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  1. The sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the reader's sympathies
    Published: 2023
    Publisher:  Universitätsverlag Hildesheim, Hildesheim ; Georg Olms Verlag, Hildesheim ; Zürich ; New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Inhaltstext (lizenzpflichtig)
    Inhaltstext (lizenzpflichtig)
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9783487163727
    RVK Categories: HL 1071
    Series: British and American Studies at Hildesheim ; volume 3
    Subjects: Das Groteske; Verschiedenheit <Motiv>; Leserlenkung; Literatur; Rezeption; Englisch; Sympathie
    Scope: 491 Seiten
  2. <<The>> sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the readers' sympathies
    Published: 2023
    Publisher:  Universitätsverlag Hildesheim, Hildesheim

    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in... more

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitätsbibliothek Paderborn
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    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in terms of gender and mentality as well as aestheticism. In reaction to current disability studies, Brusberg-Kiermeier proposes the term ‘unfitness’ as a more appropriate and holistic concept for the examination of Victorian texts and implies that it was unfitness that was suspended over the heads of the Victorians like the sword of Damocles. She argues that contrary to the understanding of disability applied in Victorian studies so far, the concept of unfitness can include all varieties of afflictions which the writers are negotiating in their texts. The study suggests that while the eighteenth century saw the desire to catalogue nature in order to domesticate the natural grotesque – asymmetrical features and irregular landscapes hitherto regarded as ugly –, the nineteenth century brought about a first scientific categorization of humans and the domestication of the human grotesque. These endeavours were reflected in the development of the dominant literary genres and subgenres. The conceptualization of the investigation has also been inspired by the Victorians’ fascination with categorization and classification. The categories adopted, adapted, and questioned in this scholarly ‘cabinet of curiosities’ are derived from the cultural constructions of the time and reflect the Victorians’ views of unfitness. In contrast to studies on the Gothic or enfreakment, this investigation places the inclusive strategies of the texts in the limelight and argues that the narratives were often motivated by reformative ideas. For their white middle-class didactic project the authors appropriated the concept of sympathy – which Darwin established as a biological one – as the ‘social glue’ to bind different members of society together. The concept of sympathy was gradually to be redefined and corrupted towards the end of the century for the new science of eugenics. The structure of the investigation imitates the three-decker novel. While the first chapter gives an overview of the varieties of unfitness and their sublimation, as found in Victorian fiction, the other two chapters illustrate the double standard of the time. They argue that male unfitness could be contained with the help of the concept of eccentricity, whereas there was no such general inclusive concept available for female unfitness. The female characters can therefore be shown as fluctuating between the two extremes of angelicness and monstrosity

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783487163727
    Series: British and American studies at Hildesheim ; volume 3
    Subjects: Englisch; Literatur; Verschiedenheit <Motiv>; <<Das>> Groteske; Rezeption; Sympathie; Leserlenkung; Geschichte 1840-1900
    Scope: 491 Seiten
    Notes:

    Literaturverzeichnis: Seite 463-492

  3. The sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the reader's sympathies
    Published: 2023
    Publisher:  Universitätsverlag Hildesheim, Hildesheim ; Georg Olms Verlag, Zürich

    Universitätsbibliothek Kassel, Standort Holländischer Platz
    25 Eng PC 0024
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783487163727
    Other identifier:
    9783487163727
    DDC Categories: 820
    Series: British and American Studies at Hildesheim ; volume 3
    Subjects: Englisch; Literatur; Verschiedenheit <Motiv>; Das Groteske; Rezeption; Sympathie; Leserlenkung
    Scope: 491 Seiten
  4. The sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the reader's sympathies
    Published: 2023
    Publisher:  Universitätsverlag Hildesheim, Hildesheim ; Georg Olms Verlag

    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in terms of gender and mentality as well as aestheticism. In reaction to current disability studies, Brusberg-Kiermeier proposes the term ‘unfitness’ as a more appropriate and holistic concept for the examination of Victorian texts and implies that it was unfitness that was suspended over the heads of the Victorians like the sword of Damocles. She argues that contrary to the understanding of disability applied in Victorian studies so far, the concept of unfitness can include all varieties of afflictions which the writers are negotiating in their texts. The study suggests that while the eighteenth century saw the desire to catalogue nature in order to domesticate the natural grotesque – asymmetrical features and irregular landscapes hitherto regarded as ugly –, the nineteenth century brought about a first scientific categorization of humans and the domestication of the human grotesque. These endeavours were reflected in the development of the dominant literary genres and subgenres. The conceptualization of the investigation has also been inspired by the Victorians’ fascination with categorization and classification. The categories adopted, adapted, and questioned in this scholarly ‘cabinet of curiosities’ are derived from the cultural constructions of the time and reflect the Victorians’ views of unfitness. In contrast to studies on the Gothic or enfreakment, this investigation places the inclusive strategies of the texts in the limelight and argues that the narratives were often motivated by reformative ideas. For their white middle-class didactic project the authors appropriated the concept of sympathy – which Darwin established as a biological one – as the ‘social glue’ to bind different members of society together. The concept of sympathy was gradually to be redefined and corrupted towards the end of the century for the new science of eugenics. The structure of the investigation imitates the three-decker novel. While the first chapter gives an overview of the varieties of unfitness and their sublimation, as found in Victorian fiction, the other two chapters illustrate the double standard of the time. They argue that male unfitness could be contained with the help of the concept of eccentricity, whereas there was no such general inclusive concept available for female unfitness. The female characters can therefore be shown as fluctuating between the two extremes of angelicness and monstrosity.

