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Displaying results 1 to 22 of 22.

  1. Erinnerung als Waffe der Dekolonisierung: Kunst und Student*innen-Bewegung im heutigen Südafrika
    Published: 2016

    Abstract: Beim Beobachten derzeitiger Protestbewegungen in der Postkolonie, besonders solchen von Studierenden, die die Ungleichheit auf dem Campus und in Gesellschaften allgemein thematisieren, lässt sich die Rolle der Kunst bei der Sichtbarmachung... more

     

    Abstract: Beim Beobachten derzeitiger Protestbewegungen in der Postkolonie, besonders solchen von Studierenden, die die Ungleichheit auf dem Campus und in Gesellschaften allgemein thematisieren, lässt sich die Rolle der Kunst bei der Sichtbarmachung der verknüpften Formen des Kolonialismus und des Kapitalismus nicht übersehen. Diese Repräsentationen verleihen nicht nur abstrakten Ideen Sichtbarkeit, sie beinhalten zudem auch symbolische Repertoires, um Regime der Kolonialität anzugehen. Indem sie Erinnerungen an Kolonialisierung, Sklaverei und die Ausbeutung billiger Arbeitskräfte wachrufen, machen sie die kolonialen Ursprünge der heutigen sozialen Beziehungen sichtbar. Der Artikel reflektiert den Einsatz der Erinnerung anhand von poetischen und visuellen Praktiken, die 2015 Teil der Bewegungen #RhodesMustFall und #FeesMustFall an der Universität Kapstadt waren. Der Artikel argumentiert, dass heutige Erinnerungspraktiken ähnlich wie in früheren Beispielen von Kunst und Gedichten der Anti-Apa

     

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  2. 'Das versteinerte Lächeln der Sphinx': das mythische Reich Else Lasker-Schülers (1869-1945)
    Author: Huml, Ariane
    Published: 1998

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/32016
    DDC Categories: 800
    Other subjects: (thesoz)Schriftsteller; (thesoz)Frau; (thesoz)Mythos; (thesoz)Frauenforschung; (thesoz)Biographie; (thesoz)Dichtung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Freiburger FrauenStudien (1998) 1 ; 115-146

  3. Biblische Aspekte in moderner Lyrik: eine computerunterstützte Analyse intertextueller Bezüge

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/29146
    Parent title:
    Veröffentlichungsversion
    begutachtet (peer reviewed)
    Enthalten in: Historical social research; Mannheim : GESIS, 1979-; 23, Heft 3 (1998), 172-180; Online-Ressource
    DDC Categories: 800
    Other subjects: (thesoz)Literatur; (thesoz)Bibel; (thesoz)Text; (thesoz)EDV-Programm; (thesoz)Computer; (thesoz)Dichtung; (thesoz)Interpretation; Intertextualität
    Scope: Online-Ressource
  4. Akkumulation als Stilphänomen in Lord Byrons epischem Gedicht "Don Juan": eine computerunterstützte Textanalyse

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/5122
    Parent title:
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    begutachtet (peer reviewed)
    Enthalten in: Historical social research; Mannheim : GESIS, 1979-; 18, Heft 3 (1993), 131-137; Online-Ressource
    DDC Categories: 800
    Other subjects: (thesoz)Textanalyse; (thesoz)Literatur; (thesoz)Textverarbeitung; (thesoz)EDV; (thesoz)Dichtung; (thesoz)Akkumulation
    Scope: Online-Ressource
  5. The political dimension of Byron's "An ode to the framers of the frame bill"
    Author: Karam, Savo
    Published: 2014

    Abstract: Byron's major poems, such as Childe Harold's Pilgrimage, Don Juan, and others, are unmistakably flavored with political satire. It is therefore puzzling that a number of literary critics, with the exception of Malcolm Kelsall, Michael Foot,... more

     

    Abstract: Byron's major poems, such as Childe Harold's Pilgrimage, Don Juan, and others, are unmistakably flavored with political satire. It is therefore puzzling that a number of literary critics, with the exception of Malcolm Kelsall, Michael Foot, and Tom Mole, have avoided commenting in any significant manner on the political dimension of Byron's - An ode to the framers of the frame bill,‖ a poem which is emphatically responsible for identifying him as a vibrant, political poet. In his ode, Byron demonstrates his capacity to fuse his political notions with a poetic sensitivity extending beyond rhyming verses. In this respect, the purpose of this paper is to position Byron‘s ode in its appropriate historical and literary frame, to examine its political affiliations, and to highlight the role Byron plays in displaying a synthesis between politics and poetics, a role cautiously avoided by other Romantic poets. Malcolm Kelsall claims in Byron's Politics that Byron's poetry had essentially ma

