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  1. Situating Global Art
    Topologies - Temporalities - Trajectories
    Author: Dornhof, Sarah
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

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    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Source: Union catalogues
    Contributor: Buurman, Nanne (Herausgeber); Hopfener, Birgit (Herausgeber); Lutz, Barbara (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    RVK Categories: LH 65870
    DDC Categories: 700
    Edition: 1st ed.
    Series: Image ; 89
    Subjects: Kunst; Moderne; Globalisierung; Postkolonialismus; Ästhetik
    Scope: 1 Online-Ressource (336 p.)
  2. Situating Global Art
    Topologies - Temporalities - Trajectories
    Contributor: Buurman, Nanne (Herausgeber); Dornhof, Sarah (Herausgeber); Hopfener, Birgit (Herausgeber); Lutz, Barbara (Herausgeber)
    Published: [2018]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

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    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Content information
    Source: Union catalogues
    Contributor: Buurman, Nanne (Herausgeber); Dornhof, Sarah (Herausgeber); Hopfener, Birgit (Herausgeber); Lutz, Barbara (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: LH 65870
    DDC Categories: 700
    Series: Image ; 89
    Subjects: Kunst; Moderne; Globalisierung; Postkolonialismus; Ästhetik; Art; Contemporary Art; Curating; Fine Arts; Globalization; Interculturalism; Postcolonialism; Theory of Art; Transculturality
    Scope: 1 Online-Ressource (336 Seiten), Illustartionen
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  3. Situating global art
    topologies - temporalities - trajectories
    Contributor: Buurman, Nanne (HerausgeberIn); Dornhof, Sarah (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: [2018]; ©2018
    Publisher:  transcript, Bielefeld

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

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    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Buurman, Nanne (HerausgeberIn); Dornhof, Sarah (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: CC 6900 ; LH 61100
    Series: Image ; Volume 89
    Subjects: Art and globalization; Art and society; Art.; Contemporary Art.; Curating.; Fine Arts.; Globalization.; Interculturalism.; Postcolonialism.; Theory of Art.; Transculturality.; ART / Criticism
    Scope: 1 Online-Ressource (336 Seiten)
    Notes:

    Buurman, Nanne / Dornhof, Sarah / Hopfener, Birgit / Lutz, Barbara --: Frontmatter -- ; Acknowledgements -- ; Contents -- ; Situating Global Art. An Introduction

    Birken, Jacob --: Epistemological Frameworks -- ; Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art

    Weiner, Andrew Stefan --: The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary

    Bartlett, Voon Pow --: The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事”

    Memou, Antigoni --: “A Collage of Globalization” in Documenta11’s Exhibition Catalogue

    Mersmann, Birgit --: Institutional Politics -- ; Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects

    Redmann, Janna-Mirl --: Gulf Labor: The Boycott as Political Activism and Institutional Critique

    Gordon, Leah --: You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale

    Karroum, Abdellah --: Generation 00: The Artist as Citizen

    Bouwhuis, Jelle --: Museological Narratives -- ; How Far How Near: A Global Assemblage in the Modern Art Museum

    Bhagwati, Annette --: Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating

    Lutz, Barbara --: Curating as Transcultural Practice. documenta 12 and the “Migration of Form”

    Dornhof, Sarah --: Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization

    Seliger, Isabel --: Practices of Self-Cultivation -- ; The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun

    Hopfener, Birgit --: Transculturally Entangled – Qiu Zhijie’s Concept of Total Art

    Milano, Ronit --: Globalization as an Artistic Strategy: The Case of Takashi Murakami

    Buurman, Nanne --: The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating
  4. Situating Global Art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (Publisher); Hopfener, Birgit (Publisher); Buurman, Nanne (Publisher); Lutz, Barbara (Publisher)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic... more

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    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic discourse and the situatedness of its practices. Focusing on multiple recent practices of art, curating, historiography and criticism, the contributions ask how contemporary forms of critique not only take into account new hegemonies and exclusions but also address transcultural entanglements in the arts. Thus, they challenge universalizing conceptions of art in the age of globalization.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Dornhof, Sarah (Publisher); Hopfener, Birgit (Publisher); Buurman, Nanne (Publisher); Lutz, Barbara (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: LH 61100 ; LH 65880
    Series: Image ; Volume 89
    Subjects: Postkolonialismus; Kunst; Ästhetik; Globalisierung
    Other subjects: Art; Contemporary Art; Curating; Fine Arts; Globalization; Interculturalism; Postcolonialism; Theory of Art; Transculturality
    Scope: 1 Online-Ressource (334 Seiten)
  5. Situating Global Art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (Publisher); Hopfener, Birgit (Publisher); Buurman, Nanne (Publisher); Lutz, Barbara (Publisher)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic... more