     

    Export to reference management software   RIS file
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    Content information
    Inhaltstext (lizenzpflichtig)
    Inhaltstext (lizenzpflichtig)
    Inhaltsverzeichnis (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783487163727
    Other identifier:
    RVK Categories: HL 1071
    Series: British and American Studies at Hildesheim ; volume 3
    Subjects: Englisch; Literatur; Verschiedenheit <Motiv>; Das Groteske; Rezeption; Sympathie; Leserlenkung; Geschichte 1840-1900;
    Scope: 491 Seiten
    Notes:

    Literaturverzeichnis: Seite 463-492

  5. The sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the reader's sympathies
    Published: 2023
    Publisher:  Universitätsverlag Hildesheim, Hildesheim ; Georg Olms Verlag

    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 172098
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 577.1 e/698
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    HL 1071 110
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2023/6356
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    Universitätsbibliothek Heidelberg
    2023 A 9101
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    Universitätsbibliothek Hildesheim
    BASH 3
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    Universitätsbibliothek Hildesheim
    ANG 405 : B77,b
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    Badische Landesbibliothek
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    Universität des Saarlandes, Fachrichtung Germanistik, Bibliothek
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    Württembergische Landesbibliothek
    73/6894
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    Inspired by Erving Goffman’s understanding of stigma management, Stefani Brusberg-Kiermeier takes a fresh look at the representation of Otherness and transgression in Victorian fiction in different forms – social and moral as well as physical, in terms of gender and mentality as well as aestheticism. In reaction to current disability studies, Brusberg-Kiermeier proposes the term ‘unfitness’ as a more appropriate and holistic concept for the examination of Victorian texts and implies that it was unfitness that was suspended over the heads of the Victorians like the sword of Damocles. She argues that contrary to the understanding of disability applied in Victorian studies so far, the concept of unfitness can include all varieties of afflictions which the writers are negotiating in their texts. The study suggests that while the eighteenth century saw the desire to catalogue nature in order to domesticate the natural grotesque – asymmetrical features and irregular landscapes hitherto regarded as ugly –, the nineteenth century brought about a first scientific categorization of humans and the domestication of the human grotesque. These endeavours were reflected in the development of the dominant literary genres and subgenres. The conceptualization of the investigation has also been inspired by the Victorians’ fascination with categorization and classification. The categories adopted, adapted, and questioned in this scholarly ‘cabinet of curiosities’ are derived from the cultural constructions of the time and reflect the Victorians’ views of unfitness. In contrast to studies on the Gothic or enfreakment, this investigation places the inclusive strategies of the texts in the limelight and argues that the narratives were often motivated by reformative ideas. For their white middle-class didactic project the authors appropriated the concept of sympathy – which Darwin established as a biological one – as the ‘social glue’ to bind different members of society together. The concept of sympathy was gradually to be redefined and corrupted towards the end of the century for the new science of eugenics. The structure of the investigation imitates the three-decker novel. While the first chapter gives an overview of the varieties of unfitness and their sublimation, as found in Victorian fiction, the other two chapters illustrate the double standard of the time. They argue that male unfitness could be contained with the help of the concept of eccentricity, whereas there was no such general inclusive concept available for female unfitness. The female characters can therefore be shown as fluctuating between the two extremes of angelicness and monstrosity.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783487163727
    RVK Categories: HL 1071
    Series: British and American Studies at Hildesheim ; volume 3
    Subjects: Englisch; Literatur; Verschiedenheit <Motiv>; Das Groteske; Rezeption; Sympathie; Leserlenkung; Geschichte 1840-1900;
    Scope: 491 Seiten
    Notes:

    Literaturverzeichnis: Seite 463-492

  6. The sublimation of unfitness in Victorian fiction
    domesticating the grotesque and extending the readers’ sympathies