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Displaying results 1 to 7 of 7.

  1. Petrarch and sixteenth-century italian portraiture
    Contributor: Bernocchi, Ilaria (Publisher); Morelli, Nicoló (Publisher); Pich, Federica (Publisher)
    Published: [2024]; © 2024
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Bernocchi, Ilaria (Publisher); Morelli, Nicoló (Publisher); Pich, Federica (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789463727242
    RVK Categories: LN 83530 ; LN 83360 ; IT 6605
    Series: Visual and material culture, 1300-1700
    Subjects: Rezeption; Bildnismalerei; Kunst; Literatur
    Other subjects: Petrarca, Francesco (1304-1374)
    Scope: 278 Seiten, Illustrationen
  2. Petrarch and sixteenth-century italian portraiture
    Contributor: Bernocchi, Ilaria (Herausgeber); Morelli, Nicoló (Herausgeber); Pich, Federica (Herausgeber)
    Published: [2024]; © 2024
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura’s portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts — such as the Secretum, the Familiares and De remediis utriusque fortune — constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch’s oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters’ physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     
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    Source: Union catalogues
    Contributor: Bernocchi, Ilaria (Herausgeber); Morelli, Nicoló (Herausgeber); Pich, Federica (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463727242
    Other identifier:
    9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Literary studies: classical, early and medieval; ART / Subjects & Themes / Portraits; LITERARY CRITICISM / Renaissance; Portrait, Petrarch, Italy, Paragone, Sixteenth Century
    Other subjects: History, Art History, and Archaeology; Art and Material Culture; Kunstgeschichte: Renaissance, Manierismus; Literaturgeschichte und Literaturkritik; Early Modern Studies; Gender and Sexuality Studies; Literary Theory, Criticism, and History
    Scope: 278 Seiten, Illustrationen
    Notes:

    1. Introduction (Ilaria Bernocchi, Nicolò Morelli, Federica Pich) ; 2. Widows, Poetry, and Portraits. Livia Spinola and Francesca Turina on the Portraits of their Dead Husbands (Simone Monti) ; 3. In Medusa’s Eyes. Petrification and Marble Portraits in Late Sixteenth-Century Poetry (Martina Dal Cengio) ; 4. The Portrait of the Ideal Woman. Petrarch in Conduct Literature Texts for and about Women (Francesco Lucioli) ; 5. Anti-Petrarchist Portraiture or a Different Petrarchist Portraiture? A Literary Outlook on Some Non-Idealised Female Sitters in Renaissance Art (Diletta Gamberini) ; 6. The Shadow of Petrarch. Benedetto Varchi and Agnolo Bronzino on Portraiture (Antonio Geremicca) ; 7. Double Portraits of Petrarch and Laura in Print (c. 1544–1600) (Gemma Cornetti) ; 8. Double Portraits and Sonnet Diptychs. Figurative Allusions in the Encomiastic Poetry of the Sixteenth Century (Muriel M.S. Barbero) ; 9. Images of Women from Subject to Frame in Printed Portrait Books (Susan Gaylard) ; Index
  3. Petrarch and sixteenth-century italian portraiture
    Contributor: Bernocchi, Ilaria (Publisher); Morelli, Nicoló (Publisher); Pich, Federica (Publisher)
    Published: [2024]; © 2024
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Bernocchi, Ilaria (Publisher); Morelli, Nicoló (Publisher); Pich, Federica (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Rezeption; Bildnismalerei; Kunst; Literatur
    Other subjects: Petrarca, Francesco (1304-1374)
    Scope: 278 Seiten, Illustrationen
  4. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2024:274:
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2024/1577
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2024 C 225
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    74.2474
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the "Secretum", the "Familiares" and "De remediis utriusque fortune" - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature ("ut pictura poësis") and by the "paragone" debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     
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    Verlag (lizenzpflichtig)
  5. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: 2024
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signature:
    E-Book CUP HSFK
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
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    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Location:
    Peace Research Institute Frankfurt, Bibliothek
    Signature:
    E-Book CUP HSFK
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Location:
    Universitätsbibliothek Rostock
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    No inter-library loan

    Location:
    Württembergische Landesbibliothek
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    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the Secretum, the Familiares and De remediis utriusque fortune - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources.

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048552917; 9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Painting, Italian; Art and literature; Painting in literature
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374)
    Scope: 1 online resource (278 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 22 Feb 2024)
  6. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the "Secretum", the "Familiares" and "De remediis utriusque fortune" - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature ("ut pictura poësis") and by the "paragone" debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Verlag (lizenzpflichtig)
  7. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: 2024
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the Secretum, the Familiares and De remediis utriusque fortune - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048552917; 9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Painting, Italian; Art and literature; Painting in literature
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374)
    Scope: 1 online resource (278 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 22 Feb 2024)