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/58245
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Politik; Byron, G.G.N.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2014) 41 ; 157-164

  6. Semiotic Reading of Edgar Allan Poe's Poem "The Raven"
    Published: 2015

    Abstract: What do we mean by semiotics and what is the role of semiotics in communication? How can we apply semiotics in literary works? Is that really possible? When we are talking about sign system there are so many questions that rush to our mind... more

     

    Abstract: What do we mean by semiotics and what is the role of semiotics in communication? How can we apply semiotics in literary works? Is that really possible? When we are talking about sign system there are so many questions that rush to our mind which are unanswered, this is because of our infinitesimal knowledge on semiotics and sign system. We have so many authors showing the power of words in their works and they highlighted those words in their masterpieces. So words play a great role in communication and transformation of information and they believe that each word belongs to a system which we call it sign system. In general this paper attempts to show semiotics in general; how, why and when it came into existence and we will apply this approach on a poem called “the raven” by Edgar Allan Poe

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56501
    DDC Categories: 800
    Other subjects: (thesoz)Semiotik; (thesoz)Zeichen; (thesoz)Dichtung; Allan Poe; Signified; Signifier
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 60 ; 96-101

  7. The impact of autocracy on Ibn Moataz's poem

    Abstract: It is not an easy task to learn complicated political and social situation of Abbasid history and its impact on the behavior of kingdom and ruling classes. Prince Abdullah ibn Moataz is a poet and author and one-night king who entered... more

     

    Abstract: It is not an easy task to learn complicated political and social situation of Abbasid history and its impact on the behavior of kingdom and ruling classes. Prince Abdullah ibn Moataz is a poet and author and one-night king who entered poetry and literature by autocracy spirit. There are issues like description, wine, glory, pray and epics in his poets, his book namely Al-Badie (Niche) and his proses. He is a poet born in political strangulation and observed assigning and withdrawing frequent Abbasid rulers by Turk commanders including the murderer of his father. Then, by his mother's ingenuity, he resorted to poetry and literature. He never forgot these bitter memories. However, it was not only influential in his one-day administration, but also it caused his homicide like previous Caliphs. In present paper, in terms of ibn Moataz's autocratic basis is technically analyzed by his complete poetical works. Also his Shahnameh - type approach on some poetical themes such as description

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56800
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Diktatur; (thesoz)Dichtung; (thesoz)Psychoanalyse; Intertextualität; Abbasiden
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 63 ; 95-109

  8. Demon lovers versus damsels in distress: an archetypal reading of Robert Browning's my last duchess and Porphyria's lover
    Published: 2015

    Abstract: Each literary work has a world of its own and discovering this world may seem undemanding and straightforward. By contrast, the realm of a literary work might be loaded with hints for a reader who has established a harmonious relationship... more

     

    Abstract: Each literary work has a world of its own and discovering this world may seem undemanding and straightforward. By contrast, the realm of a literary work might be loaded with hints for a reader who has established a harmonious relationship with that world. The world depicted by the work may well encourage this reader to pass from the surface meaning toward the heart of the idea. This paper tries to reveal the secondary layer of meaning in two poems by Robert Browning, My Last Duchess and Porphyria's Lover, by focusing on the archetypal elements implemented in them. The recent study explores the archetypal characters playing their roles in the poem by focusing on old archetypes such as the Soul Mate, Damsel in Distress, Innocent youth and Demon Lover. Then it elaborates on the archetypal motifs or patterns such as immortality and scapegoat. Furthermore, the last part of discussion elaborates on Jung's principal archetypes (shadow, persona, and anima) and his theory of individuation

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56837
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Motiv; (thesoz)Dichtung; (thesoz)Verhaltensmuster; Archetypus; Browning, R.; Charaktere
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 64 ; 10-16

  9. A critical revisiting of Robert Frost's "Neither out far nor In deep"’
    Published: 2015

    Abstract: This article is going to revisit the poem of Robert Frost entitled "Neither Out Nor In Deep". The poem is open to and invites multiple interpretations. One of the element of the poem is sea which comprises a major symbol of the poem. The... more

