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Displaying results 1 to 25 of 92.

  1. Book of beasts
    the bestiary in the medieval world
    Contributor: Morrison, Elizabeth (Herausgeber); Grollemond, Larisa (Herausgeber)
    Published: [2019]; © 2019
    Publisher:  Getty Publications, Los Angeles, CA

    Location:
    Ruhr-Universität Bochum, Kunstgeschichtliches Institut, Bibliothek
    Signature:
    S CB 12
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    Signature:
    X 1505/350
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    No inter-library loan

    Location:
    Universitätsbibliothek Dortmund
    Signature:
    KS-X 34/104
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    No loan of volumes, only paper copies will be sent

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    kunk580.m878
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    Location:
    Erzbischöfliche Diözesan- und Dombibliothek
    Signature:
    Fc 8730
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    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    UBKUN/0000205
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    Loan of volumes, no copies

    Location:
    Universitätsbibliothek Wuppertal
    Signature:
    KCB2049
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    Source: Union catalogues
    Contributor: Morrison, Elizabeth (Herausgeber); Grollemond, Larisa (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781606065907
    Other identifier:
    9781606065907
    Subjects: Tierdarstellung; Kunst; Bestiarium; Illuminierte Handschrift
    Other subjects: Fine Arts / Art History; Animals & nature in art (still life, landscapes & seascapes, etc); ART / Subjects & Themes / Plants & Animals; ART / European; Illumination of books and manuscripts, Medieval - Exhibitions - Themes, motives; Animals in art - Exhibitions; Animals, Mythical, in art - Exhibitions; Bestiaries - Exhibitions; Animals in art; Animals, Mythical, in art; Bestiaries; Illumination of books and manuscripts, Medieval - Themes, motives
    Scope: xiv, 339 Seiten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    "This publication is issued on the occasion of the exhibition 'Book of Beasts: The Bestiary in the Medieval World', on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from May 14 to August 18, 2019" - Impressum

    Includes bibliographical references and index
  2. Knots, or the violence of desire in Renaissance Florence
    Author: Lugli, Emanuele
    Published: 2023
    Publisher:  The University of Chicago Press, Chicago

    ""This book is about hair," writes Emanuele Lugli in the first sentence of this innovative cultural history of hair as seen through the lens of Lorenzo il Magnifico's Florence. Lugli reflects on the ways writers and artists naturalized religious... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    ""This book is about hair," writes Emanuele Lugli in the first sentence of this innovative cultural history of hair as seen through the lens of Lorenzo il Magnifico's Florence. Lugli reflects on the ways writers and artists naturalized religious prejudices, circumscribed social practices, and propagated gender and class subjugation through alluring works of art, in medical and political writings, and in poetry. What, he asks, may've compelled Sandro Botticelli, for example, or the young Leonardo da Vinci and dozens of their contemporaries to obsess about hair? Why take such care in depicting the braids, knots, and textures in their portraits of women specifically? Lugli dives deeply into the cultural production of notions about hair in this period of Florentine history, the way artists, poets, natural philosophers, doctors, politicians, and theologians thought about it, and how they depicted it in their art and writings. From this varied archive, Lugli gathers rewarding insights from practices and beliefs across the disciplines and genres at a crucial time when Renaissance humanists were attempting to define what it meant to live-and be-human. Lugli recuperates overlooked perceptions of hair at the very moment when hair came to be identified as a potential vector for liberating culture, and he corrects a centuries-old prejudice that sees hair as a trivial subject, as a mere female occupation kept on the margins of relevance, relegated to passing fashion or the decorative. As Lugli shows, such oversight is anachronistic, a product of modern biases, and he corrects this by elucidating hundreds of fifteenth-century sources that engage with hair as a fundamental element in the definition of genders, morals, and the laws of nature, and the exercise of power. It is a book that will surprise and delight a wide audience of scholars and anyone interested in the hidden, systemic, creative power that relied on something as unsuspected as hair to coerce people into thinking and behaving according to a code of conduct"-- "An interdisciplinary study of hair through the art, philosophy, and science of fifteenth-century Florence. In this innovative cultural history, hair is the portal through which Emanuele Lugli accesses the cultural production of Lorenzo il Magnifico's Florence. Lugli reflects on the ways writers, doctors, and artists expressed religious prejudices, health beliefs, and gender and class subjugation through alluring works of art, in medical and political writings, and in poetry. He considers what may have compelled Sandro Botticelli, the young Leonardo da Vinci, and dozens of their contemporaries to obsess over braids, knots, and hairdos by examining their engagement with scientific, philosophical, and theological practices. By studying hundreds of fifteenth-century documents that engage with hair, Lugli foregrounds hair's association to death and gathers insights about human life at a time when Renaissance thinkers redefined what it meant to be human and to be alive. Lugli uncovers overlooked perceptions of hair when it came to be identified as a potential vector for liberating culture, and he corrects a centuries-old prejudice that sees hair as a trivial subject, relegated to passing fashion or the decorative. He shows hair, instead, to be at the heart of Florentine culture, whose inherent violence Lugli reveals by prompting questions about the entanglement of politics and desire. "--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226822518
    Subjects: Hair in art; Art, Renaissance; Hair; Hair; ART / European; HISTORY / Europe / Italy
    Scope: 312 Seiten,16 ungezählte Seiten Bildtafeln, Illustrationen
    Notes:

