Publisher:
University of California Press,, Berkeley, CA :
During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded...
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Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how, in turn, Kracauer's American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema.
Introduction: Siegfried Kracauer and the politics of film theory -- Metropolitan contact zones: Kracauer in New York -- Totalitarian propaganda -- Nazi cinema -- Freedom from fear? -- From Hitler to Caligari: spaces of Weimar cinema -- Authoritarian, totalitarian -- Reframing Caligari: the politics of cinema -- Theory of film and the subject of experience -- The curious humanist -- History and humanist subjectivity -- Epilogue: Siegfried Kracauer and the emergence of film studies.
Publisher:
University of California Press,, Berkeley :
Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940's and 1950's as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's...
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Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
Robin Blaser, one of the key North American poets of the postwar period, emerged from the "Berkeley Renaissance" of the 1940's and 1950's as a central figure in that burgeoning literary scene. The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time-from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and counter memories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.