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    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic discourse and the situatedness of its practices. Focusing on multiple recent practices of art, curating, historiography and criticism, the contributions ask how contemporary forms of critique not only take into account new hegemonies and exclusions but also address transcultural entanglements in the arts. Thus, they challenge universalizing conceptions of art in the age of globalization.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Dornhof, Sarah (Publisher); Hopfener, Birgit (Publisher); Buurman, Nanne (Publisher); Lutz, Barbara (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: LH 61100 ; LH 65880
    Series: Image ; Volume 89
    Subjects: Postkolonialismus; Kunst; Ästhetik; Globalisierung
    Other subjects: Art; Contemporary Art; Curating; Fine Arts; Globalization; Interculturalism; Postcolonialism; Theory of Art; Transculturality
    Scope: 1 Online-Ressource (334 Seiten)
  6. Situating global art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: 2018
    Publisher:  transcript, Bielefeld

    Cover -- Acknowledgements -- Contents -- Situating Global Art. An Introduction -- Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the 'Globality' in and of Contemporary Art -- The Scrim, The Pistol, and the Lectern:... more

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    Cover -- Acknowledgements -- Contents -- Situating Global Art. An Introduction -- Epistemological Frameworks -- Spectres of 1989: On some Misconceptions of the 'Globality' in and of Contemporary Art -- The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary -- The Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society, 天下無事" -- "A Collage of Globalization" in Documenta11's Exhibition Catalogue -- Institutional Politics -- Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects -- Gulf Labor: The Boycott as Political Activism and Institutional Critique -- You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale -- Generation 00: The Artist as Citizen -- Museological Narratives -- How Far How Near: A Global Assemblage in the Modern Art Museum -- Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating -- Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization -- Practices of Self-Cultivation -- The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun -- Transculturally Entangled - Qiu Zhijie's Concept of Total Art -- Globalization as an Artistic Strategy: The Case of Takashi Murakami -- The Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating -- Biographies

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    RVK Categories: LH 61100 ; CC 6900
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; Volume89
    Subjects: Art and globalization; Art and society; Kunst; Relation; Globalisierung; Kulturpolitik; Kultur; Internationale Kooperation; Transnationale Politik; Politischer Prozess; Einflussgröße; Politik; Interesse; Absatzweg; Beispiel; Globalization; Postcolonialism; Art; Theory of Art; Interculturalism; Fine Arts; Curating; Transculturality; Contemporary Art; Electronic books
    Scope: 1 Online-Ressource (336 Seiten)
  7. Situating global art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: 2018
    Publisher:  transcript, Bielefeld

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

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    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    9783839433973
    RVK Categories: LH 61100 ; CC 6900
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; 89
    Subjects: Globalization; Postcolonialism; globalization; postcolonialism; Art; Theory of Art; Interculturalism; Fine Arts; Curating; Transculturality; Contemporary Art; Art History; Contemporary Art; Globalization; Postcolonialism; Curating; Transculturality; Art; Theory of Art; Interculturalism; Fine Arts;
    Scope: 1 Online-Ressource
  8. Situating global art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

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    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: LH 61100 ; CC 6900
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; volume 89
    Subjects: Art and globalization; Art and society; Art.; Contemporary Art.; Curating.; Fine Arts.; Globalization.; Interculturalism.; Postcolonialism.; Theory of Art.; Transculturality.; ART / Criticism
    Scope: 1 Online-Ressource (334 Seiten)
    Notes:

    "This publication developed out of the conference Situating Global Art that took place in Berlin on 12-14 February 2015 ..." - Rückseite Titelseite

    Buurman, Nanne / Dornhof, Sarah / Hopfener, Birgit / Lutz, Barbara --: Frontmatter -- ; Acknowledgements -- ; Contents -- ; Situating Global Art. An Introduction

    Birken, Jacob --: Epistemological Frameworks -- ; Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art

    Weiner, Andrew Stefan --: The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary

    Bartlett, Voon Pow --: The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事”

    Memou, Antigoni --: “A Collage of Globalization” in Documenta11’s Exhibition Catalogue

    Mersmann, Birgit --: Institutional Politics -- ; Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects

    Redmann, Janna-Mirl --: Gulf Labor: The Boycott as Political Activism and Institutional Critique

    Gordon, Leah --: You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale

    Karroum, Abdellah --: Generation 00: The Artist as Citizen

    Bouwhuis, Jelle --: Museological Narratives -- ; How Far How Near: A Global Assemblage in the Modern Art Museum

    Bhagwati, Annette --: Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating

    Lutz, Barbara --: Curating as Transcultural Practice. documenta 12 and the “Migration of Form”

    Dornhof, Sarah --: Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization

    Seliger, Isabel --: Practices of Self-Cultivation -- ; The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun

    Hopfener, Birgit --: Transculturally Entangled – Qiu Zhijie’s Concept of Total Art

    Milano, Ronit --: Globalization as an Artistic Strategy: The Case of Takashi Murakami

    Buurman, Nanne --: The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating
  9. Situating Global Art
    Topologies - Temporalities - Trajectories
    Contributor: Dornhof, Sarah (Herausgeber); Buurman, Nanne (Herausgeber); Hopfener, Birgit (Herausgeber); Lutz, Barbara (Herausgeber)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

