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  1. The aristocracy of art in Joyce and Wolfe
    Author: Harper, Margaret Mills
    Published: 1990
    Publisher:  Louisiana State University Press, Baton Rouge, La u.a.

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    91 A 7262
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    92/618
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0807115967
    Subjects: Autobiographical fiction, English; Autobiographical fiction, American; Comparative literature; Comparative literature; Artists in literature; Self in literature; Art in literature
    Other subjects: Joyce, James (1882-1941); Wolfe, Thomas (1900-1938)
    Scope: xiv, 172 p, 24 cm
    Notes:

    Includes bibliographical references and index
  2. The impact of art on French literature
    from de Scudéry to Proust
    Author: Borowitz, Helen Osterman
    Published: 1985
    Publisher:  Univ. of Delaware Pr. [u.a.], Newark [u.a.]

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    86/7529
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    rom 067.9 BS 3513
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    Herzog August Bibliothek Wolfenbüttel
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0874132495
    Subjects: French fiction; Art in literature; Artists in literature; Art and literature; Art criticism; Romanticism
    Scope: 242 S., Ill.
    Notes:

    Literaturverz. S. 226 - 238
  3. Portraiture and British gothic fiction
    the rise of picture identification, 1764 - 1835
    Author: Elliott, Kamilla
    Published: 2012
    Publisher:  Johns Hopkins Univ. Press, Baltimore

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    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
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    HL 1031 E46
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  4. Making and unmaking in early modern English drama
    spectators, aesthetics and incompletion
    Author: Porter, Chloe
    Published: 2013
    Publisher:  Manchester University Press, Manchester

    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern... more

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    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history

     
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  5. Metabilder in der Literatur
    Metareflexive Bilder bei Adolf Muschg, Kuno Raeber und Alain Robbe-Grillet
    Author: Louis, Raffaele
    Published: [2016]; ©2016
    Publisher:  De Gruyter, Berlin ; Boston

    Die Anzahl an Bildbeschreibungen in der Literatur ist unüberschaubar. Die Autoren Adolf Muschg, Kuno Raeber und Alain Robbe-Grillet erweitern die lange Tradition der Ekphrasis, indem sie einen sehr speziellen Bildtypus als Vehikel poetologischer... more

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    Die Anzahl an Bildbeschreibungen in der Literatur ist unüberschaubar. Die Autoren Adolf Muschg, Kuno Raeber und Alain Robbe-Grillet erweitern die lange Tradition der Ekphrasis, indem sie einen sehr speziellen Bildtypus als Vehikel poetologischer Überlegungen favorisieren: Sie machen systematisch gerade solche Gemälde zum Gegenstand von Ekphrasen, die ihrerseits schon Bilder, Kunst-Betrachter oder die Malerei als Allegorie darstellen. Angeregt von Metabildern wie Vermeers Die Malkunst, Velazquez' Las Meninas oder Magrittes Pfeifenbildreihe machen die Autoren Orientierungsmuster, die unsere Wahrnehmung prägen, sichtbar und sensibilisieren für die Willkürlichkeit von Zuschreibungen, die Gleichzeitigkeit von Gegensätzen und die Frage der Perspektivierung. Die zahlreichen aufgedeckten Analogien zwischen den Metabildern und der Gesamtkonzeption der Romane lassen den spezifischen Blick von Autoren sichtbar werden, die von außen, mit skeptischer und zuweilen ironischer Distanz das System Kunst beobachten. Bei aller Unterschiedlichkeit greifen die Schriftsteller dabei nicht vornehmlich die Inhalte von Metabildern auf, sondern oftmals die Haltung gegenüber dem Kunstsystem: eine kontextualisierende, kritische und perturbierende, kurz: eine metaisierende Haltung

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110450699
    Other identifier:
    RVK Categories: EC 3870
    Series: spectrum Literaturwissenschaft / spectrum Literature ; 54
    Other subjects: Art and literature; Art in literature; German literature / 20th century / History and criticism; Bildende Kunst/i.d. Literatur; Muschg, Adolf; Raeber, Kuno; Robbe-Grillet, Alain; Visual Arts in Literature; Selbstbezüglichkeit; Ekphrasis; LITERARY CRITICISM / General
    Scope: 1 online resource (303 p.)
    Notes:

    Diss
  6. Between market and myth
    the Spanish artist novel in the post-transition, 1992-2014
    Author: Vater, Katie J.
    Published: [2020]
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

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    Universitäts- und Landesbibliothek Münster
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    3K 88727
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781684482221; 9781684482214
    Series: Campos Ibéricos
    Subjects: Spanish fiction; Spanish fiction; Künstlerromane; Artists in literature; Art in literature; Kunsthistoriker; Kunst; Spanisch; Künstler <Motiv>; Künstlerroman; Literatur
    Scope: v, 215 Seiten, 23 cm
  7. Literary fictions of the contemporary art system
    global perspectives in Spanish and Portuguese
    Author: Garrido Castellano, Carlos
    Published: 2022
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "The main objective of this book is to explain how contemporary literatures in Spanish and Portuguese are dealing with artistic creativity when artmaking is no longer a specialised field of cultural production, but rather an expanded field of... more

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    "The main objective of this book is to explain how contemporary literatures in Spanish and Portuguese are dealing with artistic creativity when artmaking is no longer a specialised field of cultural production, but rather an expanded field of socioeconomic interaction, personal and creative self-definition and collective imagination"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003152118; 1003152112; 9781000619881; 1000619885; 9781000619577; 1000619575
    Other identifier:
    Series: Routledge interdisciplinary perspectives on literature
    Subjects: Spanish fiction; Portuguese fiction; Spanish American fiction; Creativity in literature; Art in literature; ART / Business Aspects
    Scope: 1 Online-Ressource
  8. Der Betrachter ist im Text!
    Kunstrezeption in der deutschsprachigen Literatur nach 1945
    Contributor: Werner, Sylwia (Hrsg.)
    Published: 2012
    Publisher:  Trafo, Berlin

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Werner, Sylwia (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783896268563
    Other identifier:
    9783896268563
    RVK Categories: GN 1081 ; GN 1701
    Series: Frankfurter kulturwissenschaftliche Beiträge ; Bd. 11
    Subjects: Art and literature; German literature; Art in literature; Art criticism
    Scope: 352 S., Ill., 210 mm x 148 mm, 600 g
    Notes:

    Florian Lippert: Minus mal minus : Negativität in Bildern und literarischer Bildrezeption

    Sylwia Werner: Der Leser als Betrachter : zur Funktion von Bildern in Elias Canettis Werk

    Andrea Gnam: Schriftsteller als Kunstvermittler : ein zeitgenössisches Revival?

    Annette Gilbert: "Die Konkrete Poesie ist vielmehr eine Kunst als eine Literatur" : Eugen Gomringer und die Kunst

    Eva Maltrovsky: Vor-Sicht und Durch-Sicht : literarisches Schreiben über zeitgenössische Kunst : Michael Donhauser zu Irene und Christine Hohenbüchler und Richard Obermayr zu Peter Pommerer

    Carsten Lange: Kosmos, Mythos, Erhabenes : Christoph Ransmayr begegnet Anselm Kiefer

    Silke C. Schuck: Im Clair-obscur der Lektüren : Suters Vallotton

    Raffaele Louis: Betrachtungen über Betrachter in Adolf Muschgs Roman Das Licht und der Schlüssel

    Frank Jasper Noll: In Bildern Erzählen : zum ekphrastischen Erzählverfahren in Josef Winklers "römischer Novelle" Natura morta

    Ina Cappelmann: "Ein weitweiteres und unbearbeiteteres Feld" : zum intermedialen Arbeiten Arno Schmidts im Spätwerk

    Nicola Brüder: Von echten und falschen Engeln : die Rezeption von Giottos Fresken der Arena-Kapelle in W. G. Sebalds Schwindel. Gefühle

    Florian Radvan: Undurchschaubar und folgerichtig : die Collagen zu Peter Weiss' Erzählung Abschied von den Eltern

    Anne Peiter: "Bilder sind Netze, was auf ihnen erscheint, ist der haltbare Fang." : Wirklichkeit und Gewalt im Spiegel der Kunstbeschreibungen von Elias Canetti und Peter Weiss