    Includes bibliographical references and index

    Prologue: Hair Care -- Learning to See Thinness -- Desiccated Smoke -- Tie Me Down, Burn Me Up -- Superfluities -- Achonciare -- Never Just Itself -- Raking the Skin -- On the Politics of a Comb -- Split Ends: A Conclusion.
  3. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Author: Ferando, Christina
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
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  4. Art and monist philosophy in nineteenth century France from Auteuil to Giverny
    Author: Athanassoglou-Kallmyer, Nina M.
    Published: 2024
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    The Auteuil Salon and Ideology -- Théodore Géricault. Soul and Body -- Self and Nature. Delacroix and the Aesthetics of Unity -- A Cosmic Vision. Monet's Giverny Circle -- Epilogue. Unforgettable: Memory, Matter and Unity. more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The Auteuil Salon and Ideology -- Théodore Géricault. Soul and Body -- Self and Nature. Delacroix and the Aesthetics of Unity -- A Cosmic Vision. Monet's Giverny Circle -- Epilogue. Unforgettable: Memory, Matter and Unity.

     
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    Volltext (URL des Erstveröffentlichers)
  5. Victorian engagements with the Bible and antiquity
    the shock of the old
    Contributor: Goldhill, Simon (Publisher); Jackson Ravenscroft, Ruth (Publisher)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    The nineteenth century was a period in which ideas of history and time were challenged as never before. This is the first book to explore how the study of classical antiquity and the study of the Bible together formed an image of the past which... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    The nineteenth century was a period in which ideas of history and time were challenged as never before. This is the first book to explore how the study of classical antiquity and the study of the Bible together formed an image of the past which became central to Victorian self-understanding. These specially commissioned, multi-disciplinary essays brilliantly reveal the richness of Victorian thinking about the past and how important these models of antiquity were in the expression of modernity. In an age of progress, cultural anxiety and cultural hope was fuelled by the shock of the old - new discoveries about the deep past, and new ways of thinking about humanity's place in history. The volume provides a rich and readable feast which will be fundamental to all those seeking a greater understanding of the Victorians, as well as of the reception of classics and the Bible

     
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  6. Blk art
    the audacious legacy of Black artists and models in Western art
    Author: Ware, Zaria
    Published: 2023
    Publisher:  Harper Design, New York, NY

    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
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    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change--and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris--this is Black history like never seen before."--

     
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  7. Victorian engagements with the Bible and antiquity
    the shock of the old
    Contributor: Goldhill, Simon (Herausgeber); Jackson Ravenscroft, Ruth (Herausgeber)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    The nineteenth century was a period in which ideas of history and time were challenged as never before. This is the first book to explore how the study of classical antiquity and the study of the Bible together formed an image of the past which... more

    Location:
    Universitätsbibliothek Paderborn
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    The nineteenth century was a period in which ideas of history and time were challenged as never before. This is the first book to explore how the study of classical antiquity and the study of the Bible together formed an image of the past which became central to Victorian self-understanding. These specially commissioned, multi-disciplinary essays brilliantly reveal the richness of Victorian thinking about the past and how important these models of antiquity were in the expression of modernity. In an age of progress, cultural anxiety and cultural hope was fuelled by the shock of the old - new discoveries about the deep past, and new ways of thinking about humanity's place in history. The volume provides a rich and readable feast which will be fundamental to all those seeking a greater understanding of the Victorians, as well as of the reception of classics and the Bible

