ; KI 3535
    DDC Categories: 800
    Edition: Originalausgabe
    Subjects: Rezeption.; Literatur.; Ideologie.; Moral <Motiv>; <<Das>> Böse.
    Other subjects: Dostoevskij, Fëdor Michajlovič (1821-1881): Velikij inkvizitor.; Macht; Moral; Politik; das Böse; Literaturgeschichte; Politische Theorie; Avantgarde; Nationalsozialismus; Stalinismus; Totalitarismus; Der Großinquisitor; Fjodor Dostojewski; Max Weber; Helmuth Plessner; Carl Schmitt; Arthur Koestler; Kulturgeschichte; 20. Jahrhundert; literarische Essays
    Scope: 237 Seiten ;, 20.5 cm x 12.5 cm.
  18. Komisches Unglück. Erzähler und Erzählfiguren Samuel Becketts
    Published: 1996
    Publisher:  Humboldt-Universität zu Berlin, Berlin

    Die komische Wirkung der Texte Samuel Becketts liegt darin begründet, daß Erzähler oder Erzählfiguren als auktoriale Instanzen die Texte eröffnen, daß sie sich selbstreflektierend verdoppeln oder vervielfältigen und dass sie als ein und dasselbe... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Die komische Wirkung der Texte Samuel Becketts liegt darin begründet, daß Erzähler oder Erzählfiguren als auktoriale Instanzen die Texte eröffnen, daß sie sich selbstreflektierend verdoppeln oder vervielfältigen und dass sie als ein und dasselbe Erzähler-Ich den Text verlassen oder ihn beschließen. Es wird zunächst Becketts Theorie des literarischen Schreibens erläutert; ihr liegt die "autologie créatrice" zugrunde. Arthur Koestlers Theorie der Kreativität erklärt, dass der schöpferische Eigensinn unlösbar mit dem "humour" verbunden ist. Inwieweit der tiefgründige Witz des Solipsismus Becketts Schreibweise bestimmt, wird mit Darstellung der Titelfigur des Romans "Murphy" erläutert. Peer Reviewed

     

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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Brockmeier, Peter (Publisher); Veit, Carola (Publisher)
    Language: German
    Media type: Article (edited volume)
    ISBN: 3-476-45174-7
    Other identifier:
    Parent title: Komik und Solipsismus im Werk Samuel Becketts; Stuttgart [u.a.] : J. B. Metzlersche Verlagsbuchhandlung; ,1996, Seiten 239-254
    Other subjects: Samuel Beckett; Solipsismus; Komik; Arthur Koestler; Literatur, Rhetorik, Literaturwissenschaft