    Kristin Rebien: Kunstbetrachtungen : Paul Celan über den Surrealisten Edgar Jené

    Elisabeth Kampmann, Eva Morawietz: Wie das Cover so der Text? : grafische und typografische Umschlaggestaltung im amerikanischen und deutschen Taschenbuch
  9. Picturing Scotland through the Waverley novels
    Walter Scott and the origins of the Victorian illustrated novel
    Author: Hill, Richard J.
    Published: 2016
    Publisher:  Routledge,, London

    1. Writing with pictures -- 2. Artistic reciprocity and authorial control -- 3. Book illustration and the manipulation of literary genres -- 4. Conception of illustrated Waverley novel : mechanics of mass-media -- 5. William Allan : Scott's... more

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    1. Writing with pictures -- 2. Artistic reciprocity and authorial control -- 3. Book illustration and the manipulation of literary genres -- 4. Conception of illustrated Waverley novel : mechanics of mass-media -- 5. William Allan : Scott's illustrator -- 6. Reconstructing the Tolbooth : Alexander Nasmyth and The heart of Midlothian.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315600437; 9781317081029; 9781317081036
    Other identifier:
    Subjects: Illustration of books; Illustration of books; Art and literature; Art and literature; Art in literature
    Other subjects: Scott, Walter Sir (1771-1832): Waverley novels
    Scope: 1 online resource (viii, 224 pages)
  10. Between market and myth
    the Spanish artist novel in the post-transition, 1992-2014
    Author: Vater, Katie J.
    Published: [2020]; © 2020
    Publisher:  Bucknell University Press, Lewisburg, Pennsylvania

    In its early transition to democracy following Franco's death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and... more

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    In its early transition to democracy following Franco's death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in "cultural tourism" as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels-about artists and art historians-have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors-Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas-whose largely realist novels portray a clash between the myth of artistic freedom and artists' willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684482252; 9781684482238; 9781684482245
    Other identifier:
    RVK Categories: IP 18090
    Series: Campos Ibéricos
    Subjects: LITERARY CRITICISM / General; Art in literature; Artists in literature; Künstlerromane; Künstlerromane, Spanish; Spanish fiction; Spanish fiction; Kunst; Kunsthistoriker; Künstler <Motiv>; Künstlerroman; Spanisch; Literatur
    Scope: 1 Online-Ressource (v, 215 Seiten)
  11. Sous le regard de Stendhal
    promenades à travers la nature et les arts
    Contributor: Medina Arjona, Encarnación (Publisher)
    Published: [2017]
    Publisher:  Eurédit, Paris

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Medina Arjona, Encarnación (Publisher)
    Language: French; Spanish
    Media type: Book
    ISBN: 9782848301976; 284830197X
    RVK Categories: IG 7255
    Subjects: Geschichte; Kunst; Wissen; Ästhetik; Natur; Musik; Künste; Ästhetik
    Other subjects: Stendhal (1783-1842); Stendhal / 1783-1842 / Aesthetics; Stendhal / 1783-1842 / Knowledge / Art; Landscapes in literature; Art in literature; Art and literature / France / History / 19th century
    Scope: 237 Seiten, 21 cm
    Notes:

    Beiträge teilweise französisch, teilweise spanisch
  12. Aesthetic dilemmas
    encounters with art in Hugo von Hofmannsthal's literary modernism
    Author: Burks, Marlo A.
    Published: 2023
    Publisher:  McGill-Queen’s University Press, Montreal ; Kingston ; London ; Chicago

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780228017950; 9780228017967
    Other identifier:
    RVK Categories: GM 3775
    Other subjects: Hofmannsthal, Hugo von / 1874-1929 / Criticism and interpretation; Art in literature; Hofmannsthal, Hugo von / 1874-1929; Art in literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource
  13. Literature, art and slavery
    ekphrastic visions
    Author: Plasa, Carl
    Published: [2023]; © 2023
    Publisher:  Edinburgh University Press, Edinburgh

