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  1. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: [2017]; © 2017
    Publisher:  De Gruyter Mouton, Berlin ;Boston

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear)

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110339017; 9783110344592; 9783110395280; 9783110326543
    Other identifier:
    RVK Categories: HU 1761 ; HU 1769 ; LS 48200
    Series: Buchreihe der Anglia / Anglia Book Series ; 42
    Subjects: Amerikanische Literatur; Intermedialität; Jazz-Musik; Kognitive Poetik; Jazz; Kognitive Poetik; Jazz poetry; Intermedialität
    Scope: 1 online resource (318pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  2. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: [2017]; © 2017
    Publisher:  De Gruyter Mouton, Berlin ;Boston

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear)

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110339017; 9783110344592; 9783110395280; 9783110326543
    Other identifier:
    RVK Categories: HU 1761 ; HU 1769 ; LS 48200
    Series: Buchreihe der Anglia / Anglia Book Series ; 42
    Subjects: Amerikanische Literatur; Intermedialität; Jazz-Musik; Kognitive Poetik; Jazz; Kognitive Poetik; Jazz poetry; Intermedialität
    Scope: 1 online resource (318pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  3. Translating jazz into poetry
    from mimesis to metaphor
    Author: Redling, Erik
    Published: 2017
    Publisher:  de Gruyter, Berlin

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    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110395280
    RVK Categories: HU 1761 ; HU 1769 ; LS 48200
    Series: Buchreihe der Anglia ; volume 42
    Subjects: Intermedialität; Jazz poetry; Jazz; Kognitive Poetik
    Scope: 1 Online-Ressource (318 Seiten)
    Notes:

    Habilitationsschrift, Universität Augsburg, 2009
  4. Translating jazz into poetry
    from mimesis to metaphor
    Author: Redling, Erik
    Published: 2017
    Publisher:  de Gruyter, Berlin

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110395280
    RVK Categories: HU 1761 ; HU 1769 ; LS 48200
    Series: Buchreihe der Anglia ; volume 42
    Subjects: Intermedialität; Jazz poetry; Jazz; Kognitive Poetik
    Scope: 1 Online-Ressource (318 Seiten)
    Notes:

    Habilitationsschrift, Universität Augsburg, 2009
  5. Translating jazz into poetry
    from mimesis to metaphor
    Author: Redling, Erik
    Published: 2017
    Publisher:  De Gruyter, Berline

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind's eye (i.e., their mind's ear)

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110344592; 3110344599; 3110395282; 9783110395280; 311032654X; 9783110326543
    Other identifier:
    9783110395280
    Series: Buchreihe der ANGLIA / ANGLIA book series ; volume 42
    Subjects: Poetry; Jazz in literature; Poetry; Poetry; Jazz in literature; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; Jazz in literature; Poetry; Jazz poetry; Intermedialität; Jazz; Kognitive Poetik; Criticism, interpretation, etc
    Scope: Online Ressource (ix, 308 pages), illustrations (chiefly color), music.
    Notes:

    Includes bibliographical references and indexes. - In English. - Print version record

    Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Mimesis: Intermediality and Reductive Interpretations of Jazz Poems -- 3. Metaphor: Intermedial Translation as a Metaphorical Process -- 4 "Oh Play that Thing you Jazz Mad Fools!" Exploring the Creatively Inspired Metaphor jazz music is writing in Jazz Poetry -- 5. Conclusion -- Works Cited -- Poetry Index -- Credit Lines -- Name Index -- Subject Index
  6. Translating Jazz into poetry
    from mimesis to metaphor
    Author: Redling, Erik
    Published: Februar 2017
    Publisher:  De Gruyter, Berlin

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

     

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear)

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110339017; 9783110344592; 9783110395280; 9783110326543
    Other identifier:
    Series: Buchreihe der Anglia ; volume 42
    Subjects: USA; Jazz poetry; Intermedialität; Jazz; Kognitive Poetik;
    Scope: 1 Online-Ressource
  7. Translating jazz into poetry
    from mimesis to metaphor
    Author: Redling, Erik
    Published: [2017]
    Publisher:  De Gruyter, Berlin

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783110326543; 9783110339017; 9783110395280; 311032654X
    Other identifier:
    9783110326543
    DDC Categories: 420
    Series: Buchreihe der Anglia ; Volume 42
    Subjects: USA; Jazz poetry; Intermedialität; Jazz; Kognitive Poetik;
    Other subjects: Intermediality; Cognitive Poetics; Jazz Music; American Literature
    Scope: ix, 308 Seiten, Illustrationen, 23
    Notes:

    Literaturverzeichnis: Seite [287]-299

    Auch als Online-Ausgabe erhältlich

    Habilitationsschrift, Universität Augsburg, 2009
  8. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: 2017
    Publisher:  De Gruyter, Berlin/Boston ; De Gruyter Mouton

    Export to reference management software   RIS file
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  9. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear). Erik Redling, Martin Luther University of Halle-Wittenberg, Germany.

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110339017; 9783110395280; 9783110344592
    Other identifier:
    RVK Categories: HU 1761
    Series: Buchreihe der Anglia ; volume 42
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: American poetry; American poetry; Music and literature; Jazz; Poetry; English language; Jazz in literature; Amerikanische Literatur.; Jazz-Musik.; Intermedialität.; Kognitive Poetik.; Jazz; Jazz poetry; LITERARY CRITICISM / American / General
    Other subjects: American Literature; Cognitive Poetics; Intermediality; Jazz Music
    Scope: 1 Online-Ressource (IX, 308 Seiten)
    Notes:

    Habilitationsschrift, Universität Augsburg, 2009
  10. Translating Jazz Into Poetry
    From Mimesis to Metaphor
    Author: Redling, Erik
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin

    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality... more

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    The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear). Erik Redling, Martin Luther University of Halle-Wittenberg, Germany.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110339017; 9783110395280; 9783110344592
    Other identifier:
    RVK Categories: HU 1761
    Series: Buchreihe der Anglia ; volume 42
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: American poetry; American poetry; Music and literature; Jazz; Poetry; English language; Jazz in literature; Amerikanische Literatur.; Jazz-Musik.; Intermedialität.; Kognitive Poetik.; Jazz; Jazz poetry; LITERARY CRITICISM / American / General
    Other subjects: American Literature; Cognitive Poetics; Intermediality; Jazz Music
    Scope: 1 Online-Ressource (IX, 308 Seiten)
    Notes:

    Habilitationsschrift, Universität Augsburg, 2009