     

    Abstract: This article is going to revisit the poem of Robert Frost entitled "Neither Out Nor In Deep". The poem is open to and invites multiple interpretations. One of the element of the poem is sea which comprises a major symbol of the poem. The poem can be interpreted symbolically, philosophically, socially and politically. I will explore the themes of search and quest, the theme of life, consciousness, and existence, the theme of foolishness and folly, and the theme of Inertia. The poem will also be compared with other poems including "Stopping by the woods" by Frost himself, "Inlet Corson" by Ammons, "Star" by Housman and ‘Dry Salvages' by T. S. Eliot

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56959
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Bewusstsein; (thesoz)Leben; (thesoz)Dichtung; (thesoz)Symbol; (thesoz)Interpretation; Frost, R.; Torheit; Trägheit
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 58 ; 130-136

  10. Racial awareness in Phillis Wheatley's selected poems
    Published: 2015

    Abstract: Slavery in America began when Africans were brought in as slaves to the North American Colony of Jamestown Virginia around 1619. Slavery in America lasted for almost four hundred years though the trade was legally abolished by Britain in... more

     

    Abstract: Slavery in America began when Africans were brought in as slaves to the North American Colony of Jamestown Virginia around 1619. Slavery in America lasted for almost four hundred years though the trade was legally abolished by Britain in March 1807 (Walvin 163). Although the trade ended, slavery itself continued to survive. Phillis Wheatley (1753-1784) is considered the first prominent Black writer in the United States to publish a book of imaginative writing. She is also the first to start the African-American literary tradition, as well as the African-American women literary tradition. Her work, which was derivative, was published in the collection, Poems on Various Subjects (1773) and in various magazines. Her choice of words was mostly biblical where it helped to camouflage her view on slavery. This paper intends to show that all of Wheatley's poems actually carried the theme of freedom. She has intelligently used this theme to articulate her desires in a subtle manner. On the

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57001
    DDC Categories: 360; 301
    Other subjects: (thesoz)Literatur; (thesoz)Bewusstsein; (thesoz)Freiheit; (thesoz)Rassismus; (thesoz)Sklaverei; (thesoz)USA; (thesoz)Dichtung; (thesoz)Eskapismus
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 56 ; 74-79

  11. Florescence of revolution in Shafaq's poetry
    Published: 2015

    Abstract: Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is... more

     

    Abstract: Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is referred to as the burgeoning of souls. Spring in Persian literature is sometimes the symbol of improvement and deliverance and at other times is considered as the symbol of the afterlife. Actually, this is the highest symbol of spring in Persian literature.Desert land of Yazd bears fragrant flowers, in spite of its natural wrath, tickles the taste of souls of the pious people. One of these scented flowers is the deceased Behjati whose pen name is "Shafaq" and spring in his poetry possessed the qualities of revolution. Current study is going to address this concept in his poetry.The article was conducted with an analytical-descriptive method using bibliographic resources

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57026
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Iran; (thesoz)Dichtung; (thesoz)Symbol
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 56 ; 116-119

  12. Eve's unEven relationship with Adam: Milton's Paradise Lost in the light of politeness theory

    Abstract: Feminists, among others, have found Eve's representation in Milton's Paradise Lost problematic over the last centuries. Some of them consider Eve to be Adam’s inferior while others find traces of egalitarian relationship between them. This... more

     

    Abstract: Feminists, among others, have found Eve's representation in Milton's Paradise Lost problematic over the last centuries. Some of them consider Eve to be Adam’s inferior while others find traces of egalitarian relationship between them. This study uses Penelope Brown and Stephen C. Levinson's Politeness Theory and applies it to the conversations between Adam and Eve prior to the Fall in order to address this issue. It is demonstrated in this article that, before the Fall, Eve always exercises less power than Adam except for a brief moment that she achieves equality

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57496
    DDC Categories: 300; 301
    Other subjects: (thesoz)Höflichkeit; (thesoz)Theorie; (thesoz)Gleichheit; (thesoz)Macht; (thesoz)Bibel; (thesoz)Geschlecht; (thesoz)Vergleich; (thesoz)Feminismus; (thesoz)Literatur; (thesoz)Dichtung; Milton, J.; Paradies
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 47 ; 174-183

