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  1. "Man kann Bergleute nicht grotesk schnitzen"
    bergmännische Darstellungen in der Kunstsammlung des Bochumer Bergbau-Museums (1928-1966)
    Author: Heide, Anna-Magdalena
    Published: [2023]; © 2023
    Publisher:  De Gruyter Oldenbourg, Berlin

    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen Funktion dieser Kunstsammlung spürt das Buch anhand der Institutions- und Sammlungsgeschichte des Hauses nach. Dabei liegt der Fokus auf den Motiven und Handlungen der Akteur:innen des Museums in der Amtszeit des Gründungsdirektors, Dr.-Ing. Dr. h. c. Heinrich Winkelmann (1928-1966). Schriftliche Überlieferungen zeigen, dass Winkelmann sich berufen fühlte, regulierend in die Kunstszene einzugreifen. Anhand von Sammlungs- und Archivforschung wird deshalb außerdem untersucht, welche Positionen der Gründungsdirektor in Hinblick auf die Ikonografie von Bergleuten in der bildenden Kunst vertrat und inwiefern sich seine kulturpolitischen Bemühungen in der heutigen Kunst-Sammlung des DBM materialisiert haben

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783110779820; 311077982X
    Other identifier:
    9783110779820
    Series: Veröffentlichungen aus dem Deutschen Bergbau-Museum Bochum ; Band 252
    Schriften des Montanhistorischen Dokumentationszentrums ; Nr. 45
    Subjects: 20th century history: c 1900 to c 2000; ART / Collections, Catalogs, Exhibitions; ART / European; ART / History / Modern (late 19th Century to 1945); ART059000; Art & design styles: Modernist design & Bauhaus; Ausstellungskataloge, Museumskataloge und Sammlungen; BUSINESS & ECONOMICS / Economic History; Economic history; European history; Europäische Geschichte; Exhibition catalogues & specific collections; General & world history; Geschichte allgemein und Weltgeschichte; HISTORY / Europe / Germany; HISTORY / Modern / 20th Century; HISTORY / Social History; History of art & design styles: from c 1900 -
    Scope: X, 704 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 593-634

    Dissertation, Philipps-Universität Marburg, 2022
  2. Museums and Atlantic Slavery
    Author: Araujo, Ana Lucia
    Published: 2023
    Publisher:  Taylor & Francis Ltd, London

    Museums and Atlantic Slavery explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the... more

     

    Museums and Atlantic Slavery explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field.Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery

     
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  3. The Routledge Companion to Decolonizing Art History
    Contributor: Flores, Tatiana (HerausgeberIn); San Martín, Florencia (HerausgeberIn); Villaseñor Black, Charlene (HerausgeberIn)
    Published: 2023
    Publisher:  Taylor & Francis Ltd, London

    This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners more

     

    This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners

     
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    Source: Union catalogues
    Contributor: Flores, Tatiana (HerausgeberIn); San Martín, Florencia (HerausgeberIn); Villaseñor Black, Charlene (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367714819
    Series: Routledge Art History and Visual Studies Companions
    Subjects: ART / History / General; ART059000; Colonialism & imperialism; Cultural studies; Ethnic Studies; Ethnic studies; History of art / art & design styles; Kolonialismus und Imperialismus; Kulturwissenschaften; Kunstgeschichte; LIT024050; Literary studies: post-colonial literature; Literaturwissenschaft: postkoloniale Literatur; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Ethnic Studies / General
    Scope: 610 Seiten
    Notes:

    SECTION I: INTRODUCTION SECTION II: BEING AND DOING 1. Writing Art History in the Age of Black Lives Matter 2. Being an Indigenous Art Historian in the 21st Century: How can MÄori Adornment Reveal New Ways of Thinking about Art, its Histories, and Futures 3. Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability 4.The Power of Absence: An Interview with Ken Gonzales-Day 5.Art in Paradise Found and Lost 6.The Maquette -Modèles of Bodys Isek Kingelez: Envisioning Decolonial Monuments 7. Decolonizing La Revolución: Cuban Artistic Practice in a Liminal Space 8. Museums are Temples of Whiteness 9. Stepping out of the Shadow of Imperial Monochrony: A Place-centric Approach to Decolonizing Japanese Art History 10. On Failure and the Nation State: A Decolonial Reading of Alfredo Jaar s A Logo for America 11. Light as a Feather: The Anti-capitalist Radiance of Decolonial Art History SECTION III: LEARNING AND LISTENING 12. Where s Decolonization? The Ohketeau Cultural Center, Indigenous Sovereignty, and Arts Institutions 13. Overcoming Art History s Meta-Narrative 14. Pathways to Art History: Pedagogy, Research, and Praxis through a Decolonial Lens 15. Pedagogies of Place: Listening and Learning in the Margins 16. The Unbearable Lightness of Adjuncting Art History 17. Decolonial Cinematic Flows: Histories, Movements, Confluences 18. Re-Indigenizing Ancient Mexican Glyphic Codices 19. (Not) Performing Pasifika Indigeneity: Destabilizing the Researcher as Decolonizing Method in Art History 20. Afterlives/Futurelives: Imagining Mermaids and recalling Ghost Dancing 21. Decolonizing California Mission Art and Architecture Studies 22.Radical Pedagogy: Environmental Performances and the Politics of Hope SECTION IV: SENSING AND SEEING 23. Spooky Art History (or, Whatever Happened to the Postcolonial?) 24. Spatial Abstraction as a Colonizing Tool 25. Dishumanizing Art History? 26.The Digital Voice as Postcolonial Proxy 27. Reflecting on Whiteness in Recent Contemporary Artwork Exploring Transnational Poland 28. Racialization, Creolization, and Minor Transnationalism: Black and Indigenous Exchange in Spanish Colonial Visual Culture 29. The Imperial Landscape of 18th-Century Anglo-Indian Portraiture 30. Unseeing Art History: Inca Material Culture 31. Debility and the Ethics of Proximity: Spatial and Temporal Immediacy in the Work of Candice Lin 32. Decolonizing Crocodiles, Repatriating Birds:Human-Animal Relations in the Historical Indian Landscape 33. We are so many bodies, my friends : Countervisibility as Resurgent Tactics SECTION V: LIVING AND LOVING 34. she carried with herâa large bundle of wearing apparel belonging to herself : Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements 3 5. Rina Banerjee s Decolonial Ecologies 36.The Teaching is in the Making: A Relational and Embodied Experience of Anishinaabe Photographs 37. Reflections on a Latinx Decolonial Praxis for Medievalists 38. The Waters Surrounding Wallmapu, the Waters Surrounding Life 39. Dialogical Episodes for Decolonizing (Art) History 40. Inner Spaces: The Depth Imagination 41. Maria Auxiliadora da Silva: Nossa Mãe Maria of Terreiro Life and Faith on Black Grounds 42. Michael Richards: Performance as Ritual and Black-Indigenous Haptic Visuality 43. Bittersweet Histories and Tarnished Gold: Slavery s Sounds, Sights and Silences in the Legacy of Dutch Brazil 44. A Personal Take, or Stuck in the Middle/Side and Going Nowhere: An Attempt at
  4. The empty showcase syndrome
    tough questions about cultural heritage from colonial regions
    Author: Beurden, Jos van
    Published: [2024]
    Publisher:  Amsterdam University Press, [Amsterdam]

    European countries, including the Netherlands, are increasingly more willing to return looted art to their former colonies. In doing so, however, they are confronted with hard choices. In The Empty Showcase Syndrome, Jos van Beurden explores three of... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universitätsbibliothek Heidelberg
    Signature:
    2024 A 9826
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    Location:
    Institut für Auslandsbeziehungen, Bibliothek
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    44/233
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    European countries, including the Netherlands, are increasingly more willing to return looted art to their former colonies. In doing so, however, they are confronted with hard choices. In The Empty Showcase Syndrome, Jos van Beurden explores three of the toughest questions that countries and governments face. First, former colonial powers often hesitate to relinquish control over the provenance research into the looted items to their former colonies. Secondly, most private owners keep quiet about their collections, while these collections should also be included in the restitution debates. Finally, many former colonies struggle with the question of where exactly the returned collections should go: to their national museums or to the old royal houses or indigenous communities from which these collections were stolen. In this book, Jos van Beurden uses many examples from the Netherlands, which has recently returned stolen art to Indonesia and Sri Lanka

