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Displaying results 1 to 6 of 6.

  1. Point of view in the cinema
    a theory of narration and subjectivity in classical film
    Author: Branigan, Edward
    Published: [1984]; © 1984
    Publisher:  Mouton, Berlin ; New York

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591; 3110817594; 9027930791; 9789027930798
    Series: Approaches to semiotics ; 66
    Subjects: Cinéma / Philosophie; Cinéma / Scénarios / Histoire et critique; Point de vue (Littérature); PERFORMING ARTS / Reference; Motion picture plays; Motion pictures / Philosophy; Point of view (Literature); Subjectivity in motion pictures; Films; Vertelsituatie; Subjectiviteit; Film; Philosophie; Array; Erzähltechnik; Erzählperspektive; Semiotik; Subjektivität; Erzählung; Erzählforschung; Film
    Scope: 1 online resource (xv, 246 pages, 21 unnumbered pages of plates), illustrations
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Print version record
  2. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Author: Branigan, Edward
    Published: 1984
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027930798; 9783110817591; 9783111770048
    Other identifier:
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjektivität; Semiotik; Erzählung; Erzählperspektive; Erzähltechnik; Film; Erzählforschung
    Scope: 1 Online-Ressource (XVI, 246 S.)
  3. Point of view in the cinema
    a theory of narration and subjectivity in classical film
    Author: Branigan, Edward
    Published: [1984]; © 1984
    Publisher:  Mouton, Berlin ; New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591; 9789027930798
    Subjects: Film; Philosophie; Motion picture plays; Motion pictures; Point of view (Literature); Subjectivity in motion pictures; Subjektivität; Semiotik; Erzählung; Erzählperspektive; Erzähltechnik; Film; Erzählforschung
    Scope: 1 online resource (288 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed November 13, 2013)
  4. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Author: Branigan, Edward
    Published: 1984
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027930798; 9783110817591; 9783111770048
    Other identifier:
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjektivität; Semiotik; Erzählung; Erzählperspektive; Erzähltechnik; Film; Erzählforschung
    Scope: 1 Online-Ressource (XVI, 246 S.)
  5. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Author: Branigan, Edward
    Published: 2012; ©1984
    Publisher:  De Gruyter, Berlin

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized... more

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Greifswald
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    HafenCity Universität Hamburg, Bibliothek
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Hochschulbibliothek Karlsruhe (PH)
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Merseburg, Bibliothek
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591
    Other identifier:
    RVK Categories: AP 45300 ; AP 45000
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjectivity in motion pictures; Motion pictures; Point of view (Literature); Motion picture plays; Motion picture plays.; Motion pictures.; Point of view (Literature).; Subjectivity in motion pictures.; Erzählen.; Film.; Film; Erzählen; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: Online-Ressource (XVI, 246 S.)
  6. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Author: Branigan, Edward
    Published: 2012; ©1984
    Publisher:  De Gruyter, Berlin

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591
    Other identifier:
    RVK Categories: AP 45300 ; AP 45000
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjectivity in motion pictures; Motion pictures; Point of view (Literature); Motion picture plays; Motion picture plays.; Motion pictures.; Point of view (Literature).; Subjectivity in motion pictures.; Erzählen.; Film.; Film; Erzählen; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: Online-Ressource (XVI, 246 S.)