     
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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Goldhill, Simon (Herausgeber); Jackson Ravenscroft, Ruth (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781009306454
    Subjects: Classicism; Classicism; Civilization, Classical; ART / European; ART / History / General; Antike griechische und römische Literatur; Biblical studies & exegesis; Christian Churches & denominations; Christliche Kirchen, Konfessionen, Gruppen; Classical texts; Geschichte der Religion; HISTORY / Social History; History of art & design styles: c 1800 to c 1900; History of ideas; History of religion; Ideengeschichte, Geistesgeschichte; Kritik und Exegese heiliger Texte; Kunstgeschichte; LIT024040; LITERARY COLLECTIONS / Ancient, Classical & Medieval; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: xii, 458 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Part I. Victorian Engagements with the Bible and Antiquity: The Shock of the Old: 1. Introduction: history, god, and me Simon Goldhill and Ruth Jackson Ravenscroft; 2. Genealogy, translation, and resistance: between the bible and the Greeks Simon Goldhill; 3. Herodotus, historian of the Hebrew people, without knowing it Suzanne L. Marchand; 4. The bible, classical antiquity, and the invention of Victorian art at the 1887 Manchester jubilee exhibition Kate Nichols; 5. The classical and biblical in dialogue: a conversation in Victorian sculpture Caroline Vout; 6. Dionysia in Bavaria: Greek Theatre, German Catholicism and the Cultural Uses of the Oberammergau Passion Play, 1830-1910 Robert D. Priest; 7. Popes and Caesars: St Paul, protestant bible culture, and the building of the American episcopal church in Rome G. A. Bremner; 8. Protestant travellers to Rome and the legacies of the apostolic church Dorothy M. Figueira and Brian H. Murray; 9. HMS Bacchante: religion, time travel, and the Victorian monarchy Michael Ledger-Lomas; 10. 'Whoso humbleth himself shall be exalted, whoso exalteth himself shall be abased': F. D. Maurice and the history of philosophy Jocelyn Paul Betts; 11. 'The borderland of the bible': M. R. James, the apocrypha, and Christian antiquity in the late nineteenth century Alison Knight and Scott Mandelbrote; 12. Words thrown out: Matthew Arnold's version of Isaiah Laura McCormick Kilbride; 13. Hellenism, Hebraism and heathenism in nineteenth-century England: Connop Thirlwall, George Grote and the religions of antiquity Brian Young; 14. Epilogue: bible, antiquity, and the shock of the old Ruth Jackson Ravenscroft; Acknowledgement; Bibliography; Index
  8. Dada East
    the Romanians of Cabaret Voltaire
    Author: Sandqvist, Tom
    Published: c2006
    Publisher:  MIT Press, Cambridge, Mass.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0262195070; 0262282925; 1435625307; 9780262195072; 9780262282925; 9781435625303
    Subjects: ART / European; Arts, Romanian; Avant-garde (Aesthetics); Dadaism; Jewish artists; Avantgarde / Rumänien / Geschichte 1910-1947; Dadaismus / Zürich / Rumänen / Geschichte 1915-1920; Dadaismus / Zürich / Janco, Marcel / Geschichte 1914-1920; Dadaismus / Zürich / Tzara, Tristan / Geschichte 1916-1920; Dadaismus / Zürich / Segal, Arthur (Künstler) / Geschichte 1916-1920; Dadaismus / Rumänien / Geschichte / Anfänge; Geschichte; Arts, Romanian; Avant-garde (Aesthetics); Dadaism; Jewish artists; Dadaismus; Rumänen; Literatur; Rumänisch
    Other subjects: Janco, Marcel / Dadaismus / Zürich / Geschichte 1914-1920; Tzara, Tristan / Dadaismus / Zürich / Geschichte 1916-1920; Segal, Arthur / (Künstler) / Dadaismus / Zürich / Geschichte 1916-1920; Janco, Marcel (1895-1984); Segal, Arthur (1875-1944)
    Scope: 1 Online-Ressource (433 p., 16 p. of plates)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 393-423) and index

