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  1. The letter
    Author: Wharton, Edith
    Published: 1996
    Publisher:  University of Virginia Library, Charlottesville, Va

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    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585209197; 9780585209197
    Subjects: Electronic books; Art historians; Art historians; Art historians
    Notes:

    The text for this NetLibrary eBook was obtained from the University of Virginia Library Electronic Text Center

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  2. John DosPassos' correspondence with Arthur K. McComb or "Learn to sing the Carmagnole"
    Author: Dos Passos, John; McComb, Arthur K.
    Published: 1991
    Publisher:  Univ. Press of Colorado, Niwot

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  3. Didi-Huberman and the image
    Author: Larsson, Chari
    Published: 2020; ©2020
    Publisher:  Manchester University Press, Manchester

    This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526149275
    Subjects: Art historians; Image (Philosophy); Electronic books
    Other subjects: Didi-Huberman, Georges; Didi-Huberman, Georges
    Scope: 1 Online-Ressource (ix, 195 Seiten), Illustrationen
  4. Growing up bookish
    an Anglo-American memoir
    Author: Wendorf, Richard
    Published: 2017
    Publisher:  Oak Knoll Press, New Castle, DE

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781584563587
    Edition: First edition
    Subjects: Americans; Scholars; Museum directors; Library directors; Art historians; Critics
    Other subjects: Wendorf, Richard
    Scope: 193 Seiten, Illustrationen
    Notes:

    Includes index
  5. Entfernung der Antike
    Carl Ludwig Fernow im Kontext der Kunsttheorie um 1800
    Author: Tausch, Harald
    Published: 2000
    Publisher:  Max Niemeyer Verlag, Tübingen

    Der Spätaufklärer und Klassizist Fernow (1763-1808) will autonome Kunst in der Nachfolge von Winckelmann und Mengs vom Eigenwert des signifikativen Materials her bestimmen. Im engeren Umkreis der Weimarer Kunstfreunde Goethe und Meyer und mit Blick... more

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    Der Spätaufklärer und Klassizist Fernow (1763-1808) will autonome Kunst in der Nachfolge von Winckelmann und Mengs vom Eigenwert des signifikativen Materials her bestimmen. Im engeren Umkreis der Weimarer Kunstfreunde Goethe und Meyer und mit Blick auf Autoren wie Schelling und Friedrich Schlegel konzipiert Fernow einen Klassizismus, der nicht nur kunsthistorisch fundiert ist, sondern zugleich produktionsästhetisch argumentiert. Die Konsequenzen dieser Abkehr von einem mimetischen Kunstverständnis werden anhand der Leitbegriffe untersucht, die Fernows Schriften über die Werke der zeitgenössischen Künstler Carstens und Canova, also seinen zentralen ästhetischen Beiträgen zur Malerei und zur Bildhauerkunst, zugrundeliegen Main description: In the aftermath of Winckelmann and Mengs, the late Enlightenment thinker and classicist Fernow (1763-1808) set out to determine the autonomy of art on the basis of the intrinsic value of its significative material. As one of the inner circle of Weimar art enthusiasts in the entourage of Goethe and Meyer and with an eye to authors like Schelling and Friedrich Schlegel, Fernow urged a species of classicism that was not only based on an art history perspective but also argued from a vantage emphasizing the productive rather than receptive aspects of aesthetics. The consequences of his aversion to a mimetic understanding of art are discussed here on the basis of the lead concepts underlying Fernow's writings on the works of the contemporary artists Carstens and Canova, which represent his most significant contributions on the aesthetics of painting and sculpture

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110913132
    Other identifier:
    RVK Categories: GK 3359
    Series: Studien zur deutschen Literatur ; Band 156
    Subjects: Geschichte; Ästhetik; Aesthetics; Art historians; Rezeption; Ästhetik
    Other subjects: Fernow, C. L (1763-1808); Carstens, Asmus Jakob (1754-1798); Fernow, Carl Ludwig (1763-1808)
    Scope: 1 Online-Ressource (vi, 360 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Würzburg, 1996
  6. Iskusstvo kak jazyk - jazyki iskusstva
    Gosudarstvennaja akademija chudožestvennych nauk i ėstetičeskaja teorija 1920-ch godov
    Contributor: Plotnikov, Nikolaj (HerausgeberIn); Podzemskaja, Nadežda Pavlovna (HerausgeberIn); Jakimenko, Julija Nikolaevna (HerausgeberIn)
    Published: 2017-
    Publisher:  Novoe literaturnoe obozrenie, Moskva