  13. Nima Yushij's "Afsaneh" as a striking exemplar of the "greater romantic lyric"

    Abstract: Persian poetry lingered upon the old classical Persian prosody for more than a thousand year that it stagnated and stopped flowering new concepts and forms. However, Nima broke the dull and monotonous routine of Persian poetry by writing... more

     

    Abstract: Persian poetry lingered upon the old classical Persian prosody for more than a thousand year that it stagnated and stopped flowering new concepts and forms. However, Nima broke the dull and monotonous routine of Persian poetry by writing the first true modernist poem. When Nima's "Afsaneh" appeared, traditionalist adamantly opposed its new artistic and aesthetic view due to revealing some similarity with great European romantic examples. The similarity can never be considered as a weak point of "Afsaneh" because Nima has masterfully used European romantic elements to refresh the long-standing tradition of Persian poetry. In this respect, Nima has written his poetry consciously or unconsciously in the same poetic style of great European romantic poets. M. H. Abrams has labeled this poetic style "the greater romantic lyric". As a result, it is tried to examine Nima's "Afsaneh" with respect to Abrams's definition of "the greater romantic lyric" so as to prove that Nima's "Afsaneh" clo

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56463
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Romantik; (thesoz)Dichtung; (thesoz)Iran; Poesie
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2016) 66 ; 23-30

  14. "Minding" the style: reading Conrad through cognitive poetics

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in... more

     

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in reaching an understanding of a particular text in a particular context. In this paper several examples of how contextual frames can operate in a narrative are discussed in three works of short fiction by Joseph Conrad. Analyzed in the particular context of Conradian narrative and prose style are such points as: how the readers begin a story, how they enter into the interior levels of it in order to feel and touch the events in the way its characters do, how they follow every episode of it and, in other words, how the readers "comprehend" the narrative. It is argued that the application of insights from cognitive poetics to Conrad’s fiction is of particular relevance as Conrad is a writer who embodies and foregrounds this very act and process of "compre

     

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    Source: Union catalogues
    Language: English
    Media type: Book
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    Other identifier:
    oai:gesis.izsoz.de:document/57231
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Kognition; (thesoz)Fiktion; Conrad, J.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 44-54

  15. Abai and Firdowsi
    Published: 2015

    Abstract: Abay Qunanbaev (Qunanbaiuli) was the founder and architect of Kazakh written literature. Since his childhood, he studied religious science and got acquainted with eastern literature, particularly Iranian classic literature and Persian... more

     

    Abstract: Abay Qunanbaev (Qunanbaiuli) was the founder and architect of Kazakh written literature. Since his childhood, he studied religious science and got acquainted with eastern literature, particularly Iranian classic literature and Persian poetry and poets such as Ferdowsi, Hafiz, Sa’adi, Molavi, Nezami and etc.Abay read epic poetry and odes from the great eastern poets on their original texts or Jugatay (old language of central Asia) translations and first raised prosody derived from Persian poetry in Kazakh poetry and this way many Persian vocabulary entered Kazakh language.Using a bibliographic method, the author in current research studies this Kazakh poet’s works from valid and reliable resources. Regarding the special attention paid by this poet to the existing concepts in Persian poetry, particularly those of Ferdowsi, we have attempted to express some of their similarities

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57320
    DDC Categories: 301
    Other subjects: (thesoz)Kasachstan; (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Iran; (thesoz)Einfluss; (thesoz)Biographie; Qunanbajuly, A.; Ferdowsi
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 51 ; 147-151

  16. Die literarhistorischen Erkenntnismittel des Stammesproblems
    Published: 1931
    Publisher:  Mohr Siebeck, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/18815
    DDC Categories: 300; 900; 301
    Series: Verhandlungen des 7. Deutschen Soziologentages vom 28. September bis 1. Oktober 1930 in Berlin: Vorträge und Diskussionen in der Hauptversammlung und in den Sitzungen der Untergruppen
    Subjects: Stamm <Ethnologie>; Erkenntnis
    Other subjects: (thesoz)Bundesrepublik Deutschland; (thesoz)Literatur; (thesoz)historische Entwicklung; (thesoz)Literaturgeschichte; (thesoz)Migration; (thesoz)Österreich; (thesoz)Württemberg; (thesoz)Dichtung; (thesoz)Bayern; (thesoz)Preußen; (thesoz)19. Jahrhundert; (thesoz)Sachsen; (thesoz)Deutschland; (thesoz)18. Jahrhundert; (thesoz)Wien; (thesoz)Zuwanderung; (thesoz)Bevölkerungsgruppe; (thesoz)Bevölkerung
    Scope: Online-Ressource, 242-257 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Verhandlungen des 7. Deutschen Soziologentages vom 28. September bis 1. Oktober 1930 in Berlin: Vorträge und Diskussionen in der Hauptversammlung und in den Sitzungen der Untergruppen. 1931. S. 242-257