    In Romania and Switzerland -- In Central and Eastern Europe -- Marcel Iancu becomes Marcel Janco -- Little Paris of the Balkans -- Samuel Rosenstock becomes Tristan Tzara -- The Symbolist and Dadaist from Moinesti -- Aron Sigalu becomes Arthur Segal -- Symbolists, Absurdists, and Futurists -- In the Romanian Village -- In Yiddishland -- Ex Oriente Dada -- Back in Bucharest
  9. The Renaissance
    Author: Pater, Walter
    Published: 2011
    Publisher:  Andrews UK, Luton

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1849890757; 9781849890755
    Subjects: Art, Italian; Art, Renaissance / Italy; Italy / Civilization / 1268-1559; Fine Arts; ART / European; Arts, Renaissance; Renaissance; Arts, Renaissance; Renaissance; Fortleben; Geschichte; Literatur; Renaissance; Antike; Kunst
    Other subjects: Botticelli, Sandro (1445-1510); Pater, Walter (1839-1894): The Renaissance
    Scope: 1 Online-Ressource (161 pages)
    Notes:

    Cover; Contents; Front Matter; Title Page; Publisher Information; Preface; The Renaissance; Two Early French Stories; Pico Della Mirandola; Sandro Botticelli; Luca Della Robbia; The Poetry of Michelangelo; Leonardo Da Vinci; The School of Giorgione; Joachim Du Bellay; Winckelmann; Conclusion; Back Matter; Also Available; early; mirandola; botticelli; robbia; michelangelo; leonardo; giorgione; joachim; winckelmann; conclusion

    This fantastic classic text is Pater's graceful collection of essays discussing the achievements of Botticelli, Leonardo, Michelangelo, and other artists. The book concludes with an uncompromising advocacy of hedonism, urging readers to experience life as fully as possible. His cry of "art for art's sake" became the manifesto of the Aesthetic Movement, and his assessments of Renaissance art have influenced generations of readers. This version has been specially formatted for today's e-reade ..
  10. Playful pictures
    art, leisure, and entertainment in the Venetian Renaissance home
    Author: Henry, Chriscinda
    Published: [2021]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Location:
    Universitäts- und Landesbibliothek Bonn
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  11. Tiepolo und das Kostüm
    Konstruktion von Geschichte im Historienbild
    Author: Korte, Torsten
    Published: [2023]; © 2023
    Publisher:  Gebr. Mann Verlag, Berlin

    Die Anziehungskraft der Malerei von Giambattista Tiepolo (1696-1770) beruht besonders auf der Darstellung von Kostümen. Die Helden und Heldinnen seiner Historienbilder sind in aufwendige, luxuriöse und fantasievolle Gewänder gekleidet. Dabei handelt... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Die Anziehungskraft der Malerei von Giambattista Tiepolo (1696-1770) beruht besonders auf der Darstellung von Kostümen. Die Helden und Heldinnen seiner Historienbilder sind in aufwendige, luxuriöse und fantasievolle Gewänder gekleidet. Dabei handelt sich keineswegs um dekoratives Beiwerk - vielmehr setzt Tiepolo historische und orientalisierende Kleider kenntnisreich ein und visualisiert dadurch komplexe Geschichtskonzepte. Anhand ausgewählter Hauptwerke des Künstlers wirft Torsten Korte einen neuen Blick auf diesen bisher kaum beachteten Aspekt. Seine theoretische Reflexion zur Gattung des Historienbildes reicht dabei über das 18. Jahrhundert hinaus

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3786128928; 9783786128922
    Other identifier:
    9783786128922
    RVK Categories: LI 88726
    Subjects: ART / European; ART / History / Baroque & Rococo; ART / Individual Artist; Art & design styles: Baroque; Barock; History of art / art & design styles; Individual artists, art monographs; Kunstgeschichte; einzelne Künstler, Künstlermonografien
    Scope: 332 Seiten, Illustrationen, 21 cm
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2021
  12. "Man kann Bergleute nicht grotesk schnitzen"
    bergmännische Darstellungen in der Kunstsammlung des Bochumer Bergbau-Museums (1928-1966)
    Author: Heide, Anna-Magdalena
    Published: [2023]; © 2023
    Publisher:  De Gruyter Oldenbourg, Berlin