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Plotnikov, Nikolaj (HerausgeberIn); Podzemskaja, Nadežda Pavlovna (HerausgeberIn); Jakimenko, Julija Nikolaevna (HerausgeberIn)
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 9785444806661
    Parent title:
    Subjects: Art; Art historians; Aesthetics, Russian
  7. Entfernung der Antike
    Carl Ludwig Fernow im Kontext der Kunsttheorie um 1800
    Author: Tausch, Harald
    Published: 2000
    Publisher:  Max Niemeyer Verlag, Tübingen

    Der Spätaufklärer und Klassizist Fernow (1763-1808) will autonome Kunst in der Nachfolge von Winckelmann und Mengs vom Eigenwert des signifikativen Materials her bestimmen. Im engeren Umkreis der Weimarer Kunstfreunde Goethe und Meyer und mit Blick... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Der Spätaufklärer und Klassizist Fernow (1763-1808) will autonome Kunst in der Nachfolge von Winckelmann und Mengs vom Eigenwert des signifikativen Materials her bestimmen. Im engeren Umkreis der Weimarer Kunstfreunde Goethe und Meyer und mit Blick auf Autoren wie Schelling und Friedrich Schlegel konzipiert Fernow einen Klassizismus, der nicht nur kunsthistorisch fundiert ist, sondern zugleich produktionsästhetisch argumentiert. Die Konsequenzen dieser Abkehr von einem mimetischen Kunstverständnis werden anhand der Leitbegriffe untersucht, die Fernows Schriften über die Werke der zeitgenössischen Künstler Carstens und Canova, also seinen zentralen ästhetischen Beiträgen zur Malerei und zur Bildhauerkunst, zugrundeliegen Main description: In the aftermath of Winckelmann and Mengs, the late Enlightenment thinker and classicist Fernow (1763-1808) set out to determine the autonomy of art on the basis of the intrinsic value of its significative material. As one of the inner circle of Weimar art enthusiasts in the entourage of Goethe and Meyer and with an eye to authors like Schelling and Friedrich Schlegel, Fernow urged a species of classicism that was not only based on an art history perspective but also argued from a vantage emphasizing the productive rather than receptive aspects of aesthetics. The consequences of his aversion to a mimetic understanding of art are discussed here on the basis of the lead concepts underlying Fernow's writings on the works of the contemporary artists Carstens and Canova, which represent his most significant contributions on the aesthetics of painting and sculpture

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110913132
    Other identifier:
    RVK Categories: GK 3359
    Series: Studien zur deutschen Literatur ; Band 156
    Subjects: Geschichte; Ästhetik; Aesthetics; Art historians; Rezeption; Ästhetik
    Other subjects: Fernow, C. L (1763-1808); Carstens, Asmus Jakob (1754-1798); Fernow, Carl Ludwig (1763-1808)
    Scope: 1 Online-Ressource (vi, 360 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Würzburg, 1996
  8. The letter
    Published: 1996
    Publisher:  University of Virginia Library, Charlottesville, Va

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    Hochschule für Gesundheit, Hochschulbibliothek
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    eBook EBSCO
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585209197; 9780585209197
    Subjects: Art historians; Art historians
    Scope: Online Ressource
  9. Atlanten des Wissens
    Adolph Goldschmidts Corpuswerke 1914 bis heute
    Contributor: Kappel, Kai (HerausgeberIn); Rückert, Claudia (HerausgeberIn); Trinks, Stefan (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Deutscher Kunstverlag, Berlin

    Location:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    K 6 2016
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2016:3807:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 980987
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Y-Go 134/10
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    LH 63302 100
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    Dombibliothek Hildesheim
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    1 F e 04760
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    A-All 92/2016
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    Herzog August Bibliothek Wolfenbüttel
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    67.2322
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kappel, Kai (HerausgeberIn); Rückert, Claudia (HerausgeberIn); Trinks, Stefan (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783422073296
    Other identifier:
    9783422073296
    RVK Categories: LH 63302
    Edition: 1. Aufl
    Subjects: Art, Modern; Art historians
    Other subjects: Goldschmidt, Adolph (1863-1944)
    Scope: 140 Seiten, Illustrationen, 24 cm
    Notes:

    Beiträge eines Kolloquiums am Institut für Kunst- und Bildgeschichte an der Humboldt-Universität zu Berlin