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    Source: Union catalogues
    Contributor: Dornhof, Sarah (Herausgeber); Buurman, Nanne (Herausgeber); Hopfener, Birgit (Herausgeber); Lutz, Barbara (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; 89
    Subjects: Kunst; Ästhetik; Globalisierung; Postkolonialismus
    Other subjects: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; Contemporary Art; Globalization; Postcolonialism; Curating; Transculturality; Art; Theory of Art; Interculturalism; Fine Arts; (BISAC Subject Heading)ART015000; (BIC subject category)AC; (VLB-WN)9581; Art History; (DDC Deutsch 22)700; (BISAC Subject Heading)ART009000; (BIC subject category)ABA; (DDC-Sachgruppen der Deutschen Nationalbibliografie)700: Künste, Bildende Kunst allgemein
    Scope: Online-Ressource, 336 Seiten, zahlr. z.T. farb. Abb.
    Notes:

    Lizenzpflichtig
  10. Situating Global Art
    Topologies - Temporalities - Trajectories
    Author: Dornhof, Sarah; Hopfener, Birgit; Lutz, Barbara
    Published: 2017
    Publisher:  transcript Verlag

    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic discourse and the situatedness of its practices. Focusing on multiple recent practices of art, curating, historiography and criticism, the contributions ask how contemporary forms of critique not only take into account new hegemonies and exclusions but also address transcultural entanglements in the arts. Thus, they challenge universalizing conceptions of art in the age of globalization

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839433973
    RVK Categories: LH 61100 ; LH 65880
    Series: Image ; 89
    Subjects: Globalization; Art; Theory of Art; Interculturalism; Postcolonialism; Fine Arts; Curating; Transculturality; Contemporary Art; Kunst; Globalisierung; Ästhetik; Postkolonialismus
    Scope: 1 Online-Ressource
  11. Situating global art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    RVK Categories: LH 61100 ; CC 6900
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; volume 89
    Subjects: Art and globalization; Art and society; Art.; Contemporary Art.; Curating.; Fine Arts.; Globalization.; Interculturalism.; Postcolonialism.; Theory of Art.; Transculturality.; ART / Criticism
    Scope: 1 Online-Ressource (334 Seiten)
    Notes:

    "This publication developed out of the conference Situating Global Art that took place in Berlin on 12-14 February 2015 ..." - Rückseite Titelseite

    Buurman, Nanne / Dornhof, Sarah / Hopfener, Birgit / Lutz, Barbara --: Frontmatter -- ; Acknowledgements -- ; Contents -- ; Situating Global Art. An Introduction

    Birken, Jacob --: Epistemological Frameworks -- ; Spectres of 1989: On some Misconceptions of the ‘Globality’ in and of Contemporary Art

    Weiner, Andrew Stefan --: The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary

    Bartlett, Voon Pow --: The Aesthetics of Irony as a Form of Resistance: Zhang Peili in “Harmonious Society, 天下無事”

    Memou, Antigoni --: “A Collage of Globalization” in Documenta11’s Exhibition Catalogue

    Mersmann, Birgit --: Institutional Politics -- ; Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects

    Redmann, Janna-Mirl --: Gulf Labor: The Boycott as Political Activism and Institutional Critique

    Gordon, Leah --: You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale

    Karroum, Abdellah --: Generation 00: The Artist as Citizen

    Bouwhuis, Jelle --: Museological Narratives -- ; How Far How Near: A Global Assemblage in the Modern Art Museum

    Bhagwati, Annette --: Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating

    Lutz, Barbara --: Curating as Transcultural Practice. documenta 12 and the “Migration of Form”

    Dornhof, Sarah --: Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization

    Seliger, Isabel --: Practices of Self-Cultivation -- ; The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun

    Hopfener, Birgit --: Transculturally Entangled – Qiu Zhijie’s Concept of Total Art

    Milano, Ronit --: Globalization as an Artistic Strategy: The Case of Takashi Murakami

    Buurman, Nanne --: The Blind Spot of Global Art? Hans Ulrich Obrist’s Ways of Curating
  12. Situating global art
    topologies - temporalities - trajectories
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Published: 2018
    Publisher:  transcript, Bielefeld

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Dornhof, Sarah (HerausgeberIn); Buurman, Nanne (HerausgeberIn); Hopfener, Birgit (HerausgeberIn); Lutz, Barbara (HerausgeberIn); Lutz, Barbara (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839433973
    Other identifier:
    9783839433973
    RVK Categories: LH 61100 ; CC 6900
    Corporations / Congresses: Conference Situating Global Art (2015, Berlin)
    Series: Image ; 89
    Subjects: Globalization; Postcolonialism; globalization; postcolonialism; Art; Theory of Art; Interculturalism; Fine Arts; Curating; Transculturality; Contemporary Art; Art History; Contemporary Art; Globalization; Postcolonialism; Curating; Transculturality; Art; Theory of Art; Interculturalism; Fine Arts;
    Scope: 1 Online-Ressource