  17. Images of the Female Countenance in Renaissance Literature
    Published: 2013
    Publisher:  SciPress, Mannheim

    Abstract: In her article "The politics of gender" Elaine Hobby gives a clear image of the confusion evoked in modern mentality by the juxtaposition of Renaissance literature and history. The romantic scenes portrayed in the wonderland of Renaissance... more

     

    Abstract: In her article "The politics of gender" Elaine Hobby gives a clear image of the confusion evoked in modern mentality by the juxtaposition of Renaissance literature and history. The romantic scenes portrayed in the wonderland of Renaissance poetry seem uncompromisable with the bare facts of historical record. As we contemplate the shadows obscuring the male permeated poetic language of the age however, we do discern spots of light illuminating the overall picture. The age has its own logic and its own language and although neither may be wholly appealing to the modern palate, both are, within their own historical framework, unequivocal and self-consciously assertive

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/52888
    DDC Categories: 800
    Other subjects: (thesoz)Literatur; (thesoz)Sprache; (thesoz)Renaissance; (thesoz)Dichtung; (thesoz)Frau; Male/Female Binary; Renaissance History
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2013) 3 ; 21-29

  18. Aristotelian analysis of Parvin E'tesami's poems: "The Reliever", "Two Courts" and "Words and Deeds"
    Published: 2017

    Abstract: The present paper aims at proving that Parvin E’tesami has been, consciously or unconsciously, under the profound influence of both ancient Persian and Western literatures in composing her poems. The overseas effect is mainly due to her... more

     

    Abstract: The present paper aims at proving that Parvin E’tesami has been, consciously or unconsciously, under the profound influence of both ancient Persian and Western literatures in composing her poems. The overseas effect is mainly due to her translations of Western works and her intimate familiarity with Western literature. So far research into Parvin's treatment of Aristotle, as founder of Western literary theories, has not yielded a promising result. The present researcher attempts to answer the question whether or not Aristotelian elements of anagnorisis and peripeteia play any roles in Parvin’s poems, and if so, how she uses them in some of her poems. The findings of this research show that, in the three selected poems, namely "The Reliever", "Two Courts", and "Words and Deeds", Parvin has used the third type of anagnorisis and peripeteia, in which they happen concurrently, rather than the other two types, in which anagnorisis and peripeteia either precede or succeed each other. Par

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57082
    DDC Categories: 301; 100
    Other subjects: (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Einfluss; (thesoz)Iran; (thesoz)Aristoteles; Parvin E'tesami
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 75 ; 10-21

  19. Social Ideas in Poetry of Four Female Contemporary Poet (Parvin Etesami, Forough Farokhzad, Tahereh Safarzadeh and Simin Behbahani)
    Published: 2015

    Abstract: This artile with social view point is going to study the social thought of Forough’s poem, specially based of female, freedom, tradition and modernity. It focuses on these features of Forough’s poem from a different point of view towards... more

     

    Abstract: This artile with social view point is going to study the social thought of Forough’s poem, specially based of female, freedom, tradition and modernity. It focuses on these features of Forough’s poem from a different point of view towards social issues. This article studies the social meanings of Forough’s poem that are specialized for her. It tries to show the feminism poem which is unique in Iran. After these survey, the article tries to assert that Forough Frokhzad is the most social female poet in Iran; Forough with her courage and boldness used a kind of norm breaking through her poems and speak about social issues. So she could omit some of taboos that belongs to feminine society in Iran

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57194
    DDC Categories: 800
    Other subjects: (thesoz)Iran; (thesoz)Dichtung; (thesoz)Frau; (thesoz)Feminismus; (thesoz)Moderne; (thesoz)Tradition; (thesoz)Moral
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 50 ; 20-27