    Kai Kappel und Claudia Rückert: Vorwort

    Claudia Rückert: Adolph Goldschmidt (1863-1944) : eine biografische Skizze

    Dorothea Peters: Adolph Goldschmidt, die Fotografie und die Berliner Universität

    Rolf Sachsse: Bilderblock und Tafelteil : zum Verhältnis von Bild und Text in kunstwissenschaftlichen Grosspublikationen vor 1933

    Wolfgang Augustyn: Adolph Goldschmidts Elfenbeinskulpturen und der Deutsche Verein für Kunstwissenschaft

    Kathryn Brush: Adolph Goldschmidt und Arthur Kingsley Porter : Vergleichende Corpuswerkforschung in Deutschland und Amerika vor 1933

    Kai Kappel: "Combining knowledge of art history with expert photographic skill" : Adolph Goldschmidt, Richard Hamann und das Corpus der frühmittelalterlichen Bronzetüren

    Stefan Trinks: Goldschmidts Corpuswerke als Taxonomien des Wissens

    Rainer Kahsnitz: Der Nachtragsband zu Goldschmidts Elfenbeincorpus
  10. The outcry
    Author: James, Henry
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Outcry, James's last completed novel, is an ironic... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Outcry, James's last completed novel, is an ironic depiction of the contemporary art market in which wealthy Americans are plundering British-owned treasures. James adapted the work, originally written as a play, into novel form with great success. This edition, based on the work's first book appearance in 1911, reconstructs the novel's literary, cultural and historical contexts, includes extensive annotation, and gives a detailed textual history. In exploring the process of adaptation it allows particular insight into James's skills as a novelist. The volume will be of interest to James scholars, art and theatre historians and students of nineteenth- and twentieth-century Anglo-American literature, while also contributing to the developing field of adaptation studies.

     
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    Source: Union catalogues
    Contributor: Chothia, Jean (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511756580
    Series: The Cambridge edition of the complete fiction of Henry James ; 20
    Subjects: Americans; Art dealers; Art historians; Painting; Painting; Painting
    Scope: 1 Online-Ressource (lxxxii, 276 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Apr 2021)
  11. Petit tour autour de Malraux
    Author: Friang, Brigitte
    Published: 2001
    Publisher:  Kiron, Éd. du Félin, Paris

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2866454138
    Subjects: Art historians; Novelists, French; Statesmen
    Other subjects: Malraux, André <1901-1976>; Malraux, André (1901-1976)
    Scope: 218 S., Ill.
  12. The outcry
    Author: James, Henry
    Published: 2002
    Publisher:  New York Review Books, New York

    "The Outcry, Henry James's final novel, is a comedy of money and manners. Breckenridge Bender, a very rich American with a distinct resemblance to J. P. Morgan, arrives in England with the purpose of acquiring some very great art; he is directed to... more

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "The Outcry, Henry James's final novel, is a comedy of money and manners. Breckenridge Bender, a very rich American with a distinct resemblance to J. P. Morgan, arrives in England with the purpose of acquiring some very great art; he is directed to Dedborough, the estate of the debt-ridden Lord Theign. But plutocrat and aristocrat come into unexpected conflict when a young connoisseur, out to establish his own reputation, declares a prize painting from the lord's collection to be in fact an even rarer, and pricier, work than had been thought."--BOOK JACKET.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1590170008
    RVK Categories: HT 5853
    Edition: 1. publ.
    Series: New York Review Books classics
    Subjects: Art dealers; Art historians; Painting; Painting
    Scope: X, 194 S.
  13. Im Namen Goethes
    der Briefwechsel Marianne von Willemer und Herman Grimm
    Author: Willemer, Marianne von; Grimm, Herman
    Published: 1988
    Publisher:  Insel Verlag, Frankfurt am Main

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    Stiftsbibliothek St. Stephan Augsburg
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  14. Erinnerungen aus sieben Jahrzehnten
    Author: Pauli, Gustav
    Published: 1936
    Publisher:  Wunderlich, Tübingen

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    Staats- und Stadtbibliothek Augsburg
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    Kunstforum Ostdeutsche Galerie Regensburg, Bibliothek
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  15. André Malraux
    antibiographie
    Author: Lemire, Laurent
    Published: 1995
    Publisher:  Lattès, Paris

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  16. Laurence Binyon
    poet, scholar of East and West
    Author: Hatcher, John
    Published: 1995
    Publisher:  Clarendon Press, Oxford [u.a.]

    This is the first critical biography of Laurence Binyon (1869-1943), one of the most remarkable scholar-artists in British cultural history Binyon is best remembered today for his 1914 Great War elegy 'For the Fallen', carved on countless war graves... more

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    This is the first critical biography of Laurence Binyon (1869-1943), one of the most remarkable scholar-artists in British cultural history Binyon is best remembered today for his 1914 Great War elegy 'For the Fallen', carved on countless war graves and recited annually at Remembrance Sunday services, but his importance extends well beyond this one famous poem. In fact, Binyon was a poet, dramatist, translator, art historian, and critic, whose influence in a wide range of fields is only now beginning to be recognized. During his forty-year career at the British Museum, he built a world reputation as a pioneering scholar and interpreter of Eastern art, one of the first to challenge the West's myopic assumption that it held a monopoly on beauty and truth. Revealing the subtle continuities between the poet and East West mediator, this fascinating study of his life and work restores Binyon to his rightful place in British cultural history, as one of the most benign and quietly influential voices of the early twentieth century

     
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  17. Entfernung der Antike
    Carl Ludwig Fernow im Kontext der Kunsttheorie um 1800
    Author: Tausch, Harald
    Published: 2000
    Publisher:  Niemeyer, Tübingen

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    Universitätsbibliothek Augsburg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Staatliche Bibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3484181567
    RVK Categories: GK 3359
    Series: Studien zur deutschen Literatur ; 156
    Subjects: Kunsttheorie; Geschichte; Ästhetik; Aesthetics; Art historians; Rezeption; Ästhetik
    Other subjects: Fernow, C. L <1763-1808>; Fernow, Carl Ludwig (1763-1808); Carstens, Asmus Jakob (1754-1798)
    Scope: VI, 360 S., Ill.
    Notes:

    Zugl.: Würzburg, Univ., Diss., 1996
  18. Sur Malraux
    celui qui aimait les chats
    Author: Biasini, Emile
    Published: 1999
    Publisher:  Jacob, Paris

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    Bayerische Staatsbibliothek
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  19. Ein "practischer Aesthetiker"
    Studien zum Leben und Werk Carl Friedrich von Rumohrs
    Author: Dilk, Enrica Yvonne
    Published: 2000
    Publisher:  Olms, Hildesheim [u.a.]

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    Universitätsbibliothek Augsburg
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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  20. Mosaikbild einer Freundschaft
    Ricarda Huchs Briefwechsel mit Elisabeth und Heinrich Wölfflin
    Published: 1994
    Publisher:  Iudicium-Verl., München

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    Universitätsbibliothek Augsburg
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  21. Carl Einstein
    Prophet der Avantgarde
    Published: 1991
    Publisher:  Fannei & Walz, Berlin

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3927574104
    RVK Categories: GM 3008 ; GM 3010
    Subjects: Art historians; Jews, German; Avantgarde; Ikonographie
    Other subjects: Einstein, Carl <1885-1940>; Einstein, Carl (1885-1940)
    Scope: 91 S., Ill.
  22. André Malraux
    (1901 - 1976) ; le roman d'un flambeur
    Author: Kauffer, Rémi
    Published: 2001
    Publisher:  Hachette Littératures, Paris

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    Universitätsbibliothek Augsburg
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  23. Ninfas, serpientes, constelaciones
    la teoría artística de Aby Warburg
    Contributor: Burucúa, José Emilio (Publisher); Alba Bovisio, María
    Published: [2019]
    Publisher:  Museo Nacional de Bellas Artes, [Buenos Aires]

    "José Emilio Burucúa and a research team ... have elaborated a curatorial proposal that takes a series of works from Argentina's patrimony from different eras and in different styles to raise questions along the lines of certain historical and... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "José Emilio Burucúa and a research team ... have elaborated a curatorial proposal that takes a series of works from Argentina's patrimony from different eras and in different styles to raise questions along the lines of certain historical and mythological formulas expressed throughout Warburg's work."--Page 124

     
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  24. Journal, 1940 - 1950
    Author: Jullian, Philippe
    Published: 2009
    Publisher:  Grasset, Paris

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782246740612
    RVK Categories: IH 91900
    Subjects: Art historians; Authors, French
    Other subjects: Jullian, Philippe; Jullian, Philippe (1921-1977)
    Scope: 387 S., Ill., 23 cm
  25. The old masters
    Author: Gray, Simon
    Published: 2004
    Publisher:  Faber and Faber, London

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HN 3770
    Edition: Reprint. with rev.
    Series: faber and faber: stage scripts
    Subjects: Art dealers; Art historians
    Scope: 69 S.