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789048564071
    Subjects: ART059000; Ausstellungskataloge, Museumskataloge und Sammlungen; Colonialism & imperialism; HISTORY / Europe / General; Museology & heritage studies; Museums- und Denkmalkunde; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; SOCIAL SCIENCE / Ethnic Studies / General
    Scope: 159 Seiten, Illustrationen
    Notes:

    "Slightly updated"

    To the reader 1 Three Encounters, Three Questions A visitor from Sri Lanka - A quick sale in Amsterdam - Conversation in Jakarta 2 Museums: From Looking Away to Changing The Dubois fossil collection - Collections on loan - Working together 3 The Dutch Government: A U-turn at Last Frugal in giving back - Gradual shift - The first results - They should never have been in the Netherlands 4 Ethical Compass: Three Principles Beware of exaggeration - Looting as a form of colonial violence - The three concepts: Trust, equality, and justice 5 No Research About Us Without Us Inequality in provenance research - Surprising approach in the 1990s - Working towards equality now - Paradigm shift - Bumps in the road 6 Come Out, Private Collector and Art Trader! Growing insight - Unable to return - Art dealers, private collectors, and the media - Interlude: Is it about human remains or ancestral remains? - What is the Dutch government doing? 7 Ex-Colonies: to whom do the returned objects go? An installation that touches - Who decides what is claimed? - Friction over a weapon and a gemstone - Papuan and Moluccan skulls - Indigenous group claims baby in strong water - Weakness in Dutch policy? 8 Giving Back: The New Normal? Slow steps of European countries - What does the European- Nigerian Benin dialogue yield? - How are other former colonies doing? - Will restitution become the new normal? Notes Acknowledgements Sources consulted Index
  5. The Routledge handbook of classics, colonialism, and postcolonial theory
    Contributor: Blouin, Katherine (HerausgeberIn); Akrigg, Ben (HerausgeberIn)
    Published: 2025
    Publisher:  Routledge, Taylor & Francis Group, London

    "This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case-studies and... more

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    Staats- und Universitätsbibliothek Bremen
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    "This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case-studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case-studies to illustrate both how postcolonial thought has already illuminated our understanding of the ancient Mediterranean world and beyond, as well as its potential for the future. Chapters also provide opportunities for reflection on the current state of the discipline. An introduction by the volume editors offers a survey of the development of postcolonial theory, its relationship to other bodies of theory, and its connections to Classics. Towards the end of the book, three scholars with different career and disciplinary perspectives provide short reflections on the themes of the volume and the directions of future research. The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory offers an impressive collection of current research and thought on the subject for students and scholars in Classical Studies understood in its larger sense, as well as in related disciplines such as Archaeology, Ancient History, Imperial History and the History of Colonialism, Reception Studies, and Museum Studies. For anyone interested in classical antiquity, it provides an engaging introduction to a potentially bewildering, but ultimately vital and enriching, body of thought and theory"--

     
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    Source: Union catalogues
    Contributor: Blouin, Katherine (HerausgeberIn); Akrigg, Ben (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003096016
    Other identifier:
    RVK Categories: NQ 9200 ; NQ 9380 ; MK 2600 ; MK 2700 ; LB 31000
    Series: Routledge handbooks of classics and theory
    Subjects: Classical literature; Civilization, Classical; Classical literature; Imperialism in literature; Postcolonialism in literature; ART059000; Ancient history: to c 500 CE; Antike; Archaeology by period / region; Archäologie einer Periode / Region; Colonialism & imperialism; Ethnic Studies; Ethnic studies; HISTORY / Ancient / General; Kolonialismus und Imperialismus; Museology & heritage studies; Museums- und Denkmalkunde; POL045000; Popular culture; Populäre Kultur; SOCIAL SCIENCE / Archaeology; SOCIAL SCIENCE / Ethnic Studies / General; SOCIAL SCIENCE / Popular Culture; SOCIAL SCIENCE / Sociology / General; Sociology
    Scope: 1 Online-Ressource (xxiii, 675 Seiten), Illustrationen
    Notes:

    1. Introduction, Katherine Blouin and Ben Akrigg; 2. Edward Said's Orientalism: a reappraisal, Phiroze Vasunia; 3. Classics at the borderlands: decolonising with Gloria Anzaldúa, Mathura Umachandran; 4. Classics between epistemicides and hauntologies: a Caribbean reading, D. Padilla Peralta; 5. Placefulness and classical topoi in the writing of Ishion Hutchinson, Sasha-Mae Eccleston; 6. Indigenous writers of North America and Greco-Roman antiquity: postcolonialism without the post?, Craig Williams; 7. The ancient past in the historical present: postcolonial theory and ancient Indian history, Mekhola Gomes; 8. Subalternity in the Roman metropole, Amy Richlin; 9. Rape and race: intersectional perspectives on Aeschylus Suppliants, with a coda on Charles Mees Big Love, Nancy Sorkin Rabinowitz; 10. Resistant receptions: a postcolonial approach to receptions of Greek tragedy, Amy Pistone; 11. Two-Eyed Seeing and teaching classical literature, Aven McMaster; 12. Postcolonial feminisms and colonial encounters in the Hellenistic period, Patricia Eunji Kim; 13. Periplus, periplum, periphery: how to map classics from the edges, Grant Parker; 14. Time and the other Greeks, Dimitri Nakassis; 15. Our terms and theirs: some reflections on recent approaches to Greek religion, Kenneth W. Yu; 16. (Post-)colonialism and ancient magic, Korshi Dosoo; 17. Haec de Africa. Romes imagined Africa and the limits of fiction, Elena Giusti; 18. A colonialist trick of the eye: Valerius Maximus' Memorable Deeds and Sayings as a tool of imperial education, Liz Gloyn; 19. "They look white, but they're not : nationality, race, and classical tradition in Brazil, Juliana Bastos Marques; 20. Res Diversissimas: a postcolonial reading of Hannibals reception, Dominic Machado; 21. Perhaps it matters little to what race Terence belonged : historicizing the life of Publius Terentius Afer, Denise Eileen McCoskey; 22. Alexander the Great studies and Hellenism in Uzbekistan: a postcolonial and decolonial discourse within a Central Asian archaeology stalled between post-Soviet myths, centre-periphery tensions, and non-recognition of Russian colonialism, Svetlana Gorshenina and Claude Rapin; 23. Locating Indo-Iranian borderlands between Central Asia and South Asia: a reading of the past connected history (third century BCE to sixth century CE), Suchandra Ghosh; 24. Ê Faraó! : the reception of ancient Egypt in Brazilian carnival, Franziska Naether; 25. The long, winding, and bumpy road: seeing museum antiquities as colonial legavies, Elizabeth Marlowe; 26. Thucydides on colonialism and hegemonic discourse, Neville Morley; 27. Forgery as decolonisation: Constantine Simonides in Liverpool, Rachel Yuen-Collingridge; 28. Those who tell their stories never die: on being an 'Indigenous' Egyptian researcher in the current increasing 'local' inclusion turn, Heba Abd el Gawad; 29. Troubled archive: (de)coloniality and Egypts papyri, Usama Ali Gad; 30. The materiality of papyri and the decolonization of Papyrology, Myrto Malouta; 31. Many strange and impossible views : the curious career of Frederic Cope Whitehouse (1842-1911), Brendan Haug; 32. Teaching classics in South Africa-a hopeful act: reflections on a decolonising teaching experience, Amy L. Daniels; 33. Colonizing the past: the case of Argos in the late eighteenth and early nineteenth centuries, Jonathan M. Hall; 34. Examinations at the founding of the University of Toronto: the place of classics in the institutionalisation of Can
  6. The Australian desert
    nature, culture, future
    Author: Haynes, Roslynn D.
    Published: 2024
    Publisher:  Taylor & Francis Ltd, London

    This unique book is the only fully interdisciplinary and comprehensive study of the Australian desert and its pivotal role in the cultural history of Australia more

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    Universitätsbibliothek Heidelberg
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    This unique book is the only fully interdisciplinary and comprehensive study of the Australian desert and its pivotal role in the cultural history of Australia

