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  1. »Global Art History«
    Transkulturelle Verortungen von Kunst und Kunstwissenschaft
    Published: [2018]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    Der kontrovers diskutierte Begriff einer globalen Kunstgeschichte, »Global Art History«, wird in diesem Band zum übergreifenden Thema gemacht.Die Beiträge international renommierter KunsthistorikerInnen fokussieren jeweils spezifische Regionen und... more

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    Hochschulbibliothek der Fachhochschule Aachen
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    Der kontrovers diskutierte Begriff einer globalen Kunstgeschichte, »Global Art History«, wird in diesem Band zum übergreifenden Thema gemacht.Die Beiträge international renommierter KunsthistorikerInnen fokussieren jeweils spezifische Regionen und künstlerische Praxen, die in globalen und transkulturellen Zusammenhängen differenziert betrachtet werden. Es geht um Standortbestimmungen, theoretische Fundierungen und methodische Klärungen - und nicht zuletzt darum, wie Kunstgeschichten außerhalb euro-amerikanischer Kontexte gedacht und geschrieben werden The controversially debated term of a global history of art is the general topic of this book. Each of the contributions of internationally renowned art historians focuses on specific regions and artistic practices by exploring their global and trans-cultural connections in differentiated ways. It is about the standpoints, theoretical foundations and methodical clarifications - and not least about the question how histories of art are considered and documented outside Euro-American contexts

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839440612
    Other identifier:
    RVK Categories: LH 65000
    Series: Linzer Beiträge zur Kunstwissenschaft und Philosophie ; 8
    Other subjects: Art and globalization; Art / Historiography; Art History; Art; Contemporary Art; Cultural History; Fine Arts; Gegenwartskunst; Global History; Globalgeschichte; Kulturgeschichte; Kunst; Kunstgeschichte; Kunstwissenschaft; Postcolonialism; Postkolonialismus; Regionalität; Transculturality; Transkulturalität; Kunstwissenschaft; Interkulturalität; Globalisierung; Postkolonialismus; ART / History / General
    Scope: 1 online resource
  2. Visualizing the past in Italian Renaissance art
    essays in honor of Brian A. Curran
    Contributor: Cochran Anderson, Jennifer (Publisher); Dow, Douglas N. (Publisher); Curran, Brian A.
    Published: [2021]
    Publisher:  Brill, Leiden ; Boston

    "The essays in Visualizing the Past in Italian Renaissance Art address a foundational concept that was as central to early modern thinking as it is to our own: that the past is always an important part of the present. Written by the friends,... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "The essays in Visualizing the Past in Italian Renaissance Art address a foundational concept that was as central to early modern thinking as it is to our own: that the past is always an important part of the present. Written by the friends, students, and colleagues of Dr. Brian Curran, former professor of Art History at the Pennsylvania State University, these authors demonstrate how reverberations of the past within the present are intrinsic to the ways in which we think about the history of art. Examinations of sculpture, painting, and architecture reveal the myriad ways that history has been appropriated, reinvented, and rewritten as subsequent generations-including the authors collected here-have attained new insight into the past and present. Contributors include Denise Costanzo, William E. Wallace, Theresa A. Kutasz Christensen, Ingrid Rowland, Anthony Cutler, Marilyn Aronberg Lavin, Louis Alexander Waldman, Elizabeth Petersen Cyron, Stuart Lingo, Jessica Boehman, Katherine M. Bentz, Robin L. Thomas, and John Pinto"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Cochran Anderson, Jennifer (Publisher); Dow, Douglas N. (Publisher); Curran, Brian A.
    Language: English
    Media type: Book
    ISBN: 9789004391529
    RVK Categories: LH 65720 ; LH 63700
    Series: Brill's studies on art, art history, and intellectual history ; volume 53
    Subjects: Kunst; Vergangenheit <Motiv>
    Other subjects: Art and history / Italy; Art, Renaissance / Italy / Themes, motives; Art, Italian / Themes, motives; Art / Historiography; Art and history; Art / Historiography; Art, Italian / Themes, motives; Art, Renaissance / Themes, motives; Italy
    Scope: XVIII, 342 Seiten, Illustrationen
  3. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316875131
    Other identifier:
    RVK Categories: HL 1139
    Series: Cambridge studies in nineteenth-century literature and culture ; 106
    Subjects: Geschichte; Kunst; Art / Historiography; Historiography / Great Britain / History / 19th century; Art and society / Great Britain / History / 19th century; Civil society / Great Britain / History / 19th century; Ästhetik; Literatur; Kunstgeschichtsschreibung; Öffentlichkeit; Demokratisierung; Kunst
    Scope: 1 Online-Ressource (xii, 296 Seiten), Illustrationen
  4. Crossmappings
    on visual culture
    Author: Bronfen, Elisabeth
    Published: 2018
    Publisher:  I.B. Tauris, London ; New York

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781838608316; 9781786733764
    Series: New encounters. Arts, cultures, concepts
    Subjects: Kunst; Geschlechterforschung; Kultur; Visuelle Wahrnehmung
    Other subjects: Art and society; Feminism and the arts; Gender identity in art; Sex in art; Art / Historiography
    Scope: 1 Online-Ressource (xxviii, 400 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  5. The melancholy art
    Author: Holly, Michael Ann
    Published: [2013]; © 2013
    Publisher:  Princeton University Press, Princeton ; Oxford

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691139342; 1299051413; 1400844959; 9780691139340; 9781299051416; 9781400844951
    Series: Essays in the arts
    Subjects: ART / Study & Teaching; ART / Subjects & Themes / General; Art / Historiography; Melancholy; Kunst; Art; Melancholy; Kunstgeschichtsschreibung; Melancholie <Motiv>; Melancholie; Kunst
    Scope: 1 online resource (xxv, 194 pages), illustrations
    Notes:

    Description based on print version record

    The melancholy art -- Viennese ghosts -- Stones of solace -- Patterns in the shadows -- Mourning and method
  6. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

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    Universitätsbibliothek der RPTU in Landau
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    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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  7. Scenography and art history
    performance design and visual culture
    Contributor: Rosen, Astrid <<von>> (Herausgeber); Kjellmer, Viveka (Herausgeber)
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Sydney

    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design.... more

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    Universitätsbibliothek der RPTU in Kaiserslautern
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    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design. Scenography and Art History reimagines scenography as a new strand of critical thought in art history and provides new ways of thinking about it that are not just related to theatre. The chapters in this book examine how scenography can be applied to modern visual objects, actions and events such as pop concerts, the Olympics opening ceremonies, feminist performance art and fashion shows and how stage designers such as Es Devlin (who designed the famous tongue from which Miley Cyrus appeared on her last world tour) have become famous in their own right. They also relate scenography to wider social issues such as globalisation and the increasingly digitalised world. The book's international examples, from countries as varied as England, America, Norway, Sweden and Germany show how this concept is globally applicable and can offer new approaches to emerging and more traditional objects of study, offering a fresh new expansion of critical art history"--

     
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    Source: Union catalogues
    Contributor: Rosen, Astrid <<von>> (Herausgeber); Kjellmer, Viveka (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350204447
    Subjects: Theater; Bühnenbild; Performance <Künste>; Tanz; Kunst; Fest <Motiv>;
    Other subjects: Art / Historiography; Theaters / Stage-setting and scenery
    Scope: xxi, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Introduction: Re-imagining scenography in relation to art history / Astrid von Rosen and Viveka Kjellmer -- A dynamic bipolarity : the Royal Holloway Chapel project, scenography and art history / Greer Crawley and Harriet O'Neill -- Beyond change : archaeology of a spook play / Tamas Szalczer and Eszter Szalczer
  8. Visual time
    the image in history
    Author: Moxey, Keith P. F.
    Published: 2013
    Publisher:  Duke University Press, Durham

    Is modernity multiple? -- Do we still need a Renaissance? -- Contemporaneity's heterochronicity -- Visual studies and the iconic turn -- Bruegel's crows -- Mimesis and iconoclasm -- Impossible distance more

     

    Is modernity multiple? -- Do we still need a Renaissance? -- Contemporaneity's heterochronicity -- Visual studies and the iconic turn -- Bruegel's crows -- Mimesis and iconoclasm -- Impossible distance

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822395935; 0822395932
    Other identifier:
    Subjects: Art / Historiography; Time and art; Kunstgeschichtsschreibung; Zeit <Motiv>
    Other subjects: Moxey, Keith (1943-)
    Scope: 1 Online-Ressource (xiii, 207 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  9. Visualizing the past in Italian Renaissance art
    essays in honor of Brian A. Curran
    Contributor: Cochran Anderson, Jennifer (Publisher); Dow, Douglas N. (Publisher); Curran, Brian A.
    Published: [2021]
    Publisher:  Brill, Leiden ; Boston

    "The essays in Visualizing the Past in Italian Renaissance Art address a foundational concept that was as central to early modern thinking as it is to our own: that the past is always an important part of the present. Written by the friends,... more

    Location:
    Universitätsbibliothek Würzburg
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    "The essays in Visualizing the Past in Italian Renaissance Art address a foundational concept that was as central to early modern thinking as it is to our own: that the past is always an important part of the present. Written by the friends, students, and colleagues of Dr. Brian Curran, former professor of Art History at the Pennsylvania State University, these authors demonstrate how reverberations of the past within the present are intrinsic to the ways in which we think about the history of art. Examinations of sculpture, painting, and architecture reveal the myriad ways that history has been appropriated, reinvented, and rewritten as subsequent generations-including the authors collected here-have attained new insight into the past and present. Contributors include Denise Costanzo, William E. Wallace, Theresa A. Kutasz Christensen, Ingrid Rowland, Anthony Cutler, Marilyn Aronberg Lavin, Louis Alexander Waldman, Elizabeth Petersen Cyron, Stuart Lingo, Jessica Boehman, Katherine M. Bentz, Robin L. Thomas, and John Pinto"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Cochran Anderson, Jennifer (Publisher); Dow, Douglas N. (Publisher); Curran, Brian A.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004447776
    Other identifier:
    RVK Categories: LH 65720 ; LH 63700
    Series: Brill's studies on art, art history, and intellectual history ; volume 53
    Subjects: Kunst; Vergangenheit <Motiv>
    Other subjects: Art and history / Italy; Art, Renaissance / Italy / Themes, motives; Art, Italian / Themes, motives; Art / Historiography; Art and history; Art / Historiography; Art, Italian / Themes, motives; Art, Renaissance / Themes, motives; Italy
    Scope: 1 Online-Ressource (XVIII, 342 Seiten), Illustrationen
  10. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781107184084
    Other identifier:
    9781107184084
    RVK Categories: HL 1139
    Series: Cambridge studies in nineteenth-century literature and culture ; 106
    Subjects: Geschichte; Kunst; Öffentlichkeit; Ästhetik; Literatur; Kunstgeschichtsschreibung; Demokratisierung; Kunst
    Other subjects: Art / Historiography; Historiography / History / 19th century / Great Britain; Art and society / History / 19th century / Great Britain; Civil society / History / 19th century / Great Britain; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art / Historiography; Civil society; Historiography; Intellectual life; Great Britain / Intellectual life / 19th century / Great Britain
    Scope: xii, 296 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  11. Productive failure
    writing queer transnational South Asian art histories
    Author: Patel, Alpesh Kantilal
    Published: 2017
    Publisher:  Manchester University Press, Manchester

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' -... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781784992545; 1784992542
    RVK Categories: LO 87860 ; LH 60230
    Series: Rethinking art's histories
    Subjects: Geschichte; Kunst; Kunstgeschichtsschreibung; Queer-Theorie; Kunst
    Other subjects: Art / South Asia / History; Art / Historiography; Art and race; Homosexuality and art; Queer theory; Art; Art and race; Art / Historiography; Homosexuality and art; Queer theory; South Asia; History
    Scope: xxii, 250 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, Portraits, 25 cm
  12. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

    Location:
    Universitätsbibliothek der RPTU in Landau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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  13. Scenography and art history
    performance design and visual culture
    Contributor: Rosen, Astrid von (Herausgeber); Kjellmer, Viveka (Herausgeber)
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Sydney

    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design.... more

    Location:
    Universitätsbibliothek der RPTU in Kaiserslautern
    Signature:
    NEU 01 ARB
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    Unlimited inter-library loan, copies and loan

     

    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design. Scenography and Art History reimagines scenography as a new strand of critical thought in art history and provides new ways of thinking about it that are not just related to theatre. The chapters in this book examine how scenography can be applied to modern visual objects, actions and events such as pop concerts, the Olympics opening ceremonies, feminist performance art and fashion shows and how stage designers such as Es Devlin (who designed the famous tongue from which Miley Cyrus appeared on her last world tour) have become famous in their own right. They also relate scenography to wider social issues such as globalisation and the increasingly digitalised world. The book's international examples, from countries as varied as England, America, Norway, Sweden and Germany show how this concept is globally applicable and can offer new approaches to emerging and more traditional objects of study, offering a fresh new expansion of critical art history"--

     
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    Content information
    Source: Union catalogues
    Contributor: Rosen, Astrid von (Herausgeber); Kjellmer, Viveka (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781350204447
    Subjects: Fest <Motiv>; Kunst; Tanz; Bühnenbild; Performance <Künste>; Theater
    Other subjects: Art / Historiography; Theaters / Stage-setting and scenery
    Scope: xxi, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Introduction: Re-imagining scenography in relation to art history / Astrid von Rosen and Viveka Kjellmer -- A dynamic bipolarity : the Royal Holloway Chapel project, scenography and art history / Greer Crawley and Harriet O'Neill -- Beyond change : archaeology of a spook play / Tamas Szalczer and Eszter Szalczer
  14. Brain of the earth's body
    art, museums, and the phantasms of modernity
    Author: Preziosi, Donald
    Published: 1992
    Publisher:  Univ. of Minnesota Press, Minneapolis [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780816633586
    Subjects: Kunst; Philosophie; Ästhetik; Art / Historiography; Aesthetics; Art museums / Philosophy; Kunstmuseum; Museumskunde; Ästhetik; Museum
    Scope: XII, 175 S., Ill.
  15. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

     

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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  16. Arte e pensamento
    operações historiográficas
    Contributor: Flores, Maria Bernardete Ramos (Publisher)
    Published: 2016
    Publisher:  Rafael Copetti, São Paulo

    "Como pensar hoje na escrita da história? Como enfrentar a página em branco que não se apresenta como um espaço neutro, mas um espaço onde quem escreve - o historiador - deixa rastros do passado e também os seus próprios rastros? Essas são algumas... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    "Como pensar hoje na escrita da história? Como enfrentar a página em branco que não se apresenta como um espaço neutro, mas um espaço onde quem escreve - o historiador - deixa rastros do passado e também os seus próprios rastros? Essas são algumas das questões colocadas pelos ensaios que compõem "Arte e pensamento: operações historiográficas". Num primeiro momento, são fornecidos o ritmo, o tom e os compassos por meio de discussões e reflexões sobre uma teoria da experiência para a escrita da história, sobre a historicidade do artístico, sobre o inespecífico do contemporâneo, sobre o pensamento na fronteira, sobre a nomeação dos anônimos em Machado de Assis. A partir dessas harmonizações dissonantes e consoantes, iniciam-se 3 operações que delineiam o segundo momento do livro, cuja intenção maior é fazer operar a escrita da história na imbricada conjunção história-arte-pensamento."--Contratapa

     
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    Source: Union catalogues
    Contributor: Flores, Maria Bernardete Ramos (Publisher)
    Language: Portuguese
    Media type: Book
    ISBN: 9788567569284
    Edition: 1a edição
    Subjects: Kulturzeitschrift; Geistesleben; Kunstgeschichtsschreibung; Literatur; Kunst
    Other subjects: Art and history; Art / Historiography; Art / Philosophy; Arte e historia; Arte / Historiografía; Arte / Filosofía; Art and history; Art / Historiography; Art / Philosophy
    Scope: 402 Seiten, Illustrationen
    Notes:

    "Essa coletânea é mais uma das realizações do Laboratório de História e Arte (LABHARTE) da Universidade Federal de Santa Catarina, que abriga os projetos de docentes e estudantes da linha de pesquisa História da Historiografia, Arte, Memória e Patrimônio, do Programa de Pós-Graduação em História (PPGH) com área de concentração em História Cultural."--Solapa anterior
  17. Crossmappings
    on visual culture
    Author: Bronfen, Elisabeth
    Published: 2018
    Publisher:  I.B. Tauris, London

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781788311076; 1788311078
    Series: New encounters: arts, cultures, concepts
    Subjects: Visuelle Wahrnehmung; Kunst; Geschlechterforschung; Kultur
    Other subjects: Art and society; Feminism and the arts; Gender identity in art; Sex in art; Art / Historiography
    Scope: xxvii, 399 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  18. Ē ennoia tēs "genias"
    stēn periodologēsē tēs istorias, tēs istorias tēs logotechnias kai tēs istorias tēs technēs
    Author: Matthiopulos, Eugenios D.
    Published: 2019
    Publisher:  Panepistēmiakes Ekdoseis Krētēs, Ērakleio

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
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    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: Greek, Modern (1453-)
    Media type: Book
    ISBN: 9789605245573; 9605245574
    RVK Categories: FG 2400
    Series: Istoria kai koinōnia
    Subjects: Periodisierung; Literaturgeschichte <Fach>; Kunstgeschichte <Fach>; Generation; Geschichtswissenschaft
    Other subjects: Art criticism; Art, Modern; Art / Historiography; Literature; Greece; Families; History
    Scope: 322 Seiten, Illustrationen, 24 cm
    Notes:

    Bibliografie (S. 275-305) und Index (S. 307-322)
  19. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: ©2002
    Publisher:  MIT Press, Cambridge, Mass.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0262266768; 0585436983; 9780262266765; 9780585436982
    Subjects: ART / Criticism & Theory; Art criticism / Historiography; Art / Historiography; Art, Renaissance; Modernism (Art); Poststructuralism; Beeldende kunsten; Vernieuwing; Kunstkritiek; Kunst; Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism; Architekturkritik; Poststrukturalismus; Ästhetik; Geschichte; Architekturzeichnung; Kunst
    Other subjects: Ackerman, James S. (1919-2016)
    Scope: 1 Online-Ressource (xi, 328 pages)
    Notes:

    Includes bibliographical references and index

    On origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- On the origins of architectural photography -- Imitation -- Art and science in the drawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing
  20. Art's agency and art history
    Published: 2007
    Publisher:  Blackwell Pub., Malden, MA

    Location:
    Technische Hochschulbibliothek Rosenheim
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0470776625; 0470777273; 1405135387; 9780470776629; 9780470777275; 9781405135382
    Other identifier:
    RVK Categories: LH 64900
    Series: New interventions in art history
    Subjects: ART / General; Art and anthropology; Art and society; Art / Historiography; Kunst; Culturele antropologie; Kunst; Art and anthropology; Art / Historiography; Art and society; Ästhetik; Schrifttum; Rezeption; Anthropologie; Kunst; Kunstgeschichtsschreibung; Kunstsoziologie
    Other subjects: Gell, Alfred (1945-1997)
    Scope: 1 Online-Ressource (xiv, 226 pages)
    Notes:

    Includes bibliographical references and index

    "Art and Agency and Art History" throws the subject of the anthropology of art into brilliant and much-needed relief, by re-articulating its relationships to key methodological and theoretical approaches in art history, sociology, and linguistics. Using Alfred Gell's influential work as a touchstone, the book showcases nine groundbreaking case studies by an internationally renowned group of art historians and art theorists. Following an accessible introductory overview, the collection explores concepts and perspectives in a wide range of contexts, ranging from such cultures as Bronze Age China and Mesopotamia to those of Classical Greece, Imperial Rome, the Classic Maya and finally of the modern western world
  21. After the end of art
    contemporary art and the pale of history
    Author: Danto, Arthur Coleman
    Published: 2014

    "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: First Princeton classics edition
    Series: The A. W. Mellon lectures in the fine arts ; 44 = 1995
    Bollingen series ; 35,44
    Princeton classics
    Subjects: Art / Historiography; Postmodernism; Art criticism / Philosophy; Kunst; Philosophie; Kunst; Ästhetik; Postmoderne
    Scope: XXVI, 239 S., Ill., 22 cm
    Notes:

    Includes bibliographical references and index

    Foreword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy
  22. The barbarian invasions
    a genealogy of the history of art
    Author: Michaud, Éric
    Published: [2019]; © 2019
    Publisher:  <<The>> MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Huckle, Nicholas
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262355742
    Series: October books
    Subjects: Invasion <Motiv>; Barbar <Motiv>
    Other subjects: Art, European; Art and race; Art / Historiography / History; Art and race; Art, European; Art / Historiography; History
    Scope: 1 Online-Ressource (270 Seiten), Illustrationen
  23. Scenography and art history
    performance design and visual culture
    Contributor: Rosen, Astrid von (Publisher); Kjellmer, Viveka (Publisher)
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, New York ; Bloomsbury Publishing, London

    "Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital... more

    Location:
    Bayerische Staatsbibliothek
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    "Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society."

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Rosen, Astrid von (Publisher); Kjellmer, Viveka (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350204478
    Other identifier:
    RVK Categories: LH 61100
    Edition: First edition
    Subjects: Performance <Künste>; Theater; Bühnenbild; Tanz; Fest <Motiv>; Kunst
    Other subjects: Art / Historiography; Theaters / Stage-setting and scenery; Performance art; Art / Historiography; Theaters / Stage-setting and scenery
    Scope: 1 Online-Ressource (xxii, 234 Seiten), Illustrationen
  24. Scenography and art history
    performance design and visual culture
    Contributor: Rosen, Astrid von (Publisher); Kjellmer, Viveka (Publisher)
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Sydney

    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design.... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "In recent years there has been an increase in academic publications discussing scenography. Scenography is the study and practice of performance design and explores elements of performance like scenery, lighting, sound and costume design. Scenography and Art History reimagines scenography as a new strand of critical thought in art history and provides new ways of thinking about it that are not just related to theatre. The chapters in this book examine how scenography can be applied to modern visual objects, actions and events such as pop concerts, the Olympics opening ceremonies, feminist performance art and fashion shows and how stage designers such as Es Devlin (who designed the famous tongue from which Miley Cyrus appeared on her last world tour) have become famous in their own right. They also relate scenography to wider social issues such as globalisation and the increasingly digitalised world. The book's international examples, from countries as varied as England, America, Norway, Sweden and Germany show how this concept is globally applicable and can offer new approaches to emerging and more traditional objects of study, offering a fresh new expansion of critical art history"--

     
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    Source: Union catalogues
    Contributor: Rosen, Astrid von (Publisher); Kjellmer, Viveka (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781350204447
    Subjects: Bühnenbild; Fest <Motiv>; Theater; Tanz; Kunst; Performance <Künste>
    Other subjects: Art / Historiography; Theaters / Stage-setting and scenery; Art / Historiography; Theaters / Stage-setting and scenery
    Scope: xxi, 229 Seiten, Illustrationen, 24 cm
    Notes:

    Introduction : Re-imagining scenography in relation to art history / Astrid von Rosen and Viveka Kjellmer -- A dynamic bipolarity : the Royal Holloway Chapel project, scenography and art history / Greer Crawley and Harriet O'Neill -- Beyond change : archaeology of a spook play / Tamas Szalczer and Eszter Szalczer
  25. Ninfas, serpientes, constelaciones
    la teoría artística de Aby Warburg
    Contributor: Burucúa, José Emilio (Publisher); Alba Bovisio, María
    Published: [2019]
    Publisher:  Museo Nacional de Bellas Artes, [Buenos Aires]

    "José Emilio Burucúa and a research team ... have elaborated a curatorial proposal that takes a series of works from Argentina's patrimony from different eras and in different styles to raise questions along the lines of certain historical and... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "José Emilio Burucúa and a research team ... have elaborated a curatorial proposal that takes a series of works from Argentina's patrimony from different eras and in different styles to raise questions along the lines of certain historical and mythological formulas expressed throughout Warburg's work."--Page 124

     
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