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  1. What is an image in medieval and early modern England?
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Published: [2017]; © 2017
    Publisher:  Narr Francke Attempto, Tübingen

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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9783823381501
    Series: Swiss papers in English language and literature - SPELL ; volume 34
    Subjects: Englisch; Bild; Literatur
    Scope: 300 Seiten, Illustrationen
  2. What is an image in medieval and early modern England?
    Contributor: Zlatar, Antoinina Bevan (Publisher); Timofeeva, Olga (Publisher)
    Published: [2017]
    Publisher:  Narr Francke Attempto, Tübingen

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    Source: Union catalogues
    Contributor: Zlatar, Antoinina Bevan (Publisher); Timofeeva, Olga (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783823381501
    RVK Categories: HI 1151
    Series: Swiss papers in English language and literature ; volume 34
    Subjects: Bildliche Darstellung; Literatur; Englisch
    Scope: 300 Seiten, Illustrationen
  3. What is an image in medieval and early modern England?
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Published: [2017]; © 2017
    Publisher:  Narr Francke Attempto, Tübingen

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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783823381501
    Series: Swiss papers in English language and literature - SPELL ; volume 34
    Subjects: Englisch; Literatur; Bild; Geschichte 1450-1770
    Scope: 300 Seiten, Illustrationen
  4. What is an image in medieval and early modern England?
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Published: [2017]
    Publisher:  Narr Francke Attempto, Tübingen

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    Content information
    Source: Union catalogues
    Contributor: Zlatar, Antoinina Bevan (Herausgeber); Timofeeva, Olga (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783823381501; 3823381504
    Other identifier:
    9783823381501
    Corporations / Congresses: Swiss Association of Medieval and Early Modern English Studies, 5. (2016, Zürich)
    Series: Swiss papers in English language and literature ; volume 34
    Subjects: Englisch; Literatur; Bild
    Other subjects: (Produktform)Paperback / softback; (Produktform (spezifisch))Paperback / softback (stationery); (VLB-WN)2560: Taschenbuch / Sprachwissenschaft, Literaturwissenschaft; (BISAC Subject Heading)LIT012000; Reformation history; medieval literature; Arthurian romance; saints’ lives; stage plays; printed sermons; biblical epic; pamphlets; psalms; Swiss Association of Medieval and Early Modern English Studies; theory of the visual image; status of the image
    Scope: 300 Seiten, Illustrationen, 23 cm
    Notes:

    Angabe der Konferenz aus dem Vorwort der Vorlage
  5. What is an image in medieval and early modern England?
    Contributor: Zlatar, Antoinina Bevan (HerausgeberIn); Timofeeva, Olga (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Narr Francke Attempto, Tübingen

    "The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and... more

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    "The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and status of the image relative to other media, and have traced the history of its power and the attempts to disempower it. What is an Image in Medieval and Early Modern England? engages in this debate in two interrelated ways: by focusing on the (visual) image during a period that witnessed the Reformation and the invention of the printing press, and by exploring its status in relation to an array of texts including Arthurian romance, saints lives, stage plays, printed sermons, biblical epic, pamphlets, and psalms."-- Back cover

     
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    Source: Union catalogues
    Contributor: Zlatar, Antoinina Bevan (HerausgeberIn); Timofeeva, Olga (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 3823381504; 9783823381501
    Other identifier:
    9783823381501
    18150
    RVK Categories: HH 4061 ; HH 4054 ; HI 1161
    Corporations / Congresses: Swiss Association of Medieval and Early Modern English Studies, 5. (2016, Zürich)
    Series: Swiss papers in English language and literature (SPELL) ; volume 34
    Subjects: Arts, Medieval; Arts, Renaissance; Image (Philosophy)
    Scope: 300 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    "The essays in this volume began life as papers delivered at the 5th Biennal Conference of the Swiss Association of Medieval and Early Modern English Studies."

    Lukas Erne: General editor's preface

    Antoinina Bevan Zlatar: Introduction

    Christiana Whitehead: Visual and verbal vernacular translations of Bede's Prose life of St Cuthbert in fifteenth-century northern England : the Carlisle panel paintings

    Nicolette Zeeman: Theory transposed : idols, knights and identity

    Alexandra Walsham: The art of iconoclasm and the afterlife of the English reformation

    Kilian Schindler: Devils on stage : dramatic representations of the supernatural in Doctor Faustus

    Sonia Pernet: "Where there is a frequent preaching, there is no necessity of pictures: : the fluit images of John Donne's preaching as substitutes for visual representations

    Hannah Yip: "The text and the occasion mingled together to make a chequer-worke, a mixture of black and white, mouring and joy" : visual elements of the printed funeral sermon in early modern England

    Rachel Willie: Sensing the visual (mis)representation of William Laud

    Andrew Morrall: "On the picture of the king Charles the First . . . written in Psalms" : devotion, commemoration and the micrographic portrait

    Antoinina Bevan Zlatar: "The image of their glorious maker" : looking at representation and similitude in Milton's Paradise lost

    Erzsi Kukorelly: Samuel Richardson's visual rhetoric of improvement

    Brian Cummings.: Afterword : words and images