  20. On the (im)possibility and bliss of telling my dad, "I love you"
    Published: 2018

    Abstract: While fathers seldom say "I love you" to their son(s), there is also acknowledgment that sons rarely say it to their father. Confessions of love are like notes in a melody of previous affirmations, so what is it like for a son to say it,... more

     

    Abstract: While fathers seldom say "I love you" to their son(s), there is also acknowledgment that sons rarely say it to their father. Confessions of love are like notes in a melody of previous affirmations, so what is it like for a son to say it, especially if large parts of his life are spent in "connective avoidance" with his dad? Writing on the (im)possibility of eventually saying "I love you", just before he died, I offer a "blissfully poetic" account of the experience of saying it. I also reflect on the lingering significance it has had for my experience of loss and bereavement. Although this text offers no easy formula, it ends by showing what a text of bliss might eventually look like for a son in recovery. Addressing the questions, so what? And, now what, then? implications beyond the self are also considered

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/58006
    DDC Categories: 150; 070; 301
    Other subjects: (thesoz)Ethnographie; (thesoz)Liebe; (thesoz)Trauer; (thesoz)Vater; (thesoz)Sohn; (thesoz)soziale Beziehungen; (thesoz)Dichtung; (thesoz)Forschung; (thesoz)Schreiben; (thesoz)Erzählung; (thesoz)Narration
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 19 (2018) 2 ; 19

  21. Sindbad myth in the poem by Khalil Hawi
    Published: 2015

    Abstract: Extensive use of mystery and myth as a means of expression is one of the most eminent artistic phenomena at new poetry experiences. The reflection of myths in poetry, is the most beautiful and artistic application of mythmaking. With... more

     

    Abstract: Extensive use of mystery and myth as a means of expression is one of the most eminent artistic phenomena at new poetry experiences. The reflection of myths in poetry, is the most beautiful and artistic application of mythmaking. With reflection of myths, the mythological world became the parade ground for poet's imagination and creation and also for mythmaker writer, so it can link past and present, and by this way shows social and political deductions and perceptions for readers, and fulfills human art and cultural needs. Also, Arab current poets used of Arabic and even other old nation's myths, and expressed their thoughts and ideas by using these myths with respect to environment and circumstances. This paper aims to study the most dominant myths in Khalil Hawie's poems, beside defining idiomatic and lexical of myth

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56824
    DDC Categories: 301
    Other subjects: (thesoz)Mythos; (thesoz)Dichtung; (thesoz)arabische Länder; (thesoz)Lexikologie; Hawi, K.; Idiomatik
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 64 ; 150-161

  22. Konfuzius rät? Deutsche Ratgeberliteratur mit altchinesischen Weisheiten
    Published: 2015

    Abstract: In Deutschland wurden in den letzten Jahren zahlreiche Ratgeberbücher mit Chinabezug veröffentlicht, einige davon versuchen, altchinesische Weisheiten für das Leben und Arbeiten im 21. Jahrhundert zu deuten. Der vorliegende Artikel... more

     

    Abstract: In Deutschland wurden in den letzten Jahren zahlreiche Ratgeberbücher mit Chinabezug veröffentlicht, einige davon versuchen, altchinesische Weisheiten für das Leben und Arbeiten im 21. Jahrhundert zu deuten. Der vorliegende Artikel untersucht beispielhaft drei dieser Bücher, die sich mit dem Konfuzianismus, dem Daoismus und der Kriegskunst aus dem alten China befassen. Wie legen die Autoren die frühen Konzepte in ihren Büchern neu auf und welche konkreten Elemente der althergebrachten Weisheiten werden übernommen? Wie gut funktioniert der Wissenstransfer vom alten China in die heutige Zeit? Nach der inhaltlichen und sprachlichen Untersuchung werden die Ergebnisse vor dem Hintergrund der in Deutschland verbreiteten Chinabilder analysiert. (Autorenreferat)

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/47116
    DDC Categories: 100; 301
    Subjects: Ratgeber; Konfuzianismus
    Other subjects: (thesoz)Literatur; (thesoz)Weisheit; (thesoz)Konfuzianismus; (thesoz)Lebenshilfe; (thesoz)traditionelle Kultur; (thesoz)China; (thesoz)Dichtung; (thesoz)Interpretation
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: interculture journal: Online-Zeitschrift für interkulturelle Studien ; 14 (2015) 25 ; 49-74