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  1. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
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    Edition: 1st ed. 2020
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative literature; Oriental literature; German philology; Literature—Translations; Theater; Ethnology—Asia
    Scope: 1 Online-Ressource (XV, 200 p. 6 illus)
  2. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020
    Publisher:  Springer International Publishing, Cham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    Edition: 1st ed. 2020
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative literature; Oriental literature; German philology; Literature—Translations; Theater; Ethnology—Asia
    Scope: 1 Online-Ressource (XV, 200 p. 6 illus)
  3. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good... more

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    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good Person of Szechwan and Chinese Xiqu Adaptations -- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle -- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s Turandot and Wei Minglun’s Chuanju Play Chinese Princess Dulanduo -- Chapter 6: Brecht and Mao Zedong: Two Sides of “The Other Side” and “Twice Removed” Vision of “Snow” -- Chapter 7: Conclusion. This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    Edition: 1st ed. 2020.
    Series: Chinese Literature and Culture in the World
    Springer eBook Collection
    Subjects: Comparative literature.; Oriental literature.; German philology.; Literature—Translations.; Theater.; Ethnology—Asia.
    Scope: 1 Online-Ressource(XV, 200 p. 6 illus.)
  4. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    RVK Categories: AP 64962 ; GM 2660
    Edition: 1st ed. 2020
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative Literature; Asian Literature; German Literature; Translation Studies; Global/International Theatre and Performance; Asian Culture; Comparative literature; Oriental literature; German philology; Literature—Translations; Theater; Ethnology—Asia; Rezeption; Theaterproduktion
    Other subjects: Brecht, Bertolt (1898-1956)
    Scope: 1 Online-Ressource (XV, 200 p. 6 illus)
  5. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good... more

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    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good Person of Szechwan and Chinese Xiqu Adaptations -- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle -- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s Turandot and Wei Minglun’s Chuanju Play Chinese Princess Dulanduo -- Chapter 6: Brecht and Mao Zedong: Two Sides of “The Other Side” and “Twice Removed” Vision of “Snow” -- Chapter 7: Conclusion. This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    Edition: 1st ed. 2020.
    Series: Chinese Literature and Culture in the World
    Springer eBook Collection
    Subjects: Comparative literature.; Oriental literature.; German philology.; Literature—Translations.; Theater.; Ethnology—Asia.
    Scope: 1 Online-Ressource(XV, 200 p. 6 illus.)
  6. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    RVK Categories: AP 64962 ; GM 2660
    Edition: 1st ed. 2020
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative Literature; Asian Literature; German Literature; Translation Studies; Global/International Theatre and Performance; Asian Culture; Comparative literature; Oriental literature; German philology; Literature—Translations; Theater; Ethnology—Asia; Rezeption; Theaterproduktion
    Other subjects: Brecht, Bertolt (1898-1956)
    Scope: 1 Online-Ressource (XV, 200 p. 6 illus)
  7. Chinese Adaptations of Brecht
    Appropriation and Intertextuality
    Author: Zhang, Wei
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang... more

     

    This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    Edition: 1st ed. 2020
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative literature; Oriental literature; German philology; Literature—Translations; Theater; Ethnology—Asia; Comparative Literature; Asian Literature; German Literature; Translation Studies; Global/International Theatre and Performance; Asian Culture
    Scope: 1 Online-Ressource (XV, 200 Seiten), 6 Illustrationen
    Notes:

    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong’s Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht’s The Good Person of Szechwan and Chinese Xiqu Adaptations -- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle -- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s Turandot and Wei Minglun’s Chuanju Play Chinese Princess Dulanduo -- Chapter 6: Brecht and Mao Zedong: Two Sides of “The Other Side” and “Twice Removed” Vision of “Snow” -- Chapter 7: Conclusion
  8. Chinese Adaptations of Brecht
    Appropriation and Intertextuality /
    Author: Zhang, Wei.
    Published: 2020.
    Publisher:  Springer International Publishing :, Cham : ; Imprint: Palgrave Macmillan,

    This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht's plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783030377786
    Other identifier:
    Parent title: Springer eBooks
    Edition: 1st ed. 2020.
    Series: Chinese Literature and Culture in the World
    Subjects: Comparative literature.; Oriental literature.; German philology.; Literature-Translations.; Theater.; Ethnology-Asia.; Comparative Literature.; Asian Literature.; German Literature.; Translation Studies.; Global/International Theatre and Performance.; Asian Culture.
    Scope: XV, 200 p. 6 illus., online resource.
    Notes:

    Chapter 1: Introduction -- Chapter 2: One Director, Three Takes: Chen Yong's Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera -- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht's The Good Person of Szechwan and Chinese Xiqu Adaptations -- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle -- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht's Turandot and Wei Minglun's Chuanju Play Chinese Princess Dulanduo -- Chapter 6: Brecht and Mao Zedong: Two Sides of "The Other Side" and "Twice Removed" Vision of "Snow" -- Chapter 7: Conclusion.