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780748683543
    RVK Categories: HV 15990 ; HV 17230
    Series: Edinburgh critical studies in Atlantic literatures and cultures
    Other subjects: Slavery in literature; Slavery in art; Art in literature; Art in literature / (OCoLC)fst00815566; Slavery in art / (OCoLC)fst01120514; Slavery in literature / (OCoLC)fst01120515
    Scope: x, 228 Seiten, Illustrationen, 24 cm
  14. Das Thema der bildenden Kunst als Gestaltungsprinzip
    ein Beitrag zum dichterischen Werk Andrej A. Voznesenskijs
    Author: Reck, Renate
    Published: 1992
    Publisher:  Sagner, München

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    Signature:
    1 A 137399
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    29 SA 1113-287
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3876905176
    Other identifier:
    2040 93118887
    RVK Categories: KK 8301
    Series: Slavistische Beiträge ; 287
    Subjects: Art in literature; Kunst <Motiv>
    Other subjects: Voznesenskiĭ, Andreĭ (1933-2010); Voznesenskij, Andrej Andreevič (1933-2010)
    Scope: 204 S, 21 cm
    Notes:

    Literaturverz. S. 185 - 204

    Zugl.: Innsbruck, Univ., Diss., 1992
  15. Imagination and the arts in C.S. Lewis
    journeying to Narnia and other worlds
    Author: Schakel, Peter J
    Published: c2002
    Publisher:  University of Missouri Press, Columbia

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 082626333X
    Subjects: Art and literature; Art in literature; Children's stories, English; Children; Fantasy fiction, English; Imagination in literature; Imagination; Narnia (Imaginary place); Electronic books
    Other subjects: Lewis, C. S (1898-1963): Chronicles of Narnia; Lewis, C. S (1898-1963)
    Scope: xv, 214 p., ill, 24 cm
    Notes:

    Includes bibliographical references (p. 193-204) and index
  16. Kunstthematik und Diskurskritik
    Das poetische Werk des jungen Arnim und die eschatologische Wirklichkeit der »Kronenwächter«
    Author: Ricklefs, Ulfert
    Published: 1990
    Publisher:  De Gruyter, Berlin

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  17. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Author: De Armas, Frederick A.
    Published: ©2006
    Publisher:  University of Toronto Press, Toronto

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802090745; 1442678968; 1442686308; 9780802090744; 9781442678965; 9781442686304
    Subjects: Ekphrasis; Art dans la littérature; LITERARY CRITICISM/European/Spanish & Portuguese; ART / History / Renaissance; Beeldende kunsten; Renaissance; Beïnvloeding; El ingenioso hidalgo don Quijote de La Mancha (Cervantes); Don Quixote (Cervantes Saavedra, Miguel de); Art; Art in literature; Ekphrasis; Technique; Geschichte; Kunst; Wissen; Ekphrasis; Art in literature; Freskomalerei; Literatur; Kunst; Rezeption
    Other subjects: Cervantes Saavedra, Miguel de / 1547-1616 / Don Quichotte; Cervantes Saavedra, Miguel de / 1547-1616 / Oeuvres d'art; Cervantes Saavedra, Miguel de / 1547-1616 / Et l'Italie; Cervantes Saavedra, Miguel de / 1547-1616 / Technique; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de (1547-1616): Don Quixote; Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616): Don Quijote
    Scope: 1 Online-Ressource (xvii, 285 pages, [38] pages of plates)
    Notes:

    Includes bibliographical references (pages 253-275) and index

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies."--Jacket

    The exhilaration of Italy -- A museum of memories : from Numancia to La Galatea -- At school with the ancients : Raphael -- The fourfold way : Raphael -- Textual terribilitá : Michelangelo -- The merchants of Trebizond : Luca Cambiaso -- Drawing decorum : Titian -- Dancing with giants : Philostratus -- A mannerist theophany, a cruel Teichoskopia : Pontormo and Parmigianino -- Dulcinea and the five maidens : Zeuxis -- Love's architecture : Giulio Romano -- The last enchantment
  18. Textual & amp ; visual selves
    photography, film, and comic art in French autobiography
    Published: ©2011
    Publisher:  University of Nebraska Press, Lincoln [Neb.]

