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  1. Against Repression
    Surrealism, Sublimation and the Recuperation of Desire
    Author: James, Klem
    Published: 2018; ©2019
    Publisher:  Peter Lang Ltd, International Academic Publishers, Oxford

    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787077706
    Other identifier:
    9781787077706
    Edition: 1st, New ed
    Subjects: Sexualverhalten <Motiv>; Erotik <Motiv>; Sublimierung; Surrealismus
    Scope: 1 Online-Ressource (314 Seiten), 30 ill
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond. The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society

  2. Against Repression
    Surrealism, Sublimation and the Recuperation of Desire
  3. Against Repression
    Author: James, Klem
    Published: 2018
    Publisher:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook,... more

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    Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement’s artistic and political activities of the late 1930s, 1940s and beyond.The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787077706
    Other identifier:
    DDC Categories: 840; 700
    Edition: 1st, New ed.
    Series: Art and Thought / Art et pensée ; 3
    Subjects: Künste; Surrealismus; Erotik <Motiv>; Sexualverhalten <Motiv>; Sublimierung
    Scope: 1 Online-Ressource