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032835051
    RVK Categories: RX 15522
    Subjects: ART / Australian & Oceanian; ART059000; Andere indigene, ethnische und Volksreligionen und Glaubensrichtungen; Archaeology by period / region; Archäologie einer Periode / Region; Arid zones, deserts; Aride Zonen (Dürregebiete), Wüsten; Art treatments & subjects; Australasian & Pacific history; Australische und Pazifische Geschichte; Cultural studies; Environmental science, engineering & technology; HISTORY / Australia & New Zealand; HISTORY / Social History; Kulturwissenschaften; Kunst: Themen und Techniken; LIT025060; LITERARY CRITICISM / Australian & Oceanian; Literary studies: general; Literaturwissenschaft, allgemein
    Scope: 320 Seiten
    Notes:

    INTRODUCTION. PART I: THE GIVEN 1. Two Creation Stories 2. The Diversity of Australian Deserts PART II: THE FIRST AUSTRALIANS 3. The Mystery of the Gwion/Bradshaws 4. Arriving and Surviving 5. Dreaming the Land 6. Narrating the Land in Song and Dance 7. Traditional Aboriginal Art of the Desert PART III: ENCOUNTER: EXPECTATION, EXPLORATION 8. A Clash of Cultures 9. European Myths of the Desert 10. 'Footprints on the Sands of Time': Imperatives for Exploration 11. Geography is never Innocent: How the Explorers created a Landscape 12. The Art of Exploration: Visualising the Desert 13. Heroes for the Nation: Mythologising the Explorers 14. Boys Own Adventures at the Edge of Empire Part IV: ENGAGEMENT 15. From Dead Heart to Red Centre: Tales of Travel and Reefs of Gold 16. Getting over the Colour Green: Western Artists Discover the Desert 17. The Gothic Desert: Psychodrama in Fiction and Film 18. Figures of the Subconscious: Re-visioning the Explorers 19. Transforming Myths: Re-telling the Stories of Exploration 20. The Language of Landscape: Nature's Self-Portrait 21. The Lure of the Desert: Self-Discovery and Renewal 22. Hidden in Full Sight: Indigenous Desert Art 23. Selling the Centre: Desert Tourism 24. What can we Learn from Aboriginal Culture in the Anthropocene?
  7. The Australian Desert
    Nature, Culture, Future
    Author: Haynes, Roslynn
    Published: 2024
    Publisher:  Taylor & Francis Ltd, London

    This unique book is the only fully interdisciplinary and comprehensive study of the Australian desert and its pivotal role in the cultural history of Australia more

     

    This unique book is the only fully interdisciplinary and comprehensive study of the Australian desert and its pivotal role in the cultural history of Australia

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032835198
    Subjects: ART / Australian & Oceanian; ART059000; Andere indigene, ethnische und Volksreligionen und Glaubensrichtungen; Archaeology by period / region; Archäologie einer Periode / Region; Arid zones, deserts; Aride Zonen (Dürregebiete), Wüsten; Art treatments & subjects; Australasian & Pacific history; Australische und Pazifische Geschichte; Cultural studies; Environmental science, engineering & technology; HISTORY / Australia & New Zealand; HISTORY / Social History; Kulturwissenschaften; Kunst: Themen und Techniken; LIT025060; LITERARY CRITICISM / Australian & Oceanian; Literary studies: general; Literaturwissenschaft, allgemein
    Scope: 320 Seiten
    Notes:

    INTRODUCTION. PART I: THE GIVEN 1. Two Creation Stories 2. The Diversity of Australian Deserts PART II: THE FIRST AUSTRALIANS 3. The Mystery of the Gwion/Bradshaws 4. Arriving and Surviving 5. Dreaming the Land 6. Narrating the Land in Song and Dance 7. Traditional Aboriginal Art of the Desert PART III: ENCOUNTER: EXPECTATION, EXPLORATION 8. A Clash of Cultures 9. European Myths of the Desert 10. 'Footprints on the Sands of Time': Imperatives for Exploration 11. Geography is never Innocent: How the Explorers created a Landscape 12. The Art of Exploration: Visualising the Desert 13. Heroes for the Nation: Mythologising the Explorers 14. Boys Own Adventures at the Edge of Empire Part IV: ENGAGEMENT 15. From Dead Heart to Red Centre: Tales of Travel and Reefs of Gold 16. Getting over the Colour Green: Western Artists Discover the Desert 17. The Gothic Desert: Psychodrama in Fiction and Film 18. Figures of the Subconscious: Re-visioning the Explorers 19. Transforming Myths: Re-telling the Stories of Exploration 20. The Language of Landscape: Nature's Self-Portrait 21. The Lure of the Desert: Self-Discovery and Renewal 22. Hidden in Full Sight: Indigenous Desert Art 23. Selling the Centre: Desert Tourism 24. What can we Learn from Aboriginal Culture in the Anthropocene?
  8. Visual Redress in Africa from Indigenous and New Materialist Perspectives
    Contributor: Costandius, Elmarie (HerausgeberIn); de Villiers, Gera (HerausgeberIn)
    Published: 2023
    Publisher:  Taylor & Francis Ltd, London

    "Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs, and buildings were removed or changed after countries' independence. An African perspective on... more

     

    "Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs, and buildings were removed or changed after countries' independence. An African perspective on these processes will bring new understandings and assist in finding ways to address issues in other countries and continents. These often-unresolved issues attract much attention, but finding ways of working through them requires a deeper and broader approach. Contributors propose an African indigenous knowledge perspective in relation to new materialism as alternative approaches to engage with visual redress and decolonisation of spaces in an African context. Authors such as Frans Fanon, Ngugi Wa Thiong'o, and George Dei will be referred to regarding indigenous knowledge, decolonialisation, and Africanisation and Karen Barad, Donna Haraway, and Rosi Braidotti regarding new materialism. The book will be of interest to scholars working in art history, visual culture, heritage studies, African studies, and architecture"--

     
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    Source: Union catalogues
    Contributor: Costandius, Elmarie (HerausgeberIn); de Villiers, Gera (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032368535
    Series: Routledge Research in Art and Politics
    Subjects: Decolonization in art; Art; Decolonization; Postcolonialism and the arts; ART / African; ART / History / General; ART059000; Colonialism & imperialism; Cultural studies; History of art / art & design styles; Kolonialismus und Imperialismus; Kulturwissenschaften; Kunst, allgemein; Kunstgeschichte; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOCIAL SCIENCE / Anthropology / Cultural; The arts: general issues
    Scope: 254 Seiten
    Notes:

    Introduction: Originating, (re)creating and (re)futuring visual redress Part I: Theoretical perspectives on visual redress 1. Engaging in Indigenous anti-colonial knowledge production 2. Feminist new materialism and visual redress Part II: Visual Redress in Africa 3. "Africanising" a modern art history curriculum in Nigerian universities: Development and constraints 4. Reflecting on post-apartheid heritage redress: From unsettled pasts to unsettled presents and uncertain futures 5. Change and stasis in the semiotic landscape of a school for young offenders in Eswatini: Towards a decolonial space 6. Visual redress at Stellenbosch University, South Africa 7. Whatever happened to Cecil?: Monuments commemorating Rhodes before and after #RhodesMustFall 8. Postcolonial monuments in Bamako, Mali: Encoding heritage, history and modernity 9. Landscapes of memory: Ake Centenary Hall and the making of Egba identity, 1934-1999 10. The art of (de)colonisation: Memorials, buildings and public space in Maputo around independence. 11.The Faidherbe statue and memory making in Saint-Louis-du-Sénégal, 1887-2020 12. The removal of colonial names, symbols and monuments in Uganda 13. From Rhodesia to Zimbabwe: Renaming of places and streets in Zimbabwe Part III: Visual redress abroad 14. From the monument to the museum: Controversy and diversity in dealing with toxic monuments in Germany 15. Reclaiming the Monument: Processes towards dismantling symbols of oppression in Richmond, Virginia 16. Dreaming of destruction: From direct action to speculative iconoclasm in Aboriginal protest, Australia, 1970-2021 Postscript
  9. Fallen Monuments and Contested Memorials
    Contributor: Decker, Juilee (HerausgeberIn)
    Published: 2023
    Publisher:  Taylor & Francis Ltd, London

    Fallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm more

     

    Fallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm

     
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    Source: Union catalogues
    Contributor: Decker, Juilee (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032187549
    Subjects: ART059000; Colonialism & imperialism; Cultural studies; Kolonialismus und Imperialismus; Kulturwissenschaften; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOCIAL SCIENCE / Anthropology / Cultural
    Scope: 212 Seiten
    Notes:

    Introduction: The Post-Creation Life of Monuments and Memorials, Following Father s Footsteps: Slavery, Imperialism and the William Ewart Gladstone Memorial Statue in Liverpool City Centre Problematical Benefactors and Founding Fathers: Negotiating Sculptures of MT Steyn and JH Marais at South African Universities Recasting Columbus: Local Contestations Against the Monumentalization of Settler Colonialism "Decolonizing the Streets!" of California through the Removal of Junípero Serra Monuments and Statues A Decolonial and Pedagogic Fall on Tulcan Hill: Between Recasting Public Memory and Place, and Recovering History and Commemoration The Politics of Erasure: De-Commemorating "Comfort Women" in the Philippines Saving Communist Monuments in the Context of De-Communisation in Ukraine: An Examination of Conflicting Narratives From Civil to Culture War: Confederate Statues and Statutes in Nashville, Tennessee (Re) claiming Public Memory: Confederate Monuments and Memorials as Sites of Contestation in the American South Recontextualizing a Campus Monument of George Washington through Collaborative Engagement in the Arts "The Disparity Between Us": Rochester s Frederick Douglass Memorial and its Inscription on the 21st-Century Landscape Digital Lieux de Mémoire and Milieux de Mémoire: Josephine de Beauharnais and the Digital Afterlife of Toppled Statues Monuments Cast Shadows: Remembering and Forgetting the Dead Survivors of Nazi Persecution in Swedish Cemeteries Sono Persone | Ata Janë Njerëz 8.8.1991: Public Mementos and the Political Agency of AbsenceDeliberation: The Remembrance of Things Cast
  10. "Man kann Bergleute nicht grotesk schnitzen"
    bergmännische Darstellungen in der Kunstsammlung des Bochumer Bergbau-Museums (1928-1966)
    Author: Heide, Anna-Magdalena
    Published: [2023]; © 2023
    Publisher:  De Gruyter Oldenbourg, Berlin

    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen... more

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    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen Funktion dieser Kunstsammlung spürt das Buch anhand der Institutions- und Sammlungsgeschichte des Hauses nach. Dabei liegt der Fokus auf den Motiven und Handlungen der Akteur:innen des Museums in der Amtszeit des Gründungsdirektors, Dr.-Ing. Dr. h. c. Heinrich Winkelmann (1928-1966). Schriftliche Überlieferungen zeigen, dass Winkelmann sich berufen fühlte, regulierend in die Kunstszene einzugreifen. Anhand von Sammlungs- und Archivforschung wird deshalb außerdem untersucht, welche Positionen der Gründungsdirektor in Hinblick auf die Ikonografie von Bergleuten in der bildenden Kunst vertrat und inwiefern sich seine kulturpolitischen Bemühungen in der heutigen Kunst-Sammlung des DBM materialisiert haben

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783110779820; 311077982X
    Other identifier:
    9783110779820
    Series: Veröffentlichungen aus dem Deutschen Bergbau-Museum Bochum ; Band 252
    Schriften des Montanhistorischen Dokumentationszentrums ; Nr. 45
    Subjects: 20th century history: c 1900 to c 2000; ART / Collections, Catalogs, Exhibitions; ART / European; ART / History / Modern (late 19th Century to 1945); ART059000; Art & design styles: Modernist design & Bauhaus; Ausstellungskataloge, Museumskataloge und Sammlungen; BUSINESS & ECONOMICS / Economic History; Economic history; European history; Europäische Geschichte; Exhibition catalogues & specific collections; General & world history; Geschichte allgemein und Weltgeschichte; HISTORY / Europe / Germany; HISTORY / Modern / 20th Century; HISTORY / Social History; History of art & design styles: from c 1900 -
    Scope: X, 704 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 593-634

    Dissertation, Philipps-Universität Marburg, 2022
  11. The Routledge handbook of classics, colonialism, and postcolonial theory
    Contributor: Akrigg, Ben (HerausgeberIn); Blouin, Katherine (HerausgeberIn)
    Published: 2025
    Publisher:  Routledge, Taylor & Francis Group, London

    "This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case-studies and... more

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    "This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case-studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case-studies to illustrate both how postcolonial thought has already illuminated our understanding of the ancient Mediterranean world and beyond, as well as its potential for the future. Chapters also provide opportunities for reflection on the current state of the discipline. An introduction by the volume editors offers a survey of the development of postcolonial theory, its relationship to other bodies of theory, and its connections to Classics. Towards the end of the book, three scholars with different career and disciplinary perspectives provide short reflections on the themes of the volume and the directions of future research. The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory offers an impressive collection of current research and thought on the subject for students and scholars in Classical Studies understood in its larger sense, as well as in related disciplines such as Archaeology, Ancient History, Imperial History and the History of Colonialism, Reception Studies, and Museum Studies. For anyone interested in classical antiquity, it provides an engaging introduction to a potentially bewildering, but ultimately vital and enriching, body of thought and theory"--

     
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    Source: Union catalogues
    Contributor: Akrigg, Ben (HerausgeberIn); Blouin, Katherine (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367555481; 9780367559984
    RVK Categories: NQ 9200 ; NQ 9380 ; MK 2600 ; MK 2700 ; LB 31000
    Series: Routledge handbooks of classics and theory
    Subjects: Classical literature; Civilization, Classical; Classical literature; Imperialism in literature; Postcolonialism in literature; ART059000; Ancient history: to c 500 CE; Antike; Archaeology by period / region; Archäologie einer Periode / Region; Colonialism & imperialism; Ethnic Studies; Ethnic studies; HISTORY / Ancient / General; Kolonialismus und Imperialismus; Museology & heritage studies; Museums- und Denkmalkunde; POL045000; Popular culture; Populäre Kultur; SOCIAL SCIENCE / Archaeology; SOCIAL SCIENCE / Ethnic Studies / General; SOCIAL SCIENCE / Popular Culture; SOCIAL SCIENCE / Sociology / General; Sociology
    Scope: xxiii, 675 Seiten, Illustrationen
    Notes:

    1. Introduction, Katherine Blouin and Ben Akrigg; 2. Edward Said's Orientalism: a reappraisal, Phiroze Vasunia; 3. Classics at the borderlands: decolonising with Gloria Anzaldúa, Mathura Umachandran; 4. Classics between epistemicides and hauntologies: a Caribbean reading, D. Padilla Peralta; 5. Placefulness and classical topoi in the writing of Ishion Hutchinson, Sasha-Mae Eccleston; 6. Indigenous writers of North America and Greco-Roman antiquity: postcolonialism without the post?, Craig Williams; 7. The ancient past in the historical present: postcolonial theory and ancient Indian history, Mekhola Gomes; 8. Subalternity in the Roman metropole, Amy Richlin; 9. Rape and race: intersectional perspectives on Aeschylus Suppliants, with a coda on Charles Mees Big Love, Nancy Sorkin Rabinowitz; 10. Resistant receptions: a postcolonial approach to receptions of Greek tragedy, Amy Pistone; 11. Two-Eyed Seeing and teaching classical literature, Aven McMaster; 12. Postcolonial feminisms and colonial encounters in the Hellenistic period, Patricia Eunji Kim; 13. Periplus, periplum, periphery: how to map classics from the edges, Grant Parker; 14. Time and the other Greeks, Dimitri Nakassis; 15. Our terms and theirs: some reflections on recent approaches to Greek religion, Kenneth W. Yu; 16. (Post-)colonialism and ancient magic, Korshi Dosoo; 17. Haec de Africa. Romes imagined Africa and the limits of fiction, Elena Giusti; 18. A colonialist trick of the eye: Valerius Maximus' Memorable Deeds and Sayings as a tool of imperial education, Liz Gloyn; 19. "They look white, but they're not : nationality, race, and classical tradition in Brazil, Juliana Bastos Marques; 20. Res Diversissimas: a postcolonial reading of Hannibals reception, Dominic Machado; 21. Perhaps it matters little to what race Terence belonged : historicizing the life of Publius Terentius Afer, Denise Eileen McCoskey; 22. Alexander the Great studies and Hellenism in Uzbekistan: a postcolonial and decolonial discourse within a Central Asian archaeology stalled between post-Soviet myths, centre-periphery tensions, and non-recognition of Russian colonialism, Svetlana Gorshenina and Claude Rapin; 23. Locating Indo-Iranian borderlands between Central Asia and South Asia: a reading of the past connected history (third century BCE to sixth century CE), Suchandra Ghosh; 24. Ê Faraó! : the reception of ancient Egypt in Brazilian carnival, Franziska Naether; 25. The long, winding, and bumpy road: seeing museum antiquities as colonial legavies, Elizabeth Marlowe; 26. Thucydides on colonialism and hegemonic discourse, Neville Morley; 27. Forgery as decolonisation: Constantine Simonides in Liverpool, Rachel Yuen-Collingridge; 28. Those who tell their stories never die: on being an 'Indigenous' Egyptian researcher in the current increasing 'local' inclusion turn, Heba Abd el Gawad; 29. Troubled archive: (de)coloniality and Egypts papyri, Usama Ali Gad; 30. The materiality of papyri and the decolonization of Papyrology, Myrto Malouta; 31. Many strange and impossible views : the curious career of Frederic Cope Whitehouse (1842-1911), Brendan Haug; 32. Teaching classics in South Africa-a hopeful act: reflections on a decolonising teaching experience, Amy L. Daniels; 33. Colonizing the past: the case of Argos in the late eighteenth and early nineteenth centuries, Jonathan M. Hall; 34. Examinations at the founding of the University of Toronto: the place of classics in the institutionalisation of Can
  12. Museums as agents for social change
    collaborative programmes at the Mutare Museum
    Author: Chipangura, Njabulo; Mataga, Jesmael
    Published: 2021
    Publisher:  Routledge, London

    Museums as Agents for Social Change is the first comprehensive text to examine museum practice in a decolonised moment, moving beyond known roles of object collection and presentation. Drawing on studies of Mutare museum, a regional museum in Eastern... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    2023 SA 4609
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    Museums as Agents for Social Change is the first comprehensive text to examine museum practice in a decolonised moment, moving beyond known roles of object collection and presentation. Drawing on studies of Mutare museum, a regional museum in Eastern Zimbabwe, this book considers how museums with inherited colonial legacies are dealing with their new environments. The book provides an examination of Mutare museum's activism in engaging with topical issues affecting its surrounding community and Chipangura and Mataga demonstrate how new forms of engagement are being deployed to attract new audiences, whilst dealing with issues such as economic livelihoods, poverty, displacement, climate change and education. Illustrating how recent programmes have helped to reposition Mutare museum as a decolonial agent of social change and an important community anchor institution, the book also demonstrates how other museums can move beyond the colonial preoccupation with the gathering of collections, conservation and presentation of cultural heritage to the public. Museums as Agents for Social Change will primarily be of interest to academics and students working in the fields of museum and heritage studies, history, archaeology and anthropology. It should also be appealing to museum professionals around the world who are interested in learning more about how to decolonise their museum

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032019161
    Series: Museums in focus
    Routledge focus
    Subjects: ART059000; Anthropologie; Anthropology; Colonialism & imperialism; HISTORY / Africa / South / General; HISTORY / General; HISTORY / United States / Colonial Period (1600-1775); Kolonialismus und Imperialismus; LANGUAGE ARTS & DISCIPLINES / Library & Information Science; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Anthropology / General
    Scope: 126 Seiten, Illustrationen
    Notes:

    Introduction: Museum Pasts and Decolonised Futures in Africa; 1. Beating the Drums: Co-curatorship and Reconfiguration of Colonial Ethnographic Collections; 2. Museum Activism: Decolonised Exhibition Practices, Public Pedagogies and Social Change; 3. Heritage, Communities and Collaborative Involvement at Matendera Archaeological Site; 4. Inclusion, Collaboration and Sustainable Heritage Conservation Practices at the Ziwa Archaeological Site; 5. Conclusion: Local Communities and the Future of the African Museum
  13. Museum und Ausstellung als gesellschaftlicher Raum
    Praktiken, Positionen, Perspektiven
    Contributor: Gau, Sønke (HerausgeberIn); Sachs, Angeli (HerausgeberIn); Sieber, Thomas (HerausgeberIn)
    Published: 2024
    Publisher:  transcript, Bielefeld

    Wie können Museen, Ausstellungsinstitutionen und Ausstellungen als Möglichkeitsräume für demokratische Aushandlungsprozesse fungieren? Und inwiefern können und sollen Ausstellungsinstitutionen über ihre traditionellen Funktionen hinausgehen und zu... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
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    in Bearbeitung
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    Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bibliothek
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    Institut für Stadtgeschichte Frankfurt, Bibliothek
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    Museum für Kommunikation Frankfurt, Bibliothek
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    Franckesche Stiftungen, Studienzentrum August Hermann Francke, Archiv und Bibliothek
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    Wie können Museen, Ausstellungsinstitutionen und Ausstellungen als Möglichkeitsräume für demokratische Aushandlungsprozesse fungieren? Und inwiefern können und sollen Ausstellungsinstitutionen über ihre traditionellen Funktionen hinausgehen und zu Akteur_innen politischer Demokratisierung und sozialer Inklusion werden? Die Beiträger_innen tragen verschiedene Aspekte zu diesen Fragen zusammen und widmen sich u.a. dem Kontakt- und Konfliktpotential von Museen und Ausstellungen. Aber auch die künstlerische und kuratorische Praxis als politische Intervention steht im Fokus der Beiträge. Damit zeigt der Band neue Perspektiven auf, Museen und Ausstellungen als veränderbare gesellschaftliche Räume zu begreifen

     
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    Source: Union catalogues
    Contributor: Gau, Sønke (HerausgeberIn); Sachs, Angeli (HerausgeberIn); Sieber, Thomas (HerausgeberIn)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783837666687; 3837666689
    Other identifier:
    9783837666687
    RVK Categories: AK 85700 ; AK 86500
    Series: Edition Museum ; Band 71
    Subjects: ART059000; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus
    Other subjects: Activism; Aktivismus; Ausstellung; Ausstellungsinstitution; Collection; Conflict; Contact Zone; Critique; Decolonization; Dekolonisierung; Democracy; Demokratie; Diversity; Diversität; Gesellschaft
    Scope: 241 Seiten, Illustrationen, 22.5 cm x 14.8 cm, 393 g
    Notes:

    Literaturverzeichnis: Seite 219-233

    Demokratie
  14. Digitale Sammlungen
    Anforderungen an das digitalisierte Kulturerbe
    Author: Gasser, Sonja
    Published: 2024
    Publisher:  transcript, Bielefeld

    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten.... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    LVR-LandesMuseum Bonn, Bibliothek
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    online Ressource
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    Thüringer Staatskanzlei, Bibliothek
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    OR
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    Institut für Auslandsbeziehungen, Bibliothek
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    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration - beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839470213
    RVK Categories: AK 54505 ; AK 86000
    Series: Edition Museum ; Band 81
    Subjects: ART059000; Media studies; Medienwissenschaften: Internet, digitale Medien und Gesellschaft; Museology & heritage studies; Museums- und Denkmalkunde
    Other subjects: Archiv; Archive; Bibliothek; Cultural Heritage; Digital collections; Digitale Medien; Digitale Sammlung; Digitalisierung; Digitalization; Kulturerbe; Library; Museum; Museumswissenschaft; Practical Museography; Praktische Museumskunde
    Scope: 1 Online-Ressource (162 Seiten), 34 SW-Abbildungen, 8 Farbabbildungen
  15. Towards an Understanding of Kurdistani Memory Culture
    Apostrophic and Phantomic Approaches to a Violent Past
    Author: Majid, Bareez
    Published: 2024
    Publisher:  Springer International Publishing AG, Cham

    This book presents a thorough analysis of the Kurdistan Region of Iraq's memory culture, focusing particularly on commemorations and representations of the Anfal and Halabja atrocities. The author employs a transdisciplinary approach that draws on... more