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  19. The Art of the Text
    Visuality in Nineteenth and Twentieth-Century Literary and Other Media
    Author: Harrow, Susan
    Published: 2013
    Publisher:  University of Wales Press, Cardiff

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0708326595; 0708326609; 9780708326596; 9780708326602
    Series: Studies in visual culture
    Subjects: LITERARY CRITICISM / European / French; Art in literature; French literature; Visual literature; Visual perception in literature; Visual literature; Visual perception in literature; Art in literature; French literature; French literature; Literatur; Kunst <Motiv>; Visuelle Aufmerksamkeit; Französisch; Visuelle Wahrnehmung
    Scope: 1 online resource (257 pages)
    Notes:

    Print version record

    Series editors' preface; Acknowledgements; List of illustrations; Contributors; Introduction; Thinking the visual image; Jules Verne: The Unbearable Brightness of Seeing; Affinities of Photography and Syntax in Proust's À la recherche du temps perdu; Portraits and Neologisms: Understanding the Visual in Henri Michaux's 'Voyage en Grande Garabagne'; The 'trou noir': Visualizations of Nihilism in Nietzsche and Modiano; Intermedial migrations in the 1920s; Painting and Cinema in Aragon's Anicet

    Isotypes and Elephants: Picture-Language as Visual Writing in the Work and Correspondence of Otto NeurathColette: An Eye for Textiles; Stars as Sculpture in the 1920s Fan-Magazine Interview; Visual negotiations and adaptations; Victor Hugo and Painting: The Exceptional Case of the Orientales; Visions and Re-visions: Zola, Cardinal and L'OEuvre; Donner à voir: Poetic Language and Visual Representation according to Paul Éluard; La lettre au cinéma n'est pas une excellente solution':A Heteromedial Analysis of Chantal Akerman's Proust Adaptation; Translation sources; Bibliography; Index

    In this volume of essays, specialists explore the relations between modern literary text and visual image across a range of media - from novel, poetry and film to painting, fabric and print culture
  20. La littérature, l'art et le sacré
    Contributor: Cheikh Moussa, Ijjou (Publisher)
    Published: 2012
    Publisher:  Faculté des lettres et des sciences humaines, Université Mohamed V- Agdal, Rabat

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    Universitätsbibliothek Bayreuth
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  21. Words into pictures
    E. E. Cummings' art across borders
    Published: 2007
    Publisher:  Cambridge Scholars Publishing, Newcastle, U.K.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443818038; 1847183352; 9781443818032; 9781847183354
    Subjects: POETRY / American / General; Art and literature; Art in literature; Visual perception in literature; Geschichte; Art and literature; Art in literature; Visual perception in literature
    Other subjects: Cummings, E. E. / 1894-1962 / Cummings, Edward Estlin / Criticism and interpretation; Cummings, E. E. / (Edward Estlin) / 1894-1962; Cummings, E. E. (1894-1962)
    Scope: 1 Online-Ressource (xxv, 225 p.)
    Notes:

    Includes bibliographical references and index

    Pt. I. New contexts -- pt. II. Political Cummings -- pt. III. Cummings in space -- pt. IV. Amongst arts -- pt. V. Identity and subjectivity
  22. The Future of Text and Image
    Collected Essays on Literary and Visual Conjunctures
    Author: Amihay, Ofra
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443836753; 9781443836753
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art in literature; Visual literature; Visual literature; Art in literature; Lyrik; Fotografie; Intermedialität; Autobiografische Literatur; Kunst; Roman
    Scope: 1 online resource (377 pages)
    Notes:

    Print version record

    Table of contents; preface; introduction; part i; chapter one; chapter two; chapter three; part ii; chapter four; chapter five; part iii; chapter six; chapter seven; chapter eight; part iv; chapter nine; chapter ten; chapter eleven; afterword; contributors; index

    The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book pl ..
  23. Shakespeare and impure aesthetics
    Author: Grady, Hugh
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning as resources for art. Hugh Grady draws on a tradition of... more

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    Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning as resources for art. Hugh Grady draws on a tradition of aesthetic theorists who understand art as always formed in a specific historical moment but as also distanced from its context through its form and Utopian projections. Grady sees A Midsummer Night's Dream, Timon of Athens, Hamlet, and Romeo and Juliet as displaying these qualities, showing aesthetic theory's usefulness for close readings of the plays. The book argues that such social-minded 'impure aesthetics' can revitalize the political impulses of the new historicism while opening up a new aesthetic dimension in the current discussion of Shakespeare