    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Wie kam es dazu, dass das als Technikmuseum gegründete Deutsche Bergbau-Museum Bochum (DBM) heute neben weiteren Sammlungsbereichen auch über eine Sammlung von Gemälden, Grafiken und Plastiken verfügt? Der Frage nach der Genese und der historischen Funktion dieser Kunstsammlung spürt das Buch anhand der Institutions- und Sammlungsgeschichte des Hauses nach. Dabei liegt der Fokus auf den Motiven und Handlungen der Akteur:innen des Museums in der Amtszeit des Gründungsdirektors, Dr.-Ing. Dr. h. c. Heinrich Winkelmann (1928-1966). Schriftliche Überlieferungen zeigen, dass Winkelmann sich berufen fühlte, regulierend in die Kunstszene einzugreifen. Anhand von Sammlungs- und Archivforschung wird deshalb außerdem untersucht, welche Positionen der Gründungsdirektor in Hinblick auf die Ikonografie von Bergleuten in der bildenden Kunst vertrat und inwiefern sich seine kulturpolitischen Bemühungen in der heutigen Kunst-Sammlung des DBM materialisiert haben

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783110779820; 311077982X
    Other identifier:
    9783110779820
    Series: Veröffentlichungen aus dem Deutschen Bergbau-Museum Bochum ; Band 252
    Schriften des Montanhistorischen Dokumentationszentrums ; Nr. 45
    Subjects: 20th century history: c 1900 to c 2000; ART / Collections, Catalogs, Exhibitions; ART / European; ART / History / Modern (late 19th Century to 1945); ART059000; Art & design styles: Modernist design & Bauhaus; Ausstellungskataloge, Museumskataloge und Sammlungen; BUSINESS & ECONOMICS / Economic History; Economic history; European history; Europäische Geschichte; Exhibition catalogues & specific collections; General & world history; Geschichte allgemein und Weltgeschichte; HISTORY / Europe / Germany; HISTORY / Modern / 20th Century; HISTORY / Social History; History of art & design styles: from c 1900 -
    Scope: X, 704 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 593-634

    Dissertation, Philipps-Universität Marburg, 2022
  13. Andromeda’S Chains
    Gender and Interpretation in Victorian Literature and Art
    Author: Munich, Adrienne Auslander
    Published: [1989]; © 1989
    Publisher:  Columbia University Press, New York, NY

    An examination of gender and power through Victorian representations of myths in literature and art. Looks specifically at interpretations of Perseus and Andromeda mythology, along with St. George and the dragon more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    An examination of gender and power through Victorian representations of myths in literature and art. Looks specifically at interpretations of Perseus and Andromeda mythology, along with St. George and the dragon

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231878289
    Other identifier:
    Subjects: ART / European; Englisch; Kunst; Literatur
    Other subjects: Andromeda
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  14. Guernica, entre icono y mito
    productividad y presencia de memorias colectivas
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Published: 2020
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main ; Iberoamericana, Barcelona

    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo de un arte políticamente comprometido, pensando que este puede incidir en la realidad, que el artista puede ser un aliado del político, del periodista y del historiador. En el caso de Guernica, esta alianza resultó fructífera: así pues, esta obra no solo se está reproduciendo en los álbumes sobre arte moderno, sino que se ha ganado un puesto sobresaliente en los libros de texto, en los documentales y en las ficciones históricas. Como lugar de memoria de la Guerra Civil, el cuadro es también una reivindicación de los derechos humanos: últimamente se ha hecho viral una versión que denuncia las violencias policiales contra los manifestantes en Chile, por ejemplo. Sin embargo, no faltan intentos por recuperarlo para la ideología de los vencedores o desvincularlo del bombardeo. Los capítulos de este libro plantean la recepción artística y literaria del fenómeno cultural Guernica en esta complejidad, como ícono y mito

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569592
    Other identifier:
    RVK Categories: LI 67059
    Series: La casa de la riqueza ; 52
    Subjects: Arte moderno - Fines XIX a 1945; España; Historia de la cultura; Pintura; ART / European; Politics in art; Rezeption; Spanisch; Kunst; Luftangriff <Motiv>; Guernica <Motiv>; Literatur
    Other subjects: Picasso, Pablo (1881-1973): Guernica
    Scope: 1 Online-Ressource (262 Seiten)
  15. A data-driven analysis of cemeteries and social reform in Paris, 1804-1924
    Author: Alexander, Kaylee P.
    Published: 2024
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "This book takes a novel, data-driven approach to the cemeteries of Paris, analysing a largely text-based body of archival material as proxy evidence for visual material that has been lost due to systematic, and legally sanctioned, acts of erasure.... more

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    "This book takes a novel, data-driven approach to the cemeteries of Paris, analysing a largely text-based body of archival material as proxy evidence for visual material that has been lost due to systematic, and legally sanctioned, acts of erasure. This study represents the first full-length study of vernacular monuments in France and the entrepreneurs who made them. It also provides methodical considerations, at the intersection of the computational and digital humanities for managing survival biases in extant historical evidence, that are applicable beyond the thematic focus of this book. Since extant examples of these more inconspicuous monuments are rare, this project employs both distant and close viewing-analyzing commercial almanacs, work logs, and burial records in aggregates alongside detailed case studies-to compensate for gaps in the material record. The book will be of interest to scholars working in visual culture, popular culture, digital humanities and French history"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003397410; 1003397417; 9781000930979; 1000930971; 9781000930993; 1000930998
    Other identifier:
    Subjects: Sepulchral monuments; Sepulchral monuments; Art and society; Art and society; Social change; Social change; Sepulchral monuments; Burial; Cemeteries; Digital humanities; ART / Popular Culture; ART / European
    Scope: 1 Online-Ressource
    Notes:

    Revision of the author's thesis (doctoral)--Duke University, 2021, under the title: In perpetuity : funerary monuments, consumerism and social reform in Paris (1804-1924)
  16. Exhibiting Antonio Canova
    Display and the Transformation of Sculptural Theory
    Author: Ferando, Christina
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... more

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    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
    Signature:
    200 LI 21400 F345
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    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9463724095; 9789463724098
    RVK Categories: LI 21400
    Subjects: Rezeptionsästhetik
    Other subjects: Canova, Antonio (1757-1822); History, Art History, and Archaeology; HIS; Art and Material Culture; ART & MAT; Modern History; MOD HIS; Antonio Canova, Sculpture, Art theory, Display, Reception theory; Theory of art; History of art & design styles: c 1800 to c 1900; ART / European; ART / History / Romanticism; ART / Sculpture & Installation; History of art
    Scope: 293 Seiten, Illustrationen, 26 cm
    Notes:

    List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index
  17. Andromeda’S Chains
    Gender and Interpretation in Victorian Literature and Art
    Author: Munich, Adrienne Auslander
    Published: [1989]; © 1989
    Publisher:  Columbia University Press, New York, NY

    An examination of gender and power through Victorian representations of myths in literature and art. Looks specifically at interpretations of Perseus and Andromeda mythology, along with St. George and the dragon more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    An examination of gender and power through Victorian representations of myths in literature and art. Looks specifically at interpretations of Perseus and Andromeda mythology, along with St. George and the dragon

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231878289
    Other identifier:
    Subjects: ART / European; Englisch; Kunst; Literatur
    Other subjects: Andromeda
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  18. Helvetische Merkwürdigkeiten
    Wahrnehmung und Darstellung der Schweiz in der Kunst- und Kulturgeschichte seit dem 18. Jahrhundert
    Contributor: Bierende, Edgar (Publisher); Hoiman, Sibylle (Publisher); Minta, Anna (Publisher); Noell, Matthias (Publisher)
    Published: [2010]; © 2010
    Publisher:  Peter Lang, Bern

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Bierende, Edgar (Publisher); Hoiman, Sibylle (Publisher); Minta, Anna (Publisher); Noell, Matthias (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783035100914; 3035100918; 9783034303712; 1299420540; 9781299420540
    Other identifier:
    Series: Neue Berner Schriften zur Kunst ; 10
    Subjects: ART / European; Architecture; Art, Modern; Monuments; Nationalism and art; Architektur; Nationalism and art; Monuments; Art, Modern; Architecture; Schweiz <Motiv>; Kultur; Nationalbewusstsein; Kunst; Schweizbild
    Scope: 1 Online-Ressource (282 Seiten), Illustrationen
    Notes:

    "Dieser Band versammelt die Beiträge der Tagung 'Helvetische Merkwürdigkeiten [...]'."
  19. The Figino, or, On the purpose of painting
    art theory in the late Renaissance
    Author: Comanini, Gregorio
    Published: c2001
    Publisher:  University of Toronto Press, Toronto, Ont.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  20. Continental crosscurrents
    British criticism and European art 1810-1910
    Author: Bullen, J. B.
    Published: 2005
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423770781; 9781423770787
    Subjects: ART / European; Geschichte; Art, European; Art, European; Art criticism; Art criticism; Art, British; Art, Romanesque; Kunstkritik; Ästhetik; Malerei
    Other subjects: Browning, Robert (1812-1889); Waterhouse, Alfred (1830-1905); Lawrence, D. H. (1885-1930); Ruskin, John (1819-1900)
    Scope: 1 Online-Ressource (x, 297 Seiten)
    Notes:

    Includes bibliographical references (pages 264-282) and index
  21. Monet and the Seine
    impressions of a river ; [accompanies the exhibition ... Philbrook Museum of Art, Tulsa, June 29 - September 21, 2014 ; The Museum of Fine Arts, Houston, October 26, 2014 - February 1, 2015]
    Published: 2014
    Publisher:  Museum of Fine Arts, Houston, Tex. ; Yale Univ. Press, New Haven

    "During his career, French artist Claude Monet (1840-1926) used the Seine as his testing ground for documenting on canvas the transformative effects of light and atmosphere. He produced many ethereal, evocative, and poetic paintings of the meandering... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "During his career, French artist Claude Monet (1840-1926) used the Seine as his testing ground for documenting on canvas the transformative effects of light and atmosphere. He produced many ethereal, evocative, and poetic paintings of the meandering river, which remained his favorite subject and also provided solace throughout his life. This beautiful book brings together fifty of Monet's most glorious paintings of the Seine, from the early works focusing on Argenteuil, Le Havre, and Paris, to the works on Lavacourt and Ve;theuil, and culminating with the stunningly beautiful works that make up the acclaimed series Mornings on the Seine, which depicts an intimate stretch of the Seine near Giverny. These paintings not only offer special glimpses into Monet's creative process but also introduce the concept of the series-a concept that would influence the art of future generations. Monet and the Seine features gorgeously reproduced images and engaging essays by four distinguished scholars. "--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780300207835; 0300207832
    Subjects: Impressionism (Art) / France / Exhibitions; ART / Subjects & Themes / Landscapes; ART / Individual Artists / Monographs; ART / History / Modern (late 19th Century to 1945); ART / European; ART / Collections, Catalogs, Exhibitions / General; Geschichte; Landschaftsmalerei; Seine <Motiv>
    Other subjects: Monet, Claude / 1840-1926 / Exhibitions; Monet, Claude (1840-1926)
    Scope: X, 165 S., zahlr. Ill., 30 cm
    Notes:

    Includes bibliographical references and index

    Monet and the French Landscape Tradition / Michael Clarke -- The Early Days on the Seine : Le Havre, Paris, and Argenteuil / Helga Kessler Aurisch -- Monet at Vétheuil and Lavacourt : Crisis and Memory / Richard R. Brettell -- A Marvel of Intense Poetry : Monet's Mornings on the Seine / Tanya Paul -- Catalogue of the Exhibition / Helga Kessler Aurisch and Tanya Paul
  22. Warm flesh, cold marble
    Canova, Thorvaldsen and their critics
    Author: Bindman, David
    Published: 2014
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    "This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    "This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. "..

     
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  23. In the courts of religious ladies
    art, vision, and pleasure in Italian Renaissance convents
    Author: Periti, Giancarla
    Published: [2016]
    Publisher:  Yale University Press, New Haven ; London

    "This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. Nuns from the patrician class, who often disregarded obligations of austerity and poverty, commissioned sensually... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "This fascinating study considers the poetic and mythological artworks made for elite female monastic communities in Renaissance Italy. Nuns from the patrician class, who often disregarded obligations of austerity and poverty, commissioned sensually appealing, richly made artifacts inspired by contemporary courtly culture. The works of art transformed monastic parlors, abbatial apartments, and nuns' cells into ornate settings, thereby enriching and complicating the opposition of religious and worldly spheres. This unconventional monastic and yet courtly decoration was a new form of art in the way it entangled the sacred and the profane. The artwork was intended to edify both intellectually and spiritually, as well as to delight and seduce the viewer. Based on extensive new research into primary sources, this generously illustrated book introduces a thriving female monastic visual culture that ecclesiastical authorities endeavored to suppress. It shows how this art taught its viewers to use their eyes to gain insights about the secular world beyond the convent walls. "..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780300214239
    Subjects: ART / European; ART / History / Renaissance; ART / Subjects & Themes / Religious; Geschichte; Art, Renaissance; Art, Italian; Women art patrons; Monastic and religious life of women; Art and society; Frauenkloster; Renaissance; Höfische Kultur <Motiv>; Kunst
    Scope: IX, 294 Seiten, Illustrationen, 28 cm
    Notes:

    Includes bibliographical references and index

    Courts of Elite Virgins : Enclosure, Christian Manners, and the Fashion of LiminalityArt for Nuns : Gaze, Touch, and Provocation -- Art, Contemplation, and Splendor -- Giovanna Piacenza's Abbatial Apartment : Space, Gender, and Power -- Monstrosities, Female Exemplarity, and the Ideal of Regeneration -- Correggio, Witticism, and the Enigmatic Image
  24. Guernica, entre icono y mito
    productividad y presencia de memorias colectivas
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Published: 2020
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main ; Iberoamericana, Barcelona

    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    En 1937 se produce un encuentro ejemplar entre el mundo del arte y la realidad histórica de la Guerra Civil. El Guernica de Picasso comparte la ilusión de las vanguardias soviéticas, la de El acorazado Potemkin y de todos los que siguieron el ejemplo de un arte políticamente comprometido, pensando que este puede incidir en la realidad, que el artista puede ser un aliado del político, del periodista y del historiador. En el caso de Guernica, esta alianza resultó fructífera: así pues, esta obra no solo se está reproduciendo en los álbumes sobre arte moderno, sino que se ha ganado un puesto sobresaliente en los libros de texto, en los documentales y en las ficciones históricas. Como lugar de memoria de la Guerra Civil, el cuadro es también una reivindicación de los derechos humanos: últimamente se ha hecho viral una versión que denuncia las violencias policiales contra los manifestantes en Chile, por ejemplo. Sin embargo, no faltan intentos por recuperarlo para la ideología de los vencedores o desvincularlo del bombardeo. Los capítulos de este libro plantean la recepción artística y literaria del fenómeno cultural Guernica en esta complejidad, como ícono y mito

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Chihaia, Matei (Publisher); Hennigfeld, Ursula (Publisher)
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569592
    Other identifier:
    RVK Categories: LI 67059
    Series: La casa de la riqueza ; 52
    Subjects: Arte moderno - Fines XIX a 1945; España; Historia de la cultura; Pintura; ART / European; Politics in art; Guernica <Motiv>; Literatur; Rezeption; Luftangriff <Motiv>; Kunst; Spanisch
    Other subjects: Picasso, Pablo (1881-1973): Guernica
    Scope: 1 Online-Ressource (262 Seiten)
  25. The avant-garde in interwar England
    medieval modernism and the London underground
    Author: Saler, Michael T.
    Published: 1999
    Publisher:  Oxford University Press, New York

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195119665; 0195147189; 0198028121; 1280471360; 1602562768; 9780195119664; 9780195147186; 9780198028123; 9781280471360; 9781602562769
    Subjects: Art, Modern / England / 20th century; ART / European; Art, English; Avant-garde (Aesthetics); Modernism (Art); Geschichte; Modernism (Art); Art, English; Avant-garde (Aesthetics); Ästhetik; Untergrundbahn
    Other subjects: Pick, Frank (1878-1941)
    Scope: 1 Online-Ressource (xii, 242 pages)
    Notes:

    Includes bibliographical references (pages 219-233) and index

    1 Framing the Picture; 2 A "Warrior of the Kingdom": Frank Pick's City of Dreams, 1878-1915; 3 Making It New: Modernism and the North of England; 4 Morris, the Machine, and Modernism, 1915-1934; 5 The Earthly Paradise of the London Underground; 6 Educating the Consumer; 7 The Return of the Bathing Beauties, 1936-1941; 8 The Demise of Medieval Modernism; Notes; Selected Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.

    This text addresses modernism's ties to tradition, commerce, nationalism and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. Specifically, the book explores the life of Frank Pick, managing director of the London Underground