     

    This book presents a thorough analysis of the Kurdistan Region of Iraq's memory culture, focusing particularly on commemorations and representations of the Anfal and Halabja atrocities. The author employs a transdisciplinary approach that draws on Memory Studies, Postcolonial Studies, Heritage Studies, Kurdish Studies, Literary Studies and Trauma Studies, to analyze cultural objects such as Kurdistani literary novels, museums, and school curricula. The book introduces two key concepts: the "phantomic museum" and the "apostrophic museum." The former explores the fragile and politicized nature of memories of missing individuals who disappeared during Saddam Hussein's genocidal campaigns and who have never been found, primarily as they return in the Halabja Monument and Peace Museum. The latter examines how the addressing - apostrophizing - of Kurdistan, in and by the Amna Suraka museum in the city of Sulaymaniyah, institutionalizes "official" and highly politicized versions of the past

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783031375132
    Edition: 1st ed. 2023
    Series: Palgrave Studies in Cultural Heritage and Conflict
    Subjects: ART059000; Cultural studies; Ethnic studies; Geschichtsschreibung, Historiographie; HISTORY / Historiography; Historiography; Kulturwissenschaften; LITERARY CRITICISM / Asian / General; Literary studies: fiction, novelists & prose writers; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; Museology & heritage studies; Museums- und Denkmalkunde; SOCIAL SCIENCE / Anthropology / Cultural
    Scope: 308 Seiten
    Notes:

    Zielgruppe: 5PBK, Bezug zu Kurden

    1. Introduction: Kurdistani Memory Culture2. Master Narratives: Kurdistani Memory Culture and Educational Textbooks3. Resisting Master Narratives: Kurdistani Memory Culture and Two Literary Texts by Bachtyar Ali4. The Apostrophic: Amna Suraka, In Order Not to Forget5. The Phantomic: The Halabja Monument and Peace Museum6. Conclusion: Memory as an Agent of Change
  16. Curating transcultural spaces
    perspectives on postcolonial conflicts in museum culture
    Contributor: Hegenbart, Sarah (HerausgeberIn)
    Published: 2024
    Publisher:  Bloomsbury Visual Arts, London

    Cover -- Contents -- Illustrations -- Contributors -- Acknowledgements -- Positionality statement -- 1 Introduction: Collaborating cultures, negotiating identities Sarah Hegenbart -- Part One Curating transcultural spaces -- 2 Initial legal and... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Heidelberg
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    UB Weimar
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    Cover -- Contents -- Illustrations -- Contributors -- Acknowledgements -- Positionality statement -- 1 Introduction: Collaborating cultures, negotiating identities Sarah Hegenbart -- Part One Curating transcultural spaces -- 2 Initial legal and policy questions surrounding objects dispossessed in colonial context Kwame Opoku -- 3 Symptoms of postcolonial aporia and (national) identity crises in Germany Sarah Hegenbart -- 4 Multiple modernisms - curating the post-war era for the present Kristian Handberg -- Part Two Confronting the colonial past and constructing identities on the African continent, case studies from African countries -- 5 The architecture and aesthetics of Apartheid: Dada in South Africa, a case study Thomas O. Haakenson -- 6 Contested memories and spaces: Art, archives and ambivalence in 'Ovizire∙Somgu: From where do we speak?' A case study Julia Rensing -- 7 Democracy reflected in form, space and order: Learning from West Africa's ancient empires, a case study from Nigeria Olajumoke Adenowo -- 8 Westerns made in Africa, a case study from Burkina Faso Camille Varenne -- Part Three Postcolonial conflicts, colonial memories and negotiating identities in Germany -- 9 Troubling the nation: Black Germans and the teaching of history Jeff Bowersox -- 10 The African diaspora palace: The pastfuture of Black knowledge in Europe Natasha A. Kelly -- 11 Cosmopolitanizing colonial memories in Berlin: The Humboldt Forum and the current shift in Germany's culture of remembrance Thomas Thiemeyer -- 12 Under the shadow of the Christian cross: Twenty years of planning and curating the controversial Humboldt Forum in Berlin Viola König -- Conclusion -- Index. "Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction? This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation's aspiration of purported multiculturalism and cosmopolitanism; yet the project's resurrection of the site's former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives"--

     
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    Source: Union catalogues
    Contributor: Hegenbart, Sarah (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350227736; 9781350227743
    Series: Visual cultures and German contexts
    Subjects: Museums; Postcolonialism; Cultural fusion; ART / African; ART / Art & Politics; ART / Collections, Catalogs, Exhibitions; ART059000; African history; Afrikanische Geschichte; Colonial art; European history; Europäische Geschichte; Kolonialismus und Imperialismus; Museology & heritage studies; Museums- und Denkmalkunde
    Scope: 1 Online-Ressource (xxii, 258 Seiten), Illustrationen
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  17. Digitale Sammlungen
    Anforderungen an das digitalisierte Kulturerbe
    Author: Gasser, Sonja
    Published: 2024
    Publisher:  transcript, Bielefeld

    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten.... more

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    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration – beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden.

     
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  18. Schwerpunkt: Rassismuskritisches Kuratieren
    Contributor: Greve, Anna (HerausgeberIn); Weeratunga, Sithara (HerausgeberIn)
    Published: 2024
    Publisher:  V&R unipress, Göttingen

    Nicht nur in ethnologischen Museen, sondern auch in kulturgeschichtlichen Museen und Kunstmuseen gibt es einen großen Nachholbedarf im Umgang mit dem Kolonialismus und seinen Folgen, insbesondere im Umgang mit rassistischen Sammlungsobjekten. Die... more

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    Nicht nur in ethnologischen Museen, sondern auch in kulturgeschichtlichen Museen und Kunstmuseen gibt es einen großen Nachholbedarf im Umgang mit dem Kolonialismus und seinen Folgen, insbesondere im Umgang mit rassistischen Sammlungsobjekten. Die Aktivitäten von schwarzen und weißen Aktivist:innen in der Gesellschaft, ein neues Interesse an postkolonialen Forschungsansätzen an den Universitäten sowie das 360°-Programm der Kulturstiftung des Bundes zur Diversifizierung von Programm, Publikum und Personal in Kultureinrichtungen haben bundesweit zu einer erhöhten Sensibilisierung für die Thematik des rassismuskritischen Kuratierens bzw. Ausstellens geführt. Der vorliegende Band versammelt Beiträge zu diesem Themenfeld, die aus einer wissenschaftlichen Tagung am Bremer Focke-Museum hervorgegangen sind

     
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    Source: Union catalogues
    Contributor: Greve, Anna (HerausgeberIn); Weeratunga, Sithara (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783847117209
    Other identifier:
    9783847117209
    RVK Categories: LH 29960
    Edition: 1. Auflage
    Series: Kunst und Politik ; Band 25 (2023)
    Subjects: ART / History / General; ART059000; Ausstellungskataloge, Museumskataloge und Sammlungen; Bibliotheks- und Informationswissenschaften / Museumskunde; Library & information sciences; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; Rassismus und Rassendiskriminierung; SOCIAL SCIENCE / Discrimination & Race Relations
    Scope: 194 Seiten, Illustrationen
  19. Literary fiction tourism
    understanding the practice of fiction-inspired travel
    Author: MacLeod, Nicola E.
    Published: 2024
    Publisher:  Routledge, Taylor & Francis Group, London

    "This timely and insightful book critically reviews the synergistic relationship between books, literary culture, and the practices of tourism. International in scope, this volume will be of interest to students of tourism, heritage studies, cultural... more

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    "This timely and insightful book critically reviews the synergistic relationship between books, literary culture, and the practices of tourism. International in scope, this volume will be of interest to students of tourism, heritage studies, cultural studies, and media studies, as well those interested in literary tourism more specifically"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367485818; 9781032324326
    Series: Contemporary geographies of leisure, tourism and mobility
    Subjects: Literary journeys; Literary landmarks; ART059000; BUSINESS & ECONOMICS / Industries / Hospitality, Travel & Tourism; Cultural studies; Gastgewerbe, Sport, Freizeit und Tourismus; HISTORY / Social History; Hospitality industry; Kulturwissenschaften; LIT025060; Literary studies: general; Literaturwissenschaft, allgemein; Museology & heritage studies; Museums- und Denkmalkunde; SOCIAL SCIENCE / Anthropology / Cultural; Social & cultural history; Sozial- und Kulturgeschichte; Tourism industry
    Scope: xiii, 203 Seiten, Illustrationen
    Notes:

    Literaturangaben

    The literary fiction tourism landscape -- The historic evolution of literary fiction tourism -- Literary fiction tourism in context -- Biographical literary fiction tourism : from cradle to grave -- Literary fiction places of the imagination -- The social construction of literary places -- Places of literary reputation -- On the trail of literary fiction : routes and tours -- Literary fiction tourism synergies -- The future of literary fiction tourism.
  20. Reading Mediated Life Narratives
    Auto/Biographical Agency in the Book, Museum, Social Media, and Archives
    Author: Carlson, Amy
    Published: 2024
    Publisher:  Bloomsbury Publishing Plc, London

    Calling attention to the unseen mediation and re-mediation of life narratives in online and physical spaces, this ground-breaking exploration uncovers the ever-changing strategies that authors, artists, publishers, curators, archivists and social... more

     

    Calling attention to the unseen mediation and re-mediation of life narratives in online and physical spaces, this ground-breaking exploration uncovers the ever-changing strategies that authors, artists, publishers, curators, archivists and social media corporations adopt to shape, control or resist the auto/biographical in these texts. Concentrating on contemporary life texts found in the material book, museums, on social media and archives that present perceptions of individuality and autonomy, Reading Mediated Life Narratives exposes the traces of personal, cultural, technological, and political mediation that must be considered when developing reading strategies for such life narratives. Amy Carlson asks such questions as what agents act upon these narratives; what do the text, the creator, and the audience gain, and what do they lose; how do constantly evolving technologies shape or stymie the auto/biographical I ; and finally, how do the mediations affect larger issues of social and collective memory? An examination of the range of sites at which vulnerability and intervention can occur, Carlson does not condemn but stages an intercession, showing us how it is increasingly necessary to register mediated agents and processes modifying the witnessing or recuperation of original texts that could condition our reception. With careful thought on how we remember, how we create and control our pictures, voices, words, and records, Reading Mediated Life Narratives reveals how we construct and negotiate our social identities and memories, but also what systems control us

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350324664
    Series: New Directions in Life Narrative
    Subjects: Autobiography; Autobiography in literature; Autobiography in art; Social media; ART059000; Bibliotheks-, Archiv- und Informationsmanagement; Biographie, Literatur und Literaturwissenschaft; Biography: arts & entertainment; Library, archive & information management; Soziale Medien / Soziale Netzwerke; autobiography (genre); social media
    Scope: 248 Seiten
    Notes:

    Introduction: A Tale of Two Selfie Books1. Mediated Voices and Constructed Bodies2. Museum Spaces, Experiential Mediation, and Life Writing3. Spreading Automedia4. Automedia is the Message5. Archives Telling Stories, Recording LivesConclusion: Attentions MatterNotesBibliographyIndex
  21. The Routledge companion to decolonizing art history
    Contributor: Flores, Tatiana (HerausgeberIn); San Martín, Florencia (HerausgeberIn); Black, Charlene Villaseñor (HerausgeberIn)
    Published: 2024
    Publisher:  Routledge, Taylor & Francis Group, New York, NY

    "This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a... more

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    "This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions-the museum, the art market-are not only products of colonial legacies, but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice-racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women's, gender, and sexuality studies"--

     
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    Source: Union catalogues
    Contributor: Flores, Tatiana (HerausgeberIn); San Martín, Florencia (HerausgeberIn); Black, Charlene Villaseñor (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367714826; 9780367714819
    Subjects: Art; Museums; Eurocentrism; Decolonization; ART / History / General; ART059000; Colonialism & imperialism; Cultural studies; Ethnic Studies; Ethnic studies; History of art / art & design styles; Kolonialismus und Imperialismus; Kulturwissenschaften; Kunstgeschichte; LIT024050; Literary studies: post-colonial literature; Literaturwissenschaft: postkoloniale Literatur; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Ethnic Studies / General
    Scope: xv, 609 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    SECTION I: INTRODUCTION SECTION II: BEING AND DOING 1. Writing Art History in the Age of Black Lives Matter 2. Being an Indigenous Art Historian in the 21st Century: How can MÄori Adornment Reveal New Ways of Thinking about Art, its Histories, and Futures 3. Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability 4.The Power of Absence: An Interview with Ken Gonzales-Day 5.Art in Paradise Found and Lost 6.The Maquette -Modèles of Bodys Isek Kingelez: Envisioning Decolonial Monuments 7. Decolonizing La Revolución: Cuban Artistic Practice in a Liminal Space 8. Museums are Temples of Whiteness 9. Stepping out of the Shadow of Imperial Monochrony: A Place-centric Approach to Decolonizing Japanese Art History 10. On Failure and the Nation State: A Decolonial Reading of Alfredo Jaar s A Logo for America 11. Light as a Feather: The Anti-capitalist Radiance of Decolonial Art History SECTION III: LEARNING AND LISTENING 12. Where s Decolonization? The Ohketeau Cultural Center, Indigenous Sovereignty, and Arts Institutions 13. Overcoming Art History s Meta-Narrative 14. Pathways to Art History: Pedagogy, Research, and Praxis through a Decolonial Lens 15. Pedagogies of Place: Listening and Learning in the Margins 16. The Unbearable Lightness of Adjuncting Art History 17. Decolonial Cinematic Flows: Histories, Movements, Confluences 18. Re-Indigenizing Ancient Mexican Glyphic Codices 19. (Not) Performing Pasifika Indigeneity: Destabilizing the Researcher as Decolonizing Method in Art History 20. Afterlives/Futurelives: Imagining Mermaids and recalling Ghost Dancing 21. Decolonizing California Mission Art and Architecture Studies 22.Radical Pedagogy: Environmental Performances and the Politics of Hope SECTION IV: SENSING AND SEEING 23. Spooky Art History (or, Whatever Happened to the Postcolonial?) 24. Spatial Abstraction as a Colonizing Tool 25. Dishumanizing Art History? 26.The Digital Voice as Postcolonial Proxy 27. Reflecting on Whiteness in Recent Contemporary Artwork Exploring Transnational Poland 28. Racialization, Creolization, and Minor Transnationalism: Black and Indigenous Exchange in Spanish Colonial Visual Culture 29. The Imperial Landscape of 18th-Century Anglo-Indian Portraiture 30. Unseeing Art History: Inca Material Culture 31. Debility and the Ethics of Proximity: Spatial and Temporal Immediacy in the Work of Candice Lin 32. Decolonizing Crocodiles, Repatriating Birds:Human-Animal Relations in the Historical Indian Landscape 33. We are so many bodies, my friends : Countervisibility as Resurgent Tactics SECTION V: LIVING AND LOVING 34. she carried with herâa large bundle of wearing apparel belonging to herself : Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements 3 5. Rina Banerjee s Decolonial Ecologies 36.The Teaching is in the Making: A Relational and Embodied Experience of Anishinaabe Photographs 37. Reflections on a Latinx Decolonial Praxis for Medievalists 38. The Waters Surrounding Wallmapu, the Waters Surrounding Life 39. Dialogical Episodes for Decolonizing (Art) History 40. Inner Spaces: The Depth Imagination 41. Maria Auxiliadora da Silva: Nossa Mãe Maria of Terreiro Life and Faith on Black Grounds 42. Michael Richards: Performance as Ritual and Black-Indigenous Haptic Visuality 43. Bittersweet Histories and Tarnished Gold: Slavery s Sounds, Sights and Silences in the Legacy of Dutch Brazil 44. A Personal Take, or Stuck in the Middle/Side and Going Nowhere: An Attempt at
  22. Museum und Ausstellung als gesellschaftlicher Raum
    Praktiken, Positionen, Perspektiven
    Contributor: Gau, Sønke (HerausgeberIn); Sachs, Angeli (HerausgeberIn); Sieber, Thomas (HerausgeberIn)
    Published: 2024
    Publisher:  transcript, Bielefeld

    Wie können Museen, Ausstellungsinstitutionen und Ausstellungen als Möglichkeitsräume für demokratische Aushandlungsprozesse fungieren? Und inwiefern können und sollen Ausstellungsinstitutionen über ihre traditionellen Funktionen hinausgehen und zu... more

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    Wie können Museen, Ausstellungsinstitutionen und Ausstellungen als Möglichkeitsräume für demokratische Aushandlungsprozesse fungieren? Und inwiefern können und sollen Ausstellungsinstitutionen über ihre traditionellen Funktionen hinausgehen und zu Akteur*innen politischer Demokratisierung und sozialer Inklusion werden? Die Beiträger*innen tragen verschiedene Aspekte zu diesen Fragen zusammen und widmen sich u.a. dem Kontakt- und Konfliktpotential von Museen und Ausstellungen. Aber auch die künstlerische und kuratorische Praxis als politische Intervention steht im Fokus der Beiträge. Damit zeigt der Band neue Perspektiven auf, Museen und Ausstellungen als veränderbare gesellschaftliche Räume zu begreifen.

     
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    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Contributor: Gau, Sønke (HerausgeberIn); Sachs, Angeli (HerausgeberIn); Sieber, Thomas (HerausgeberIn)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783839466681
    Other identifier:
    RVK Categories: AK 85700 ; AK 86500
    Series: Edition Museum ; Band 71
    Subjects: ART059000; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; ART / Museum Studies
    Other subjects: Aktivismus; Ausstellung; Ausstellungsinstitution; Dekolonisierung; Demokratie; Diversität; Gesellschaft; Activism; Collection; Conflict; Contact Zone; Critique; Decolonization; Democracy; Diversity; Exhibition; Imparting; Inclusion; Institutional Critique; Intervention; Museology; Museum Education; Polyphony; Postcolonialism; Practice; Process; Society
    Scope: 1 Online-Ressource (241 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 219-233
  23. Digitale Sammlungen
    Anforderungen an das digitalisierte Kulturerbe
    Author: Gasser, Sonja
    Published: 2024
    Publisher:  transcript, Bielefeld

    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten.... more

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    Wie kann der Öffentlichkeit ein digitaler Zugang zu Sammlungen visuellen Kulturerbes ermöglicht werden? Diese Frage beschäftigt viele Museen, Archive und Bibliotheken, allerdings fehlen entsprechende Erhebungen, die bei der Umsetzung helfen könnten. Im Auftrag der Stiftung für Kunst, Kultur und Geschichte (SKKG) in Winterthur widmet sich Sonja Gasser dieser Leerstelle und analysiert in einer Umfrage die Anforderungen zur digitalen Repräsentation von Sammlungen. Die Ergebnisse bieten Museen und anderen Kulturinstitutionen Orientierung und Inspiration - beispielsweise bei der Entwicklung oder Erweiterung eines digitalen Angebots und der Abstimmung digitaler Sammlungen auf die Bedürfnisse der Nutzenden

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783837670219; 383767021X
    Other identifier:
    9783837670219
    RVK Categories: AK 54505 ; AK 86000
    Series: Edition Museum ; Band 81
    Subjects: ART059000; Media studies; Medienwissenschaften: Internet, digitale Medien und Gesellschaft; Museology & heritage studies; Museums- und Denkmalkunde
    Other subjects: Archiv; Archive; Bibliothek; Cultural Heritage; Digital collections; Digitale Medien; Digitale Sammlung; Digitalisierung; Digitalization; Kulturerbe; Library; Museum; Museumswissenschaft; Practical Museography; Praktische Museumskunde
    Scope: 162 Seiten, Diagramme, Illustrationen, 22.5 cm x 14.8 cm, 264 g
    Notes:

    Literaturverzeichnis: Seite 141-142
  24. Confronting colonial objects
    histories, legalities, and access to culture
    Author: Stahn, Carsten
    Published: 2023
    Publisher:  Oxford University Press, Oxford

    In 1978, UNESCO Secretary General Amadou-Mahtar M’Bow compared cultural colonial objects to ‘witnesses to history’. Their treatment is one of the most debated questions of our time. Calls for a novel international cultural order go back to... more

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    In 1978, UNESCO Secretary General Amadou-Mahtar M’Bow compared cultural colonial objects to ‘witnesses to history’. Their treatment is one of the most debated questions of our time. Calls for a novel international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. This book seeks to go beyond these classic dichotomies. It argues that contemporary practices are at a tipping point. It shows that cultural takings were material to the colonial project throughout different periods (early takings, birth of modern nation state, nineteenth-century scramble for objects) and went far beyond looting. It relies on micro histories and object biographies to trace recurring justifications and contestations of takings and returns, and the complicity of anthropology, racial science, and professional networks in colonial collecting. It demonstrates the dual role of law and cultural heritage regulation in enabling colonial injustices, and mobilizing resistance thereto. It challenges the argument that takings were acceptable according to the standards of the time. Drawing on the interplay between justice, ethics, and human rights, it develops a theory of entanglement to rethink contemporary approaches. It shows that future engagement requires a reinvention of knowledge systems and relations towards objects, including new forms of consent, provenance research, partnership and a rethinking of the role of museums themselves. It proposes principles of relational cultural justice to confront ongoing historic, legal, and economic entanglements and enable normative transformation. The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. "Confronting colonial objects" seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. 00The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and returns while outlining the complicity of anthropology, racial science, and professional networks that enabled colonial collecting. The book demonstrates the dual role of law and cultural heritage regulation in facilitating colonial injustices and mobilizing resistance thereto. Drawing on the interplay between justice, ethics, and human rights, Stahn develops principles of relational cultural justice. He challenges the argument that takings were acceptable according to the standards of the time and outlines how future engagement requires a re-invention of knowledge systems and relations towards objects, including new forms of consent, provenance research, and partnership, and a re-thinking of the role of museums themselves. Following the life story and transformation of cultural objects, this book provides a fresh perspective on international law and colonial history that appeals to audiences across a variety of disciplines

     
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  25. Fallen Monuments and contested memorials
    Contributor: Decker, Juilee (HerausgeberIn)
    Published: 2024
    Publisher:  Routledge,Taylor & Francis Ltd, London

    Fallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm more

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    Fallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm

     
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    Content information
    Source: Union catalogues
    Contributor: Decker, Juilee (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032183718
    Edition: First published
    Subjects: ART059000; Colonialism & imperialism; Cultural studies; Kolonialismus und Imperialismus; Kulturwissenschaften; Museology & heritage studies; Museums- und Denkmalkunde; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOCIAL SCIENCE / Anthropology / Cultural
    Scope: XVI, 212 Seiten, Illustrationen
    Notes:

    Introduction: The Post-Creation Life of Monuments and Memorials, Following Father s Footsteps: Slavery, Imperialism and the William Ewart Gladstone Memorial Statue in Liverpool City Centre Problematical Benefactors and Founding Fathers: Negotiating Sculptures of MT Steyn and JH Marais at South African Universities Recasting Columbus: Local Contestations Against the Monumentalization of Settler Colonialism "Decolonizing the Streets!" of California through the Removal of Junípero Serra Monuments and Statues A Decolonial and Pedagogic Fall on Tulcan Hill: Between Recasting Public Memory and Place, and Recovering History and Commemoration The Politics of Erasure: De-Commemorating "Comfort Women" in the Philippines Saving Communist Monuments in the Context of De-Communisation in Ukraine: An Examination of Conflicting Narratives From Civil to Culture War: Confederate Statues and Statutes in Nashville, Tennessee (Re) claiming Public Memory: Confederate Monuments and Memorials as Sites of Contestation in the American South Recontextualizing a Campus Monument of George Washington through Collaborative Engagement in the Arts "The Disparity Between Us": Rochester s Frederick Douglass Memorial and its Inscription on the 21st-Century Landscape Digital Lieux de Mémoire and Milieux de Mémoire: Josephine de Beauharnais and the Digital Afterlife of Toppled Statues Monuments Cast Shadows: Remembering and Forgetting the Dead Survivors of Nazi Persecution in Swedish Cemeteries Sono Persone | Ata Janë Njerëz 8.8.1991: Public Mementos and the Political Agency of AbsenceDeliberation: The Remembrance of Things Cast