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511605277
    Other identifier:
    RVK Categories: HI 3385 ; HI 3390
    Subjects: Kunst; Wissen; Ästhetik; Art in literature; Aesthetics in literature; Ästhetik; Drama
    Other subjects: Shakespeare, William / 1564-1616 / Aesthetics; Shakespeare, William / 1564-1616 / Knowledge / Art; Shakespeare, William (1564-1616)
    Scope: 1 online resource (ix, 261 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction : impure aesthetics -- A Shakespearean aesthetic : into the woods outside Athens -- A midsummer night's dream : eros and the aesthetic -- Modernity, usury, and art in Timon of Athens -- The aesthetics of death and mourning -- Hamlet as mourning-play -- The aesthetics of the trauerspiel -- Hamlet as trauerspiel -- Post-script : Hamlet, subjectivity, and aesthetics -- Beautiful death in Romeo and Juliet -- Conclusion : the critical present
  24. Three great artists reflecting on the spiritual purpose of art
    a study of Goethe's Wilhelm Meisters Lehrjahre, Keller's Der Grune Heinrich, and Thomas Mann's Doktor Faustus
    Author: Potter, Martin
    Published: c2009
    Publisher:  Edwin Mellen Press, Lewiston, N.Y.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773443891; 0773443894
    Subjects: Der grüne Heinrich; Doktor Faustus; Wilhelm Meisters Lehrjahre; Doktor Faustus (Mann, Thomas); Grüne Heinrich (Keller, Gottfried); Wilhelm Meisters Lehrjahre (Goethe, Johann Wolfgang von); FICTION / General; Kunst <Motiv>; Art in literature; Artists in literature; German fiction; Künstlerromane; Artists in literature; German fiction / History and criticism; Goethe, Johann Wolfgang von, 1749-1832. Wilhelm Meisters Lehrjahre; Keller, Gottfried, 1819-1890. Grüne Heinrich; Mann, Thomas, 1875-1955. Doktor Faustus; German fiction; Künstlerromane; Artists in literature; Art in literature
    Other subjects: Keller, Gottfried; Goethe, Johann Wolfgang{von; Mann, Thomas; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Keller, Gottfried (1819-1890): Grüne Heinrich; Mann, Thomas (1875-1955): Doktor Faustus
    Scope: vii, 301 p.
    Notes:

    Title from PDF title page (viewed on June 19, 2013)

    Includes bibliographical references (p. [285]-297) and index

    THREE GREAT ARTISTS REFLECTING ON THE SPIRITUAL PURPOSE OF ART: A Study of Goethe's Wilhelm Meisters Lehrjahre, Keller's Der Grüne Heinrich, and Thomas Mann's Doktor Faustus; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgements; Introduction; Chapter One -- Goethe's Wilhelm Meisters Lehrjahre; Chapter Two -- Keller's Der Grüne Heinrich; Chapter Three -- Thomas Mann's Doktor Faustus; Conclusion; Bibliography; Index

    This work is the only study to focus on these three novels. The argument departs from previous scholarship by emphasizing the ambivalence and even, to some extent, hostility, evinced by each of the authors to aspects of modern social conditions, and by examining their discontents in detail. The study also shows a portrayal by the authors of a gradual increase in the tensions they detect in social and artistic conditions during the modern period
  25. The Victorian novel and the space of art
    fictional form on display
    Author: Gilmore, Dehn
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and... more

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    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107360037
    Other identifier:
    RVK Categories: HL 1031 ; HL 1331
    Series: Cambridge studies in nineteenth-century literature and culture ; 89
    Subjects: Geschichte; English fiction / 19th century / History and criticism; Art and literature / Great Britain / History / 19th century; Art in literature; Arts in literature; Museum <Motiv>; Ästhetische Wahrnehmung; Visuelle Medien; Englisch; Roman; Kunstausstellung <Motiv>
    Other subjects: Hardy, Thomas (1840-1928); Dickens, Charles (1812-1870); Collins, Wilkie (1824-1889); Thackeray, William Makepeace (1811-1863)
    Scope: 1 online resource (ix, 242 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Seeing how the Victorians saw -- Terms of art : reading the Dickensian gallery -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing" : the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future" : Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians